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Color name
HEX #E82F17

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E82F17 it is the complementary color #17D0E8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E82F17. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E82F17 shade: #ED2F12, #FE4125, #FF5338, #FF654B and #FF775E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E82F17. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E82F17 shade: #E82F17, #D71D04, #C60B00, #B50000 and #A40000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E82F17 shade: #E82E16 and #E81616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E82F17 shade: #E82E16, #E86716, #E89F16, #E8D816 and #BFE816

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E82F17 shade matches the following richer shades: #E82E16 and #FC1F02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E82F17 shade: #E82E16, #D33E2B, #BE4E40, #AA5E54 and #956E69

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E82F17 shade: #E81671, #E81639, #E82B16, #E86316 and #E89B16

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E82F17 shade: #9C1F0F, #C22713, #E82E16, #EB503C and #EF7262

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E82F17 shade: #E82F17, #A9E816 and #1655E8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E82F17 shade: #E82F17, #16E82B and #2B16E8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E82F17 shade: #E82F17, #A9E816, #16D3E8 and #5516E8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E82F17 shade: #E82F17, #6AE816, #16D3E8 and #9416E8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 90 / 9

HEX #E82F17

RGB 232 47 23

HSL 6.89, 0.82%, 0.5%

LAB 50.98, 67.79, 57.08

 

Complementary color

CMYK 90 / 10 / 0 / 9

HEX #17D0E8

RGB 23 208 232

HSL 186.89, 0.82%, 0.5%

LAB 76.75, -33.15, -23.68

 

CMYK 0 / 80 / 92 / 7

HEX #ED2F12

RGB 237 47 18

HSL 7.95, 0.86%, 0.5%

LAB 51.93, 69.14, 59.91

 

CMYK 0 / 74 / 85 / 0

HEX #FE4125

RGB 254 65 37

HSL 7.74, 0.99%, 0.57%

LAB 57.06, 69.21, 57.85

 

CMYK 0 / 67 / 78 / 0

HEX #FF5338

RGB 255 83 56

HSL 8.14, 1%, 0.61%

LAB 59.65, 63.77, 51.39

 

CMYK 0 / 60 / 71 / 0

HEX #FF654B

RGB 255 101 75

HSL 8.67, 1%, 0.65%

LAB 62.57, 57.18, 44.73

 

CMYK 0 / 53 / 63 / 0

HEX #FF775E

RGB 255 119 94

HSL 9.32, 1%, 0.68%

LAB 65.95, 50, 38.54

 

CMYK 0 / 80 / 90 / 9

HEX #E82F17

RGB 232 47 23

HSL 6.89, 0.82%, 0.5%

LAB 50.98, 67.79, 57.08

 

CMYK 0 / 87 / 98 / 16

HEX #D71D04

RGB 215 29 4

HSL 7.11, 0.96%, 0.43%

LAB 46.09, 66.98, 58.34

 

CMYK 0 / 94 / 100 / 22

HEX #C60B00

RGB 198 11 0

HSL 3.33, 1%, 0.39%

LAB 41.6, 65.12, 55.69

 

CMYK 0 / 100 / 100 / 29

HEX #B50000

RGB 181 0 0

HSL 0, 1%, 0.35%

LAB 37.52, 61.93, 51.94

 

CMYK 0 / 100 / 100 / 36

HEX #A40000

RGB 164 0 0

HSL 0, 1%, 0.32%

LAB 33.76, 57.57, 47.96

 

CMYK 0 / 80 / 91 / 9

HEX #E82E16

RGB 232 46 22

HSL 6.86, 0.83%, 0.5%

LAB 50.88, 68.04, 57.39

 

CMYK 0 / 91 / 91 / 9

HEX #E81616

RGB 232 22 22

HSL 0, 0.83%, 0.5%

LAB 49.24, 72.73, 56.28

 

CMYK 0 / 80 / 91 / 9

HEX #E82E16

RGB 232 46 22

HSL 6.86, 0.83%, 0.5%

LAB 50.88, 68.04, 57.39

 

CMYK 0 / 56 / 91 / 9

HEX #E86716

RGB 232 103 22

HSL 23.14, 0.83%, 0.5%

LAB 58.89, 46.4, 63

 

CMYK 0 / 31 / 91 / 9

HEX #E89F16

RGB 232 159 22

HSL 39.14, 0.83%, 0.5%

LAB 70.88, 17.58, 71.81

 

CMYK 0 / 7 / 91 / 9

HEX #E8D816

RGB 232 216 22

HSL 55.43, 0.83%, 0.5%

LAB 85.16, -12, 82.69

 

CMYK 18 / 0 / 91 / 9

HEX #BFE816

RGB 191 232 22

HSL 71.71, 0.83%, 0.5%

LAB 86.43, -36.57, 82.37

 

CMYK 0 / 80 / 91 / 9

HEX #E82E16

RGB 232 46 22

HSL 6.86, 0.83%, 0.5%

LAB 50.88, 68.04, 57.39

 

CMYK 0 / 88 / 99 / 1

HEX #FC1F02

RGB 252 31 2

HSL 6.96, 0.98%, 0.5%

LAB 53.69, 76.33, 66.51

 

CMYK 0 / 80 / 91 / 9

HEX #E82E16

RGB 232 46 22

HSL 6.86, 0.83%, 0.5%

LAB 50.88, 68.04, 57.39

 

