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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E5C5B2 it is the complementary color #1A3A4D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E5C5B2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E5C5B2 shade: #EAC5AD, #FBD7C0, #FFE9D3, #FFFBE6 and #FFFFF9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E5C5B2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E5C5B2 shade: #E5C5B2, #D4B39F, #C3A18C, #B28F79 and #A17D66

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E5C5B2 shade: #E5C5B2, #E5B7B2 and #E5B2B2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E5C5B2 shade: #E5C5B2, #E5D3B2, #E5E1B2, #DCE5B2 and #CEE5B2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E5C5B2 shade matches the following richer shades: #E5C5B2, #EDC3AA, #F6C1A1 and #FEBF99

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E5C5B2 shade: #E5C5B2, #DDC7BA, #D4C9C3, #CCCBCB and #C4CDD3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E5C5B2 shade: #E5B2BB, #E5B7B2, #E5C5B2, #E5D2B2 and #E5E0B2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E5C5B2 shade: #D09674, #DBAE93, #E5C5B2, #EFDCD1 and #FAF4F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E5C5B2 shade: #E5C5B2, #C8E5B2 and #B2B4E5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E5C5B2 shade: #E5C5B2, #B2E5C5 and #C5B2E5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E5C5B2 shade: #E5C5B2, #C8E5B2, #B2D2E5 and #CFB2E5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E5C5B2 shade: #E5C5B2, #B9E5B2, #B2D2E5 and #DEB2E5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 22 / 10

HEX #E5C5B2

RGB 229 197 178

HSL 22.35, 0.5%, 0.8%

LAB 81.73, 8.41, 13.71

 

Complementary color

CMYK 66 / 25 / 0 / 70

HEX #1A3A4D

RGB 26 58 77

HSL 202.35, 0.5%, 0.2%

LAB 22.94, -5.06, -15.14

 

CMYK 0 / 16 / 26 / 8

HEX #EAC5AD

RGB 234 197 173

HSL 23.61, 0.59%, 0.8%

LAB 82.08, 9.57, 16.92

 

CMYK 0 / 14 / 24 / 2

HEX #FBD7C0

RGB 251 215 192

HSL 23.39, 0.88%, 0.87%

LAB 88.41, 9.11, 15.99

 

CMYK 0 / 9 / 17 / 0

HEX #FFE9D3

RGB 255 233 211

HSL 30, 1%, 0.91%

LAB 93.56, 4.03, 13.4

 

CMYK 0 / 2 / 10 / 0

HEX #FFFBE6

RGB 255 251 230

HSL 50.4, 1%, 0.95%

LAB 98.42, -2.16, 10.53

 

CMYK 0 / 0 / 2 / 0

HEX #FFFFF9

RGB 255 255 249

HSL 60, 1%, 0.99%

LAB 99.85, -1.03, 2.85

 

CMYK 0 / 14 / 22 / 10

HEX #E5C5B2

RGB 229 197 178

HSL 22.35, 0.5%, 0.8%

LAB 81.73, 8.41, 13.71

 

CMYK 0 / 16 / 25 / 17

HEX #D4B39F

RGB 212 179 159

HSL 22.64, 0.38%, 0.73%

LAB 75.29, 8.87, 14.64

 

CMYK 0 / 17 / 28 / 24

HEX #C3A18C

RGB 195 161 140

HSL 22.91, 0.31%, 0.66%

LAB 68.74, 9.38, 15.63

 

CMYK 0 / 20 / 32 / 30

HEX #B28F79

RGB 178 143 121

HSL 23.16, 0.27%, 0.59%

LAB 62.08, 9.97, 16.71

 

CMYK 0 / 22 / 37 / 37

HEX #A17D66

RGB 161 125 102

HSL 23.39, 0.24%, 0.52%

LAB 55.28, 10.66, 17.89

 

CMYK 0 / 14 / 22 / 10

HEX #E5C5B2

RGB 229 197 178

HSL 22.35, 0.5%, 0.8%

LAB 81.73, 8.41, 13.71

 

