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Color name
HEX #E2DA5B

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E2DA5B it is the complementary color #1D25A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E2DA5B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E2DA5B shade: #E7DA56, #F8EC69, #FFFE7C, #FFFF8F and #FFFFA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E2DA5B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E2DA5B shade: #E2DA5B, #D1C848, #C0B635, #AFA422 and #9E920F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E2DA5B shade: #E1D95A, #E1B55A, #E1905A, #E16C5A and #E15A5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E2DA5B shade: #E1D95A, #C5E15A, #A0E15A, #7CE15A and #5AE15C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E2DA5B shade matches the following richer shades: #E1D95A and #F1E74A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E2DA5B shade: #E1D95A, #D2CC69, #C2BE79, #B2B089 and #A3A298

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E2DA5B shade: #E1905A, #E1B45A, #E1D85A, #C6E15A and #A2E15A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E2DA5B shade: #C6BC23, #DBD137, #E1D95A, #E8E17D and #EEE9A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E2DA5B shade: #E2DA5B, #5AE16C and #A25AE1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E2DA5B shade: #E2DA5B, #5AE1D8 and #D85AE1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E2DA5B shade: #E2DA5B, #5AE16C, #5A63E1 and #E15ACF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E2DA5B shade: #E2DA5B, #5AE195, #5A63E1 and #E15AA7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 60 / 11

HEX #E2DA5B

RGB 226 218 91

HSL 56.44, 0.7%, 0.62%

LAB 85.54, -12.78, 61.82

 

Complementary color

CMYK 82 / 77 / 0 / 36

HEX #1D25A4

RGB 29 37 164

HSL 236.44, 0.7%, 0.38%

LAB 24.53, 43.23, -67.82

 

CMYK 0 / 6 / 63 / 9

HEX #E7DA56

RGB 231 218 86

HSL 54.62, 0.75%, 0.62%

LAB 85.91, -11.04, 64.44

 

CMYK 0 / 5 / 58 / 3

HEX #F8EC69

RGB 248 236 105

HSL 54.97, 0.91%, 0.69%

LAB 92.12, -11.8, 63.55

 

CMYK 0 / 0 / 51 / 0

HEX #FFFE7C

RGB 255 254 124

HSL 59.54, 1%, 0.74%

LAB 97.47, -16.38, 61.43

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF8F

RGB 255 255 143

HSL 60, 1%, 0.78%

LAB 97.94, -15.21, 53.26

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA2

RGB 255 255 162

HSL 60, 1%, 0.82%

LAB 98.19, -13.28, 44.46

 

CMYK 0 / 4 / 60 / 11

HEX #E2DA5B

RGB 226 218 91

HSL 56.44, 0.7%, 0.62%

LAB 85.54, -12.78, 61.82

 

CMYK 0 / 4 / 66 / 18

HEX #D1C848

RGB 209 200 72

HSL 56.06, 0.6%, 0.55%

LAB 79.23, -11.98, 62.59

 

CMYK 0 / 5 / 72 / 25

HEX #C0B635

RGB 192 182 53

HSL 55.68, 0.57%, 0.48%

LAB 72.84, -11.04, 63

 

CMYK 0 / 6 / 81 / 31

HEX #AFA422

RGB 175 164 34

HSL 55.32, 0.67%, 0.41%

LAB 66.35, -9.89, 62.74

 

CMYK 0 / 8 / 91 / 38

HEX #9E920F

RGB 158 146 15

HSL 54.97, 0.83%, 0.34%

LAB 59.76, -8.51, 61.27

 

CMYK 0 / 4 / 60 / 12

HEX #E1D95A

RGB 225 217 90

HSL 56.44, 0.69%, 0.62%

LAB 85.19, -12.76, 61.84

 

CMYK 0 / 20 / 60 / 12

HEX #E1B55A

RGB 225 181 90

HSL 40.44, 0.69%, 0.62%

LAB 75.94, 5.76, 51.51

 

