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Color name
HEX #E25C3A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E25C3A it is the complementary color #1DA3C5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E25C3A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E25C3A shade: #E75C35, #F86E48, #FF805B, #FF926E and #FFA481

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E25C3A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E25C3A shade: #E25C3A, #D14A27, #C03814, #AF2601 and #9E1400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E25C3A shade: #E15D3B and #E13B3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E25C3A shade: #E15D3B, #E18A3B, #E1B63B, #DFE13B and #B3E13B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E25C3A shade matches the following richer shades: #E15D3B and #F35229

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E25C3A shade: #E15D3B, #CF684D, #BD7260, #AB7D72 and #998884

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E25C3A shade: #E13B73, #E13B46, #E15C3B, #E1893B and #E1B53B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E25C3A shade: #B0381A, #D4441F, #E15D3B, #E77B5F and #EC9883

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E25C3A shade: #E25C3A, #9FE13B and #3B5CE1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E25C3A shade: #E25C3A, #3BE15C and #5C3BE1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E25C3A shade: #E25C3A, #9FE13B, #3BC0E1 and #7E3BE1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E25C3A shade: #E25C3A, #6DE13B, #3BC0E1 and #B03BE1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 74 / 11

HEX #E25C3A

RGB 226 92 58

HSL 12.14, 0.74%, 0.56%

LAB 56.22, 50.34, 45.3

 

Complementary color

CMYK 85 / 17 / 0 / 23

HEX #1DA3C5

RGB 29 163 197

HSL 192.14, 0.74%, 0.44%

LAB 62.07, -21.89, -27.01

 

CMYK 0 / 60 / 77 / 9

HEX #E75C35

RGB 231 92 53

HSL 13.15, 0.79%, 0.56%

LAB 56.98, 51.91, 48.87

 

CMYK 0 / 56 / 71 / 3

HEX #F86E48

RGB 248 110 72

HSL 12.95, 0.93%, 0.63%

LAB 62.99, 50.53, 46.47

 

CMYK 0 / 50 / 64 / 0

HEX #FF805B

RGB 255 128 91

HSL 13.54, 1%, 0.68%

LAB 67.62, 45.48, 42.16

 

CMYK 0 / 43 / 57 / 0

HEX #FF926E

RGB 255 146 110

HSL 14.9, 1%, 0.72%

LAB 71.52, 37.74, 36.87

 

CMYK 0 / 36 / 49 / 0

HEX #FFA481

RGB 255 164 129

HSL 16.67, 1%, 0.75%

LAB 75.7, 30.01, 32.11

 

CMYK 0 / 59 / 74 / 11

HEX #E25C3A

RGB 226 92 58

HSL 12.14, 0.74%, 0.56%

LAB 56.22, 50.34, 45.3

 

CMYK 0 / 65 / 81 / 18

HEX #D14A27

RGB 209 74 39

HSL 12.35, 0.69%, 0.49%

LAB 50.22, 51.62, 47.82

 

CMYK 0 / 71 / 90 / 25

HEX #C03814

RGB 192 56 20

HSL 12.56, 0.81%, 0.42%

LAB 44.36, 52.68, 49.97

 

CMYK 0 / 78 / 99 / 31

HEX #AF2601

RGB 175 38 1

HSL 12.76, 0.99%, 0.35%

LAB 38.73, 53.22, 51.29

 

CMYK 0 / 87 / 100 / 38

HEX #9E1400

RGB 158 20 0

HSL 7.59, 1%, 0.31%

LAB 33.5, 52.89, 47.12

 

CMYK 0 / 59 / 74 / 12

HEX #E15D3B

RGB 225 93 59

HSL 12.29, 0.73%, 0.56%

LAB 56.24, 49.56, 44.76

 

CMYK 0 / 74 / 74 / 12

HEX #E13B3B

RGB 225 59 59

HSL 0, 0.73%, 0.56%

LAB 51.21, 63.15, 39.22

 

CMYK 0 / 59 / 74 / 12

HEX #E15D3B

RGB 225 93 59

HSL 12.29, 0.73%, 0.56%

LAB 56.24, 49.56, 44.76

 

CMYK 0 / 39 / 74 / 12

HEX #E18A3B

RGB 225 138 59

HSL 28.55, 0.73%, 0.56%

LAB 65.36, 26.89, 54.33

 

CMYK 0 / 19 / 74 / 12

HEX #E1B63B

RGB 225 182 59

HSL 44.46, 0.73%, 0.56%

LAB 75.93, 3.47, 64.84

 

CMYK 1 / 0 / 74 / 12

HEX #DFE13B

RGB 223 225 59

HSL 60.72, 0.73%, 0.56%

LAB 86.93, -19.19, 75.19

 

CMYK 20 / 0 / 74 / 12

HEX #B3E13B

RGB 179 225 59

HSL 76.63, 0.73%, 0.56%

LAB 83.84, -36.9, 71.18

 

CMYK 0 / 59 / 74 / 12

HEX #E15D3B

RGB 225 93 59

HSL 12.29, 0.73%, 0.56%

LAB 56.24, 49.56, 44.76

 

CMYK 0 / 66 / 83 / 5

HEX #F35229

RGB 243 82 41

HSL 12.18, 0.89%, 0.56%

LAB 57.32, 59.85, 55.55

 

CMYK 0 / 59 / 74 / 12

HEX #E15D3B

RGB 225 93 59

HSL 12.29, 0.73%, 0.56%

LAB 56.24, 49.56, 44.76

 