CMYK 0 / 20 / 22 / 10

HEX #E5B7B2

RGB 229 183 178

HSL 5.88, 0.5%, 0.8%

LAB 78.31, 15.84, 8.85

 

CMYK 0 / 22 / 22 / 10

HEX #E5B2B2

RGB 229 178 178

HSL 0, 0.5%, 0.8%

LAB 77.11, 18.51, 7.13

 

CMYK 0 / 14 / 22 / 10

HEX #E5C5B2

RGB 229 197 178

HSL 22.35, 0.5%, 0.8%

LAB 81.73, 8.41, 13.71

 

CMYK 0 / 8 / 22 / 10

HEX #E5D3B2

RGB 229 211 178

HSL 38.82, 0.5%, 0.8%

LAB 85.23, 1.09, 18.61

 

CMYK 0 / 2 / 22 / 10

HEX #E5E1B2

RGB 229 225 178

HSL 55.29, 0.5%, 0.8%

LAB 88.79, -6.09, 23.54

 

CMYK 4 / 0 / 22 / 10

HEX #DCE5B2

RGB 220 229 178

HSL 70.59, 0.5%, 0.8%

LAB 89.14, -11.4, 23.92

 

CMYK 10 / 0 / 22 / 10

HEX #CEE5B2

RGB 206 229 178

HSL 87.06, 0.5%, 0.8%

LAB 88.15, -16.43, 22.39

 

CMYK 0 / 14 / 22 / 10

HEX #E5C5B2

RGB 229 197 178

HSL 22.35, 0.5%, 0.8%

LAB 81.73, 8.41, 13.71

 

CMYK 0 / 18 / 28 / 7

HEX #EDC3AA

RGB 237 195 170

HSL 22.39, 0.65%, 0.8%

LAB 81.8, 11.35, 18.18

 

CMYK 0 / 22 / 35 / 4

HEX #F6C1A1

RGB 246 193 161

HSL 22.59, 0.83%, 0.8%

LAB 82, 14.69, 23.37

 

CMYK 0 / 25 / 40 / 0

HEX #FEBF99

RGB 254 191 153

HSL 22.57, 0.98%, 0.8%

LAB 82.18, 17.9, 27.97

 

CMYK 0 / 14 / 22 / 10

HEX #E5C5B2

RGB 229 197 178

HSL 22.35, 0.5%, 0.8%

LAB 81.73, 8.41, 13.71

 

CMYK 0 / 10 / 16 / 13

HEX #DDC7BA

RGB 221 199 186

HSL 22.29, 0.34%, 0.8%

LAB 81.71, 5.61, 9.31

 

CMYK 0 / 5 / 8 / 17

HEX #D4C9C3

RGB 212 201 195

HSL 21.18, 0.17%, 0.8%

LAB 81.68, 2.79, 4.35

 

CMYK 0 / 0 / 0 / 20

HEX #CCCBCB

RGB 204 203 203

HSL 0, 0.01%, 0.8%

LAB 81.76, 0.35, 0.11

 

CMYK 7 / 3 / 0 / 17

HEX #C4CDD3

RGB 196 205 211

HSL 204, 0.15%, 0.8%

LAB 81.89, -1.91, -4.04

 

CMYK 0 / 22 / 18 / 10

HEX #E5B2BB

RGB 229 178 187

HSL 349.41, 0.5%, 0.8%

LAB 77.33, 19.85, 2.56

 

CMYK 0 / 20 / 22 / 10

HEX #E5B7B2

RGB 229 183 178

HSL 5.88, 0.5%, 0.8%

LAB 78.31, 15.84, 8.85

 

CMYK 0 / 14 / 22 / 10

HEX #E5C5B2

RGB 229 197 178

HSL 22.35, 0.5%, 0.8%

LAB 81.73, 8.41, 13.71

 

CMYK 0 / 8 / 22 / 10

HEX #E5D2B2

RGB 229 210 178

HSL 37.65, 0.5%, 0.8%

LAB 84.98, 1.61, 18.26

 

