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Color name
HEX #E28F1F

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E28F1F it is the complementary color #1D70E0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E28F1F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E28F1F shade: #E78F1A, #F8A12D, #FFB340, #FFC553 and #FFD766

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E28F1F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E28F1F shade: #E28F1F, #D17D0C, #C06B00, #AF5900 and #9E4700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E28F1F shade: #E18E1D, #E1591D, #E1241D and #E11D1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E28F1F shade: #E18E1D, #E1C31D, #CBE11D, #96E11D and #61E11D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E28F1F shade matches the following richer shades: #E18E1D and #F69108

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E28F1F shade: #E18E1D, #CD8B31, #B88746, #A3845B and #8F816F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E28F1F shade: #E1231D, #E1581D, #E18C1D, #E1C01D and #CEE11D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E28F1F shade: #986013, #BD7718, #E18E1D, #E6A041 and #EBB266

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E28F1F shade: #E28F1F, #4BE11D and #3E1DE1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E28F1F shade: #E28F1F, #1DE18C and #8C1DE1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E28F1F shade: #E28F1F, #4BE11D, #1D72E1 and #B31DE1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E28F1F shade: #E28F1F, #1DE12A, #1D72E1 and #E11DD4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 86 / 11

HEX #E28F1F

RGB 226 143 31

HSL 34.46, 0.77%, 0.5%

LAB 66.45, 23.72, 65.87

 

Complementary color

CMYK 87 / 50 / 0 / 12

HEX #1D70E0

RGB 29 112 224

HSL 214.46, 0.77%, 0.5%

LAB 48.55, 17.94, -63.6

 

CMYK 0 / 38 / 89 / 9

HEX #E78F1A

RGB 231 143 26

HSL 34.24, 0.81%, 0.5%

LAB 67.06, 25.72, 67.96

 

CMYK 0 / 35 / 82 / 3

HEX #F8A12D

RGB 248 161 45

HSL 34.29, 0.94%, 0.57%

LAB 73.31, 23.8, 68.32

 

CMYK 0 / 30 / 75 / 0

HEX #FFB340

RGB 255 179 64

HSL 36.13, 1%, 0.63%

LAB 78.39, 17.96, 66.38

 

CMYK 0 / 23 / 67 / 0

HEX #FFC553

RGB 255 197 83

HSL 39.77, 1%, 0.66%

LAB 82.82, 9.48, 63.09

 

CMYK 0 / 16 / 60 / 0

HEX #FFD766

RGB 255 215 102

HSL 44.31, 1%, 0.7%

LAB 87.4, 1.38, 59.75

 

CMYK 0 / 37 / 86 / 11

HEX #E28F1F

RGB 226 143 31

HSL 34.46, 0.77%, 0.5%

LAB 66.45, 23.72, 65.87

 

CMYK 0 / 40 / 94 / 18

HEX #D17D0C

RGB 209 125 12

HSL 34.42, 0.89%, 0.43%

LAB 60.11, 25.8, 64.61

 

CMYK 0 / 44 / 100 / 25

HEX #C06B00

RGB 192 107 0

HSL 33.44, 1%, 0.38%

LAB 53.73, 28.1, 61.4

 

CMYK 0 / 49 / 100 / 31

HEX #AF5900

RGB 175 89 0

HSL 30.51, 1%, 0.34%

LAB 47.31, 30.58, 56.23

 

CMYK 0 / 55 / 100 / 38

HEX #9E4700

RGB 158 71 0

HSL 26.96, 1%, 0.31%

LAB 40.86, 33.02, 51.05

 

CMYK 0 / 37 / 87 / 12

HEX #E18E1D

RGB 225 142 29

HSL 34.59, 0.77%, 0.5%

LAB 66.09, 23.78, 66.09

 

CMYK 0 / 60 / 87 / 12

HEX #E1591D

RGB 225 89 29

HSL 18.37, 0.77%, 0.5%

LAB 55.32, 50.44, 57.54

 

