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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E4EB6C it is the complementary color #1B1493. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E4EB6C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E4EB6C shade: #E9EB67, #FAFD7A, #FFFF8D, #FFFFA0 and #FFFFB3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E4EB6C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E4EB6C shade: #E4EB6C, #D3D959, #C2C746, #B1B533 and #A0A320

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E4EB6C shade: #E3EA6A, #EACF6A, #EAAC6A, #EA8A6A and #EA6A6A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E4EB6C shade: #E3EA6A, #C1EA6A, #9EEA6A, #7CEA6A and #6AEA7C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E4EB6C shade matches the following richer shades: #E3EA6A and #EFF85D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E4EB6C shade: #E3EA6A, #D7DD78, #CBCF86, #BFC193 and #B3B4A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E4EB6C shade: #EAAC6A, #EACF6A, #E4EA6A, #C2EA6A and #A0EA6A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E4EB6C shade: #D6E022, #DDE546, #E3EA6A, #EAEF8F and #F1F4B3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E4EB6C shade: #E4EB6C, #6AEA8A and #BE6AEA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E4EB6C shade: #E4EB6C, #6AE4EA and #EA6AE4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E4EB6C shade: #E4EB6C, #6AEA8A, #716AEA and #EA6ACA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E4EB6C shade: #E4EB6C, #6AEAB1, #716AEA and #EA6AA4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 54 / 8

HEX #E4EB6C

RGB 228 235 108

HSL 63.31, 0.76%, 0.67%

LAB 90.32, -19.09, 59.78

 

Complementary color

CMYK 82 / 86 / 0 / 42

HEX #1B1493

RGB 27 20 147

HSL 243.31, 0.76%, 0.33%

LAB 19.39, 46.19, -65.92

 

CMYK 1 / 0 / 56 / 8

HEX #E9EB67

RGB 233 235 103

HSL 60.91, 0.77%, 0.66%

LAB 90.65, -17.48, 62.46

 

CMYK 1 / 0 / 52 / 1

HEX #FAFD7A

RGB 250 253 122

HSL 61.37, 0.97%, 0.74%

LAB 96.81, -18.02, 61.46

 

CMYK 0 / 0 / 45 / 0

HEX #FFFF8D

RGB 255 255 141

HSL 60, 1%, 0.78%

LAB 97.91, -15.4, 54.17

 

CMYK 0 / 0 / 37 / 0

HEX #FFFFA0

RGB 255 255 160

HSL 60, 1%, 0.81%

LAB 98.16, -13.5, 45.4

 

CMYK 0 / 0 / 30 / 0

HEX #FFFFB3

RGB 255 255 179

HSL 60, 1%, 0.85%

LAB 98.45, -11.32, 36.42

 

CMYK 3 / 0 / 54 / 8

HEX #E4EB6C

RGB 228 235 108

HSL 63.31, 0.76%, 0.67%

LAB 90.32, -19.09, 59.78

 

CMYK 3 / 0 / 59 / 15

HEX #D3D959

RGB 211 217 89

HSL 62.81, 0.63%, 0.6%

LAB 84.07, -18.54, 60.72

 

CMYK 3 / 0 / 65 / 22

HEX #C2C746

RGB 194 199 70

HSL 62.33, 0.54%, 0.53%

LAB 77.73, -17.88, 61.46

 

CMYK 2 / 0 / 72 / 29

HEX #B1B533

RGB 177 181 51

HSL 61.85, 0.56%, 0.45%

LAB 71.31, -17.07, 61.81

 

CMYK 2 / 0 / 80 / 36

HEX #A0A320

RGB 160 163 32

HSL 61.37, 0.67%, 0.38%

LAB 64.78, -16.08, 61.45

 

CMYK 3 / 0 / 55 / 8

HEX #E3EA6A

RGB 227 234 106

HSL 63.28, 0.75%, 0.67%

LAB 89.96, -19.16, 60.24

 

CMYK 0 / 12 / 55 / 8

HEX #EACF6A

RGB 234 207 106

HSL 47.34, 0.75%, 0.67%

LAB 83.53, -2.84, 52.96

 

