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Color name
HEX #E18F1D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E18F1D it is the complementary color #1E70E2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E18F1D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E18F1D shade: #E68F18, #F7A12B, #FFB33E, #FFC551 and #FFD764

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E18F1D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E18F1D shade: #E18F1D, #D07D0A, #BF6B00, #AE5900 and #9D4700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E18F1D shade: #E18F1D, #E15A1D, #E1251D and #E11D1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E18F1D shade: #E18F1D, #E1C41D, #C9E11D, #94E11D and #60E11D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E18F1D shade matches the following richer shades: #E18F1D and #F69208

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E18F1D shade: #E18F1D, #CD8C31, #B88846, #A3855B and #8F826F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E18F1D shade: #E1231D, #E1581D, #E18C1D, #E1C01D and #CEE11D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E18F1D shade: #986113, #BD7818, #E18F1D, #E6A141 and #EBB366

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E18F1D shade: #E18F1D, #4BE11D and #3E1DE1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E18F1D shade: #E18F1D, #1DE18C and #8C1DE1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E18F1D shade: #E18F1D, #4BE11D, #1D72E1 and #B31DE1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E18F1D shade: #E18F1D, #1DE12A, #1D72E1 and #E11DD4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 87 / 12

HEX #E18F1D

RGB 225 143 29

HSL 34.9, 0.77%, 0.5%

LAB 66.32, 23.25, 66.27

 

Complementary color

CMYK 87 / 50 / 0 / 11

HEX #1E70E2

RGB 30 112 226

HSL 214.9, 0.77%, 0.5%

LAB 48.7, 18.78, -64.47

 

CMYK 0 / 38 / 90 / 10

HEX #E68F18

RGB 230 143 24

HSL 34.66, 0.81%, 0.5%

LAB 66.93, 25.27, 68.29

 

CMYK 0 / 35 / 83 / 3

HEX #F7A12B

RGB 247 161 43

HSL 34.71, 0.93%, 0.57%

LAB 73.18, 23.33, 68.82

 

CMYK 0 / 30 / 76 / 0

HEX #FFB33E

RGB 255 179 62

HSL 36.37, 1%, 0.62%

LAB 78.37, 17.88, 67.14

 

CMYK 0 / 23 / 68 / 0

HEX #FFC551

RGB 255 197 81

HSL 40, 1%, 0.66%

LAB 82.8, 9.38, 63.92

 

CMYK 0 / 16 / 61 / 0

HEX #FFD764

RGB 255 215 100

HSL 44.52, 1%, 0.7%

LAB 87.38, 1.25, 60.63

 

CMYK 0 / 36 / 87 / 12

HEX #E18F1D

RGB 225 143 29

HSL 34.9, 0.77%, 0.5%

LAB 66.32, 23.25, 66.27

 

CMYK 0 / 40 / 95 / 18

HEX #D07D0A

RGB 208 125 10

HSL 34.85, 0.91%, 0.43%

LAB 59.98, 25.35, 64.79

 

CMYK 0 / 44 / 100 / 25

HEX #BF6B00

RGB 191 107 0

HSL 33.61, 1%, 0.37%

LAB 53.59, 27.68, 61.25

 

CMYK 0 / 49 / 100 / 32

HEX #AE5900

RGB 174 89 0

HSL 30.69, 1%, 0.34%

LAB 47.16, 30.15, 56.06

 

CMYK 0 / 55 / 100 / 38

HEX #9D4700

RGB 157 71 0

HSL 27.13, 1%, 0.31%

LAB 40.69, 32.61, 50.87

 

CMYK 0 / 36 / 87 / 12

HEX #E18F1D

RGB 225 143 29

HSL 34.9, 0.77%, 0.5%

LAB 66.32, 23.25, 66.27

 

CMYK 0 / 60 / 87 / 12

HEX #E15A1D

RGB 225 90 29

HSL 18.67, 0.77%, 0.5%

LAB 55.49, 49.99, 57.67

 

