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Color name
HEX #E5D3B2

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E5D3B2 it is the complementary color #1A2C4D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E5D3B2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E5D3B2 shade: #EAD3AD, #FBE5C0, #FFF7D3, #FFFFE6 and #FFFFF9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E5D3B2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E5D3B2 shade: #E5D3B2, #D4C19F, #C3AF8C, #B29D79 and #A18B66

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E5D3B2 shade: #E5D3B2, #E5C5B2, #E5B7B2 and #E5B2B2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E5D3B2 shade: #E5D3B2, #E5E1B2, #DBE5B2, #CEE5B2 and #C0E5B2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E5D3B2 shade matches the following richer shades: #E5D3B2, #EDD5AA, #F6D8A1 and #FEDA99

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E5D3B2 shade: #E5D3B2, #DDD1BA, #D4CEC3, #CCCCCB and #C4C9D3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E5D3B2 shade: #E5B7B2, #E5C5B2, #E5D2B2, #E5E0B2 and #DDE5B2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E5D3B2 shade: #D0B074, #DBC193, #E5D3B2, #EFE5D1 and #FAF6F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E5D3B2 shade: #E5D3B2, #BBE5B2 and #BEB2E5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E5D3B2 shade: #E5D3B2, #B2E5D2 and #D2B2E5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E5D3B2 shade: #E5D3B2, #BBE5B2, #B2C5E5 and #DDB2E5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E5D3B2 shade: #E5D3B2, #B2E5B9, #B2C5E5 and #E5B2DE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 22 / 10

HEX #E5D3B2

RGB 229 211 178

HSL 38.82, 0.5%, 0.8%

LAB 85.23, 1.09, 18.61

 

Complementary color

CMYK 66 / 43 / 0 / 70

HEX #1A2C4D

RGB 26 44 77

HSL 218.82, 0.5%, 0.2%

LAB 18.17, 4.62, -22.6

 

CMYK 0 / 10 / 26 / 8

HEX #EAD3AD

RGB 234 211 173

HSL 37.38, 0.59%, 0.8%

LAB 85.55, 2.26, 21.75

 

CMYK 0 / 9 / 24 / 2

HEX #FBE5C0

RGB 251 229 192

HSL 37.63, 0.88%, 0.87%

LAB 91.84, 1.91, 20.79

 

CMYK 0 / 3 / 17 / 0

HEX #FFF7D3

RGB 255 247 211

HSL 49.09, 1%, 0.91%

LAB 97.02, -3.06, 18.28

 

CMYK 0 / 0 / 10 / 0

HEX #FFFFE6

RGB 255 255 230

HSL 60, 1%, 0.95%

LAB 99.41, -4.17, 11.95

 

CMYK 0 / 0 / 2 / 0

HEX #FFFFF9

RGB 255 255 249

HSL 60, 1%, 0.99%

LAB 99.85, -1.03, 2.85

 

CMYK 0 / 8 / 22 / 10

HEX #E5D3B2

RGB 229 211 178

HSL 38.82, 0.5%, 0.8%

LAB 85.23, 1.09, 18.61

 

CMYK 0 / 9 / 25 / 17

HEX #D4C19F

RGB 212 193 159

HSL 38.49, 0.38%, 0.73%

LAB 78.83, 1.43, 19.58

 

CMYK 0 / 10 / 28 / 24

HEX #C3AF8C

RGB 195 175 140

HSL 38.18, 0.31%, 0.66%

LAB 72.33, 1.81, 20.6

 

CMYK 0 / 12 / 32 / 30

HEX #B29D79

RGB 178 157 121

HSL 37.89, 0.27%, 0.59%

LAB 65.72, 2.25, 21.69

 

CMYK 0 / 14 / 37 / 37

HEX #A18B66

RGB 161 139 102

HSL 37.63, 0.24%, 0.52%

LAB 58.98, 2.77, 22.87

 

CMYK 0 / 8 / 22 / 10

HEX #E5D3B2

RGB 229 211 178

HSL 38.82, 0.5%, 0.8%

LAB 85.23, 1.09, 18.61

 

