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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E17987 it is the complementary color #1E8678. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E17987. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E17987 shade: #E67982, #F78B95, #FF9DA8, #FFAFBB and #FFC1CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E17987. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E17987 shade: #E17987, #D06774, #BF5561, #AE434E and #9D313B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E17987 shade: #E07987 and #E07979

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E17987 shade: #E07987, #E079A3, #E079BF, #E079DB and #CA79E0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E17987 shade matches the following richer shades: #E07987, #EE6C7E and #FB5F74

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E17987 shade: #E07987, #D38791, #C6949B, #B9A1A4 and #ABAEAE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E17987 shade: #E079C0, #E079A4, #E07989, #E08579 and #E0A179

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E17987 shade: #D1364B, #D95869, #E07987, #E89BA5 and #F0BDC4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E17987 shade: #E17987, #DBE079 and #79B2E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E17987 shade: #E17987, #89E079 and #7989E0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E17987 shade: #E17987, #DBE079, #79E0D1 and #7F79E0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E17987 shade: #E17987, #BCE079, #79E0D1 and #9D79E0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 40 / 12

HEX #E17987

RGB 225 121 135

HSL 351.92, 0.63%, 0.68%

LAB 62.87, 41.67, 10.7

 

Complementary color

CMYK 78 / 0 / 10 / 47

HEX #1E8678

RGB 30 134 120

HSL 171.92, 0.63%, 0.32%

LAB 50.31, -31.9, -0.7

 

CMYK 0 / 47 / 43 / 10

HEX #E67982

RGB 230 121 130

HSL 355.05, 0.69%, 0.69%

LAB 63.43, 42.93, 14.45

 

CMYK 0 / 44 / 40 / 3

HEX #F78B95

RGB 247 139 149

HSL 354.44, 0.87%, 0.76%

LAB 69.76, 41.93, 12.93

 

CMYK 0 / 38 / 34 / 0

HEX #FF9DA8

RGB 255 157 168

HSL 353.27, 1%, 0.81%

LAB 74.95, 37.75, 9.89

 

CMYK 0 / 31 / 27 / 0

HEX #FFAFBB

RGB 255 175 187

HSL 351, 1%, 0.84%

LAB 79.33, 30.81, 5.79

 

CMYK 0 / 24 / 19 / 0

HEX #FFC1CE

RGB 255 193 206

HSL 347.42, 1%, 0.88%

LAB 83.89, 24.07, 2.15

 

CMYK 0 / 46 / 40 / 12

HEX #E17987

RGB 225 121 135

HSL 351.92, 0.63%, 0.68%

LAB 62.87, 41.67, 10.7

 

CMYK 0 / 50 / 44 / 18

HEX #D06774

RGB 208 103 116

HSL 352.57, 0.53%, 0.61%

LAB 56.46, 42.67, 12.32

 

CMYK 0 / 55 / 49 / 25

HEX #BF5561

RGB 191 85 97

HSL 353.21, 0.45%, 0.54%

LAB 50.02, 43.67, 14.22

 

CMYK 0 / 61 / 55 / 32

HEX #AE434E

RGB 174 67 78

HSL 353.83, 0.44%, 0.47%

LAB 43.6, 44.6, 16.53

 

CMYK 0 / 69 / 62 / 38

HEX #9D313B

RGB 157 49 59

HSL 354.44, 0.52%, 0.4%

LAB 37.26, 45.3, 19.39

 

CMYK 0 / 46 / 40 / 12

HEX #E07987

RGB 224 121 135

HSL 351.84, 0.62%, 0.68%

LAB 62.74, 41.31, 10.5

 

CMYK 0 / 46 / 46 / 12

HEX #E07979

RGB 224 121 121

HSL 0, 0.62%, 0.68%

LAB 62.43, 39.84, 18.05

 

CMYK 0 / 46 / 40 / 12

HEX #E07987

RGB 224 121 135

HSL 351.84, 0.62%, 0.68%

LAB 62.74, 41.31, 10.5

 

CMYK 0 / 46 / 27 / 12

HEX #E079A3

RGB 224 121 163

HSL 335.53, 0.62%, 0.68%

LAB 63.48, 44.75, -4.43

 

CMYK 0 / 46 / 15 / 12

HEX #E079BF

RGB 224 121 191

HSL 319.22, 0.62%, 0.68%

LAB 64.39, 48.83, -18.96

 

CMYK 0 / 46 / 2 / 12

HEX #E079DB

RGB 224 121 219

HSL 302.91, 0.62%, 0.68%

LAB 65.46, 53.46, -33.02

 

CMYK 10 / 46 / 0 / 12

HEX #CA79E0

RGB 202 121 224

HSL 287.18, 0.62%, 0.68%

LAB 63.02, 48.07, -39.81

 

CMYK 0 / 46 / 40 / 12

HEX #E07987

RGB 224 121 135

HSL 351.84, 0.62%, 0.68%

LAB 62.74, 41.31, 10.5

 

CMYK 0 / 55 / 47 / 7

HEX #EE6C7E

RGB 238 108 126

HSL 351.69, 0.79%, 0.68%

LAB 62.01, 51.69, 14.92

 

CMYK 0 / 62 / 54 / 2

HEX #FB5F74

RGB 251 95 116

HSL 351.92, 0.95%, 0.68%

LAB 61.62, 60.92, 20.46

 

CMYK 0 / 46 / 40 / 12

HEX #E07987

RGB 224 121 135

HSL 351.84, 0.62%, 0.68%

LAB 62.74, 41.31, 10.5

 

