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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E0C00F it is the complementary color #1F3FF0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E0C00F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E0C00F shade: #E5C00A, #F6D21D, #FFE430, #FFF643 and #FFFF56

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E0C00F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E0C00F shade: #E0C00F, #CFAE00, #BE9C00, #AD8A00 and #9C7800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E0C00F shade: #E0C00F, #E0870F, #E04F0F, #E0170F and #E00F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E0C00F shade: #E0C00F, #C7E00F, #8FE00F, #57E00F and #1FE00F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E0C00F shade matches the following richer shades: #E0C00F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E0C00F shade: #E0C00F, #CCB222, #B9A536, #A59749 and #928A5D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E0C00F shade: #E04E0F, #E0850F, #E0BD0F, #CBE00F and #93E00F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E0C00F shade: #927E0A, #B99F0C, #E0C00F, #F0D128 and #F2D94F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E0C00F shade: #E0C00F, #0FE016 and #690FE0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E0C00F shade: #E0C00F, #0FE0BD and #BD0FE0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E0C00F shade: #E0C00F, #0FE016, #0F32E0 and #E00FD9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E0C00F shade: #E0C00F, #0FE055, #0F32E0 and #E00F9A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 93 / 12

HEX #E0C00F

RGB 224 192 15

HSL 50.81, 0.87%, 0.47%

LAB 78.22, -3.35, 78.07

 

Complementary color

CMYK 87 / 74 / 0 / 6

HEX #1F3FF0

RGB 31 63 240

HSL 230.81, 0.87%, 0.53%

LAB 38.09, 54.37, -89.77

 

CMYK 0 / 16 / 96 / 10

HEX #E5C00A

RGB 229 192 10

HSL 49.86, 0.92%, 0.47%

LAB 78.68, -1.24, 79.19

 

CMYK 0 / 15 / 88 / 4

HEX #F6D21D

RGB 246 210 29

HSL 50.05, 0.92%, 0.54%

LAB 84.88, -2.9, 81.85

 

CMYK 0 / 11 / 81 / 0

HEX #FFE430

RGB 255 228 48

HSL 52.17, 1%, 0.59%

LAB 90.3, -7.71, 82.37

 

CMYK 0 / 4 / 74 / 0

HEX #FFF643

RGB 255 246 67

HSL 57.13, 1%, 0.63%

LAB 94.98, -15.91, 81.08

 

CMYK 0 / 0 / 66 / 0

HEX #FFFF56

RGB 255 255 86

HSL 60, 1%, 0.67%

LAB 97.41, -19.37, 76.95

 

CMYK 0 / 14 / 93 / 12

HEX #E0C00F

RGB 224 192 15

HSL 50.81, 0.87%, 0.47%

LAB 78.22, -3.35, 78.07

 

CMYK 0 / 16 / 100 / 19

HEX #CFAE00

RGB 207 174 0

HSL 50.43, 1%, 0.41%

LAB 71.92, -1.57, 74.43

 

CMYK 0 / 18 / 100 / 25

HEX #BE9C00

RGB 190 156 0

HSL 49.26, 1%, 0.37%

LAB 65.53, 0.42, 69.16

 

CMYK 0 / 20 / 100 / 32

HEX #AD8A00

RGB 173 138 0

HSL 47.86, 1%, 0.34%

LAB 59.03, 2.5, 63.8

 

CMYK 0 / 23 / 100 / 39

HEX #9C7800

RGB 156 120 0

HSL 46.15, 1%, 0.31%

LAB 52.4, 4.67, 58.34

 

CMYK 0 / 14 / 93 / 12

HEX #E0C00F

RGB 224 192 15

HSL 50.81, 0.87%, 0.47%

LAB 78.22, -3.35, 78.07

 

CMYK 0 / 40 / 93 / 12

HEX #E0870F

RGB 224 135 15

HSL 34.45, 0.87%, 0.47%

LAB 64.33, 26.85, 67.94

 

CMYK 0 / 65 / 93 / 12

HEX #E04F0F

RGB 224 79 15

HSL 18.37, 0.87%, 0.47%

LAB 53.46, 54.2, 60.56

 

CMYK 0 / 90 / 93 / 12

HEX #E0170F

RGB 224 23 15

HSL 2.3, 0.87%, 0.47%

LAB 47.62, 70.46, 56.96

 

CMYK 0 / 93 / 93 / 12

HEX #E00F0F

RGB 224 15 15

HSL 0, 0.87%, 0.47%

LAB 47.27, 71.47, 56.76

 

CMYK 0 / 14 / 93 / 12

HEX #E0C00F

RGB 224 192 15

HSL 50.81, 0.87%, 0.47%

LAB 78.22, -3.35, 78.07

 

CMYK 11 / 0 / 93 / 12

HEX #C7E00F

RGB 199 224 15

HSL 67.18, 0.87%, 0.47%

LAB 84.73, -29.78, 82.14

 

CMYK 36 / 0 / 93 / 12

HEX #8FE00F

RGB 143 224 15

HSL 83.25, 0.87%, 0.47%

LAB 81.39, -51.23, 78.08

 

CMYK 61 / 0 / 93 / 12

HEX #57E00F

RGB 87 224 15

HSL 99.33, 0.87%, 0.47%

LAB 79.26, -67.63, 75.46

 

CMYK 86 / 0 / 93 / 12

HEX #1FE00F

RGB 31 224 15

HSL 115.41, 0.87%, 0.47%

LAB 78.25, -76.32, 74.21

 

CMYK 0 / 14 / 93 / 12

HEX #E0C00F

RGB 224 192 15

HSL 50.81, 0.87%, 0.47%

LAB 78.22, -3.35, 78.07

 