CMYK 0 / 14 / 22 / 10

HEX #E5C5B2

RGB 229 197 178

HSL 22.35, 0.5%, 0.8%

LAB 81.73, 8.41, 13.71

 

CMYK 0 / 20 / 22 / 10

HEX #E5B7B2

RGB 229 183 178

HSL 5.88, 0.5%, 0.8%

LAB 78.31, 15.84, 8.85

 

CMYK 0 / 22 / 22 / 10

HEX #E5B2B2

RGB 229 178 178

HSL 0, 0.5%, 0.8%

LAB 77.11, 18.51, 7.13

 

CMYK 0 / 8 / 22 / 10

HEX #E5D3B2

RGB 229 211 178

HSL 38.82, 0.5%, 0.8%

LAB 85.23, 1.09, 18.61

 

CMYK 0 / 2 / 22 / 10

HEX #E5E1B2

RGB 229 225 178

HSL 55.29, 0.5%, 0.8%

LAB 88.79, -6.09, 23.54

 

CMYK 4 / 0 / 22 / 10

HEX #DBE5B2

RGB 219 229 178

HSL 71.76, 0.5%, 0.8%

LAB 89.07, -11.77, 23.81

 

CMYK 10 / 0 / 22 / 10

HEX #CEE5B2

RGB 206 229 178

HSL 87.06, 0.5%, 0.8%

LAB 88.15, -16.43, 22.39

 

CMYK 16 / 0 / 22 / 10

HEX #C0E5B2

RGB 192 229 178

HSL 103.53, 0.5%, 0.8%

LAB 87.22, -21.33, 20.97

 

CMYK 0 / 8 / 22 / 10

HEX #E5D3B2

RGB 229 211 178

HSL 38.82, 0.5%, 0.8%

LAB 85.23, 1.09, 18.61

 

CMYK 0 / 10 / 28 / 7

HEX #EDD5AA

RGB 237 213 170

HSL 38.51, 0.65%, 0.8%

LAB 86.25, 1.96, 24.32

 

CMYK 0 / 12 / 35 / 4

HEX #F6D8A1

RGB 246 216 161

HSL 38.82, 0.83%, 0.8%

LAB 87.62, 2.72, 30.97

 

CMYK 0 / 14 / 40 / 0

HEX #FEDA99

RGB 254 218 153

HSL 38.61, 0.98%, 0.8%

LAB 88.69, 3.89, 36.61

 

CMYK 0 / 8 / 22 / 10

HEX #E5D3B2

RGB 229 211 178

HSL 38.82, 0.5%, 0.8%

LAB 85.23, 1.09, 18.61

 

CMYK 0 / 5 / 16 / 13

HEX #DDD1BA

RGB 221 209 186

HSL 39.43, 0.34%, 0.8%

LAB 84.23, 0.37, 12.9

 

CMYK 0 / 3 / 8 / 17

HEX #D4CEC3

RGB 212 206 195

HSL 38.82, 0.17%, 0.8%

LAB 82.96, 0.16, 6.19

 

CMYK 0 / 0 / 0 / 20

HEX #CCCCCB

RGB 204 204 203

HSL 60, 0.01%, 0.8%

LAB 82.02, -0.18, 0.49

 

CMYK 7 / 5 / 0 / 17

HEX #C4C9D3

RGB 196 201 211

HSL 220, 0.15%, 0.8%

LAB 80.86, 0.2, -5.57

 

CMYK 0 / 20 / 22 / 10

HEX #E5B7B2

RGB 229 183 178

HSL 5.88, 0.5%, 0.8%

LAB 78.31, 15.84, 8.85

 

CMYK 0 / 14 / 22 / 10

HEX #E5C5B2

RGB 229 197 178

HSL 22.35, 0.5%, 0.8%

LAB 81.73, 8.41, 13.71

 

CMYK 0 / 8 / 22 / 10

HEX #E5D2B2

RGB 229 210 178

HSL 37.65, 0.5%, 0.8%

LAB 84.98, 1.61, 18.26

 

CMYK 0 / 2 / 22 / 10

HEX #E5E0B2

RGB 229 224 178

HSL 54.12, 0.5%, 0.8%

LAB 88.54, -5.58, 23.19

 