CMYK 0 / 36 / 31 / 17

HEX #D38791

RGB 211 135 145

HSL 352.11, 0.46%, 0.68%

LAB 64.34, 30.39, 6.86

 

CMYK 0 / 25 / 22 / 22

HEX #C6949B

RGB 198 148 155

HSL 351.6, 0.3%, 0.68%

LAB 66.18, 19.85, 3.68

 

CMYK 0 / 13 / 11 / 27

HEX #B9A1A4

RGB 185 161 164

HSL 352.5, 0.15%, 0.68%

LAB 68.38, 9.29, 1.68

 

CMYK 2 / 0 / 0 / 32

HEX #ABAEAE

RGB 171 174 174

HSL 180, 0.02%, 0.68%

LAB 70.86, -1.05, -0.38

 

CMYK 0 / 46 / 14 / 12

HEX #E079C0

RGB 224 121 192

HSL 318.64, 0.62%, 0.68%

LAB 64.43, 48.98, -19.47

 

CMYK 0 / 46 / 27 / 12

HEX #E079A4

RGB 224 121 164

HSL 334.95, 0.62%, 0.68%

LAB 63.51, 44.89, -4.95

 

CMYK 0 / 46 / 39 / 12

HEX #E07989

RGB 224 121 137

HSL 350.68, 0.62%, 0.68%

LAB 62.78, 41.53, 9.42

 

CMYK 0 / 41 / 46 / 12

HEX #E08579

RGB 224 133 121

HSL 6.99, 0.62%, 0.68%

LAB 64.96, 33.59, 21.51

 

CMYK 0 / 28 / 46 / 12

HEX #E0A179

RGB 224 161 121

HSL 23.3, 0.62%, 0.68%

LAB 71.36, 18.65, 30.05

 

CMYK 0 / 74 / 64 / 18

HEX #D1364B

RGB 209 54 75

HSL 351.87, 0.63%, 0.52%

LAB 47.88, 60.8, 25.14

 

CMYK 0 / 59 / 52 / 15

HEX #D95869

RGB 217 88 105

HSL 352.09, 0.63%, 0.6%

LAB 54.82, 51.96, 16.71

 

CMYK 0 / 46 / 40 / 12

HEX #E07987

RGB 224 121 135

HSL 351.84, 0.62%, 0.68%

LAB 62.74, 41.31, 10.5

 

CMYK 0 / 33 / 29 / 9

HEX #E89BA5

RGB 232 155 165

HSL 352.21, 0.63%, 0.76%

LAB 71.77, 30.08, 6.63

 

CMYK 0 / 21 / 18 / 6

HEX #F0BDC4

RGB 240 189 196

HSL 351.76, 0.63%, 0.84%

LAB 81.24, 19.33, 3.49

 

CMYK 0 / 46 / 40 / 12

HEX #E17987

RGB 225 121 135

HSL 351.92, 0.63%, 0.68%

LAB 62.87, 41.67, 10.7

 

CMYK 2 / 0 / 46 / 12

HEX #DBE079

RGB 219 224 121

HSL 62.91, 0.62%, 0.68%

LAB 86.88, -16.13, 49.55

 

CMYK 46 / 21 / 0 / 12

HEX #79B2E0

RGB 121 178 224

HSL 206.8, 0.62%, 0.68%

LAB 70.38, -6.38, -28.89

 

CMYK 0 / 46 / 40 / 12

HEX #E17987

RGB 225 121 135

HSL 351.92, 0.63%, 0.68%

LAB 62.87, 41.67, 10.7

 

CMYK 39 / 0 / 46 / 12

HEX #89E079

RGB 137 224 121

HSL 110.68, 0.62%, 0.68%

LAB 81.84, -45.73, 42.21

 

CMYK 46 / 39 / 0 / 12

HEX #7989E0

RGB 121 137 224

HSL 230.68, 0.62%, 0.68%

LAB 59.29, 17, -46.2

 

CMYK 0 / 46 / 40 / 12

HEX #E17987

RGB 225 121 135

HSL 351.92, 0.63%, 0.68%

LAB 62.87, 41.67, 10.7

 

CMYK 2 / 0 / 46 / 12

HEX #DBE079

RGB 219 224 121

HSL 62.91, 0.62%, 0.68%

LAB 86.88, -16.13, 49.55

 

CMYK 46 / 0 / 7 / 12

HEX #79E0D1

RGB 121 224 209

HSL 171.26, 0.62%, 0.68%

LAB 82.9, -33.6, -1.98

 

CMYK 43 / 46 / 0 / 12

HEX #7F79E0

RGB 127 121 224

HSL 243.5, 0.62%, 0.68%

LAB 55.65, 27.93, -51.94

 

CMYK 0 / 46 / 40 / 12

HEX #E17987

RGB 225 121 135

HSL 351.92, 0.63%, 0.68%

LAB 62.87, 41.67, 10.7

 

CMYK 16 / 0 / 46 / 12

HEX #BCE079

RGB 188 224 121

HSL 80.97, 0.62%, 0.68%

LAB 84.68, -28.08, 46.36

 

CMYK 46 / 0 / 7 / 12

HEX #79E0D1

RGB 121 224 209

HSL 171.26, 0.62%, 0.68%

LAB 82.9, -33.6, -1.98

 

CMYK 30 / 46 / 0 / 12

HEX #9D79E0

RGB 157 121 224

HSL 260.97, 0.62%, 0.68%

LAB 58.25, 35.58, -47.65

 

Description

Color code: HEX #E17987 | qconv.com Color code: HEX #E17987 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 121 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 121 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 40 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 40% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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