CMYK 0 / 36 / 60 / 12

HEX #E1905A

RGB 225 144 90

HSL 24, 0.69%, 0.62%

LAB 67.05, 25.5, 41.06

 

CMYK 0 / 52 / 60 / 12

HEX #E16C5A

RGB 225 108 90

HSL 8, 0.69%, 0.62%

LAB 59.41, 44.15, 31.64

 

CMYK 0 / 60 / 60 / 12

HEX #E15A5A

RGB 225 90 90

HSL 0, 0.69%, 0.62%

LAB 56.15, 52.63, 27.47

 

CMYK 0 / 4 / 60 / 12

HEX #E1D95A

RGB 225 217 90

HSL 56.44, 0.69%, 0.62%

LAB 85.19, -12.76, 61.84

 

CMYK 12 / 0 / 60 / 12

HEX #C5E15A

RGB 197 225 90

HSL 72.44, 0.69%, 0.62%

LAB 85.23, -27.93, 61.28

 

CMYK 29 / 0 / 60 / 12

HEX #A0E15A

RGB 160 225 90

HSL 88.89, 0.69%, 0.62%

LAB 82.95, -41.86, 58.11

 

CMYK 45 / 0 / 60 / 12

HEX #7CE15A

RGB 124 225 90

HSL 104.89, 0.69%, 0.62%

LAB 81.22, -53.71, 55.7

 

CMYK 60 / 0 / 59 / 12

HEX #5AE15C

RGB 90 225 92

HSL 120.89, 0.69%, 0.62%

LAB 80.07, -62.39, 53.2

 

CMYK 0 / 4 / 60 / 12

HEX #E1D95A

RGB 225 217 90

HSL 56.44, 0.69%, 0.62%

LAB 85.19, -12.76, 61.84

 

CMYK 0 / 4 / 69 / 5

HEX #F1E74A

RGB 241 231 74

HSL 56.41, 0.86%, 0.62%

LAB 90.02, -14.02, 73.58

 

CMYK 0 / 4 / 60 / 12

HEX #E1D95A

RGB 225 217 90

HSL 56.44, 0.69%, 0.62%

LAB 85.19, -12.76, 61.84

 

CMYK 0 / 3 / 50 / 18

HEX #D2CC69

RGB 210 204 105

HSL 56.57, 0.54%, 0.62%

LAB 80.69, -11.2, 49.58

 

CMYK 0 / 2 / 38 / 24

HEX #C2BE79

RGB 194 190 121

HSL 56.71, 0.37%, 0.62%

LAB 75.87, -8.87, 35.36

 

CMYK 0 / 1 / 23 / 30

HEX #B2B089

RGB 178 176 137

HSL 57.07, 0.21%, 0.62%

LAB 71.09, -5.76, 20.29

 

CMYK 0 / 1 / 7 / 36

HEX #A3A298

RGB 163 162 152

HSL 54.55, 0.06%, 0.62%

LAB 66.44, -1.48, 5.32

 

CMYK 0 / 36 / 60 / 12

HEX #E1905A

RGB 225 144 90

HSL 24, 0.69%, 0.62%

LAB 67.05, 25.5, 41.06

 

CMYK 0 / 20 / 60 / 12

HEX #E1B45A

RGB 225 180 90

HSL 40, 0.69%, 0.62%

LAB 75.69, 6.29, 51.22

 

CMYK 0 / 4 / 60 / 12

HEX #E1D85A

RGB 225 216 90

HSL 56, 0.69%, 0.62%

LAB 84.92, -12.26, 61.55

 

CMYK 12 / 0 / 60 / 12

HEX #C6E15A

RGB 198 225 90

HSL 72, 0.69%, 0.62%

LAB 85.3, -27.54, 61.38

 

CMYK 28 / 0 / 60 / 12

HEX #A2E15A

RGB 162 225 90

HSL 88, 0.69%, 0.62%

LAB 83.06, -41.15, 58.27

 

