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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FAD198 it is the complementary color #052E67. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FAD198. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FAD198 shade: #FFD193, #FFE3A6, #FFF5B9, #FFFFCC and #FFFFDF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FAD198. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FAD198 shade: #FAD198, #E9BF85, #D8AD72, #C79B5F and #B6894C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FAD198 shade: #FAD198, #FAB798, #FA9C98 and #FA9898

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FAD198 shade: #FAD198, #FAEB98, #EEFA98, #D4FA98 and #B9FA98

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FAD198 shade matches the following richer shades: #FAD198

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FAD198 shade: #FAD198, #F1CFA1, #E8CEAA, #E0CDB2 and #D7CBBB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FAD198 shade: #FA9B98, #FAB598, #FACF98, #FAE998 and #F0FA98

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FAD198 shade: #F6AE49, #F8BF71, #FAD198, #FCE2C0 and #FDF4E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FAD198 shade: #FAD198, #AFFA98 and #A898FA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FAD198 shade: #FAD198, #98FACF and #CF98FA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FAD198 shade: #FAD198, #AFFA98, #98C2FA and #E398FA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FAD198 shade: #FAD198, #98FA9F, #98C2FA and #FA98F3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 39 / 2

HEX #FAD198

RGB 250 209 152

HSL 34.9, 0.91%, 0.79%

LAB 86.1, 6.86, 33.65

 

Complementary color

CMYK 95 / 55 / 0 / 60

HEX #052E67

RGB 5 46 103

HSL 214.9, 0.91%, 0.21%

LAB 19.91, 11.39, -37.13

 

CMYK 0 / 18 / 42 / 0

HEX #FFD193

RGB 255 209 147

HSL 34.44, 1%, 0.79%

LAB 86.49, 8.28, 36.81

 

CMYK 0 / 11 / 35 / 0

HEX #FFE3A6

RGB 255 227 166

HSL 41.12, 1%, 0.83%

LAB 91.21, 1.13, 33.34

 

CMYK 0 / 4 / 27 / 0

HEX #FFF5B9

RGB 255 245 185

HSL 51.43, 1%, 0.86%

LAB 96.02, -5.63, 30.16

 

CMYK 0 / 0 / 20 / 0

HEX #FFFFCC

RGB 255 255 204

HSL 60, 1%, 0.9%

LAB 98.88, -8.05, 24.44

 

CMYK 0 / 0 / 13 / 0

HEX #FFFFDF

RGB 255 255 223

HSL 60, 1%, 0.94%

LAB 99.26, -5.26, 15.31

 

CMYK 0 / 16 / 39 / 2

HEX #FAD198

RGB 250 209 152

HSL 34.9, 0.91%, 0.79%

LAB 86.1, 6.86, 33.65

 

CMYK 0 / 18 / 43 / 9

HEX #E9BF85

RGB 233 191 133

HSL 34.8, 0.69%, 0.72%

LAB 79.77, 7.52, 34.87

 

CMYK 0 / 20 / 47 / 15

HEX #D8AD72

RGB 216 173 114

HSL 34.71, 0.57%, 0.65%

LAB 73.35, 8.28, 36.16

 

CMYK 0 / 22 / 52 / 22

HEX #C79B5F

RGB 199 155 95

HSL 34.62, 0.48%, 0.58%

LAB 66.83, 9.16, 37.53

 

CMYK 0 / 25 / 58 / 29

HEX #B6894C

RGB 182 137 76

HSL 34.53, 0.42%, 0.51%

LAB 60.21, 10.19, 38.95

 

CMYK 0 / 16 / 39 / 2

HEX #FAD198

RGB 250 209 152

HSL 34.9, 0.91%, 0.79%

LAB 86.1, 6.86, 33.65

 

CMYK 0 / 27 / 39 / 2

HEX #FAB798

RGB 250 183 152

HSL 18.98, 0.91%, 0.79%

LAB 79.87, 20.44, 25.32

 

CMYK 0 / 38 / 39 / 2

HEX #FA9C98

RGB 250 156 152

HSL 2.45, 0.91%, 0.79%

LAB 73.78, 34.6, 16.95

 

CMYK 0 / 39 / 39 / 2

HEX #FA9898

RGB 250 152 152

HSL 0, 0.91%, 0.79%

LAB 72.92, 36.67, 15.75

 

CMYK 0 / 16 / 39 / 2

HEX #FAD198

RGB 250 209 152

HSL 34.9, 0.91%, 0.79%

LAB 86.1, 6.86, 33.65

 

CMYK 0 / 6 / 39 / 2

HEX #FAEB98

RGB 250 235 152

HSL 50.82, 0.91%, 0.79%

LAB 92.58, -6.38, 42.09

 

CMYK 5 / 0 / 39 / 2

HEX #EEFA98

RGB 238 250 152

HSL 67.35, 0.91%, 0.79%

LAB 95.5, -18.35, 45.64

 

CMYK 15 / 0 / 39 / 2

HEX #D4FA98

RGB 212 250 152

HSL 83.27, 0.91%, 0.79%

LAB 93.73, -27.96, 43.01

 

CMYK 26 / 0 / 39 / 2

HEX #B9FA98

RGB 185 250 152

HSL 99.8, 0.91%, 0.79%

LAB 92.11, -37.41, 40.61

 

CMYK 0 / 16 / 39 / 2

HEX #FAD198

RGB 250 209 152

HSL 34.9, 0.91%, 0.79%

LAB 86.1, 6.86, 33.65

 

CMYK 0 / 16 / 39 / 2

HEX #FAD198

RGB 250 209 152

HSL 34.9, 0.91%, 0.79%

LAB 86.1, 6.86, 33.65

 