CMYK 0 / 50 / 63 / 19

HEX #CF684D

RGB 207 104 77

HSL 12.46, 0.58%, 0.56%

LAB 55.79, 38.48, 33.81

 

CMYK 0 / 40 / 49 / 26

HEX #BD7260

RGB 189 114 96

HSL 11.61, 0.41%, 0.56%

LAB 55.78, 27.64, 22.57

 

CMYK 0 / 27 / 33 / 33

HEX #AB7D72

RGB 171 125 114

HSL 11.58, 0.25%, 0.56%

LAB 56.62, 16.32, 13.01

 

CMYK 0 / 11 / 14 / 40

HEX #998884

RGB 153 136 132

HSL 11.43, 0.09%, 0.56%

LAB 58.08, 5.7, 4.48

 

CMYK 0 / 74 / 49 / 12

HEX #E13B73

RGB 225 59 115

HSL 339.76, 0.73%, 0.56%

LAB 52.26, 66.58, 7.37

 

CMYK 0 / 74 / 69 / 12

HEX #E13B46

RGB 225 59 70

HSL 356.02, 0.73%, 0.56%

LAB 51.36, 63.63, 33.08

 

CMYK 0 / 59 / 74 / 12

HEX #E15C3B

RGB 225 92 59

HSL 11.93, 0.73%, 0.56%

LAB 56.07, 50.02, 44.57

 

CMYK 0 / 39 / 74 / 12

HEX #E1893B

RGB 225 137 59

HSL 28.19, 0.73%, 0.56%

LAB 65.13, 27.42, 54.1

 

CMYK 0 / 20 / 74 / 12

HEX #E1B53B

RGB 225 181 59

HSL 44.1, 0.73%, 0.56%

LAB 75.68, 4, 64.59

 

CMYK 0 / 68 / 85 / 31

HEX #B0381A

RGB 176 56 26

HSL 12, 0.74%, 0.4%

LAB 41.43, 47.39, 43.8

 

CMYK 0 / 68 / 85 / 17

HEX #D4441F

RGB 212 68 31

HSL 12.27, 0.74%, 0.48%

LAB 49.77, 54.89, 51.29

 

CMYK 0 / 59 / 74 / 12

HEX #E15D3B

RGB 225 93 59

HSL 12.29, 0.73%, 0.56%

LAB 56.24, 49.56, 44.76

 

CMYK 0 / 47 / 59 / 9

HEX #E77B5F

RGB 231 123 95

HSL 12.35, 0.74%, 0.64%

LAB 63.33, 39.22, 33.98

 

CMYK 0 / 36 / 44 / 7

HEX #EC9883

RGB 236 152 131

HSL 12, 0.73%, 0.72%

LAB 70.82, 29.17, 24.14

 

CMYK 0 / 59 / 74 / 11

HEX #E25C3A

RGB 226 92 58

HSL 12.14, 0.74%, 0.56%

LAB 56.22, 50.34, 45.3

 

CMYK 29 / 0 / 74 / 12

HEX #9FE13B

RGB 159 225 59

HSL 83.86, 0.73%, 0.56%

LAB 82.67, -44.41, 69.65

 

CMYK 74 / 59 / 0 / 12

HEX #3B5CE1

RGB 59 92 225

HSL 228.07, 0.73%, 0.56%

LAB 44.26, 33.73, -71.09

 

CMYK 0 / 59 / 74 / 11

HEX #E25C3A

RGB 226 92 58

HSL 12.14, 0.74%, 0.56%

LAB 56.22, 50.34, 45.3

 

CMYK 74 / 0 / 59 / 12

HEX #3BE15C

RGB 59 225 92

HSL 131.93, 0.73%, 0.56%

LAB 79.36, -68.12, 52.2

 

CMYK 59 / 74 / 0 / 12

HEX #5C3BE1

RGB 92 59 225

HSL 251.93, 0.73%, 0.56%

LAB 39.31, 56.84, -79.12

 

CMYK 0 / 59 / 74 / 11

HEX #E25C3A

RGB 226 92 58

HSL 12.14, 0.74%, 0.56%

LAB 56.22, 50.34, 45.3

 

CMYK 29 / 0 / 74 / 12

HEX #9FE13B

RGB 159 225 59

HSL 83.86, 0.73%, 0.56%

LAB 82.67, -44.41, 69.65

 

CMYK 74 / 15 / 0 / 12

HEX #3BC0E1

RGB 59 192 225

HSL 191.93, 0.73%, 0.56%

LAB 72.27, -24.7, -26.71

 

CMYK 44 / 74 / 0 / 12

HEX #7E3BE1

RGB 126 59 225

HSL 264.22, 0.73%, 0.56%

LAB 42.76, 61.68, -73.32

 

CMYK 0 / 59 / 74 / 11

HEX #E25C3A

RGB 226 92 58

HSL 12.14, 0.74%, 0.56%

LAB 56.22, 50.34, 45.3

 

CMYK 52 / 0 / 74 / 12

HEX #6DE13B

RGB 109 225 59

HSL 101.93, 0.73%, 0.56%

LAB 80.41, -60.57, 66.68

 

CMYK 74 / 15 / 0 / 12

HEX #3BC0E1

RGB 59 192 225

HSL 191.93, 0.73%, 0.56%

LAB 72.27, -24.7, -26.71

 

CMYK 22 / 74 / 0 / 12

HEX #B03BE1

RGB 176 59 225

HSL 282.29, 0.73%, 0.56%

LAB 49.25, 70.4, -62.49

 

Description

Color code: HEX #E25C3A | qconv.com Color code: HEX #E25C3A | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 92 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 92 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 74 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 74% 11% C M Y K

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