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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E67B60 it is the complementary color #19849F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E67B60. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E67B60 shade: #EB7B5B, #FC8D6E, #FF9F81, #FFB194 and #FFC3A7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E67B60. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E67B60 shade: #E67B60, #D5694D, #C4573A, #B34527 and #A23314

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E67B60 shade: #E67B60 and #E66060

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E67B60 shade: #E67B60, #E69F60, #E6C360, #E4E660 and #C0E660

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E67B60 shade matches the following richer shades: #E67B60 and #F57251

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E67B60 shade: #E67B60, #D7846F, #C88C7D, #B9958C and #AA9E9B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E67B60 shade: #E6608C, #E66069, #E67A60, #E69E60 and #E6C260

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E67B60 shade: #D24420, #E05D3C, #E67B60, #EB9883 and #F1B6A7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E67B60 shade: #E67B60, #B0E660 and #607AE6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E67B60 shade: #E67B60, #60E67A and #7A60E6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E67B60 shade: #E67B60, #B0E660, #60CBE6 and #9560E6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E67B60 shade: #E67B60, #88E660, #60CBE6 and #BE60E6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 58 / 10

HEX #E67B60

RGB 230 123 96

HSL 12.09, 0.73%, 0.64%

LAB 63.2, 38.91, 33.25

 

Complementary color

CMYK 84 / 17 / 0 / 38

HEX #19849F

RGB 25 132 159

HSL 192.09, 0.73%, 0.36%

LAB 50.93, -18.85, -22.54

 

CMYK 0 / 48 / 61 / 8

HEX #EB7B5B

RGB 235 123 91

HSL 13.33, 0.78%, 0.64%

LAB 63.82, 40.47, 36.9

 

CMYK 0 / 44 / 56 / 1

HEX #FC8D6E

RGB 252 141 110

HSL 13.1, 0.96%, 0.71%

LAB 70.09, 39.15, 34.97

 

CMYK 0 / 38 / 49 / 0

HEX #FF9F81

RGB 255 159 129

HSL 14.29, 1%, 0.75%

LAB 74.6, 32.61, 30.66

 

CMYK 0 / 31 / 42 / 0

HEX #FFB194

RGB 255 177 148

HSL 16.26, 1%, 0.79%

LAB 78.95, 25.08, 26.29

 

CMYK 0 / 24 / 35 / 0

HEX #FFC3A7

RGB 255 195 167

HSL 19.09, 1%, 0.83%

LAB 83.48, 17.79, 22.37

 

CMYK 0 / 47 / 58 / 10

HEX #E67B60

RGB 230 123 96

HSL 12.09, 0.73%, 0.64%

LAB 63.2, 38.91, 33.25

 

CMYK 0 / 51 / 64 / 16

HEX #D5694D

RGB 213 105 77

HSL 12.35, 0.62%, 0.57%

LAB 56.87, 40.27, 35.33

 

CMYK 0 / 56 / 70 / 23

HEX #C4573A

RGB 196 87 58

HSL 12.61, 0.54%, 0.5%

LAB 50.52, 41.7, 37.65

 

CMYK 0 / 61 / 78 / 30

HEX #B34527

RGB 179 69 39

HSL 12.86, 0.64%, 0.43%

LAB 44.21, 43.14, 40.18

 

CMYK 0 / 69 / 88 / 36

HEX #A23314

RGB 162 51 20

HSL 13.1, 0.78%, 0.36%

LAB 38.02, 44.44, 42.6

 

CMYK 0 / 47 / 58 / 10

HEX #E67B60

RGB 230 123 96

HSL 12.09, 0.73%, 0.64%

LAB 63.2, 38.91, 33.25

 

CMYK 0 / 58 / 58 / 10

HEX #E66060

RGB 230 96 96

HSL 0, 0.73%, 0.64%

LAB 58.07, 52.05, 26.66

 

CMYK 0 / 47 / 58 / 10

HEX #E67B60

RGB 230 123 96

HSL 12.09, 0.73%, 0.64%

LAB 63.2, 38.91, 33.25

 

CMYK 0 / 31 / 58 / 10

HEX #E69F60

RGB 230 159 96

HSL 28.21, 0.73%, 0.64%

LAB 71.19, 19.97, 43.1

 

CMYK 0 / 15 / 58 / 10

HEX #E6C360

RGB 230 195 96

HSL 44.33, 0.73%, 0.64%

LAB 80.01, 0.95, 53.48

 

CMYK 1 / 0 / 58 / 10

HEX #E4E660

RGB 228 230 96

HSL 60.9, 0.73%, 0.64%

LAB 88.89, -17.54, 63.4

 

CMYK 17 / 0 / 58 / 10

HEX #C0E660

RGB 192 230 96

HSL 77.01, 0.73%, 0.64%

LAB 86.33, -31.75, 59.84

 

CMYK 0 / 47 / 58 / 10

HEX #E67B60

RGB 230 123 96

HSL 12.09, 0.73%, 0.64%

LAB 63.2, 38.91, 33.25

 

CMYK 0 / 53 / 67 / 4

HEX #F57251

RGB 245 114 81

HSL 12.07, 0.89%, 0.64%

LAB 63.38, 48.01, 42.07

 

CMYK 0 / 47 / 58 / 10

HEX #E67B60

RGB 230 123 96

HSL 12.09, 0.73%, 0.64%

LAB 63.2, 38.91, 33.25

 

CMYK 0 / 39 / 48 / 16

HEX #D7846F

RGB 215 132 111

HSL 12.12, 0.57%, 0.64%

LAB 63.42, 29.66, 24.84

 