CMYK 0 / 26 / 55 / 8

HEX #EAAC6A

RGB 234 172 106

HSL 30.94, 0.75%, 0.67%

LAB 74.85, 15.47, 42.56

 

CMYK 0 / 41 / 55 / 8

HEX #EA8A6A

RGB 234 138 106

HSL 15, 0.75%, 0.67%

LAB 67.06, 33.47, 32.8

 

CMYK 0 / 55 / 55 / 8

HEX #EA6A6A

RGB 234 106 106

HSL 0, 0.75%, 0.67%

LAB 60.64, 49.54, 24.43

 

CMYK 3 / 0 / 55 / 8

HEX #E3EA6A

RGB 227 234 106

HSL 63.28, 0.75%, 0.67%

LAB 89.96, -19.16, 60.24

 

CMYK 18 / 0 / 55 / 8

HEX #C1EA6A

RGB 193 234 106

HSL 79.22, 0.75%, 0.67%

LAB 87.59, -32.37, 56.9

 

CMYK 32 / 0 / 55 / 8

HEX #9EEA6A

RGB 158 234 106

HSL 95.63, 0.75%, 0.67%

LAB 85.58, -44.94, 54.05

 

CMYK 47 / 0 / 55 / 8

HEX #7CEA6A

RGB 124 234 106

HSL 111.56, 0.75%, 0.67%

LAB 84.05, -55.53, 51.87

 

CMYK 55 / 0 / 47 / 8

HEX #6AEA7C

RGB 106 234 124

HSL 128.44, 0.75%, 0.67%

LAB 83.63, -57.9, 42.74

 

CMYK 3 / 0 / 55 / 8

HEX #E3EA6A

RGB 227 234 106

HSL 63.28, 0.75%, 0.67%

LAB 89.96, -19.16, 60.24

 

CMYK 4 / 0 / 63 / 3

HEX #EFF85D

RGB 239 248 93

HSL 63.48, 0.92%, 0.67%

LAB 94.43, -22.02, 70.84

 

CMYK 3 / 0 / 55 / 8

HEX #E3EA6A

RGB 227 234 106

HSL 63.28, 0.75%, 0.67%

LAB 89.96, -19.16, 60.24

 

CMYK 3 / 0 / 46 / 13

HEX #D7DD78

RGB 215 221 120

HSL 63.56, 0.6%, 0.67%

LAB 85.76, -16.32, 48.6

 

CMYK 2 / 0 / 35 / 19

HEX #CBCF86

RGB 203 207 134

HSL 63.29, 0.43%, 0.67%

LAB 81.32, -12.51, 35.86

 

CMYK 1 / 0 / 24 / 24

HEX #BFC193

RGB 191 193 147

HSL 62.61, 0.27%, 0.67%

LAB 76.87, -8.26, 23

 

CMYK 1 / 0 / 11 / 29

HEX #B3B4A1

RGB 179 180 161

HSL 63.16, 0.11%, 0.67%

LAB 72.76, -3.74, 9.57

 

CMYK 0 / 26 / 55 / 8

HEX #EAAC6A

RGB 234 172 106

HSL 30.94, 0.75%, 0.67%

LAB 74.85, 15.47, 42.56

 

CMYK 0 / 12 / 55 / 8

HEX #EACF6A

RGB 234 207 106

HSL 47.34, 0.75%, 0.67%

LAB 83.53, -2.84, 52.96

 

CMYK 3 / 0 / 55 / 8

HEX #E4EA6A

RGB 228 234 106

HSL 62.81, 0.75%, 0.67%

LAB 90.04, -18.76, 60.34

 

CMYK 17 / 0 / 55 / 8

HEX #C2EA6A

RGB 194 234 106

HSL 78.75, 0.75%, 0.67%

LAB 87.66, -31.99, 56.99

 

CMYK 32 / 0 / 55 / 8

HEX #A0EA6A

RGB 160 234 106

HSL 94.69, 0.75%, 0.67%

LAB 85.69, -44.26, 54.2

 