CMYK 0 / 84 / 87 / 12

HEX #E1241D

RGB 225 36 29

HSL 2.14, 0.77%, 0.5%

LAB 48.71, 68.57, 52.31

 

CMYK 0 / 87 / 87 / 12

HEX #E11D1D

RGB 225 29 29

HSL 0, 0.77%, 0.5%

LAB 48.23, 69.94, 51.94

 

CMYK 0 / 37 / 87 / 12

HEX #E18E1D

RGB 225 142 29

HSL 34.59, 0.77%, 0.5%

LAB 66.09, 23.78, 66.09

 

CMYK 0 / 13 / 87 / 12

HEX #E1C31D

RGB 225 195 29

HSL 50.82, 0.77%, 0.5%

LAB 79.11, -4.24, 76.46

 

CMYK 10 / 0 / 87 / 12

HEX #CBE11D

RGB 203 225 29

HSL 66.73, 0.77%, 0.5%

LAB 85.32, -28.37, 80.71

 

CMYK 33 / 0 / 87 / 12

HEX #96E11D

RGB 150 225 29

HSL 82.96, 0.77%, 0.5%

LAB 82.07, -48.87, 76.7

 

CMYK 57 / 0 / 87 / 12

HEX #61E11D

RGB 97 225 29

HSL 99.18, 0.77%, 0.5%

LAB 79.89, -65.19, 73.98

 

CMYK 0 / 37 / 87 / 12

HEX #E18E1D

RGB 225 142 29

HSL 34.59, 0.77%, 0.5%

LAB 66.09, 23.78, 66.09

 

CMYK 0 / 41 / 97 / 4

HEX #F69108

RGB 246 145 8

HSL 34.54, 0.94%, 0.5%

LAB 69.37, 30.68, 73.78

 

CMYK 0 / 37 / 87 / 12

HEX #E18E1D

RGB 225 142 29

HSL 34.59, 0.77%, 0.5%

LAB 66.09, 23.78, 66.09

 

CMYK 0 / 32 / 76 / 20

HEX #CD8B31

RGB 205 139 49

HSL 34.62, 0.61%, 0.5%

LAB 63.07, 17.46, 55.54

 

CMYK 0 / 27 / 62 / 28

HEX #B88746

RGB 184 135 70

HSL 34.21, 0.45%, 0.5%

LAB 59.85, 11.72, 41.66

 

CMYK 0 / 19 / 44 / 36

HEX #A3845B

RGB 163 132 91

HSL 34.17, 0.28%, 0.5%

LAB 57.12, 6.23, 26.58

 

CMYK 0 / 10 / 22 / 44

HEX #8F816F

RGB 143 129 111

HSL 33.75, 0.13%, 0.5%

LAB 54.75, 2.26, 11.7

 

CMYK 0 / 84 / 87 / 12

HEX #E1231D

RGB 225 35 29

HSL 1.84, 0.77%, 0.5%

LAB 48.63, 68.79, 52.25

 

CMYK 0 / 61 / 87 / 12

HEX #E1581D

RGB 225 88 29

HSL 18.06, 0.77%, 0.5%

LAB 55.15, 50.89, 57.4

 

CMYK 0 / 38 / 87 / 12

HEX #E18C1D

RGB 225 140 29

HSL 33.98, 0.77%, 0.5%

LAB 65.63, 24.85, 65.73

 

CMYK 0 / 15 / 87 / 12

HEX #E1C01D

RGB 225 192 29

HSL 49.9, 0.77%, 0.5%

LAB 78.34, -2.69, 75.85

 

CMYK 8 / 0 / 87 / 12

HEX #CEE11D

RGB 206 225 29

HSL 65.82, 0.77%, 0.5%

LAB 85.53, -27.14, 80.98

 

