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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 229 158 111 it is the complementary color RGB 26 97 144. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 229 158 111. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 229 158 111 shade: RGB 234 158 106, RGB 251 176 125, RGB 255 194 144, RGB 255 212 163 and RGB 255 230 182

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 229 158 111. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 229 158 111 shade: RGB 229 158 111, RGB 212 140 92, RGB 195 122 73, RGB 178 104 54 and RGB 161 86 35

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 229 158 111 shade: RGB 228 159 112, RGB 228 127 112 and RGB 228 112 112

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 229 158 111 shade: RGB 228 159 112, RGB 228 190 112, RGB 228 221 112, RGB 204 228 112 and RGB 173 228 112

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 229 158 111 shade matches the following richer shades: RGB 228 159 112 and RGB 242 156 99

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 229 158 111 shade: RGB 228 159 112, RGB 215 161 126, RGB 201 164 140, RGB 188 167 153 and RGB 174 170 167

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 229 158 111 shade: RGB 228 112 130, RGB 228 126 112, RGB 228 157 112, RGB 228 188 112 and RGB 228 219 112

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 229 158 111 shade: RGB 216 111 43, RGB 222 135 77, RGB 228 159 112, RGB 235 182 147 and RGB 241 206 182

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 229 158 111 shade: RGB 229 158 111, RGB 161 228 112 and RGB 112 114 228

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 229 158 111 shade: RGB 229 158 111, RGB 112 228 157 and RGB 157 112 228

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 229 158 111 shade: RGB 229 158 111, RGB 161 228 112, RGB 112 184 228 and RGB 180 112 228

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 229 158 111 shade: RGB 229 158 111, RGB 126 228 112, RGB 112 184 228 and RGB 215 112 228

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 52 / 10

HEX #E59E6F

RGB 229 158 111

HSL 23.9, 0.69%, 0.67%

LAB 71.05, 21.32, 35.09

 

Complementary color

CMYK 82 / 33 / 0 / 44

HEX #1A6190

RGB 26 97 144

HSL 203.9, 0.69%, 0.33%

LAB 39.21, -4.05, -31.92

 

CMYK 0 / 32 / 55 / 8

HEX #EA9E6A

RGB 234 158 106

HSL 24.38, 0.75%, 0.67%

LAB 71.55, 22.91, 38.47

 

CMYK 0 / 30 / 50 / 2

HEX #FBB07D

RGB 251 176 125

HSL 24.29, 0.94%, 0.74%

LAB 77.9, 21.81, 36.98

 

CMYK 0 / 24 / 44 / 0

HEX #FFC290

RGB 255 194 144

HSL 27.03, 1%, 0.78%

LAB 82.84, 15.77, 33.58

 

CMYK 0 / 17 / 36 / 0

HEX #FFD4A3

RGB 255 212 163

HSL 31.96, 1%, 0.82%

LAB 87.48, 8.47, 29.89

 

CMYK 0 / 10 / 29 / 0

HEX #FFE6B6

RGB 255 230 182

HSL 39.45, 1%, 0.86%

LAB 92.23, 1.55, 26.54

 

CMYK 0 / 31 / 52 / 10

HEX #E59E6F

RGB 229 158 111

HSL 23.9, 0.69%, 0.67%

LAB 71.05, 21.32, 35.09

 

CMYK 0 / 34 / 57 / 17

HEX #D48C5C

RGB 212 140 92

HSL 24, 0.58%, 0.6%

LAB 64.58, 22.48, 36.64

 

CMYK 0 / 37 / 63 / 24

HEX #C37A49

RGB 195 122 73

HSL 24.1, 0.5%, 0.53%

LAB 58.04, 23.81, 38.31

 

CMYK 0 / 42 / 70 / 30

HEX #B26836

RGB 178 104 54

HSL 24.19, 0.53%, 0.45%

LAB 51.42, 25.33, 40.07

 

