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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E4E263 it is the complementary color #1B1D9C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E4E263. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E4E263 shade: #E9E25E, #FAF471, #FFFF84, #FFFF97 and #FFFFAA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E4E263. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E4E263 shade: #E4E263, #D3D050, #C2BE3D, #B1AC2A and #A09A17

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E4E263 shade: #E3E162, #E3BE62, #E39C62, #E37962 and #E36262

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E4E263 shade: #E3E162, #C2E362, #A0E362, #7DE362 and #62E36B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E4E263 shade matches the following richer shades: #E3E162 and #F2EF54

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E4E263 shade: #E3E162, #D4D371, #C5C480, #B6B68F and #A8A79E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E4E263 shade: #E39C62, #E3BF62, #E3E162, #C3E362 and #A1E362

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E4E263 shade: #CFCC24, #DDDA3F, #E3E162, #E9E886 and #EFEEA9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E4E263 shade: #E4E263, #62E37A and #AD62E3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E4E263 shade: #E4E263, #62E3E1 and #E162E3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E4E263 shade: #E4E263, #62E37A, #6265E3 and #E362CB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E4E263 shade: #E4E263, #62E3A1, #6265E3 and #E362A5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 57 / 11

HEX #E4E263

RGB 228 226 99

HSL 59.07, 0.7%, 0.64%

LAB 87.87, -15.37, 60.97

 

Complementary color

CMYK 83 / 81 / 0 / 39

HEX #1B1D9C

RGB 27 29 156

HSL 239.07, 0.7%, 0.36%

LAB 21.99, 44.76, -67.15

 

CMYK 0 / 3 / 60 / 9

HEX #E9E25E

RGB 233 226 94

HSL 56.98, 0.76%, 0.64%

LAB 88.22, -13.69, 63.63

 

CMYK 0 / 2 / 55 / 2

HEX #FAF471

RGB 250 244 113

HSL 57.37, 0.93%, 0.71%

LAB 94.41, -14.35, 62.68

 

CMYK 0 / 0 / 48 / 0

HEX #FFFF84

RGB 255 255 132

HSL 60, 1%, 0.76%

LAB 97.81, -16.2, 58.21

 

CMYK 0 / 0 / 41 / 0

HEX #FFFF97

RGB 255 255 151

HSL 60, 1%, 0.8%

LAB 98.04, -14.43, 49.58

 

CMYK 0 / 0 / 33 / 0

HEX #FFFFAA

RGB 255 255 170

HSL 60, 1%, 0.83%

LAB 98.31, -12.39, 40.69

 

CMYK 0 / 1 / 57 / 11

HEX #E4E263

RGB 228 226 99

HSL 59.07, 0.7%, 0.64%

LAB 87.87, -15.37, 60.97

 

CMYK 0 / 1 / 62 / 17

HEX #D3D050

RGB 211 208 80

HSL 58.63, 0.6%, 0.57%

LAB 81.59, -14.69, 61.84

 

CMYK 0 / 2 / 69 / 24

HEX #C2BE3D

RGB 194 190 61

HSL 58.2, 0.52%, 0.5%

LAB 75.22, -13.87, 62.43

 

CMYK 0 / 3 / 76 / 31

HEX #B1AC2A

RGB 177 172 42

HSL 57.78, 0.62%, 0.43%

LAB 68.77, -12.88, 62.5

 

CMYK 0 / 4 / 86 / 37

HEX #A09A17

RGB 160 154 23

HSL 57.37, 0.75%, 0.36%

LAB 62.21, -11.67, 61.61

 

CMYK 0 / 1 / 57 / 11

HEX #E3E162

RGB 227 225 98

HSL 59.07, 0.7%, 0.64%

LAB 87.52, -15.35, 61

 

CMYK 0 / 16 / 57 / 11

HEX #E3BE62

RGB 227 190 98

HSL 42.79, 0.7%, 0.64%

LAB 78.48, 2.45, 50.69

 

