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Color name
HEX #E1B750

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E1B750 it is the complementary color #1E48AF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E1B750. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E1B750 shade: #E6B74B, #F7C95E, #FFDB71, #FFED84 and #FFFF97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E1B750. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E1B750 shade: #E1B750, #D0A53D, #BF932A, #AE8117 and #9D6F04

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E1B750 shade: #E1B750, #E19050, #E16950 and #E15050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E1B750 shade: #E1B750, #E1DE50, #BDE150, #96E150 and #6FE150

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E1B750 shade matches the following richer shades: #E1B750 and #F1BE40

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E1B750 shade: #E1B750, #D0B061, #C0A971, #AFA282 and #9F9B92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E1B750 shade: #E16850, #E18F50, #E1B550, #E1DC50 and #BFE150

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E1B750 shade: #BF9120, #DBA82D, #E1B750, #E7C573 and #EDD497

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E1B750 shade: #E1B750, #5FE150 and #7C50E1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E1B750 shade: #E1B750, #50E1B5 and #B550E1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E1B750 shade: #E1B750, #5FE150, #507CE1 and #D250E1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E1B750 shade: #E1B750, #50E16D, #507CE1 and #E150C4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 64 / 12

HEX #E1B750

RGB 225 183 80

HSL 42.62, 0.71%, 0.6%

LAB 76.35, 4.05, 56.57

 

Complementary color

CMYK 83 / 59 / 0 / 31

HEX #1E48AF

RGB 30 72 175

HSL 222.62, 0.71%, 0.4%

LAB 34, 25.1, -58.86

 

CMYK 0 / 20 / 67 / 10

HEX #E6B74B

RGB 230 183 75

HSL 41.81, 0.76%, 0.6%

LAB 76.8, 5.87, 59.39

 

CMYK 0 / 19 / 62 / 3

HEX #F7C95E

RGB 247 201 94

HSL 41.96, 0.91%, 0.67%

LAB 83.1, 4.75, 58.33

 

CMYK 0 / 14 / 56 / 0

HEX #FFDB71

RGB 255 219 113

HSL 44.79, 1%, 0.72%

LAB 88.5, 0.13, 55.99

 

CMYK 0 / 7 / 48 / 0

HEX #FFED84

RGB 255 237 132

HSL 51.22, 1%, 0.76%

LAB 93.23, -7.37, 52.7

 

CMYK 0 / 0 / 41 / 0

HEX #FFFF97

RGB 255 255 151

HSL 60, 1%, 0.8%

LAB 98.04, -14.43, 49.58

 

CMYK 0 / 19 / 64 / 12

HEX #E1B750

RGB 225 183 80

HSL 42.62, 0.71%, 0.6%

LAB 76.35, 4.05, 56.57

 

CMYK 0 / 21 / 71 / 18

HEX #D0A53D

RGB 208 165 61

HSL 42.45, 0.61%, 0.53%

LAB 69.93, 5.25, 57.52

 

CMYK 0 / 23 / 78 / 25

HEX #BF932A

RGB 191 147 42

HSL 42.28, 0.64%, 0.46%

LAB 63.43, 6.66, 58.06

 

CMYK 0 / 26 / 87 / 32

HEX #AE8117

RGB 174 129 23

HSL 42.12, 0.77%, 0.39%

LAB 56.84, 8.34, 57.76

 

CMYK 0 / 29 / 97 / 38

HEX #9D6F04

RGB 157 111 4

HSL 41.96, 0.95%, 0.32%

LAB 50.15, 10.32, 56.02

 

CMYK 0 / 19 / 64 / 12

HEX #E1B750

RGB 225 183 80

HSL 42.62, 0.71%, 0.6%

LAB 76.35, 4.05, 56.57

 

CMYK 0 / 36 / 64 / 12

HEX #E19050

RGB 225 144 80

HSL 26.48, 0.71%, 0.6%

LAB 66.93, 24.82, 46.03

 

CMYK 0 / 53 / 64 / 12

HEX #E16950

RGB 225 105 80

HSL 10.34, 0.71%, 0.6%

LAB 58.69, 44.96, 36.3

 

CMYK 0 / 64 / 64 / 12

HEX #E15050

RGB 225 80 80

HSL 0, 0.71%, 0.6%

LAB 54.37, 56.32, 30.99

 

CMYK 0 / 19 / 64 / 12

HEX #E1B750

RGB 225 183 80

HSL 42.62, 0.71%, 0.6%

LAB 76.35, 4.05, 56.57

 

CMYK 0 / 1 / 64 / 12

HEX #E1DE50

RGB 225 222 80

HSL 58.76, 0.71%, 0.6%

LAB 86.42, -15.86, 67.26

 

CMYK 16 / 0 / 64 / 12

HEX #BDE150

RGB 189 225 80

HSL 74.9, 0.71%, 0.6%

LAB 84.61, -31.77, 64.56

 

CMYK 33 / 0 / 64 / 12

HEX #96E150

RGB 150 225 80

HSL 91.03, 0.71%, 0.6%

LAB 82.33, -46.21, 61.45

 

CMYK 51 / 0 / 64 / 12

HEX #6FE150

RGB 111 225 80

HSL 107.17, 0.71%, 0.6%

LAB 80.63, -58.38, 59.11

 

CMYK 0 / 19 / 64 / 12

HEX #E1B750

RGB 225 183 80

HSL 42.62, 0.71%, 0.6%

LAB 76.35, 4.05, 56.57

 

CMYK 0 / 21 / 73 / 5

HEX #F1BE40

RGB 241 190 64

HSL 42.71, 0.86%, 0.6%

LAB 79.56, 6.32, 67.01

 