CMYK 0 / 14 / 33 / 5

HEX #F1CFA1

RGB 241 207 161

HSL 34.5, 0.74%, 0.79%

LAB 84.95, 5.46, 27.3

 

CMYK 0 / 11 / 27 / 9

HEX #E8CEAA

RGB 232 206 170

HSL 34.84, 0.57%, 0.79%

LAB 84.07, 3.7, 21.25

 

CMYK 0 / 8 / 21 / 12

HEX #E0CDB2

RGB 224 205 178

HSL 35.22, 0.43%, 0.79%

LAB 83.3, 2.36, 15.85

 

CMYK 0 / 6 / 13 / 16

HEX #D7CBBB

RGB 215 203 187

HSL 34.29, 0.26%, 0.79%

LAB 82.24, 1.49, 9.46

 

CMYK 0 / 38 / 39 / 2

HEX #FA9B98

RGB 250 155 152

HSL 1.84, 0.91%, 0.79%

LAB 73.57, 35.12, 16.65

 

CMYK 0 / 28 / 39 / 2

HEX #FAB598

RGB 250 181 152

HSL 17.76, 0.91%, 0.79%

LAB 79.41, 21.49, 24.68

 

CMYK 0 / 17 / 39 / 2

HEX #FACF98

RGB 250 207 152

HSL 33.67, 0.91%, 0.79%

LAB 85.61, 7.89, 33

 

CMYK 0 / 7 / 39 / 2

HEX #FAE998

RGB 250 233 152

HSL 49.59, 0.91%, 0.79%

LAB 92.07, -5.38, 41.44

 

CMYK 4 / 0 / 39 / 2

HEX #F0FA98

RGB 240 250 152

HSL 66.12, 0.91%, 0.79%

LAB 95.65, -17.59, 45.85

 

CMYK 0 / 29 / 70 / 4

HEX #F6AE49

RGB 246 174 73

HSL 35.03, 0.91%, 0.63%

LAB 76.28, 17.23, 60.23

 

CMYK 0 / 23 / 54 / 3

HEX #F8BF71

RGB 248 191 113

HSL 34.67, 0.91%, 0.71%

LAB 80.97, 11.73, 46.85

 

CMYK 0 / 16 / 39 / 2

HEX #FAD198

RGB 250 209 152

HSL 34.9, 0.91%, 0.79%

LAB 86.1, 6.86, 33.65

 

CMYK 0 / 10 / 24 / 1

HEX #FCE2C0

RGB 252 226 192

HSL 34, 0.91%, 0.87%

LAB 91.19, 3.81, 19.89

 

CMYK 0 / 4 / 9 / 1

HEX #FDF4E7

RGB 253 244 231

HSL 35.45, 0.85%, 0.95%

LAB 96.56, 0.84, 7.32

 

CMYK 0 / 16 / 39 / 2

HEX #FAD198

RGB 250 209 152

HSL 34.9, 0.91%, 0.79%

LAB 86.1, 6.86, 33.65

 

CMYK 30 / 0 / 39 / 2

HEX #AFFA98

RGB 175 250 152

HSL 105.92, 0.91%, 0.79%

LAB 91.57, -40.72, 39.81

 

CMYK 33 / 39 / 0 / 2

HEX #A898FA

RGB 168 152 250

HSL 249.8, 0.91%, 0.79%

LAB 67.79, 27.48, -46.89

 

CMYK 0 / 16 / 39 / 2

HEX #FAD198

RGB 250 209 152

HSL 34.9, 0.91%, 0.79%

LAB 86.1, 6.86, 33.65

 

CMYK 39 / 0 / 17 / 2

HEX #98FACF

RGB 152 250 207

HSL 153.67, 0.91%, 0.79%

LAB 91.48, -38.23, 11.63

 

CMYK 17 / 39 / 0 / 2

HEX #CF98FA

RGB 207 152 250

HSL 273.67, 0.91%, 0.79%

LAB 71.3, 38.38, -41.14

 

CMYK 0 / 16 / 39 / 2

HEX #FAD198

RGB 250 209 152

HSL 34.9, 0.91%, 0.79%

LAB 86.1, 6.86, 33.65

 

CMYK 30 / 0 / 39 / 2

HEX #AFFA98

RGB 175 250 152

HSL 105.92, 0.91%, 0.79%

LAB 91.57, -40.72, 39.81

 

CMYK 39 / 22 / 0 / 2

HEX #98C2FA

RGB 152 194 250

HSL 214.29, 0.91%, 0.79%

LAB 77.38, -0.22, -32.04

 

CMYK 9 / 39 / 0 / 2

HEX #E398FA

RGB 227 152 250

HSL 285.92, 0.91%, 0.79%

LAB 73.34, 44.2, -37.8

 

CMYK 0 / 16 / 39 / 2

HEX #FAD198

RGB 250 209 152

HSL 34.9, 0.91%, 0.79%

LAB 86.1, 6.86, 33.65

 

CMYK 39 / 0 / 36 / 2

HEX #98FA9F

RGB 152 250 159

HSL 124.29, 0.91%, 0.79%

LAB 90.57, -46.81, 34.82

 

CMYK 39 / 22 / 0 / 2

HEX #98C2FA

RGB 152 194 250

HSL 214.29, 0.91%, 0.79%

LAB 77.38, -0.22, -32.04

 

CMYK 0 / 39 / 3 / 2

HEX #FA98F3

RGB 250 152 243

HSL 304.29, 0.91%, 0.79%

LAB 75.61, 49.75, -30.29

 

Description

Color code: HEX #FAD198 | qconv.com Color code: HEX #FAD198 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 209 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 209 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 39 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 39% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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