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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E5ECC6 it is the complementary color #1A1339. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E5ECC6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E5ECC6 shade: #EAECC1, #FBFED4, #FFFFE7 and #FFFFFA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E5ECC6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E5ECC6 shade: #E5ECC6, #D4DAB3, #C3C8A0, #B2B68D and #A1A47A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E5ECC6 shade: #E4EBC5, #EBE8C5, #EBDEC5, #EBD3C5 and #EBC9C5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E5ECC6 shade: #E4EBC5, #DAEBC5, #D0EBC5, #C5EBC5 and #C5EBCF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E5ECC6 shade matches the following richer shades: #E4EBC5, #E8F2BF, #ECF8B9 and #F0FEB3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E5ECC6 shade: #E4EBC5, #E0E5CB, #DDDFD2, #D9D9D8 and #D5D3DE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E5ECC6 shade: #EBDEC5, #EBE8C5, #E4EBC5, #DAEBC5 and #D0EBC5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E5ECC6 shade: #C8D787, #D6E1A6, #E4EBC5 and #F2F6E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E5ECC6 shade: #E5ECC6, #C5EBD4 and #E3C5EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E5ECC6 shade: #E5ECC6, #C5E4EB and #EBC5E4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E5ECC6 shade: #E5ECC6, #C5EBD4, #CCC5EB and #EBC5DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E5ECC6 shade: #E5ECC6, #C5EBDF, #CCC5EB and #EBC5D1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 16 / 7

HEX #E5ECC6

RGB 229 236 198

HSL 71.05, 0.5%, 0.85%

LAB 92.01, -8.71, 17.66

 

Complementary color

CMYK 54 / 67 / 0 / 78

HEX #1A1339

RGB 26 19 57

HSL 251.05, 0.5%, 0.15%

LAB 8.83, 15.46, -23.6

 

CMYK 1 / 0 / 18 / 7

HEX #EAECC1

RGB 234 236 193

HSL 62.79, 0.53%, 0.84%

LAB 92.28, -7.68, 20.67

 

CMYK 1 / 0 / 17 / 0

HEX #FBFED4

RGB 251 254 212

HSL 64.29, 0.95%, 0.91%

LAB 98.49, -7.82, 19.79

 

CMYK 0 / 0 / 9 / 0

HEX #FFFFE7

RGB 255 255 231

HSL 60, 1%, 0.95%

LAB 99.44, -4.01, 11.47

 

CMYK 0 / 0 / 2 / 0

HEX #FFFFFA

RGB 255 255 250

HSL 60, 1%, 0.99%

LAB 99.88, -0.86, 2.37

 

CMYK 3 / 0 / 16 / 7

HEX #E5ECC6

RGB 229 236 198

HSL 71.05, 0.5%, 0.85%

LAB 92.01, -8.71, 17.66

 

CMYK 3 / 0 / 18 / 15

HEX #D4DAB3

RGB 212 218 179

HSL 69.23, 0.35%, 0.78%

LAB 85.7, -8.6, 18.54

 

CMYK 3 / 0 / 20 / 22

HEX #C3C8A0

RGB 195 200 160

HSL 67.5, 0.27%, 0.71%

LAB 79.3, -8.48, 19.47

 

CMYK 2 / 0 / 23 / 29

HEX #B2B68D

RGB 178 182 141

HSL 65.85, 0.22%, 0.63%

LAB 72.79, -8.34, 20.46

 

CMYK 2 / 0 / 26 / 36

HEX #A1A47A

RGB 161 164 122

HSL 64.29, 0.19%, 0.56%

LAB 66.16, -8.18, 21.5

 

CMYK 3 / 0 / 16 / 8

HEX #E4EBC5

RGB 228 235 197

HSL 71.05, 0.49%, 0.85%

LAB 91.66, -8.72, 17.68

 

CMYK 0 / 1 / 16 / 8

HEX #EBE8C5

RGB 235 232 197

HSL 55.26, 0.49%, 0.85%

LAB 91.42, -4.71, 17.41

 