CMYK 0 / 5 / 82 / 22

HEX #C6BC23

RGB 198 188 35

HSL 56.32, 0.7%, 0.46%

LAB 74.88, -12.19, 70.61

 

CMYK 0 / 5 / 75 / 14

HEX #DBD137

RGB 219 209 55

HSL 56.34, 0.69%, 0.54%

LAB 82.34, -13.13, 72.1

 

CMYK 0 / 4 / 60 / 12

HEX #E1D95A

RGB 225 217 90

HSL 56.44, 0.69%, 0.62%

LAB 85.19, -12.76, 61.84

 

CMYK 0 / 3 / 46 / 9

HEX #E8E17D

RGB 232 225 125

HSL 56.07, 0.7%, 0.7%

LAB 88.2, -11.12, 49.48

 

CMYK 0 / 2 / 33 / 7

HEX #EEE9A0

RGB 238 233 160

HSL 56.15, 0.7%, 0.78%

LAB 91.23, -9.08, 36.15

 

CMYK 0 / 4 / 60 / 11

HEX #E2DA5B

RGB 226 218 91

HSL 56.44, 0.7%, 0.62%

LAB 85.54, -12.78, 61.82

 

CMYK 60 / 0 / 52 / 12

HEX #5AE16C

RGB 90 225 108

HSL 128, 0.69%, 0.62%

LAB 80.24, -60.42, 46.09

 

CMYK 28 / 60 / 0 / 12

HEX #A25AE1

RGB 162 90 225

HSL 272, 0.69%, 0.62%

LAB 52.32, 53.89, -57.64

 

CMYK 0 / 4 / 60 / 11

HEX #E2DA5B

RGB 226 218 91

HSL 56.44, 0.7%, 0.62%

LAB 85.54, -12.78, 61.82

 

CMYK 60 / 0 / 4 / 12

HEX #5AE1D8

RGB 90 225 216

HSL 176, 0.69%, 0.62%

LAB 82.37, -38.58, -6.59

 

CMYK 4 / 60 / 0 / 12

HEX #D85AE1

RGB 216 90 225

HSL 296, 0.69%, 0.62%

LAB 59.29, 66.78, -46.11

 

CMYK 0 / 4 / 60 / 11

HEX #E2DA5B

RGB 226 218 91

HSL 56.44, 0.7%, 0.62%

LAB 85.54, -12.78, 61.82

 

CMYK 60 / 0 / 52 / 12

HEX #5AE16C

RGB 90 225 108

HSL 128, 0.69%, 0.62%

LAB 80.24, -60.42, 46.09

 

CMYK 60 / 56 / 0 / 12

HEX #5A63E1

RGB 90 99 225

HSL 236, 0.69%, 0.62%

LAB 47.67, 33.81, -65.48

 

CMYK 0 / 60 / 8 / 12

HEX #E15ACF

RGB 225 90 207

HSL 308, 0.69%, 0.62%

LAB 59.73, 66.05, -35.18

 

CMYK 0 / 4 / 60 / 11

HEX #E2DA5B

RGB 226 218 91

HSL 56.44, 0.7%, 0.62%

LAB 85.54, -12.78, 61.82

 

CMYK 60 / 0 / 34 / 12

HEX #5AE195

RGB 90 225 149

HSL 146.22, 0.69%, 0.62%

LAB 80.85, -53.79, 26.49

 

CMYK 60 / 56 / 0 / 12

HEX #5A63E1

RGB 90 99 225

HSL 236, 0.69%, 0.62%

LAB 47.67, 33.81, -65.48

 

CMYK 0 / 60 / 26 / 12

HEX #E15AA7

RGB 225 90 167

HSL 325.78, 0.69%, 0.62%

LAB 58.14, 60.3, -14.69

 

Description

Color code: HEX #E2DA5B | qconv.com Color code: HEX #E2DA5B | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 218 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 218 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 60 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 60% 11% C M Y K

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