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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E0AD8E it is the complementary color #1F5271. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E0AD8E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E0AD8E shade: #E5AD89, #F6BF9C, #FFD1AF, #FFE3C2 and #FFF5D5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E0AD8E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E0AD8E shade: #E0AD8E, #CF9B7B, #BE8968, #AD7755 and #9C6542

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E0AD8E shade: #E0AD8E, #E0978E and #E08E8E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E0AD8E shade: #E0AD8E, #E0C38E, #E0D98E, #D1E08E and #BBE08E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E0AD8E shade matches the following richer shades: #E0AD8E, #EBAA83 and #F7A877

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E0AD8E shade: #E0AD8E, #D4B09A, #C9B3A6, #BDB6B1 and #B2B8BD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E0AD8E shade: #E08E9C, #E0978E, #E0AC8E, #E0C28E and #E0D88E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E0AD8E shade: #CE7E4E, #D7966E, #E0AD8E, #E9C5AF and #F2DCCF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E0AD8E shade: #E0AD8E, #B2E08E and #8E91E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E0AD8E shade: #E0AD8E, #8EE0AC and #AC8EE0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E0AD8E shade: #E0AD8E, #B2E08E, #8EC2E0 and #BD8EE0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E0AD8E shade: #E0AD8E, #99E08E, #8EC2E0 and #D58EE0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 37 / 12

HEX #E0AD8E

RGB 224 173 142

HSL 22.68, 0.57%, 0.72%

LAB 74.63, 14.51, 23.1

 

Complementary color

CMYK 73 / 27 / 0 / 56

HEX #1F5271

RGB 31 82 113

HSL 202.68, 0.57%, 0.28%

LAB 32.96, -5.9, -22.71

 

CMYK 0 / 24 / 40 / 10

HEX #E5AD89

RGB 229 173 137

HSL 23.48, 0.64%, 0.72%

LAB 75.05, 15.9, 26.44

 

CMYK 0 / 22 / 37 / 4

HEX #F6BF9C

RGB 246 191 156

HSL 23.33, 0.83%, 0.79%

LAB 81.43, 15.15, 25.24

 

CMYK 0 / 18 / 31 / 0

HEX #FFD1AF

RGB 255 209 175

HSL 25.5, 1%, 0.84%

LAB 86.98, 11.47, 22.96

HEX #FFD1AF

CMYK 0 / 11 / 24 / 0

HEX #FFE3C2

RGB 255 227 194

HSL 32.46, 1%, 0.88%

LAB 91.73, 4.67, 19.64

HEX #FFE3C2

CMYK 0 / 4 / 16 / 0

HEX #FFF5D5

RGB 255 245 213

HSL 45.71, 1%, 0.92%

LAB 96.56, -1.76, 16.61

HEX #FFF5D5

CMYK 0 / 23 / 37 / 12

HEX #E0AD8E

RGB 224 173 142

HSL 22.68, 0.57%, 0.72%

LAB 74.63, 14.51, 23.1

 

CMYK 0 / 25 / 41 / 19

HEX #CF9B7B

RGB 207 155 123

HSL 22.86, 0.47%, 0.65%

LAB 68.12, 15.28, 24.33

 

CMYK 0 / 28 / 45 / 25

HEX #BE8968

RGB 190 137 104

HSL 23.02, 0.4%, 0.58%

LAB 61.51, 16.17, 25.67

 

CMYK 0 / 31 / 51 / 32

HEX #AD7755

RGB 173 119 85

HSL 23.18, 0.35%, 0.51%

LAB 54.8, 17.2, 27.14

 

CMYK 0 / 35 / 58 / 39

HEX #9C6542

RGB 156 101 66

HSL 23.33, 0.41%, 0.44%

LAB 47.97, 18.4, 28.78

 

CMYK 0 / 23 / 37 / 12

HEX #E0AD8E

RGB 224 173 142

HSL 22.68, 0.57%, 0.72%

LAB 74.63, 14.51, 23.1

 