CMYK 0 / 14 / 93 / 12

HEX #E0C00F

RGB 224 192 15

HSL 50.81, 0.87%, 0.47%

LAB 78.22, -3.35, 78.07

 

CMYK 0 / 13 / 83 / 20

HEX #CCB222

RGB 204 178 34

HSL 50.82, 0.71%, 0.47%

LAB 72.76, -4.44, 69.29

 

CMYK 0 / 11 / 71 / 27

HEX #B9A536

RGB 185 165 54

HSL 50.84, 0.55%, 0.47%

LAB 67.64, -5.15, 57.33

 

CMYK 0 / 8 / 56 / 35

HEX #A59749

RGB 165 151 73

HSL 50.87, 0.39%, 0.47%

LAB 62.18, -5.14, 42.36

 

CMYK 0 / 5 / 36 / 43

HEX #928A5D

RGB 146 138 93

HSL 50.94, 0.22%, 0.47%

LAB 57.15, -4.1, 25.21

 

CMYK 0 / 65 / 93 / 12

HEX #E04E0F

RGB 224 78 15

HSL 18.09, 0.87%, 0.47%

LAB 53.31, 54.62, 60.46

 

CMYK 0 / 41 / 93 / 12

HEX #E0850F

RGB 224 133 15

HSL 33.88, 0.87%, 0.47%

LAB 63.88, 27.91, 67.63

 

CMYK 0 / 16 / 93 / 12

HEX #E0BD0F

RGB 224 189 15

HSL 49.95, 0.87%, 0.47%

LAB 77.45, -1.8, 77.49

 

CMYK 9 / 0 / 93 / 12

HEX #CBE00F

RGB 203 224 15

HSL 66.03, 0.87%, 0.47%

LAB 85.02, -28.14, 82.48

 

CMYK 34 / 0 / 93 / 12

HEX #93E00F

RGB 147 224 15

HSL 82.11, 0.87%, 0.47%

LAB 81.59, -49.83, 78.32

 

CMYK 0 / 14 / 93 / 43

HEX #927E0A

RGB 146 126 10

HSL 51.18, 0.87%, 0.31%

LAB 53.01, -3.22, 56.44

 

CMYK 0 / 14 / 94 / 27

HEX #B99F0C

RGB 185 159 12

HSL 50.98, 0.88%, 0.39%

LAB 65.86, -3.29, 67.57

 

CMYK 0 / 14 / 93 / 12

HEX #E0C00F

RGB 224 192 15

HSL 50.81, 0.87%, 0.47%

LAB 78.22, -3.35, 78.07

 

CMYK 0 / 13 / 83 / 6

HEX #F0D128

RGB 240 209 40

HSL 50.7, 0.87%, 0.55%

LAB 84.11, -4.71, 78.62

 

CMYK 0 / 10 / 67 / 5

HEX #F2D94F

RGB 242 217 79

HSL 50.8, 0.86%, 0.63%

LAB 86.54, -6.39, 68.22

 

CMYK 0 / 14 / 93 / 12

HEX #E0C00F

RGB 224 192 15

HSL 50.81, 0.87%, 0.47%

LAB 78.22, -3.35, 78.07

 

CMYK 93 / 0 / 90 / 12

HEX #0FE016

RGB 15 224 22

HSL 122.01, 0.87%, 0.47%

LAB 78.15, -77.15, 73.14

 

CMYK 53 / 93 / 0 / 12

HEX #690FE0

RGB 105 15 224

HSL 265.84, 0.87%, 0.47%

LAB 35.45, 72.87, -84.87

 

CMYK 0 / 14 / 93 / 12

HEX #E0C00F

RGB 224 192 15

HSL 50.81, 0.87%, 0.47%

LAB 78.22, -3.35, 78.07

 

CMYK 93 / 0 / 16 / 12

HEX #0FE0BD

RGB 15 224 189

HSL 169.95, 0.87%, 0.47%

LAB 80.23, -52.89, 4.47

 

CMYK 16 / 93 / 0 / 12

HEX #BD0FE0

RGB 189 15 224

HSL 289.95, 0.87%, 0.47%

LAB 47.68, 82.58, -64.36

 

CMYK 0 / 14 / 93 / 12

HEX #E0C00F

RGB 224 192 15

HSL 50.81, 0.87%, 0.47%

LAB 78.22, -3.35, 78.07

 

CMYK 93 / 0 / 90 / 12

HEX #0FE016

RGB 15 224 22

HSL 122.01, 0.87%, 0.47%

LAB 78.15, -77.15, 73.14

 

CMYK 93 / 78 / 0 / 12

HEX #0F32E0

RGB 15 50 224

HSL 229.95, 0.87%, 0.47%

LAB 33.49, 55.64, -88.3

 

CMYK 0 / 93 / 3 / 12

HEX #E00FD9

RGB 224 15 217

HSL 302.01, 0.87%, 0.47%

LAB 53.17, 87, -51.24

 

CMYK 0 / 14 / 93 / 12

HEX #E0C00F

RGB 224 192 15

HSL 50.81, 0.87%, 0.47%

LAB 78.22, -3.35, 78.07

 

CMYK 93 / 0 / 62 / 12

HEX #0FE055

RGB 15 224 85

HSL 140.1, 0.87%, 0.47%

LAB 78.5, -72.7, 54.13

 

CMYK 93 / 78 / 0 / 12

HEX #0F32E0

RGB 15 50 224

HSL 229.95, 0.87%, 0.47%

LAB 33.49, 55.64, -88.3

 

CMYK 0 / 93 / 31 / 12

HEX #E00F9A

RGB 224 15 154

HSL 320.1, 0.87%, 0.47%

LAB 50.12, 79.22, -19.26

 

Description

Color code: HEX #E0C00F | qconv.com Color code: HEX #E0C00F | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 192 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 192 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 93 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 93% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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