CMYK 0 / 6 / 16 / 8

HEX #EBDEC5

RGB 235 222 197

HSL 39.47, 0.49%, 0.85%

LAB 88.89, 0.4, 13.86

 

CMYK 0 / 10 / 16 / 8

HEX #EBD3C5

RGB 235 211 197

HSL 22.11, 0.49%, 0.85%

LAB 86.15, 6.1, 9.96

 

CMYK 0 / 14 / 16 / 8

HEX #EBC9C5

RGB 235 201 197

HSL 6.32, 0.49%, 0.85%

LAB 83.69, 11.34, 6.43

 

CMYK 3 / 0 / 16 / 8

HEX #E4EBC5

RGB 228 235 197

HSL 71.05, 0.49%, 0.85%

LAB 91.66, -8.72, 17.68

 

CMYK 7 / 0 / 16 / 8

HEX #DAEBC5

RGB 218 235 197

HSL 86.84, 0.49%, 0.85%

LAB 90.94, -12.23, 16.56

 

CMYK 11 / 0 / 16 / 8

HEX #D0EBC5

RGB 208 235 197

HSL 102.63, 0.49%, 0.85%

LAB 90.26, -15.69, 15.5

 

CMYK 16 / 0 / 16 / 8

HEX #C5EBC5

RGB 197 235 197

HSL 120, 0.49%, 0.85%

LAB 89.54, -19.4, 14.39

 

CMYK 16 / 0 / 12 / 8

HEX #C5EBCF

RGB 197 235 207

HSL 135.79, 0.49%, 0.85%

LAB 89.76, -17.64, 9.5

 

CMYK 3 / 0 / 16 / 8

HEX #E4EBC5

RGB 228 235 197

HSL 71.05, 0.49%, 0.85%

LAB 91.66, -8.72, 17.68

 

CMYK 4 / 0 / 21 / 5

HEX #E8F2BF

RGB 232 242 191

HSL 71.76, 0.66%, 0.85%

LAB 93.63, -11.68, 23.55

 

CMYK 5 / 0 / 25 / 3

HEX #ECF8B9

RGB 236 248 185

HSL 71.43, 0.82%, 0.85%

LAB 95.36, -14.05, 29.02

 

CMYK 6 / 0 / 30 / 0

HEX #F0FEB3

RGB 240 254 179

HSL 71.2, 0.97%, 0.85%

LAB 97.09, -16.33, 34.42

 

CMYK 3 / 0 / 16 / 8

HEX #E4EBC5

RGB 228 235 197

HSL 71.05, 0.49%, 0.85%

LAB 91.66, -8.72, 17.68

 

CMYK 2 / 0 / 11 / 10

HEX #E0E5CB

RGB 224 229 203

HSL 71.54, 0.33%, 0.85%

LAB 89.95, -6.15, 12.1

 

CMYK 1 / 0 / 6 / 13

HEX #DDDFD2

RGB 221 223 210

HSL 69.23, 0.17%, 0.85%

LAB 88.35, -2.96, 6.12

 

CMYK 0 / 0 / 0 / 15

HEX #D9D9D8

RGB 217 217 216

HSL 60, 0.01%, 0.85%

LAB 86.67, -0.18, 0.48

 

CMYK 4 / 5 / 0 / 13

HEX #D5D3DE

RGB 213 211 222

HSL 250.91, 0.14%, 0.85%

LAB 85, 2.71, -5.18

 

CMYK 0 / 6 / 16 / 8

HEX #EBDEC5

RGB 235 222 197

HSL 39.47, 0.49%, 0.85%

LAB 88.89, 0.4, 13.86

 

CMYK 0 / 1 / 16 / 8

HEX #EBE8C5

RGB 235 232 197

HSL 55.26, 0.49%, 0.85%

LAB 91.42, -4.71, 17.41

 

CMYK 3 / 0 / 16 / 8

HEX #E4EBC5

RGB 228 235 197

HSL 71.05, 0.49%, 0.85%

LAB 91.66, -8.72, 17.68

 

CMYK 7 / 0 / 16 / 8

HEX #DAEBC5

RGB 218 235 197

HSL 86.84, 0.49%, 0.85%

LAB 90.94, -12.23, 16.56

 