CMYK 4 / 0 / 85 / 12

HEX #D6E022

RGB 214 224 34

HSL 63.16, 0.75%, 0.51%

LAB 85.87, -23.25, 80.54

 

CMYK 3 / 0 / 69 / 10

HEX #DDE546

RGB 221 229 70

HSL 63.02, 0.75%, 0.59%

LAB 87.9, -21.45, 72.38

 

CMYK 3 / 0 / 55 / 8

HEX #E3EA6A

RGB 227 234 106

HSL 63.28, 0.75%, 0.67%

LAB 89.96, -19.16, 60.24

 

CMYK 2 / 0 / 40 / 6

HEX #EAEF8F

RGB 234 239 143

HSL 63.13, 0.75%, 0.75%

LAB 92.22, -15.48, 45.8

 

CMYK 1 / 0 / 27 / 4

HEX #F1F4B3

RGB 241 244 179

HSL 62.77, 0.75%, 0.83%

LAB 94.59, -11.06, 31.08

 

CMYK 3 / 0 / 54 / 8

HEX #E4EB6C

RGB 228 235 108

HSL 63.31, 0.76%, 0.67%

LAB 90.32, -19.09, 59.78

 

CMYK 55 / 0 / 41 / 8

HEX #6AEA8A

RGB 106 234 138

HSL 135, 0.75%, 0.67%

LAB 83.83, -55.76, 36.12

 

CMYK 19 / 55 / 0 / 8

HEX #BE6AEA

RGB 190 106 234

HSL 279.38, 0.75%, 0.67%

LAB 59.16, 54.58, -51.58

 

CMYK 3 / 0 / 54 / 8

HEX #E4EB6C

RGB 228 235 108

HSL 63.31, 0.76%, 0.67%

LAB 90.32, -19.09, 59.78

 

CMYK 55 / 3 / 0 / 8

HEX #6AE4EA

RGB 106 228 234

HSL 182.81, 0.75%, 0.67%

LAB 84.22, -32.33, -13.31

 

CMYK 0 / 55 / 3 / 8

HEX #EA6AE4

RGB 234 106 228

HSL 302.81, 0.75%, 0.67%

LAB 64.49, 64.86, -39.46

 

CMYK 3 / 0 / 54 / 8

HEX #E4EB6C

RGB 228 235 108

HSL 63.31, 0.76%, 0.67%

LAB 90.32, -19.09, 59.78

 

CMYK 55 / 0 / 41 / 8

HEX #6AEA8A

RGB 106 234 138

HSL 135, 0.75%, 0.67%

LAB 83.83, -55.76, 36.12

 

CMYK 52 / 55 / 0 / 8

HEX #716AEA

RGB 113 106 234

HSL 243.28, 0.75%, 0.67%

LAB 51.56, 36.71, -64.16

 

CMYK 0 / 55 / 14 / 8

HEX #EA6ACA

RGB 234 106 202

HSL 315, 0.75%, 0.67%

LAB 63.4, 60.72, -26.57

 

CMYK 3 / 0 / 54 / 8

HEX #E4EB6C

RGB 228 235 108

HSL 63.31, 0.76%, 0.67%

LAB 90.32, -19.09, 59.78

 

CMYK 55 / 0 / 24 / 8

HEX #6AEAB1

RGB 106 234 177

HSL 153.28, 0.75%, 0.67%

LAB 84.53, -48.57, 17.12

 

CMYK 52 / 55 / 0 / 8

HEX #716AEA

RGB 113 106 234

HSL 243.28, 0.75%, 0.67%

LAB 51.56, 36.71, -64.16

 

CMYK 0 / 55 / 30 / 8

HEX #EA6AA4

RGB 234 106 164

HSL 332.81, 0.75%, 0.67%

LAB 62.07, 55.46, -6.94

 

Description

Color code: HEX #E4EB6C | qconv.com Color code: HEX #E4EB6C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 235 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 235 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 54 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 54% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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