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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E67F70 it is the complementary color #19808F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E67F70. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E67F70 shade: #EB7F6B, #FC917E, #FFA391, #FFB5A4 and #FFC7B7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E67F70. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E67F70 shade: #E67F70, #D56D5D, #C45B4A, #B34937 and #A23724

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E67F70 shade: #E57E6F and #E56F6F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E67F70 shade: #E57E6F, #E59E6F, #E5BE6F, #E5DE6F and #CDE56F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E67F70 shade matches the following richer shades: #E57E6F and #F37462

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E67F70 shade: #E57E6F, #D8897D, #CA938B, #BC9D98 and #AFA7A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E67F70 shade: #E56FA1, #E56F81, #E57D6F, #E59D6F and #E5BC6F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E67F70 shade: #D94029, #DF5F4C, #E57E6F, #EB9E93 and #F2BDB6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E67F70 shade: #E67F70, #C0E56F and #6F91E5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E67F70 shade: #E67F70, #6FE57D and #7D6FE5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E67F70 shade: #E67F70, #C0E56F, #6FD8E5 and #956FE5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E67F70 shade: #E67F70, #9DE56F, #6FD8E5 and #B86FE5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 51 / 10

HEX #E67F70

RGB 230 127 112

HSL 7.63, 0.7%, 0.67%

LAB 64.3, 38.16, 25.79

 

Complementary color

CMYK 83 / 10 / 0 / 44

HEX #19808F

RGB 25 128 143

HSL 187.63, 0.7%, 0.33%

LAB 49.04, -22.22, -16.09

 

CMYK 0 / 46 / 54 / 8

HEX #EB7F6B

RGB 235 127 107

HSL 9.38, 0.76%, 0.67%

LAB 64.89, 39.62, 29.47

 

CMYK 0 / 42 / 50 / 1

HEX #FC917E

RGB 252 145 126

HSL 9.05, 0.95%, 0.74%

LAB 71.18, 38.42, 27.71

 

CMYK 0 / 36 / 43 / 0

HEX #FFA391

RGB 255 163 145

HSL 9.82, 1%, 0.78%

LAB 75.76, 32.08, 23.58

 

CMYK 0 / 29 / 36 / 0

HEX #FFB5A4

RGB 255 181 164

HSL 11.21, 1%, 0.82%

LAB 80.17, 24.77, 19.4

 

CMYK 0 / 22 / 28 / 0

HEX #FFC7B7

RGB 255 199 183

HSL 13.33, 1%, 0.86%

LAB 84.75, 17.7, 15.65

 

CMYK 0 / 45 / 51 / 10

HEX #E67F70

RGB 230 127 112

HSL 7.63, 0.7%, 0.67%

LAB 64.3, 38.16, 25.79

 

CMYK 0 / 49 / 56 / 16

HEX #D56D5D

RGB 213 109 93

HSL 8, 0.59%, 0.6%

LAB 57.92, 39.38, 27.69

 

CMYK 0 / 54 / 62 / 23

HEX #C45B4A

RGB 196 91 74

HSL 8.36, 0.51%, 0.53%

LAB 51.51, 40.67, 29.86

 

CMYK 0 / 59 / 69 / 30

HEX #B34937

RGB 179 73 55

HSL 8.71, 0.53%, 0.46%

LAB 45.12, 41.99, 32.37

 

CMYK 0 / 66 / 78 / 36

HEX #A23724

RGB 162 55 36

HSL 9.05, 0.64%, 0.39%

LAB 38.8, 43.21, 35.24

 

CMYK 0 / 45 / 52 / 10

HEX #E57E6F

RGB 229 126 111

HSL 7.63, 0.69%, 0.67%

LAB 63.94, 38.21, 25.85

 

CMYK 0 / 52 / 52 / 10

HEX #E56F6F

RGB 229 111 111

HSL 0, 0.69%, 0.67%

LAB 60.94, 45.76, 21.84

 

CMYK 0 / 45 / 52 / 10

HEX #E57E6F

RGB 229 126 111

HSL 7.63, 0.69%, 0.67%

LAB 63.94, 38.21, 25.85

 

CMYK 0 / 31 / 52 / 10

HEX #E59E6F

RGB 229 158 111

HSL 23.9, 0.69%, 0.67%

LAB 71.05, 21.32, 35.09

 

CMYK 0 / 17 / 52 / 10

HEX #E5BE6F

RGB 229 190 111

HSL 40.17, 0.69%, 0.67%

LAB 78.83, 4.33, 44.8

 

CMYK 0 / 3 / 52 / 10

HEX #E5DE6F

RGB 229 222 111

HSL 56.44, 0.69%, 0.67%

LAB 87.02, -12.05, 54.62

 

CMYK 10 / 0 / 52 / 10

HEX #CDE56F

RGB 205 229 111

HSL 72.2, 0.69%, 0.67%

LAB 87.08, -24.97, 54.24

 

CMYK 0 / 45 / 52 / 10

HEX #E57E6F

RGB 229 126 111

HSL 7.63, 0.69%, 0.67%

LAB 63.94, 38.21, 25.85

 

CMYK 0 / 52 / 60 / 5

HEX #F37462

RGB 243 116 98

HSL 7.45, 0.86%, 0.67%

LAB 63.69, 47.37, 33.15

 

CMYK 0 / 45 / 52 / 10

HEX #E57E6F

RGB 229 126 111

HSL 7.63, 0.69%, 0.67%

LAB 63.94, 38.21, 25.85

 

