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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E0D98E it is the complementary color #1F2671. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E0D98E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E0D98E shade: #E5D989, #F6EB9C, #FFFDAF, #FFFFC2 and #FFFFD5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E0D98E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E0D98E shade: #E0D98E, #CFC77B, #BEB568, #ADA355 and #9C9142

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E0D98E shade: #E0D98E, #E0C38E, #E0AD8E, #E0978E and #E08E8E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E0D98E shade: #E0D98E, #D1E08E, #BBE08E, #A5E08E and #8FE08E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E0D98E shade matches the following richer shades: #E0D98E, #EBE283 and #F7EC77

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E0D98E shade: #E0D98E, #D4CF9A, #C9C6A6, #BDBCB1 and #B2B3BD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E0D98E shade: #E0AC8E, #E0C28E, #E0D88E, #D2E08E and #BDE08E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E0D98E shade: #CEC34E, #D7CE6E, #E0D98E, #E9E4AF and #F2EFCF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E0D98E shade: #E0D98E, #8EE097 and #B78EE0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E0D98E shade: #E0D98E, #8EE0D8 and #D88EE0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E0D98E shade: #E0D98E, #8EE097, #8E97E0 and #E08ED8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E0D98E shade: #E0D98E, #8EE0AF, #8E97E0 and #E08EBF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 37 / 12

HEX #E0D98E

RGB 224 217 142

HSL 54.88, 0.57%, 0.72%

LAB 85.72, -8.49, 37.83

 

Complementary color

CMYK 73 / 66 / 0 / 56

HEX #1F2671

RGB 31 38 113

HSL 234.88, 0.57%, 0.28%

LAB 19.51, 24.23, -44.2

 

CMYK 0 / 5 / 40 / 10

HEX #E5D989

RGB 229 217 137

HSL 52.17, 0.64%, 0.72%

LAB 86.05, -7.08, 40.85

 

CMYK 0 / 4 / 37 / 4

HEX #F6EB9C

RGB 246 235 156

HSL 52.67, 0.83%, 0.79%

LAB 92.31, -7.49, 39.69

 

CMYK 0 / 1 / 31 / 0

HEX #FFFDAF

RGB 255 253 175

HSL 58.5, 1%, 0.84%

LAB 97.88, -10.82, 37.65

 

CMYK 0 / 0 / 24 / 0

HEX #FFFFC2

RGB 255 255 194

HSL 60, 1%, 0.88%

LAB 98.7, -9.41, 29.25

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFD5

RGB 255 255 213

HSL 60, 1%, 0.92%

LAB 99.06, -6.76, 20.12

 

CMYK 0 / 3 / 37 / 12

HEX #E0D98E

RGB 224 217 142

HSL 54.88, 0.57%, 0.72%

LAB 85.72, -8.49, 37.83

 

CMYK 0 / 4 / 41 / 19

HEX #CFC77B

RGB 207 199 123

HSL 54.29, 0.47%, 0.65%

LAB 79.35, -8.1, 39

 

CMYK 0 / 5 / 45 / 25

HEX #BEB568

RGB 190 181 104

HSL 53.72, 0.4%, 0.58%

LAB 72.89, -7.64, 40.21

 

CMYK 0 / 6 / 51 / 32

HEX #ADA355

RGB 173 163 85

HSL 53.18, 0.35%, 0.51%

LAB 66.32, -7.08, 41.45

 

CMYK 0 / 7 / 58 / 39

HEX #9C9142

RGB 156 145 66

HSL 52.67, 0.41%, 0.44%

LAB 59.63, -6.4, 42.65

 

CMYK 0 / 3 / 37 / 12

HEX #E0D98E

RGB 224 217 142

HSL 54.88, 0.57%, 0.72%

LAB 85.72, -8.49, 37.83

 

CMYK 0 / 13 / 37 / 12

HEX #E0C38E

RGB 224 195 142

HSL 38.78, 0.57%, 0.72%

LAB 80.08, 2.85, 30.44

 