CMYK 0 / 37 / 88 / 40

HEX #986013

RGB 152 96 19

HSL 34.74, 0.78%, 0.34%

LAB 45.75, 16.9, 48.74

 

CMYK 0 / 37 / 87 / 26

HEX #BD7718

RGB 189 119 24

HSL 34.55, 0.77%, 0.42%

LAB 56.17, 20.63, 57.67

 

CMYK 0 / 37 / 87 / 12

HEX #E18E1D

RGB 225 142 29

HSL 34.59, 0.77%, 0.5%

LAB 66.09, 23.78, 66.09

 

CMYK 0 / 30 / 72 / 10

HEX #E6A041

RGB 230 160 65

HSL 34.55, 0.77%, 0.58%

LAB 71.11, 17.54, 57.77

 

CMYK 0 / 24 / 57 / 8

HEX #EBB266

RGB 235 178 102

HSL 34.29, 0.77%, 0.66%

LAB 76.35, 12.38, 46.42

 

CMYK 0 / 37 / 86 / 11

HEX #E28F1F

RGB 226 143 31

HSL 34.46, 0.77%, 0.5%

LAB 66.45, 23.72, 65.87

 

CMYK 67 / 0 / 87 / 12

HEX #4BE11D

RGB 75 225 29

HSL 105.92, 0.77%, 0.5%

LAB 79.29, -70.12, 73.23

 

CMYK 72 / 87 / 0 / 12

HEX #3E1DE1

RGB 62 29 225

HSL 250.1, 0.77%, 0.5%

LAB 32.57, 66.83, -90.35

 

CMYK 0 / 37 / 86 / 11

HEX #E28F1F

RGB 226 143 31

HSL 34.46, 0.77%, 0.5%

LAB 66.45, 23.72, 65.87

 

CMYK 87 / 0 / 38 / 12

HEX #1DE18C

RGB 29 225 140

HSL 153.98, 0.77%, 0.5%

LAB 79.62, -63.71, 29.27

 

CMYK 38 / 87 / 0 / 12

HEX #8C1DE1

RGB 140 29 225

HSL 273.98, 0.77%, 0.5%

LAB 41.04, 73.83, -76.07

 

CMYK 0 / 37 / 86 / 11

HEX #E28F1F

RGB 226 143 31

HSL 34.46, 0.77%, 0.5%

LAB 66.45, 23.72, 65.87

 

CMYK 67 / 0 / 87 / 12

HEX #4BE11D

RGB 75 225 29

HSL 105.92, 0.77%, 0.5%

LAB 79.29, -70.12, 73.23

 

CMYK 87 / 49 / 0 / 12

HEX #1D72E1

RGB 29 114 225

HSL 213.98, 0.77%, 0.5%

LAB 49.17, 17.06, -63.16

 

CMYK 20 / 87 / 0 / 12

HEX #B31DE1

RGB 179 29 225

HSL 285.92, 0.77%, 0.5%

LAB 46.84, 79.2, -66.37

 

CMYK 0 / 37 / 86 / 11

HEX #E28F1F

RGB 226 143 31

HSL 34.46, 0.77%, 0.5%

LAB 66.45, 23.72, 65.87

 

CMYK 87 / 0 / 81 / 12

HEX #1DE12A

RGB 29 225 42

HSL 123.98, 0.77%, 0.5%

LAB 78.62, -75.77, 69.44

 

CMYK 87 / 49 / 0 / 12

HEX #1D72E1

RGB 29 114 225

HSL 213.98, 0.77%, 0.5%

LAB 49.17, 17.06, -63.16

 

CMYK 0 / 87 / 6 / 12

HEX #E11DD4

RGB 225 29 212

HSL 303.98, 0.77%, 0.5%

LAB 53.64, 84.76, -47.62

 

Description

Color code: HEX #E28F1F | qconv.com Color code: HEX #E28F1F | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 143 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 143 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 86 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 86% 11% C M Y K

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