CMYK 0 / 37 / 42 / 15

HEX #D8897D

RGB 216 137 125

HSL 7.91, 0.54%, 0.67%

LAB 64.94, 28.81, 19.07

 

CMYK 0 / 27 / 31 / 21

HEX #CA938B

RGB 202 147 139

HSL 7.62, 0.37%, 0.67%

LAB 65.97, 19.64, 12.42

 

CMYK 0 / 16 / 19 / 26

HEX #BC9D98

RGB 188 157 152

HSL 8.33, 0.21%, 0.67%

LAB 67.33, 10.65, 6.89

 

CMYK 0 / 5 / 5 / 31

HEX #AFA7A6

RGB 175 167 166

HSL 6.67, 0.05%, 0.67%

LAB 69.12, 2.69, 1.53

 

CMYK 0 / 52 / 30 / 10

HEX #E56FA1

RGB 229 111 161

HSL 334.58, 0.69%, 0.67%

LAB 62.17, 51.11, -5.15

 

CMYK 0 / 52 / 44 / 10

HEX #E56F81

RGB 229 111 129

HSL 350.85, 0.69%, 0.67%

LAB 61.32, 47.45, 12.04

 

CMYK 0 / 45 / 52 / 10

HEX #E57D6F

RGB 229 125 111

HSL 7.12, 0.69%, 0.67%

LAB 63.73, 38.72, 25.58

 

CMYK 0 / 31 / 52 / 10

HEX #E59D6F

RGB 229 157 111

HSL 23.39, 0.69%, 0.67%

LAB 70.82, 21.85, 34.79

 

CMYK 0 / 18 / 52 / 10

HEX #E5BC6F

RGB 229 188 111

HSL 39.15, 0.69%, 0.67%

LAB 78.33, 5.38, 44.19

 

CMYK 0 / 71 / 81 / 15

HEX #D94029

RGB 217 64 41

HSL 7.84, 0.7%, 0.51%

LAB 50.19, 58.31, 47.32

 

CMYK 0 / 57 / 66 / 13

HEX #DF5F4C

RGB 223 95 76

HSL 7.76, 0.7%, 0.59%

LAB 56.48, 48.77, 35.77

 

CMYK 0 / 45 / 52 / 10

HEX #E57E6F

RGB 229 126 111

HSL 7.63, 0.69%, 0.67%

LAB 63.94, 38.21, 25.85

 

CMYK 0 / 33 / 37 / 8

HEX #EB9E93

RGB 235 158 147

HSL 7.5, 0.69%, 0.75%

LAB 72.38, 27.36, 17.47

 

CMYK 0 / 22 / 25 / 5

HEX #F2BDB6

RGB 242 189 182

HSL 7, 0.7%, 0.83%

LAB 81.1, 18.02, 10.84

 

CMYK 0 / 45 / 51 / 10

HEX #E67F70

RGB 230 127 112

HSL 7.63, 0.7%, 0.67%

LAB 64.3, 38.16, 25.79

 

CMYK 16 / 0 / 52 / 10

HEX #C0E56F

RGB 192 229 111

HSL 78.81, 0.69%, 0.67%

LAB 86.2, -29.95, 52.99

 

CMYK 52 / 37 / 0 / 10

HEX #6F91E5

RGB 111 145 229

HSL 222.71, 0.69%, 0.67%

LAB 61.03, 11.48, -46.26

 

CMYK 0 / 45 / 51 / 10

HEX #E67F70

RGB 230 127 112

HSL 7.63, 0.7%, 0.67%

LAB 64.3, 38.16, 25.79

 

CMYK 52 / 0 / 45 / 10

HEX #6FE57D

RGB 111 229 125

HSL 127.12, 0.69%, 0.67%

LAB 82.32, -54.58, 40.64

 

CMYK 45 / 52 / 0 / 10

HEX #7D6FE5

RGB 125 111 229

HSL 247.12, 0.69%, 0.67%

LAB 53.37, 34.81, -58.4

 

CMYK 0 / 45 / 51 / 10

HEX #E67F70

RGB 230 127 112

HSL 7.63, 0.7%, 0.67%

LAB 64.3, 38.16, 25.79

 

CMYK 16 / 0 / 52 / 10

HEX #C0E56F

RGB 192 229 111

HSL 78.81, 0.69%, 0.67%

LAB 86.2, -29.95, 52.99

 

CMYK 52 / 6 / 0 / 10

HEX #6FD8E5

RGB 111 216 229

HSL 186.61, 0.69%, 0.67%

LAB 80.82, -26.9, -15.74

 

CMYK 35 / 52 / 0 / 10

HEX #956FE5

RGB 149 111 229

HSL 259.32, 0.69%, 0.67%

LAB 55.5, 40.46, -54.88

 

CMYK 0 / 45 / 51 / 10

HEX #E67F70

RGB 230 127 112

HSL 7.63, 0.7%, 0.67%

LAB 64.3, 38.16, 25.79

 

CMYK 31 / 0 / 52 / 10

HEX #9DE56F

RGB 157 229 111

HSL 96.61, 0.69%, 0.67%

LAB 84.15, -42.58, 50.04

 

CMYK 52 / 6 / 0 / 10

HEX #6FD8E5

RGB 111 216 229

HSL 186.61, 0.69%, 0.67%

LAB 80.82, -26.9, -15.74

 

CMYK 20 / 52 / 0 / 10

HEX #B86FE5

RGB 184 111 229

HSL 277.12, 0.69%, 0.67%

LAB 59.17, 49.4, -48.8

 

Description

Color code: HEX #E67F70 | qconv.com Color code: HEX #E67F70 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 127 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 127 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 51 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 51% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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