CMYK 0 / 23 / 37 / 12

HEX #E0AD8E

RGB 224 173 142

HSL 22.68, 0.57%, 0.72%

LAB 74.63, 14.51, 23.1

 

CMYK 0 / 33 / 37 / 12

HEX #E0978E

RGB 224 151 142

HSL 6.59, 0.57%, 0.72%

LAB 69.42, 26.32, 15.94

 

CMYK 0 / 37 / 37 / 12

HEX #E08E8E

RGB 224 142 142

HSL 0, 0.57%, 0.72%

LAB 67.39, 31.13, 13.09

 

CMYK 0 / 3 / 37 / 12

HEX #E0D98E

RGB 224 217 142

HSL 54.88, 0.57%, 0.72%

LAB 85.72, -8.49, 37.83

 

CMYK 7 / 0 / 37 / 12

HEX #D1E08E

RGB 209 224 142

HSL 70.98, 0.57%, 0.72%

LAB 86.41, -17.75, 38.5

 

CMYK 17 / 0 / 37 / 12

HEX #BBE08E

RGB 187 224 142

HSL 87.07, 0.57%, 0.72%

LAB 84.91, -25.93, 36.26

 

CMYK 26 / 0 / 37 / 12

HEX #A5E08E

RGB 165 224 142

HSL 103.17, 0.57%, 0.72%

LAB 83.58, -33.69, 34.27

 

CMYK 36 / 0 / 37 / 12

HEX #8FE08E

RGB 143 224 142

HSL 119.27, 0.57%, 0.72%

LAB 82.43, -40.85, 32.55

 

CMYK 0 / 3 / 37 / 12

HEX #E0D98E

RGB 224 217 142

HSL 54.88, 0.57%, 0.72%

LAB 85.72, -8.49, 37.83

 

CMYK 0 / 4 / 44 / 8

HEX #EBE283

RGB 235 226 131

HSL 54.81, 0.72%, 0.72%

LAB 88.78, -9.86, 47.34

 

CMYK 0 / 4 / 52 / 3

HEX #F7EC77

RGB 247 236 119

HSL 54.84, 0.89%, 0.72%

LAB 92.17, -11.15, 57.35

 

CMYK 0 / 3 / 37 / 12

HEX #E0D98E

RGB 224 217 142

HSL 54.88, 0.57%, 0.72%

LAB 85.72, -8.49, 37.83

 

CMYK 0 / 2 / 27 / 17

HEX #D4CF9A

RGB 212 207 154

HSL 54.83, 0.4%, 0.72%

LAB 82.35, -6.54, 27.03

 

CMYK 0 / 1 / 17 / 21

HEX #C9C6A6

RGB 201 198 166

HSL 54.86, 0.24%, 0.72%

LAB 79.36, -4.31, 16.44

 

CMYK 0 / 1 / 6 / 26

HEX #BDBCB1

RGB 189 188 177

HSL 55, 0.08%, 0.72%

LAB 76.04, -1.62, 5.68

 

CMYK 6 / 5 / 0 / 26

HEX #B2B3BD

RGB 178 179 189

HSL 234.55, 0.08%, 0.72%

LAB 73.14, 1.58, -5.2

 

CMYK 0 / 23 / 37 / 12

HEX #E0AC8E

RGB 224 172 142

HSL 21.95, 0.57%, 0.72%

LAB 74.38, 15.05, 22.77

 

CMYK 0 / 13 / 37 / 12

HEX #E0C28E

RGB 224 194 142

HSL 38.05, 0.57%, 0.72%

LAB 79.83, 3.37, 30.1

 

CMYK 0 / 4 / 37 / 12

HEX #E0D88E

RGB 224 216 142

HSL 54.15, 0.57%, 0.72%

LAB 85.46, -7.98, 37.49

 

CMYK 6 / 0 / 37 / 12

HEX #D2E08E

RGB 210 224 142

HSL 70.24, 0.57%, 0.72%

LAB 86.49, -17.37, 38.61

 