CMYK 0 / 84 / 87 / 12

HEX #E1251D

RGB 225 37 29

HSL 2.45, 0.77%, 0.5%

LAB 48.78, 68.36, 52.37

 

CMYK 0 / 87 / 87 / 12

HEX #E11D1D

RGB 225 29 29

HSL 0, 0.77%, 0.5%

LAB 48.23, 69.94, 51.94

 

CMYK 0 / 36 / 87 / 12

HEX #E18F1D

RGB 225 143 29

HSL 34.9, 0.77%, 0.5%

LAB 66.32, 23.25, 66.27

 

CMYK 0 / 13 / 87 / 12

HEX #E1C41D

RGB 225 196 29

HSL 51.12, 0.77%, 0.5%

LAB 79.37, -4.75, 76.67

 

CMYK 11 / 0 / 87 / 12

HEX #C9E11D

RGB 201 225 29

HSL 67.35, 0.77%, 0.5%

LAB 85.18, -29.19, 80.54

 

CMYK 34 / 0 / 87 / 12

HEX #94E11D

RGB 148 225 29

HSL 83.57, 0.77%, 0.5%

LAB 81.97, -49.58, 76.57

 

CMYK 57 / 0 / 87 / 12

HEX #60E11D

RGB 96 225 29

HSL 99.49, 0.77%, 0.5%

LAB 79.86, -65.44, 73.94

 

CMYK 0 / 36 / 87 / 12

HEX #E18F1D

RGB 225 143 29

HSL 34.9, 0.77%, 0.5%

LAB 66.32, 23.25, 66.27

 

CMYK 0 / 41 / 97 / 4

HEX #F69208

RGB 246 146 8

HSL 34.79, 0.94%, 0.5%

LAB 69.59, 30.16, 73.92

 

CMYK 0 / 36 / 87 / 12

HEX #E18F1D

RGB 225 143 29

HSL 34.9, 0.77%, 0.5%

LAB 66.32, 23.25, 66.27

 

CMYK 0 / 32 / 76 / 20

HEX #CD8C31

RGB 205 140 49

HSL 35, 0.61%, 0.5%

LAB 63.31, 16.91, 55.77

 

CMYK 0 / 26 / 62 / 28

HEX #B88846

RGB 184 136 70

HSL 34.74, 0.45%, 0.5%

LAB 60.11, 11.16, 41.95

 

CMYK 0 / 18 / 44 / 36

HEX #A3855B

RGB 163 133 91

HSL 35, 0.28%, 0.5%

LAB 57.38, 5.67, 26.93

 

CMYK 0 / 9 / 22 / 44

HEX #8F826F

RGB 143 130 111

HSL 35.63, 0.13%, 0.5%

LAB 55.02, 1.69, 12.08

 

CMYK 0 / 84 / 87 / 12

HEX #E1231D

RGB 225 35 29

HSL 1.84, 0.77%, 0.5%

LAB 48.63, 68.79, 52.25

 

CMYK 0 / 61 / 87 / 12

HEX #E1581D

RGB 225 88 29

HSL 18.06, 0.77%, 0.5%

LAB 55.15, 50.89, 57.4

 

CMYK 0 / 38 / 87 / 12

HEX #E18C1D

RGB 225 140 29

HSL 33.98, 0.77%, 0.5%

LAB 65.63, 24.85, 65.73

 

CMYK 0 / 15 / 87 / 12

HEX #E1C01D

RGB 225 192 29

HSL 49.9, 0.77%, 0.5%

LAB 78.34, -2.69, 75.85

 

CMYK 8 / 0 / 87 / 12

HEX #CEE11D

RGB 206 225 29

HSL 65.82, 0.77%, 0.5%

LAB 85.53, -27.14, 80.98

 