CMYK 0 / 2 / 22 / 10

HEX #E5E0B2

RGB 229 224 178

HSL 54.12, 0.5%, 0.8%

LAB 88.54, -5.58, 23.19

 

CMYK 0 / 28 / 44 / 18

HEX #D09674

RGB 208 150 116

HSL 22.17, 0.49%, 0.64%

LAB 66.89, 17.64, 26.53

 

CMYK 0 / 21 / 33 / 14

HEX #DBAE93

RGB 219 174 147

HSL 22.5, 0.5%, 0.72%

LAB 74.47, 12.64, 20.1

 

CMYK 0 / 14 / 22 / 10

HEX #E5C5B2

RGB 229 197 178

HSL 22.35, 0.5%, 0.8%

LAB 81.73, 8.41, 13.71

 

CMYK 0 / 8 / 13 / 6

HEX #EFDCD1

RGB 239 220 209

HSL 22, 0.48%, 0.88%

LAB 88.99, 4.72, 7.75

 

CMYK 0 / 2 / 4 / 2

HEX #FAF4F0

RGB 250 244 240

HSL 24, 0.5%, 0.96%

LAB 96.54, 1.32, 2.62

 

CMYK 0 / 14 / 22 / 10

HEX #E5C5B2

RGB 229 197 178

HSL 22.35, 0.5%, 0.8%

LAB 81.73, 8.41, 13.71

 

CMYK 13 / 0 / 22 / 10

HEX #C8E5B2

RGB 200 229 178

HSL 94.12, 0.5%, 0.8%

LAB 87.74, -18.55, 21.77

 

CMYK 22 / 21 / 0 / 10

HEX #B2B4E5

RGB 178 180 229

HSL 237.65, 0.5%, 0.8%

LAB 74.68, 9.59, -24.71

 

CMYK 0 / 14 / 22 / 10

HEX #E5C5B2

RGB 229 197 178

HSL 22.35, 0.5%, 0.8%

LAB 81.73, 8.41, 13.71

 

CMYK 22 / 0 / 14 / 10

HEX #B2E5C5

RGB 178 229 197

HSL 142.35, 0.5%, 0.8%

LAB 86.77, -22.66, 10.29

 

CMYK 14 / 22 / 0 / 10

HEX #C5B2E5

RGB 197 178 229

HSL 262.35, 0.5%, 0.8%

LAB 75.68, 16.6, -23.05

 

CMYK 0 / 14 / 22 / 10

HEX #E5C5B2

RGB 229 197 178

HSL 22.35, 0.5%, 0.8%

LAB 81.73, 8.41, 13.71

 

CMYK 13 / 0 / 22 / 10

HEX #C8E5B2

RGB 200 229 178

HSL 94.12, 0.5%, 0.8%

LAB 87.74, -18.55, 21.77

 

CMYK 22 / 8 / 0 / 10

HEX #B2D2E5

RGB 178 210 229

HSL 202.35, 0.5%, 0.8%

LAB 82.49, -6.51, -12.89

 

CMYK 10 / 22 / 0 / 10

HEX #CFB2E5

RGB 207 178 229

HSL 274.12, 0.5%, 0.8%

LAB 76.54, 19.8, -21.67

 

CMYK 0 / 14 / 22 / 10

HEX #E5C5B2

RGB 229 197 178

HSL 22.35, 0.5%, 0.8%

LAB 81.73, 8.41, 13.71

 

CMYK 19 / 0 / 22 / 10

HEX #B9E5B2

RGB 185 229 178

HSL 111.76, 0.5%, 0.8%

LAB 86.78, -23.71, 20.29

 

CMYK 22 / 8 / 0 / 10

HEX #B2D2E5

RGB 178 210 229

HSL 202.35, 0.5%, 0.8%

LAB 82.49, -6.51, -12.89

 

CMYK 3 / 22 / 0 / 10

HEX #DEB2E5

RGB 222 178 229

HSL 291.76, 0.5%, 0.8%

LAB 77.89, 24.66, -19.48

 

Description

Color code: HEX #E5C5B2 | qconv.com Color code: HEX #E5C5B2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 197 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 197 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 22 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 22% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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