CMYK 16 / 0 / 37 / 12

HEX #BDE08E

RGB 189 224 142

HSL 85.61, 0.57%, 0.72%

LAB 85.04, -25.2, 36.45

 

CMYK 0 / 5 / 62 / 19

HEX #CEC34E

RGB 206 195 78

HSL 54.84, 0.57%, 0.56%

LAB 77.7, -10.33, 58.4

 

CMYK 0 / 4 / 49 / 16

HEX #D7CE6E

RGB 215 206 110

HSL 54.86, 0.57%, 0.64%

LAB 81.68, -9.74, 48.47

 

CMYK 0 / 3 / 37 / 12

HEX #E0D98E

RGB 224 217 142

HSL 54.88, 0.57%, 0.72%

LAB 85.72, -8.49, 37.83

 

CMYK 0 / 2 / 25 / 9

HEX #E9E4AF

RGB 233 228 175

HSL 54.83, 0.57%, 0.8%

LAB 89.82, -6.54, 26.54

 

CMYK 0 / 1 / 14 / 5

HEX #F2EFCF

RGB 242 239 207

HSL 54.86, 0.57%, 0.88%

LAB 93.93, -4.24, 15.86

 

CMYK 0 / 3 / 37 / 12

HEX #E0D98E

RGB 224 217 142

HSL 54.88, 0.57%, 0.72%

LAB 85.72, -8.49, 37.83

 

CMYK 37 / 0 / 33 / 12

HEX #8EE097

RGB 142 224 151

HSL 126.59, 0.57%, 0.72%

LAB 82.54, -39.72, 28.07

 

CMYK 18 / 37 / 0 / 12

HEX #B78EE0

RGB 183 142 224

HSL 270, 0.57%, 0.72%

LAB 65.59, 31.13, -35.95

 

CMYK 0 / 3 / 37 / 12

HEX #E0D98E

RGB 224 217 142

HSL 54.88, 0.57%, 0.72%

LAB 85.72, -8.49, 37.83

 

CMYK 37 / 0 / 4 / 12

HEX #8EE0D8

RGB 142 224 216

HSL 174.15, 0.57%, 0.72%

LAB 83.98, -26.75, -4

 

CMYK 4 / 37 / 0 / 12

HEX #D88EE0

RGB 216 142 224

HSL 294.15, 0.57%, 0.72%

LAB 68.99, 41.16, -30.41

 

CMYK 0 / 3 / 37 / 12

HEX #E0D98E

RGB 224 217 142

HSL 54.88, 0.57%, 0.72%

LAB 85.72, -8.49, 37.83

 

CMYK 37 / 0 / 33 / 12

HEX #8EE097

RGB 142 224 151

HSL 126.59, 0.57%, 0.72%

LAB 82.54, -39.72, 28.07

 

CMYK 37 / 33 / 0 / 12

HEX #8E97E0

RGB 142 151 224

HSL 233.41, 0.57%, 0.72%

LAB 64.38, 14.23, -38.1

 

CMYK 0 / 37 / 4 / 12

HEX #E08ED8

RGB 224 142 216

HSL 305.85, 0.57%, 0.72%

LAB 69.58, 42.18, -25.01

 

CMYK 0 / 3 / 37 / 12

HEX #E0D98E

RGB 224 217 142

HSL 54.88, 0.57%, 0.72%

LAB 85.72, -8.49, 37.83

 

CMYK 37 / 0 / 22 / 12

HEX #8EE0AF

RGB 142 224 175

HSL 144.15, 0.57%, 0.72%

LAB 83, -35.44, 16.23

 

CMYK 37 / 33 / 0 / 12

HEX #8E97E0

RGB 142 151 224

HSL 233.41, 0.57%, 0.72%

LAB 64.38, 14.23, -38.1

 

CMYK 0 / 37 / 15 / 12

HEX #E08EBF

RGB 224 142 191

HSL 324.15, 0.57%, 0.72%

LAB 68.72, 37.97, -12.42

 

Description

Color code: HEX #E0D98E | qconv.com Color code: HEX #E0D98E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 217 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 217 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 37 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 37% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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