CMYK 3 / 0 / 22 / 10

HEX #DDE5B2

RGB 221 229 178

HSL 69.41, 0.5%, 0.8%

LAB 89.22, -11.04, 24.03

 

CMYK 0 / 15 / 44 / 18

HEX #D0B074

RGB 208 176 116

HSL 39.13, 0.49%, 0.64%

LAB 73.36, 3.61, 34.98

 

CMYK 0 / 12 / 33 / 14

HEX #DBC193

RGB 219 193 147

HSL 38.33, 0.5%, 0.72%

LAB 79.22, 2.54, 26.57

 

CMYK 0 / 8 / 22 / 10

HEX #E5D3B2

RGB 229 211 178

HSL 38.82, 0.5%, 0.8%

LAB 85.23, 1.09, 18.61

 

CMYK 0 / 4 / 13 / 6

HEX #EFE5D1

RGB 239 229 209

HSL 40, 0.48%, 0.88%

LAB 91.23, 0.09, 10.95

 

CMYK 0 / 2 / 4 / 2

HEX #FAF6F0

RGB 250 246 240

HSL 36, 0.5%, 0.96%

LAB 97.04, 0.3, 3.34

 

CMYK 0 / 8 / 22 / 10

HEX #E5D3B2

RGB 229 211 178

HSL 38.82, 0.5%, 0.8%

LAB 85.23, 1.09, 18.61

 

CMYK 18 / 0 / 22 / 10

HEX #BBE5B2

RGB 187 229 178

HSL 109.41, 0.5%, 0.8%

LAB 86.91, -23.04, 20.48

 

CMYK 17 / 22 / 0 / 10

HEX #BEB2E5

RGB 190 178 229

HSL 254.12, 0.5%, 0.8%

LAB 75.1, 14.4, -23.97

 

CMYK 0 / 8 / 22 / 10

HEX #E5D3B2

RGB 229 211 178

HSL 38.82, 0.5%, 0.8%

LAB 85.23, 1.09, 18.61

 

CMYK 22 / 0 / 8 / 10

HEX #B2E5D2

RGB 178 229 210

HSL 157.65, 0.5%, 0.8%

LAB 87.07, -20.15, 3.91

 

CMYK 8 / 22 / 0 / 10

HEX #D2B2E5

RGB 210 178 229

HSL 277.65, 0.5%, 0.8%

LAB 76.8, 20.76, -21.24

 

CMYK 0 / 8 / 22 / 10

HEX #E5D3B2

RGB 229 211 178

HSL 38.82, 0.5%, 0.8%

LAB 85.23, 1.09, 18.61

 

CMYK 18 / 0 / 22 / 10

HEX #BBE5B2

RGB 187 229 178

HSL 109.41, 0.5%, 0.8%

LAB 86.91, -23.04, 20.48

 

CMYK 22 / 14 / 0 / 10

HEX #B2C5E5

RGB 178 197 229

HSL 217.65, 0.5%, 0.8%

LAB 79.07, 0.37, -18.04

 

CMYK 3 / 22 / 0 / 10

HEX #DDB2E5

RGB 221 178 229

HSL 290.59, 0.5%, 0.8%

LAB 77.8, 24.33, -19.63

 

CMYK 0 / 8 / 22 / 10

HEX #E5D3B2

RGB 229 211 178

HSL 38.82, 0.5%, 0.8%

LAB 85.23, 1.09, 18.61

 

CMYK 22 / 0 / 19 / 10

HEX #B2E5B9

RGB 178 229 185

HSL 128.24, 0.5%, 0.8%

LAB 86.51, -24.84, 16.2

 

CMYK 22 / 14 / 0 / 10

HEX #B2C5E5

RGB 178 197 229

HSL 217.65, 0.5%, 0.8%

LAB 79.07, 0.37, -18.04

 

CMYK 0 / 22 / 3 / 10

HEX #E5B2DE

RGB 229 178 222

HSL 308.24, 0.5%, 0.8%

LAB 78.33, 25.68, -14.97

 

Description

Color code: HEX #E5D3B2 | qconv.com Color code: HEX #E5D3B2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 211 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 211 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 22 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 22% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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