CMYK 0 / 31 / 57 / 11

HEX #E39C62

RGB 227 156 98

HSL 26.98, 0.7%, 0.64%

LAB 70.17, 20.5, 40.76

 

CMYK 0 / 47 / 57 / 11

HEX #E37962

RGB 227 121 98

HSL 10.7, 0.7%, 0.64%

LAB 62.41, 38.95, 31.06

 

CMYK 0 / 57 / 57 / 11

HEX #E36262

RGB 227 98 98

HSL 0, 0.7%, 0.64%

LAB 57.99, 50.24, 25.32

 

CMYK 0 / 1 / 57 / 11

HEX #E3E162

RGB 227 225 98

HSL 59.07, 0.7%, 0.64%

LAB 87.52, -15.35, 61

 

CMYK 15 / 0 / 57 / 11

HEX #C2E362

RGB 194 227 98

HSL 75.35, 0.7%, 0.64%

LAB 85.65, -29.41, 58.24

 

CMYK 30 / 0 / 57 / 11

HEX #A0E362

RGB 160 227 98

HSL 91.16, 0.7%, 0.64%

LAB 83.6, -42.01, 55.36

 

CMYK 45 / 0 / 57 / 11

HEX #7DE362

RGB 125 227 98

HSL 107.44, 0.7%, 0.64%

LAB 81.94, -53.37, 53.01

 

CMYK 57 / 0 / 53 / 11

HEX #62E36B

RGB 98 227 107

HSL 124.19, 0.7%, 0.64%

LAB 81.07, -59.47, 47.62

 

CMYK 0 / 1 / 57 / 11

HEX #E3E162

RGB 227 225 98

HSL 59.07, 0.7%, 0.64%

LAB 87.52, -15.35, 61

 

CMYK 0 / 1 / 65 / 5

HEX #F2EF54

RGB 242 239 84

HSL 58.86, 0.86%, 0.64%

LAB 92.24, -17.01, 72.13

 

CMYK 0 / 1 / 57 / 11

HEX #E3E162

RGB 227 225 98

HSL 59.07, 0.7%, 0.64%

LAB 87.52, -15.35, 61

 

CMYK 0 / 0 / 47 / 17

HEX #D4D371

RGB 212 211 113

HSL 59.39, 0.54%, 0.64%

LAB 82.8, -13.2, 48.31

 

CMYK 0 / 1 / 35 / 23

HEX #C5C480

RGB 197 196 128

HSL 59.13, 0.37%, 0.64%

LAB 77.82, -9.96, 34.31

 

CMYK 0 / 0 / 21 / 29

HEX #B6B68F

RGB 182 182 143

HSL 60, 0.21%, 0.64%

LAB 73.14, -6.52, 19.92

 

CMYK 0 / 1 / 6 / 34

HEX #A8A79E

RGB 168 167 158

HSL 54, 0.05%, 0.64%

LAB 68.34, -1.29, 4.77

 

CMYK 0 / 31 / 57 / 11

HEX #E39C62

RGB 227 156 98

HSL 26.98, 0.7%, 0.64%

LAB 70.17, 20.5, 40.76

 

CMYK 0 / 16 / 57 / 11

HEX #E3BF62

RGB 227 191 98

HSL 43.26, 0.7%, 0.64%

LAB 78.74, 1.93, 50.99

 

CMYK 0 / 1 / 57 / 11

HEX #E3E162

RGB 227 225 98

HSL 59.07, 0.7%, 0.64%

LAB 87.52, -15.35, 61

 

CMYK 14 / 0 / 57 / 11

HEX #C3E362

RGB 195 227 98

HSL 74.88, 0.7%, 0.64%

LAB 85.72, -29.03, 58.34

 

CMYK 29 / 0 / 57 / 11

HEX #A1E362

RGB 161 227 98

HSL 90.7, 0.7%, 0.64%

LAB 83.65, -41.65, 55.43

 

