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Color name
HEX #E0CDB2

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E0CDB2 it is the complementary color #1F324D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E0CDB2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E0CDB2 shade: #E5CDAD, #F6DFC0, #FFF1D3, #FFFFE6 and #FFFFF9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E0CDB2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E0CDB2 shade: #E0CDB2, #CFBB9F, #BEA98C, #AD9779 and #9C8566

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E0CDB2 shade: #E0CDB2, #E0C1B2, #E0B4B2 and #E0B2B2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E0CDB2 shade: #E0CDB2, #E0D9B2, #DAE0B2, #CEE0B2 and #C1E0B2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E0CDB2 shade matches the following richer shades: #E0CDB2, #E9CEA9, #F1D0A1 and #FAD198

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E0CDB2 shade: #E0CDB2, #D7CBBB, #CFCAC3, #C6C8CC and #BDC7D5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E0CDB2 shade: #E0B4B2, #E0C1B2, #E0CDB2, #E0D9B2 and #DBE0B2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E0CDB2 shade: #C8A777, #D4BA94, #E0CDB2, #ECE0CF and #F7F3ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E0CDB2 shade: #E0CDB2, #BCE0B2 and #BAB2E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E0CDB2 shade: #E0CDB2, #B2E0CD and #CDB2E0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E0CDB2 shade: #E0CDB2, #BCE0B2, #B2C5E0 and #D6B2E0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E0CDB2 shade: #E0CDB2, #B2E0B6, #B2C5E0 and #E0B2DC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 21 / 12

HEX #E0CDB2

RGB 224 205 178

HSL 35.22, 0.43%, 0.79%

LAB 83.3, 2.36, 15.85

 

Complementary color

CMYK 60 / 35 / 0 / 70

HEX #1F324D

RGB 31 50 77

HSL 215.22, 0.43%, 0.21%

LAB 20.47, 1.6, -18.96

 

CMYK 0 / 10 / 24 / 10

HEX #E5CDAD

RGB 229 205 173

HSL 34.29, 0.52%, 0.79%

LAB 83.62, 3.51, 19.01

 

CMYK 0 / 9 / 22 / 4

HEX #F6DFC0

RGB 246 223 192

HSL 34.44, 0.75%, 0.86%

LAB 89.94, 3.15, 18.07

 

CMYK 0 / 5 / 17 / 0

HEX #FFF1D3

RGB 255 241 211

HSL 40.91, 1%, 0.91%

LAB 95.53, -0.04, 16.19

 

CMYK 0 / 0 / 10 / 0

HEX #FFFFE6

RGB 255 255 230

HSL 60, 1%, 0.95%

LAB 99.41, -4.17, 11.95

 

CMYK 0 / 0 / 2 / 0

HEX #FFFFF9

RGB 255 255 249

HSL 60, 1%, 0.99%

LAB 99.85, -1.03, 2.85

 

CMYK 0 / 8 / 21 / 12

HEX #E0CDB2

RGB 224 205 178

HSL 35.22, 0.43%, 0.79%

LAB 83.3, 2.36, 15.85

 

CMYK 0 / 10 / 23 / 19

HEX #CFBB9F

RGB 207 187 159

HSL 35, 0.33%, 0.72%

LAB 76.87, 2.7, 16.78

 

CMYK 0 / 11 / 26 / 25

HEX #BEA98C

RGB 190 169 140

HSL 34.8, 0.28%, 0.65%

LAB 70.33, 3.08, 17.77

 

CMYK 0 / 13 / 30 / 32

HEX #AD9779

RGB 173 151 121

HSL 34.62, 0.24%, 0.58%

LAB 63.67, 3.53, 18.83

 

CMYK 0 / 15 / 35 / 39

HEX #9C8566

RGB 156 133 102

HSL 34.44, 0.21%, 0.51%

LAB 56.88, 4.04, 19.97

 

CMYK 0 / 8 / 21 / 12

HEX #E0CDB2

RGB 224 205 178

HSL 35.22, 0.43%, 0.79%

LAB 83.3, 2.36, 15.85

 

CMYK 0 / 14 / 21 / 12

HEX #E0C1B2

RGB 224 193 178

HSL 19.57, 0.43%, 0.79%

LAB 80.29, 8.67, 11.61

 