CMYK 0 / 47 / 78 / 37

HEX #A15623

RGB 161 86 35

HSL 24.29, 0.64%, 0.38%

LAB 44.74, 27.08, 41.77

 

CMYK 0 / 30 / 51 / 11

HEX #E49F70

RGB 228 159 112

HSL 24.31, 0.68%, 0.67%

LAB 71.19, 20.47, 34.71

 

CMYK 0 / 44 / 51 / 11

HEX #E47F70

RGB 228 127 112

HSL 7.76, 0.68%, 0.67%

LAB 64.03, 37.4, 25.39

 

CMYK 0 / 51 / 51 / 11

HEX #E47070

RGB 228 112 112

HSL 0, 0.68%, 0.67%

LAB 61, 45, 21.34

 

CMYK 0 / 30 / 51 / 11

HEX #E49F70

RGB 228 159 112

HSL 24.31, 0.68%, 0.67%

LAB 71.19, 20.47, 34.71

 

CMYK 0 / 17 / 51 / 11

HEX #E4BE70

RGB 228 190 112

HSL 40.34, 0.68%, 0.67%

LAB 78.75, 4.01, 44.18

 

CMYK 0 / 3 / 51 / 11

HEX #E4DD70

RGB 228 221 112

HSL 56.38, 0.68%, 0.67%

LAB 86.69, -11.87, 53.75

 

CMYK 11 / 0 / 51 / 11

HEX #CCE470

RGB 204 228 112

HSL 72.41, 0.68%, 0.67%

LAB 86.75, -24.79, 53.37

 

CMYK 24 / 0 / 51 / 11

HEX #ADE470

RGB 173 228 112

HSL 88.45, 0.68%, 0.67%

LAB 84.76, -36.42, 50.52

 

CMYK 0 / 30 / 51 / 11

HEX #E49F70

RGB 228 159 112

HSL 24.31, 0.68%, 0.67%

LAB 71.19, 20.47, 34.71

 

CMYK 0 / 36 / 59 / 5

HEX #F29C63

RGB 242 156 99

HSL 23.92, 0.85%, 0.67%

LAB 71.93, 26.65, 42.79

 

CMYK 0 / 30 / 51 / 11

HEX #E49F70

RGB 228 159 112

HSL 24.31, 0.68%, 0.67%

LAB 71.19, 20.47, 34.71

 

CMYK 0 / 25 / 41 / 16

HEX #D7A17E

RGB 215 161 126

HSL 23.6, 0.53%, 0.67%

LAB 70.49, 15.57, 26.01

 

CMYK 0 / 18 / 30 / 21

HEX #C9A48C

RGB 201 164 140

HSL 23.61, 0.36%, 0.67%

LAB 70.08, 10.1, 17.58

 

CMYK 0 / 11 / 19 / 26

HEX #BCA799

RGB 188 167 153

HSL 24, 0.21%, 0.67%

LAB 69.91, 5.33, 10.02

 

CMYK 0 / 2 / 4 / 32

HEX #AEAAA7

RGB 174 170 167

HSL 25.71, 0.04%, 0.67%

LAB 69.85, 0.88, 2.04

 

CMYK 0 / 51 / 43 / 11

HEX #E47082

RGB 228 112 130

HSL 350.69, 0.68%, 0.67%

LAB 61.39, 46.71, 11.54

 

CMYK 0 / 45 / 51 / 11

HEX #E47E70

RGB 228 126 112

HSL 7.24, 0.68%, 0.67%

LAB 63.82, 37.92, 25.12

 

CMYK 0 / 31 / 51 / 11

HEX #E49D70

RGB 228 157 112

HSL 23.28, 0.68%, 0.67%

LAB 70.72, 21.54, 34.11

 

CMYK 0 / 18 / 51 / 11

HEX #E4BC70

RGB 228 188 112

HSL 39.31, 0.68%, 0.67%

LAB 78.25, 5.06, 43.57

 

CMYK 0 / 4 / 51 / 11

HEX #E4DB70

RGB 228 219 112

HSL 55.34, 0.68%, 0.67%

LAB 86.17, -10.87, 53.13

 