CMYK 0 / 19 / 64 / 12

HEX #E1B750

RGB 225 183 80

HSL 42.62, 0.71%, 0.6%

LAB 76.35, 4.05, 56.57

 

CMYK 0 / 15 / 53 / 18

HEX #D0B061

RGB 208 176 97

HSL 42.7, 0.54%, 0.6%

LAB 73.1, 1.82, 44.36

 

CMYK 0 / 12 / 41 / 25

HEX #C0A971

RGB 192 169 113

HSL 42.53, 0.39%, 0.6%

LAB 70.02, 0.48, 31.95

 

CMYK 0 / 7 / 26 / 31

HEX #AFA282

RGB 175 162 130

HSL 42.67, 0.22%, 0.6%

LAB 66.95, -0.43, 18.38

 

CMYK 0 / 3 / 8 / 38

HEX #9F9B92

RGB 159 155 146

HSL 41.54, 0.06%, 0.6%

LAB 64.07, -0.19, 5.22

 

CMYK 0 / 54 / 64 / 12

HEX #E16850

RGB 225 104 80

HSL 9.93, 0.71%, 0.6%

LAB 58.5, 45.45, 36.07

 

CMYK 0 / 36 / 64 / 12

HEX #E18F50

RGB 225 143 80

HSL 26.07, 0.71%, 0.6%

LAB 66.7, 25.36, 45.76

 

CMYK 0 / 20 / 64 / 12

HEX #E1B550

RGB 225 181 80

HSL 41.79, 0.71%, 0.6%

LAB 75.84, 5.1, 56.02

 

CMYK 0 / 2 / 64 / 12

HEX #E1DC50

RGB 225 220 80

HSL 57.93, 0.71%, 0.6%

LAB 85.89, -14.87, 66.71

 

CMYK 15 / 0 / 64 / 12

HEX #BFE150

RGB 191 225 80

HSL 74.07, 0.71%, 0.6%

LAB 84.74, -30.99, 64.74

 

CMYK 0 / 24 / 83 / 25

HEX #BF9120

RGB 191 145 32

HSL 42.64, 0.71%, 0.44%

LAB 62.87, 7.41, 60.93

 

CMYK 0 / 23 / 79 / 14

HEX #DBA82D

RGB 219 168 45

HSL 42.41, 0.71%, 0.52%

LAB 71.73, 7.74, 65.68

 

CMYK 0 / 19 / 64 / 12

HEX #E1B750

RGB 225 183 80

HSL 42.62, 0.71%, 0.6%

LAB 76.35, 4.05, 56.57

 

CMYK 0 / 15 / 50 / 9

HEX #E7C573

RGB 231 197 115

HSL 42.41, 0.71%, 0.68%

LAB 80.83, 1.85, 45.31

 

CMYK 0 / 11 / 36 / 7

HEX #EDD497

RGB 237 212 151

HSL 42.56, 0.7%, 0.76%

LAB 85.67, 0.14, 33.38

 

CMYK 0 / 19 / 64 / 12

HEX #E1B750

RGB 225 183 80

HSL 42.62, 0.71%, 0.6%

LAB 76.35, 4.05, 56.57

 

CMYK 58 / 0 / 64 / 12

HEX #5FE150

RGB 95 225 80

HSL 113.79, 0.71%, 0.6%

LAB 80.1, -62.48, 58.38

 

CMYK 45 / 64 / 0 / 12

HEX #7C50E1

RGB 124 80 225

HSL 258.21, 0.71%, 0.6%

LAB 46.26, 51.03, -67.64

 

CMYK 0 / 19 / 64 / 12

HEX #E1B750

RGB 225 183 80

HSL 42.62, 0.71%, 0.6%

LAB 76.35, 4.05, 56.57

 

CMYK 64 / 0 / 20 / 12

HEX #50E1B5

RGB 80 225 181

HSL 161.79, 0.71%, 0.6%

LAB 81.23, -48.92, 10.27

 

CMYK 20 / 64 / 0 / 12

HEX #B550E1

RGB 181 80 225

HSL 281.79, 0.71%, 0.6%

LAB 52.95, 62.95, -56.5

 

CMYK 0 / 19 / 64 / 12

HEX #E1B750

RGB 225 183 80

HSL 42.62, 0.71%, 0.6%

LAB 76.35, 4.05, 56.57

 

CMYK 58 / 0 / 64 / 12

HEX #5FE150

RGB 95 225 80

HSL 113.79, 0.71%, 0.6%

LAB 80.1, -62.48, 58.38

 

CMYK 64 / 45 / 0 / 12

HEX #507CE1

RGB 80 124 225

HSL 221.79, 0.71%, 0.6%

LAB 53.55, 16.7, -56.02

 

CMYK 7 / 64 / 0 / 12

HEX #D250E1

RGB 210 80 225

HSL 293.79, 0.71%, 0.6%

LAB 56.95, 69.49, -49.87

 

CMYK 0 / 19 / 64 / 12

HEX #E1B750

RGB 225 183 80

HSL 42.62, 0.71%, 0.6%

LAB 76.35, 4.05, 56.57

 

CMYK 64 / 0 / 52 / 12

HEX #50E16D

RGB 80 225 109

HSL 132, 0.71%, 0.6%

LAB 79.99, -62.34, 45.25

 

CMYK 64 / 45 / 0 / 12

HEX #507CE1

RGB 80 124 225

HSL 221.79, 0.71%, 0.6%

LAB 53.55, 16.7, -56.02

 

CMYK 0 / 64 / 13 / 12

HEX #E150C4

RGB 225 80 196

HSL 312, 0.71%, 0.6%

LAB 57.78, 68.43, -31.96

 

Description

Color code: HEX #E1B750 | qconv.com Color code: HEX #E1B750 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 183 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 183 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 64 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 64% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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