CMYK 0 / 36 / 88 / 40

HEX #986113

RGB 152 97 19

HSL 35.19, 0.78%, 0.34%

LAB 46, 16.33, 48.95

 

CMYK 0 / 37 / 87 / 26

HEX #BD7818

RGB 189 120 24

HSL 34.91, 0.77%, 0.42%

LAB 56.4, 20.08, 57.86

 

CMYK 0 / 36 / 87 / 12

HEX #E18F1D

RGB 225 143 29

HSL 34.9, 0.77%, 0.5%

LAB 66.32, 23.25, 66.27

 

CMYK 0 / 30 / 72 / 10

HEX #E6A141

RGB 230 161 65

HSL 34.91, 0.77%, 0.58%

LAB 71.35, 17.01, 58.02

 

CMYK 0 / 24 / 57 / 8

HEX #EBB366

RGB 235 179 102

HSL 34.74, 0.77%, 0.66%

LAB 76.6, 11.85, 46.71

 

CMYK 0 / 36 / 87 / 12

HEX #E18F1D

RGB 225 143 29

HSL 34.9, 0.77%, 0.5%

LAB 66.32, 23.25, 66.27

 

CMYK 67 / 0 / 87 / 12

HEX #4BE11D

RGB 75 225 29

HSL 105.92, 0.77%, 0.5%

LAB 79.29, -70.12, 73.23

 

CMYK 72 / 87 / 0 / 12

HEX #3E1DE1

RGB 62 29 225

HSL 250.1, 0.77%, 0.5%

LAB 32.57, 66.83, -90.35

 

CMYK 0 / 36 / 87 / 12

HEX #E18F1D

RGB 225 143 29

HSL 34.9, 0.77%, 0.5%

LAB 66.32, 23.25, 66.27

 

CMYK 87 / 0 / 38 / 12

HEX #1DE18C

RGB 29 225 140

HSL 153.98, 0.77%, 0.5%

LAB 79.62, -63.71, 29.27

 

CMYK 38 / 87 / 0 / 12

HEX #8C1DE1

RGB 140 29 225

HSL 273.98, 0.77%, 0.5%

LAB 41.04, 73.83, -76.07

 

CMYK 0 / 36 / 87 / 12

HEX #E18F1D

RGB 225 143 29

HSL 34.9, 0.77%, 0.5%

LAB 66.32, 23.25, 66.27

 

CMYK 67 / 0 / 87 / 12

HEX #4BE11D

RGB 75 225 29

HSL 105.92, 0.77%, 0.5%

LAB 79.29, -70.12, 73.23

 

CMYK 87 / 49 / 0 / 12

HEX #1D72E1

RGB 29 114 225

HSL 213.98, 0.77%, 0.5%

LAB 49.17, 17.06, -63.16

 

CMYK 20 / 87 / 0 / 12

HEX #B31DE1

RGB 179 29 225

HSL 285.92, 0.77%, 0.5%

LAB 46.84, 79.2, -66.37

 

CMYK 0 / 36 / 87 / 12

HEX #E18F1D

RGB 225 143 29

HSL 34.9, 0.77%, 0.5%

LAB 66.32, 23.25, 66.27

 

CMYK 87 / 0 / 81 / 12

HEX #1DE12A

RGB 29 225 42

HSL 123.98, 0.77%, 0.5%

LAB 78.62, -75.77, 69.44

 

CMYK 87 / 49 / 0 / 12

HEX #1D72E1

RGB 29 114 225

HSL 213.98, 0.77%, 0.5%

LAB 49.17, 17.06, -63.16

 

CMYK 0 / 87 / 6 / 12

HEX #E11DD4

RGB 225 29 212

HSL 303.98, 0.77%, 0.5%

LAB 53.64, 84.76, -47.62

 

Description

Color code: HEX #E18F1D | qconv.com Color code: HEX #E18F1D | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 143 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 143 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 87 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 87% 12% C M Y K

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