CMYK 0 / 30 / 38 / 22

HEX #C88C7D

RGB 200 140 125

HSL 12, 0.41%, 0.64%

LAB 63.77, 20.93, 17.17

 

CMYK 0 / 19 / 24 / 27

HEX #B9958C

RGB 185 149 140

HSL 12, 0.24%, 0.64%

LAB 64.73, 12.09, 9.85

 

CMYK 0 / 7 / 9 / 33

HEX #AA9E9B

RGB 170 158 155

HSL 12, 0.08%, 0.64%

LAB 66.03, 3.84, 3.13

 

CMYK 0 / 58 / 39 / 10

HEX #E6608C

RGB 230 96 140

HSL 340.3, 0.73%, 0.64%

LAB 59.05, 55.98, 2.44

 

CMYK 0 / 58 / 54 / 10

HEX #E66069

RGB 230 96 105

HSL 355.97, 0.73%, 0.64%

LAB 58.23, 52.73, 21.69

 

CMYK 0 / 47 / 58 / 10

HEX #E67A60

RGB 230 122 96

HSL 11.64, 0.73%, 0.64%

LAB 63, 39.43, 32.99

 

CMYK 0 / 31 / 58 / 10

HEX #E69E60

RGB 230 158 96

HSL 27.76, 0.73%, 0.64%

LAB 70.95, 20.5, 42.82

 

CMYK 0 / 16 / 58 / 10

HEX #E6C260

RGB 230 194 96

HSL 43.88, 0.73%, 0.64%

LAB 79.76, 1.46, 53.19

 

CMYK 0 / 68 / 85 / 18

HEX #D24420

RGB 210 68 32

HSL 12.13, 0.74%, 0.47%

LAB 49.42, 54.25, 50.41

 

CMYK 0 / 58 / 73 / 12

HEX #E05D3C

RGB 224 93 60

HSL 12.07, 0.73%, 0.56%

LAB 56.09, 49.25, 44.03

 

CMYK 0 / 47 / 58 / 10

HEX #E67B60

RGB 230 123 96

HSL 12.09, 0.73%, 0.64%

LAB 63.2, 38.91, 33.25

 

CMYK 0 / 35 / 44 / 8

HEX #EB9883

RGB 235 152 131

HSL 12.12, 0.72%, 0.72%

LAB 70.7, 28.79, 23.96

 

CMYK 0 / 24 / 31 / 5

HEX #F1B6A7

RGB 241 182 167

HSL 12.16, 0.73%, 0.8%

LAB 79.01, 19.34, 15.94

 

CMYK 0 / 47 / 58 / 10

HEX #E67B60

RGB 230 123 96

HSL 12.09, 0.73%, 0.64%

LAB 63.2, 38.91, 33.25

 

CMYK 23 / 0 / 58 / 10

HEX #B0E660

RGB 176 230 96

HSL 84.18, 0.73%, 0.64%

LAB 85.34, -37.76, 58.46

 

CMYK 58 / 47 / 0 / 10

HEX #607AE6

RGB 96 122 230

HSL 228.36, 0.73%, 0.64%

LAB 54.15, 22.47, -57.82

 

CMYK 0 / 47 / 58 / 10

HEX #E67B60

RGB 230 123 96

HSL 12.09, 0.73%, 0.64%

LAB 63.2, 38.91, 33.25

 

CMYK 58 / 0 / 47 / 10

HEX #60E67A

RGB 96 230 122

HSL 131.64, 0.73%, 0.64%

LAB 82.1, -58.98, 41.72

 

CMYK 47 / 58 / 0 / 10

HEX #7A60E6

RGB 122 96 230

HSL 251.64, 0.73%, 0.64%

LAB 49.76, 43.17, -64.8

 

CMYK 0 / 47 / 58 / 10

HEX #E67B60

RGB 230 123 96

HSL 12.09, 0.73%, 0.64%

LAB 63.2, 38.91, 33.25

 

CMYK 23 / 0 / 58 / 10

HEX #B0E660

RGB 176 230 96

HSL 84.18, 0.73%, 0.64%

LAB 85.34, -37.76, 58.46

 

CMYK 58 / 12 / 0 / 10

HEX #60CBE6

RGB 96 203 230

HSL 192.09, 0.73%, 0.64%

LAB 76.63, -23.11, -22.67

 

CMYK 35 / 58 / 0 / 10

HEX #9560E6

RGB 149 96 230

HSL 263.73, 0.73%, 0.64%

LAB 52.36, 48.99, -60.46

 

CMYK 0 / 47 / 58 / 10

HEX #E67B60

RGB 230 123 96

HSL 12.09, 0.73%, 0.64%

LAB 63.2, 38.91, 33.25

 

CMYK 41 / 0 / 58 / 10

HEX #88E660

RGB 136 230 96

HSL 102.09, 0.73%, 0.64%

LAB 83.27, -51.45, 55.55

 

CMYK 58 / 12 / 0 / 10

HEX #60CBE6

RGB 96 203 230

HSL 192.09, 0.73%, 0.64%

LAB 76.63, -23.11, -22.67

 

CMYK 17 / 58 / 0 / 10

HEX #BE60E6

RGB 190 96 230

HSL 282.09, 0.73%, 0.64%

LAB 57.1, 58.67, -52.61

 

Description

Color code: HEX #E67B60 | qconv.com Color code: HEX #E67B60 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 123 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 123 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 58 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 58% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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