CMYK 0 / 33 / 37 / 12

HEX #E0978E

RGB 224 151 142

HSL 6.59, 0.57%, 0.72%

LAB 69.42, 26.32, 15.94

 

CMYK 0 / 37 / 37 / 12

HEX #E08E8E

RGB 224 142 142

HSL 0, 0.57%, 0.72%

LAB 67.39, 31.13, 13.09

 

CMYK 0 / 23 / 37 / 12

HEX #E0AD8E

RGB 224 173 142

HSL 22.68, 0.57%, 0.72%

LAB 74.63, 14.51, 23.1

 

CMYK 0 / 13 / 37 / 12

HEX #E0C38E

RGB 224 195 142

HSL 38.78, 0.57%, 0.72%

LAB 80.08, 2.85, 30.44

 

CMYK 0 / 3 / 37 / 12

HEX #E0D98E

RGB 224 217 142

HSL 54.88, 0.57%, 0.72%

LAB 85.72, -8.49, 37.83

 

CMYK 7 / 0 / 37 / 12

HEX #D1E08E

RGB 209 224 142

HSL 70.98, 0.57%, 0.72%

LAB 86.41, -17.75, 38.5

 

CMYK 17 / 0 / 37 / 12

HEX #BBE08E

RGB 187 224 142

HSL 87.07, 0.57%, 0.72%

LAB 84.91, -25.93, 36.26

 

CMYK 0 / 23 / 37 / 12

HEX #E0AD8E

RGB 224 173 142

HSL 22.68, 0.57%, 0.72%

LAB 74.63, 14.51, 23.1

 

CMYK 0 / 28 / 44 / 8

HEX #EBAA83

RGB 235 170 131

HSL 22.5, 0.72%, 0.72%

LAB 74.86, 19.23, 29.51

 

CMYK 0 / 32 / 52 / 3

HEX #F7A877

RGB 247 168 119

HSL 22.97, 0.89%, 0.72%

LAB 75.52, 23.91, 36.99

 

CMYK 0 / 23 / 37 / 12

HEX #E0AD8E

RGB 224 173 142

HSL 22.68, 0.57%, 0.72%

LAB 74.63, 14.51, 23.1

 

CMYK 0 / 17 / 27 / 17

HEX #D4B09A

RGB 212 176 154

HSL 22.76, 0.4%, 0.72%

LAB 74.43, 9.78, 16.15

 

CMYK 0 / 11 / 17 / 21

HEX #C9B3A6

RGB 201 179 166

HSL 22.29, 0.24%, 0.72%

LAB 74.45, 5.76, 9.51

 

CMYK 0 / 4 / 6 / 26

HEX #BDB6B1

RGB 189 182 177

HSL 25, 0.08%, 0.72%

LAB 74.48, 1.58, 3.41

 

CMYK 6 / 3 / 0 / 26

HEX #B2B8BD

RGB 178 184 189

HSL 207.27, 0.08%, 0.72%

LAB 74.46, -1.11, -3.26

 

CMYK 0 / 37 / 30 / 12

HEX #E08E9C

RGB 224 142 156

HSL 349.76, 0.57%, 0.72%

LAB 67.72, 32.88, 5.71

 

CMYK 0 / 33 / 37 / 12

HEX #E0978E

RGB 224 151 142

HSL 6.59, 0.57%, 0.72%

LAB 69.42, 26.32, 15.94

 

CMYK 0 / 23 / 37 / 12

HEX #E0AC8E

RGB 224 172 142

HSL 21.95, 0.57%, 0.72%

LAB 74.38, 15.05, 22.77

 

CMYK 0 / 13 / 37 / 12

HEX #E0C28E

RGB 224 194 142

HSL 38.05, 0.57%, 0.72%

LAB 79.83, 3.37, 30.1

 

CMYK 0 / 4 / 37 / 12

HEX #E0D88E

RGB 224 216 142

HSL 54.15, 0.57%, 0.72%

LAB 85.46, -7.98, 37.49

 