CMYK 0 / 49 / 80 / 15

HEX #D86F2B

RGB 216 111 43

HSL 23.58, 0.69%, 0.51%

LAB 58.17, 36.75, 53.88

 

CMYK 0 / 39 / 65 / 13

HEX #DE874D

RGB 222 135 77

HSL 24, 0.69%, 0.59%

LAB 64.48, 28.2, 44.62

 

CMYK 0 / 30 / 51 / 11

HEX #E49F70

RGB 228 159 112

HSL 24.31, 0.68%, 0.67%

LAB 71.19, 20.47, 34.71

 

CMYK 0 / 23 / 37 / 8

HEX #EBB693

RGB 235 182 147

HSL 23.86, 0.69%, 0.75%

LAB 78.01, 14.6, 25.19

 

CMYK 0 / 15 / 24 / 5

HEX #F1CEB6

RGB 241 206 182

HSL 24.41, 0.68%, 0.83%

LAB 85.11, 8.71, 16.49

 

CMYK 0 / 31 / 52 / 10

HEX #E59E6F

RGB 229 158 111

HSL 23.9, 0.69%, 0.67%

LAB 71.05, 21.32, 35.09

 

CMYK 29 / 0 / 51 / 11

HEX #A1E470

RGB 161 228 112

HSL 94.66, 0.68%, 0.67%

LAB 84.09, -40.66, 49.55

 

CMYK 51 / 50 / 0 / 11

HEX #7072E4

RGB 112 114 228

HSL 238.97, 0.68%, 0.67%

LAB 53.04, 29.9, -58.43

 

CMYK 0 / 31 / 52 / 10

HEX #E59E6F

RGB 229 158 111

HSL 23.9, 0.69%, 0.67%

LAB 71.05, 21.32, 35.09

 

CMYK 51 / 0 / 31 / 11

HEX #70E49D

RGB 112 228 157

HSL 143.28, 0.68%, 0.67%

LAB 82.58, -48.61, 24.82

 

CMYK 31 / 51 / 0 / 11

HEX #9D70E4

RGB 157 112 228

HSL 263.28, 0.68%, 0.67%

LAB 56.44, 41.64, -52.76

 

CMYK 0 / 31 / 52 / 10

HEX #E59E6F

RGB 229 158 111

HSL 23.9, 0.69%, 0.67%

LAB 71.05, 21.32, 35.09

 

CMYK 29 / 0 / 51 / 11

HEX #A1E470

RGB 161 228 112

HSL 94.66, 0.68%, 0.67%

LAB 84.09, -40.66, 49.55

 

CMYK 51 / 19 / 0 / 11

HEX #70B8E4

RGB 112 184 228

HSL 202.76, 0.68%, 0.67%

LAB 71.78, -10.57, -28.96

 

CMYK 21 / 51 / 0 / 11

HEX #B470E4

RGB 180 112 228

HSL 275.17, 0.68%, 0.67%

LAB 58.88, 47.6, -48.75

 

CMYK 0 / 31 / 52 / 10

HEX #E59E6F

RGB 229 158 111

HSL 23.9, 0.69%, 0.67%

LAB 71.05, 21.32, 35.09

 

CMYK 45 / 0 / 51 / 11

HEX #7EE470

RGB 126 228 112

HSL 112.76, 0.68%, 0.67%

LAB 82.43, -51.85, 47.15

 

CMYK 51 / 19 / 0 / 11

HEX #70B8E4

RGB 112 184 228

HSL 202.76, 0.68%, 0.67%

LAB 71.78, -10.57, -28.96

 

CMYK 6 / 51 / 0 / 11

HEX #D770E4

RGB 215 112 228

HSL 293.28, 0.68%, 0.67%

LAB 63.04, 56.98, -41.9

 

Description

Color code: RGB 229 158 111 | qconv.com Color code: RGB 229 158 111 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 158 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 158 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 52 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 52% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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