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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E2F4CE it is the complementary color #1D0B31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E2F4CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E2F4CE shade: #E7F4C9, #F8FFDC and #FFFFEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E2F4CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E2F4CE shade: #E2F4CE, #D1E2BB, #C0D0A8, #AFBE95 and #9EAC82

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E2F4CE shade: #E1F3CD, #EBF3CD, #F3F1CD, #F3E6CD and #F3DCCD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E2F4CE shade: #E1F3CD, #D7F3CD, #CDF3CD, #CDF3D8 and #CDF3E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E2F4CE shade matches the following richer shades: #E1F3CD, #E1F8C8 and #E1FDC3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E2F4CE shade: #E1F3CD, #E1EED2, #E0E9D7, #E0E4DB and #E0DFE0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E2F4CE shade: #F3F1CD, #EBF3CD, #E1F3CD, #D7F3CD and #CDF3CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E2F4CE shade: #B9E489, #CDECAB, #E1F3CD and #F5FBEE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E2F4CE shade: #E2F4CE, #CDF3E6 and #F3CDF1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E2F4CE shade: #E2F4CE, #CDE1F3 and #F3CDE1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E2F4CE shade: #E2F4CE, #CDF3E6, #DFCDF3 and #F3CDD9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E2F4CE shade: #E2F4CE, #CDF3F2, #DFCDF3 and #F3CDCE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 16 / 4

HEX #E2F4CE

RGB 226 244 206

HSL 88.42, 0.63%, 0.88%

LAB 94.02, -12.5, 16.33

 

Complementary color

CMYK 41 / 78 / 0 / 81

HEX #1D0B31

RGB 29 11 49

HSL 268.42, 0.63%, 0.12%

LAB 6.52, 18.71, -21.46

 

CMYK 5 / 0 / 18 / 4

HEX #E7F4C9

RGB 231 244 201

HSL 78.14, 0.66%, 0.87%

LAB 94.27, -11.54, 19.3

 

CMYK 3 / 0 / 14 / 0

HEX #F8FFDC

RGB 248 255 220

HSL 72, 1%, 0.93%

LAB 98.69, -8.15, 15.95

 

CMYK 0 / 0 / 6 / 0

HEX #FFFFEF

RGB 255 255 239

HSL 60, 1%, 0.97%

LAB 99.62, -2.71, 7.63

 

CMYK 7 / 0 / 16 / 4

HEX #E2F4CE

RGB 226 244 206

HSL 88.42, 0.63%, 0.88%

LAB 94.02, -12.5, 16.33

 

CMYK 8 / 0 / 17 / 11

HEX #D1E2BB

RGB 209 226 187

HSL 86.15, 0.4%, 0.81%

LAB 87.74, -12.47, 17.18

 

CMYK 8 / 0 / 19 / 18

HEX #C0D0A8

RGB 192 208 168

HSL 84, 0.3%, 0.74%

LAB 81.37, -12.45, 18.08

 

CMYK 8 / 0 / 22 / 25

HEX #AFBE95

RGB 175 190 149

HSL 81.95, 0.24%, 0.66%

LAB 74.89, -12.41, 19.02

 

CMYK 8 / 0 / 24 / 33

HEX #9EAC82

RGB 158 172 130

HSL 80, 0.2%, 0.59%

LAB 68.3, -12.38, 20.02

 

CMYK 7 / 0 / 16 / 5

HEX #E1F3CD

RGB 225 243 205

HSL 88.42, 0.61%, 0.88%

LAB 93.67, -12.51, 16.34

 

CMYK 3 / 0 / 16 / 5

HEX #EBF3CD

RGB 235 243 205

HSL 72.63, 0.61%, 0.88%

LAB 94.39, -9.02, 17.45

 

CMYK 0 / 1 / 16 / 5

HEX #F3F1CD

RGB 243 241 205

HSL 56.84, 0.61%, 0.88%

LAB 94.47, -5.2, 17.66

 