CMYK 0 / 39 / 62 / 19

HEX #CE7E4E

RGB 206 126 78

HSL 22.5, 0.57%, 0.56%

LAB 60.42, 26.54, 38.84

 

CMYK 0 / 30 / 49 / 16

HEX #D7966E

RGB 215 150 110

HSL 22.86, 0.57%, 0.64%

LAB 67.57, 19.87, 30.83

 

CMYK 0 / 23 / 37 / 12

HEX #E0AD8E

RGB 224 173 142

HSL 22.68, 0.57%, 0.72%

LAB 74.63, 14.51, 23.1

 

CMYK 0 / 15 / 25 / 9

HEX #E9C5AF

RGB 233 197 175

HSL 22.76, 0.57%, 0.8%

LAB 82.03, 9.48, 15.78

 

CMYK 0 / 9 / 14 / 5

HEX #F2DCCF

RGB 242 220 207

HSL 22.29, 0.57%, 0.88%

LAB 89.19, 5.47, 9.12

 

CMYK 0 / 23 / 37 / 12

HEX #E0AD8E

RGB 224 173 142

HSL 22.68, 0.57%, 0.72%

LAB 74.63, 14.51, 23.1

 

CMYK 21 / 0 / 37 / 12

HEX #B2E08E

RGB 178 224 142

HSL 93.66, 0.57%, 0.72%

LAB 84.34, -29.16, 35.41

 

CMYK 37 / 35 / 0 / 12

HEX #8E91E0

RGB 142 145 224

HSL 237.8, 0.57%, 0.72%

LAB 62.83, 17.69, -40.52

 

CMYK 0 / 23 / 37 / 12

HEX #E0AD8E

RGB 224 173 142

HSL 22.68, 0.57%, 0.72%

LAB 74.63, 14.51, 23.1

 

CMYK 37 / 0 / 23 / 12

HEX #8EE0AC

RGB 142 224 172

HSL 141.95, 0.57%, 0.72%

LAB 82.94, -36, 17.71

 

CMYK 23 / 37 / 0 / 12

HEX #AC8EE0

RGB 172 142 224

HSL 261.95, 0.57%, 0.72%

LAB 64.56, 27.88, -37.63

 

CMYK 0 / 23 / 37 / 12

HEX #E0AD8E

RGB 224 173 142

HSL 22.68, 0.57%, 0.72%

LAB 74.63, 14.51, 23.1

 

CMYK 21 / 0 / 37 / 12

HEX #B2E08E

RGB 178 224 142

HSL 93.66, 0.57%, 0.72%

LAB 84.34, -29.16, 35.41

 

CMYK 37 / 13 / 0 / 12

HEX #8EC2E0

RGB 142 194 224

HSL 201.95, 0.57%, 0.72%

LAB 75.89, -9.6, -20.36

 

CMYK 16 / 37 / 0 / 12

HEX #BD8EE0

RGB 189 142 224

HSL 274.39, 0.57%, 0.72%

LAB 66.17, 32.93, -35

 

CMYK 0 / 23 / 37 / 12

HEX #E0AD8E

RGB 224 173 142

HSL 22.68, 0.57%, 0.72%

LAB 74.63, 14.51, 23.1

 

CMYK 32 / 0 / 37 / 12

HEX #99E08E

RGB 153 224 142

HSL 111.95, 0.57%, 0.72%

LAB 82.93, -37.68, 33.3

 

CMYK 37 / 13 / 0 / 12

HEX #8EC2E0

RGB 142 194 224

HSL 201.95, 0.57%, 0.72%

LAB 75.89, -9.6, -20.36

 

CMYK 5 / 37 / 0 / 12

HEX #D58EE0

RGB 213 142 224

HSL 291.95, 0.57%, 0.72%

LAB 68.66, 40.24, -30.95

 

Description

Color code: HEX #E0AD8E | qconv.com Color code: HEX #E0AD8E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 173 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 173 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 37 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 37% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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