CMYK 0 / 20 / 21 / 12

HEX #E0B4B2

RGB 224 180 178

HSL 2.61, 0.43%, 0.79%

LAB 77.1, 15.59, 7.06

 

CMYK 0 / 21 / 21 / 12

HEX #E0B2B2

RGB 224 178 178

HSL 0, 0.43%, 0.79%

LAB 76.62, 16.67, 6.36

 

CMYK 0 / 8 / 21 / 12

HEX #E0CDB2

RGB 224 205 178

HSL 35.22, 0.43%, 0.79%

LAB 83.3, 2.36, 15.85

 

CMYK 0 / 3 / 21 / 12

HEX #E0D9B2

RGB 224 217 178

HSL 50.87, 0.43%, 0.79%

LAB 86.35, -3.85, 20.11

 

CMYK 3 / 0 / 21 / 12

HEX #DAE0B2

RGB 218 224 178

HSL 67.83, 0.43%, 0.79%

LAB 87.69, -9.62, 21.9

 

CMYK 8 / 0 / 21 / 12

HEX #CEE0B2

RGB 206 224 178

HSL 83.48, 0.43%, 0.79%

LAB 86.82, -13.94, 20.56

 

CMYK 14 / 0 / 21 / 12

HEX #C1E0B2

RGB 193 224 178

HSL 100.43, 0.43%, 0.79%

LAB 85.94, -18.52, 19.19

 

CMYK 0 / 8 / 21 / 12

HEX #E0CDB2

RGB 224 205 178

HSL 35.22, 0.43%, 0.79%

LAB 83.3, 2.36, 15.85

 

CMYK 0 / 12 / 27 / 9

HEX #E9CEA9

RGB 233 206 169

HSL 34.69, 0.59%, 0.79%

LAB 84.14, 3.95, 21.89

 

CMYK 0 / 14 / 33 / 5

HEX #F1D0A1

RGB 241 208 161

HSL 35.25, 0.74%, 0.79%

LAB 85.19, 4.94, 27.63

 

CMYK 0 / 16 / 39 / 2

HEX #FAD198

RGB 250 209 152

HSL 34.9, 0.91%, 0.79%

LAB 86.1, 6.86, 33.65

 

CMYK 0 / 8 / 21 / 12

HEX #E0CDB2

RGB 224 205 178

HSL 35.22, 0.43%, 0.79%

LAB 83.3, 2.36, 15.85

 

CMYK 0 / 6 / 13 / 16

HEX #D7CBBB

RGB 215 203 187

HSL 34.29, 0.26%, 0.79%

LAB 82.24, 1.49, 9.46

 

CMYK 0 / 2 / 6 / 19

HEX #CFCAC3

RGB 207 202 195

HSL 35, 0.11%, 0.79%

LAB 81.54, 0.5, 4.09

 

CMYK 3 / 2 / 0 / 20

HEX #C6C8CC

RGB 198 200 204

HSL 220, 0.06%, 0.79%

LAB 80.56, 0.06, -2.24

 

CMYK 11 / 7 / 0 / 16

HEX #BDC7D5

RGB 189 199 213

HSL 215, 0.22%, 0.79%

LAB 79.88, -0.65, -8.15

 

CMYK 0 / 20 / 21 / 12

HEX #E0B4B2

RGB 224 180 178

HSL 2.61, 0.43%, 0.79%

LAB 77.1, 15.59, 7.06

 

CMYK 0 / 14 / 21 / 12

HEX #E0C1B2

RGB 224 193 178

HSL 19.57, 0.43%, 0.79%

LAB 80.29, 8.67, 11.61

 

CMYK 0 / 8 / 21 / 12

HEX #E0CDB2

RGB 224 205 178

HSL 35.22, 0.43%, 0.79%

LAB 83.3, 2.36, 15.85

 

CMYK 0 / 3 / 21 / 12

HEX #E0D9B2

RGB 224 217 178

HSL 50.87, 0.43%, 0.79%

LAB 86.35, -3.85, 20.11

 