CMYK 0 / 1 / 83 / 19

HEX #CFCC24

RGB 207 204 36

HSL 58.95, 0.7%, 0.48%

LAB 79.94, -16.36, 74.95

 

CMYK 0 / 1 / 71 / 13

HEX #DDDA3F

RGB 221 218 63

HSL 58.86, 0.7%, 0.56%

LAB 84.93, -16.42, 71.94

 

CMYK 0 / 1 / 57 / 11

HEX #E3E162

RGB 227 225 98

HSL 59.07, 0.7%, 0.64%

LAB 87.52, -15.35, 61

 

CMYK 0 / 0 / 42 / 9

HEX #E9E886

RGB 233 232 134

HSL 59.39, 0.69%, 0.72%

LAB 90.21, -13.34, 47.63

 

CMYK 0 / 0 / 29 / 6

HEX #EFEEA9

RGB 239 238 169

HSL 59.14, 0.69%, 0.8%

LAB 92.74, -10.1, 33.62

 

CMYK 0 / 1 / 57 / 11

HEX #E4E263

RGB 228 226 99

HSL 59.07, 0.7%, 0.64%

LAB 87.87, -15.37, 60.97

 

CMYK 57 / 0 / 46 / 11

HEX #62E37A

RGB 98 227 122

HSL 131.16, 0.7%, 0.64%

LAB 81.26, -57.39, 40.67

 

CMYK 24 / 57 / 0 / 11

HEX #AD62E3

RGB 173 98 227

HSL 274.88, 0.7%, 0.64%

LAB 55.24, 52.89, -54.01

 

CMYK 0 / 1 / 57 / 11

HEX #E4E263

RGB 228 226 99

HSL 59.07, 0.7%, 0.64%

LAB 87.87, -15.37, 60.97

 

CMYK 57 / 0 / 1 / 11

HEX #62E3E1

RGB 98 227 225

HSL 179.07, 0.7%, 0.64%

LAB 83.43, -35.73, -9.76

 

CMYK 1 / 57 / 0 / 11

HEX #E162E3

RGB 225 98 227

HSL 299.07, 0.7%, 0.64%

LAB 61.9, 65.9, -43.04

 

CMYK 0 / 1 / 57 / 11

HEX #E4E263

RGB 228 226 99

HSL 59.07, 0.7%, 0.64%

LAB 87.87, -15.37, 60.97

 

CMYK 57 / 0 / 46 / 11

HEX #62E37A

RGB 98 227 122

HSL 131.16, 0.7%, 0.64%

LAB 81.26, -57.39, 40.67

 

CMYK 57 / 56 / 0 / 11

HEX #6265E3

RGB 98 101 227

HSL 238.6, 0.7%, 0.64%

LAB 48.82, 34.66, -64.71

 

CMYK 0 / 57 / 11 / 11

HEX #E362CB

RGB 227 98 203

HSL 311.16, 0.7%, 0.64%

LAB 61.11, 62.51, -30.74

 

CMYK 0 / 1 / 57 / 11

HEX #E4E263

RGB 228 226 99

HSL 59.07, 0.7%, 0.64%

LAB 87.87, -15.37, 60.97

 

CMYK 57 / 0 / 29 / 11

HEX #62E3A1

RGB 98 227 161

HSL 149.3, 0.7%, 0.64%

LAB 81.9, -50.62, 21.75

 

CMYK 57 / 56 / 0 / 11

HEX #6265E3

RGB 98 101 227

HSL 238.6, 0.7%, 0.64%

LAB 48.82, 34.66, -64.71

 

CMYK 0 / 57 / 27 / 11

HEX #E362A5

RGB 227 98 165

HSL 328.84, 0.7%, 0.64%

LAB 59.69, 57.09, -11.17

 

Description

Color code: HEX #E4E263 | qconv.com Color code: HEX #E4E263 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 226 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 226 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 57 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 57% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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