CMYK 0 / 5 / 16 / 5

HEX #F3E6CD

RGB 243 230 205

HSL 39.47, 0.61%, 0.88%

LAB 91.71, 0.38, 13.76

 

CMYK 0 / 9 / 16 / 5

HEX #F3DCCD

RGB 243 220 205

HSL 23.68, 0.61%, 0.88%

LAB 89.23, 5.52, 10.23

 

CMYK 7 / 0 / 16 / 5

HEX #E1F3CD

RGB 225 243 205

HSL 88.42, 0.61%, 0.88%

LAB 93.67, -12.51, 16.34

 

CMYK 12 / 0 / 16 / 5

HEX #D7F3CD

RGB 215 243 205

HSL 104.21, 0.61%, 0.88%

LAB 93, -15.93, 15.29

 

CMYK 16 / 0 / 16 / 5

HEX #CDF3CD

RGB 205 243 205

HSL 120, 0.61%, 0.88%

LAB 92.35, -19.29, 14.28

 

CMYK 16 / 0 / 11 / 5

HEX #CDF3D8

RGB 205 243 216

HSL 137.37, 0.61%, 0.88%

LAB 92.59, -17.35, 8.94

 

CMYK 16 / 0 / 7 / 5

HEX #CDF3E2

RGB 205 243 226

HSL 153.16, 0.61%, 0.88%

LAB 92.83, -15.5, 4.09

 

CMYK 7 / 0 / 16 / 5

HEX #E1F3CD

RGB 225 243 205

HSL 88.42, 0.61%, 0.88%

LAB 93.67, -12.51, 16.34

 

CMYK 9 / 0 / 19 / 3

HEX #E1F8C8

RGB 225 248 200

HSL 88.75, 0.77%, 0.88%

LAB 94.87, -15.76, 20.59

 

CMYK 11 / 0 / 23 / 1

HEX #E1FDC3

RGB 225 253 195

HSL 88.97, 0.94%, 0.88%

LAB 96.08, -18.96, 24.81

 

CMYK 7 / 0 / 16 / 5

HEX #E1F3CD

RGB 225 243 205

HSL 88.42, 0.61%, 0.88%

LAB 93.67, -12.51, 16.34

 

CMYK 5 / 0 / 12 / 7

HEX #E1EED2

RGB 225 238 210

HSL 87.86, 0.45%, 0.88%

LAB 92.49, -9.2, 12.09

 

CMYK 4 / 0 / 8 / 9

HEX #E0E9D7

RGB 224 233 215

HSL 90, 0.29%, 0.88%

LAB 91.25, -6.18, 7.7

 

CMYK 2 / 0 / 4 / 11

HEX #E0E4DB

RGB 224 228 219

HSL 86.67, 0.14%, 0.88%

LAB 90.07, -2.94, 3.91

 

CMYK 0 / 0 / 0 / 12

HEX #E0DFE0

RGB 224 223 224

HSL 300, 0.02%, 0.88%

LAB 88.92, 0.52, -0.38

 

CMYK 0 / 1 / 16 / 5

HEX #F3F1CD

RGB 243 241 205

HSL 56.84, 0.61%, 0.88%

LAB 94.47, -5.2, 17.66

 

CMYK 3 / 0 / 16 / 5

HEX #EBF3CD

RGB 235 243 205

HSL 72.63, 0.61%, 0.88%

LAB 94.39, -9.02, 17.45

 

CMYK 7 / 0 / 16 / 5

HEX #E1F3CD

RGB 225 243 205

HSL 88.42, 0.61%, 0.88%

LAB 93.67, -12.51, 16.34

 

CMYK 12 / 0 / 16 / 5

HEX #D7F3CD

RGB 215 243 205

HSL 104.21, 0.61%, 0.88%

LAB 93, -15.93, 15.29

 