CMYK 2 / 0 / 21 / 12

HEX #DBE0B2

RGB 219 224 178

HSL 66.52, 0.43%, 0.79%

LAB 87.77, -9.25, 22.01

 

CMYK 0 / 17 / 41 / 22

HEX #C8A777

RGB 200 167 119

HSL 35.56, 0.42%, 0.63%

LAB 70.35, 5.5, 29.33

 

CMYK 0 / 12 / 30 / 17

HEX #D4BA94

RGB 212 186 148

HSL 35.63, 0.43%, 0.71%

LAB 76.83, 3.64, 22.7

 

CMYK 0 / 8 / 21 / 12

HEX #E0CDB2

RGB 224 205 178

HSL 35.22, 0.43%, 0.79%

LAB 83.3, 2.36, 15.85

 

CMYK 0 / 5 / 12 / 7

HEX #ECE0CF

RGB 236 224 207

HSL 35.17, 0.43%, 0.87%

LAB 89.7, 1.28, 9.78

 

CMYK 0 / 2 / 4 / 3

HEX #F7F3ED

RGB 247 243 237

HSL 36, 0.38%, 0.95%

LAB 95.99, 0.3, 3.35

 

CMYK 0 / 8 / 21 / 12

HEX #E0CDB2

RGB 224 205 178

HSL 35.22, 0.43%, 0.79%

LAB 83.3, 2.36, 15.85

 

CMYK 16 / 0 / 21 / 12

HEX #BCE0B2

RGB 188 224 178

HSL 106.96, 0.43%, 0.79%

LAB 85.61, -20.25, 18.69

 

CMYK 17 / 21 / 0 / 12

HEX #BAB2E0

RGB 186 178 224

HSL 250.43, 0.43%, 0.79%

LAB 74.61, 12.05, -22.04

 

CMYK 0 / 8 / 21 / 12

HEX #E0CDB2

RGB 224 205 178

HSL 35.22, 0.43%, 0.79%

LAB 83.3, 2.36, 15.85

 

CMYK 21 / 0 / 8 / 12

HEX #B2E0CD

RGB 178 224 205

HSL 155.22, 0.43%, 0.79%

LAB 85.6, -18.66, 4.4

 

CMYK 8 / 21 / 0 / 12

HEX #CDB2E0

RGB 205 178 224

HSL 275.22, 0.43%, 0.79%

LAB 76.19, 18.14, -19.49

 

CMYK 0 / 8 / 21 / 12

HEX #E0CDB2

RGB 224 205 178

HSL 35.22, 0.43%, 0.79%

LAB 83.3, 2.36, 15.85

 

CMYK 16 / 0 / 21 / 12

HEX #BCE0B2

RGB 188 224 178

HSL 106.96, 0.43%, 0.79%

LAB 85.61, -20.25, 18.69

 

CMYK 21 / 12 / 0 / 12

HEX #B2C5E0

RGB 178 197 224

HSL 215.22, 0.43%, 0.79%

LAB 78.91, -0.75, -15.59

 

CMYK 4 / 21 / 0 / 12

HEX #D6B2E0

RGB 214 178 224

HSL 286.96, 0.43%, 0.79%

LAB 76.99, 21.08, -18.21

 

CMYK 0 / 8 / 21 / 12

HEX #E0CDB2

RGB 224 205 178

HSL 35.22, 0.43%, 0.79%

LAB 83.3, 2.36, 15.85

 

CMYK 21 / 0 / 19 / 12

HEX #B2E0B6

RGB 178 224 182

HSL 125.22, 0.43%, 0.79%

LAB 85.07, -22.94, 15.75

 

CMYK 21 / 12 / 0 / 12

HEX #B2C5E0

RGB 178 197 224

HSL 215.22, 0.43%, 0.79%

LAB 78.91, -0.75, -15.59

 

CMYK 0 / 21 / 2 / 12

HEX #E0B2DC

RGB 224 178 220

HSL 305.22, 0.43%, 0.79%

LAB 77.79, 23.65, -14.74

 

Description

Color code: HEX #E0CDB2 | qconv.com Color code: HEX #E0CDB2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 205 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 205 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 21 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 21% 12% C M Y K

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Provide designers and agencies with accurate color values.

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