CMYK 11 / 0 / 16 / 8

HEX #D0EBC5

RGB 208 235 197

HSL 102.63, 0.49%, 0.85%

LAB 90.26, -15.69, 15.5

 

CMYK 7 / 0 / 37 / 16

HEX #C8D787

RGB 200 215 135

HSL 71.25, 0.5%, 0.69%

LAB 83.25, -17.56, 37.81

 

CMYK 5 / 0 / 26 / 12

HEX #D6E1A6

RGB 214 225 166

HSL 71.19, 0.5%, 0.77%

LAB 87.44, -13.29, 27.71

 

CMYK 3 / 0 / 16 / 8

HEX #E4EBC5

RGB 228 235 197

HSL 71.05, 0.49%, 0.85%

LAB 91.66, -8.72, 17.68

 

CMYK 2 / 0 / 7 / 4

HEX #F2F6E4

RGB 242 246 228

HSL 73.33, 0.5%, 0.93%

LAB 96.16, -4.42, 8.19

 

CMYK 3 / 0 / 16 / 7

HEX #E5ECC6

RGB 229 236 198

HSL 71.05, 0.5%, 0.85%

LAB 92.01, -8.71, 17.66

 

CMYK 16 / 0 / 10 / 8

HEX #C5EBD4

RGB 197 235 212

HSL 143.68, 0.49%, 0.85%

LAB 89.88, -16.72, 7.06

 

CMYK 3 / 16 / 0 / 8

HEX #E3C5EB

RGB 227 197 235

HSL 287.37, 0.49%, 0.85%

LAB 83.05, 17.24, -14.88

 

CMYK 3 / 0 / 16 / 7

HEX #E5ECC6

RGB 229 236 198

HSL 71.05, 0.5%, 0.85%

LAB 92.01, -8.71, 17.66

 

CMYK 16 / 3 / 0 / 8

HEX #C5E4EB

RGB 197 228 235

HSL 191.05, 0.49%, 0.85%

LAB 88.62, -8.7, -6.83

 

CMYK 0 / 16 / 3 / 8

HEX #EBC5E4

RGB 235 197 228

HSL 311.05, 0.49%, 0.85%

LAB 83.55, 18.62, -10.33

 

CMYK 3 / 0 / 16 / 7

HEX #E5ECC6

RGB 229 236 198

HSL 71.05, 0.5%, 0.85%

LAB 92.01, -8.71, 17.66

 

CMYK 16 / 0 / 10 / 8

HEX #C5EBD4

RGB 197 235 212

HSL 143.68, 0.49%, 0.85%

LAB 89.88, -16.72, 7.06

 

CMYK 13 / 16 / 0 / 8

HEX #CCC5EB

RGB 204 197 235

HSL 251.05, 0.49%, 0.85%

LAB 81.16, 9.78, -17.91

 

CMYK 0 / 16 / 6 / 8

HEX #EBC5DD

RGB 235 197 221

HSL 322.11, 0.49%, 0.85%

LAB 83.35, 17.39, -6.89

 

CMYK 3 / 0 / 16 / 7

HEX #E5ECC6

RGB 229 236 198

HSL 71.05, 0.5%, 0.85%

LAB 92.01, -8.71, 17.66

 

CMYK 16 / 0 / 5 / 8

HEX #C5EBDF

RGB 197 235 223

HSL 161.05, 0.49%, 0.85%

LAB 90.14, -14.63, 1.7

 

CMYK 13 / 16 / 0 / 8

HEX #CCC5EB

RGB 204 197 235

HSL 251.05, 0.49%, 0.85%

LAB 81.16, 9.78, -17.91

 

CMYK 0 / 16 / 11 / 8

HEX #EBC5D1

RGB 235 197 209

HSL 341.05, 0.49%, 0.85%

LAB 83.02, 15.37, -0.95

 

Description

Color code: HEX #E5ECC6 | qconv.com Color code: HEX #E5ECC6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 236 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 236 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 16 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 16% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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