CMYK 16 / 0 / 16 / 5

HEX #CDF3CD

RGB 205 243 205

HSL 120, 0.61%, 0.88%

LAB 92.35, -19.29, 14.28

 

CMYK 19 / 0 / 40 / 11

HEX #B9E489

RGB 185 228 137

HSL 88.35, 0.63%, 0.72%

LAB 85.81, -29.2, 39.9

 

CMYK 13 / 0 / 28 / 7

HEX #CDECAB

RGB 205 236 171

HSL 88.62, 0.63%, 0.8%

LAB 89.82, -21.26, 28.26

 

CMYK 7 / 0 / 16 / 5

HEX #E1F3CD

RGB 225 243 205

HSL 88.42, 0.61%, 0.88%

LAB 93.67, -12.51, 16.34

 

CMYK 2 / 0 / 5 / 2

HEX #F5FBEE

RGB 245 251 238

HSL 87.69, 0.62%, 0.96%

LAB 97.87, -4.24, 5.53

 

CMYK 7 / 0 / 16 / 4

HEX #E2F4CE

RGB 226 244 206

HSL 88.42, 0.63%, 0.88%

LAB 94.02, -12.5, 16.33

 

CMYK 16 / 0 / 5 / 5

HEX #CDF3E6

RGB 205 243 230

HSL 159.47, 0.61%, 0.88%

LAB 92.92, -14.74, 2.16

 

CMYK 0 / 16 / 1 / 5

HEX #F3CDF1

RGB 243 205 241

HSL 303.16, 0.61%, 0.88%

LAB 86.54, 19.39, -12.71

 

CMYK 7 / 0 / 16 / 4

HEX #E2F4CE

RGB 226 244 206

HSL 88.42, 0.63%, 0.88%

LAB 94.02, -12.5, 16.33

 

CMYK 16 / 7 / 0 / 5

HEX #CDE1F3

RGB 205 225 243

HSL 208.42, 0.61%, 0.88%

LAB 88.59, -3.02, -11.01

 

CMYK 0 / 16 / 7 / 5

HEX #F3CDE1

RGB 243 205 225

HSL 328.42, 0.61%, 0.88%

LAB 86.08, 16.59, -4.9

 

CMYK 7 / 0 / 16 / 4

HEX #E2F4CE

RGB 226 244 206

HSL 88.42, 0.63%, 0.88%

LAB 94.02, -12.5, 16.33

 

CMYK 16 / 0 / 5 / 5

HEX #CDF3E6

RGB 205 243 230

HSL 159.47, 0.61%, 0.88%

LAB 92.92, -14.74, 2.16

 

CMYK 8 / 16 / 0 / 5

HEX #DFCDF3

RGB 223 205 243

HSL 268.42, 0.61%, 0.88%

LAB 84.91, 13.22, -16.39

 

CMYK 0 / 16 / 11 / 5

HEX #F3CDD9

RGB 243 205 217

HSL 341.05, 0.61%, 0.88%

LAB 85.87, 15.26, -0.96

 

CMYK 7 / 0 / 16 / 4

HEX #E2F4CE

RGB 226 244 206

HSL 88.42, 0.63%, 0.88%

LAB 94.02, -12.5, 16.33

 

CMYK 16 / 0 / 0 / 5

HEX #CDF3F2

RGB 205 243 242

HSL 178.42, 0.61%, 0.88%

LAB 93.23, -12.39, -3.63

 

CMYK 8 / 16 / 0 / 5

HEX #DFCDF3

RGB 223 205 243

HSL 268.42, 0.61%, 0.88%

LAB 84.91, 13.22, -16.39

 

CMYK 0 / 16 / 15 / 5

HEX #F3CDCE

RGB 243 205 206

HSL 358.42, 0.61%, 0.88%

LAB 85.59, 13.5, 4.48

 

Description

Color code: HEX #E2F4CE | qconv.com Color code: HEX #E2F4CE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 244 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 244 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 16 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 16% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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