CMYK 0 / 71 / 80 / 17

HEX #D33E2B

RGB 211 62 43

HSL 6.79, 0.66%, 0.5%

LAB 48.85, 57.19, 44.62

 

CMYK 0 / 59 / 66 / 25

HEX #BE4E40

RGB 190 78 64

HSL 6.67, 0.5%, 0.5%

LAB 47.96, 44.16, 31.03

 

CMYK 0 / 45 / 51 / 33

HEX #AA5E54

RGB 170 94 84

HSL 6.98, 0.34%, 0.5%

LAB 48.5, 29.81, 19.39

 

CMYK 0 / 26 / 30 / 42

HEX #956E69

RGB 149 110 105

HSL 6.82, 0.17%, 0.5%

LAB 50.17, 14.74, 8.84

 

CMYK 0 / 91 / 51 / 9

HEX #E81671

RGB 232 22 113

HSL 334, 0.83%, 0.5%

LAB 50.6, 76.53, 6.39

 

CMYK 0 / 91 / 75 / 9

HEX #E81639

RGB 232 22 57

HSL 350, 0.83%, 0.5%

LAB 49.53, 73.55, 38.86

 

CMYK 0 / 81 / 91 / 9

HEX #E82B16

RGB 232 43 22

HSL 6, 0.83%, 0.5%

LAB 50.62, 68.78, 57.21

 

CMYK 0 / 57 / 91 / 9

HEX #E86316

RGB 232 99 22

HSL 22, 0.83%, 0.5%

LAB 58.17, 48.29, 62.47

 

CMYK 0 / 33 / 91 / 9

HEX #E89B16

RGB 232 155 22

HSL 38, 0.83%, 0.5%

LAB 69.93, 19.71, 71.11

 

CMYK 0 / 80 / 90 / 39

HEX #9C1F0F

RGB 156 31 15

HSL 6.81, 0.82%, 0.34%

LAB 34.15, 49.67, 41.25

 

CMYK 0 / 80 / 90 / 24

HEX #C22713

RGB 194 39 19

HSL 6.86, 0.82%, 0.42%

LAB 42.71, 58.91, 49.34

 

CMYK 0 / 80 / 91 / 9

HEX #E82E16

RGB 232 46 22

HSL 6.86, 0.83%, 0.5%

LAB 50.88, 68.04, 57.39

 

CMYK 0 / 66 / 74 / 8

HEX #EB503C

RGB 235 80 60

HSL 6.86, 0.81%, 0.58%

LAB 55.81, 58.63, 44.25

 

CMYK 0 / 52 / 59 / 6

HEX #EF7262

RGB 239 114 98

HSL 6.81, 0.82%, 0.66%

LAB 62.73, 46.89, 31.81

 

CMYK 0 / 80 / 90 / 9

HEX #E82F17

RGB 232 47 23

HSL 6.89, 0.82%, 0.5%

LAB 50.98, 67.79, 57.08

 

CMYK 27 / 0 / 91 / 9

HEX #A9E816

RGB 169 232 22

HSL 78, 0.83%, 0.5%

LAB 85.1, -45.04, 80.75

 

CMYK 91 / 63 / 0 / 9

HEX #1655E8

RGB 22 85 232

HSL 222, 0.83%, 0.5%

LAB 41.99, 37.94, -78.82

 

CMYK 0 / 80 / 90 / 9

HEX #E82F17

RGB 232 47 23

HSL 6.89, 0.82%, 0.5%

LAB 50.98, 67.79, 57.08

 

CMYK 91 / 0 / 81 / 9

HEX #16E82B

RGB 22 232 43

HSL 126, 0.83%, 0.5%

LAB 80.77, -78.11, 71.14

 

CMYK 81 / 91 / 0 / 9

HEX #2B16E8

RGB 43 22 232

HSL 246, 0.83%, 0.5%

LAB 31.61, 69.99, -95.98

 

CMYK 0 / 80 / 90 / 9

HEX #E82F17

RGB 232 47 23

HSL 6.89, 0.82%, 0.5%

LAB 50.98, 67.79, 57.08

 

CMYK 27 / 0 / 91 / 9

HEX #A9E816

RGB 169 232 22

HSL 78, 0.83%, 0.5%

LAB 85.1, -45.04, 80.75

 

CMYK 91 / 9 / 0 / 9

HEX #16D3E8

RGB 22 211 232

HSL 186, 0.83%, 0.5%

LAB 77.63, -34.62, -22.35

 

CMYK 63 / 91 / 0 / 9

HEX #5516E8

RGB 85 22 232

HSL 258, 0.83%, 0.5%

LAB 34.66, 71.9, -90.81

 

CMYK 0 / 80 / 90 / 9

HEX #E82F17

RGB 232 47 23

HSL 6.89, 0.82%, 0.5%

LAB 50.98, 67.79, 57.08

 

CMYK 54 / 0 / 91 / 9

HEX #6AE816

RGB 106 232 22

HSL 96, 0.83%, 0.5%

LAB 82.29, -65.47, 77.29

 

CMYK 91 / 9 / 0 / 9

HEX #16D3E8

RGB 22 211 232

HSL 186, 0.83%, 0.5%

LAB 77.63, -34.62, -22.35

 

CMYK 36 / 91 / 0 / 9

HEX #9416E8

RGB 148 22 232

HSL 276, 0.83%, 0.5%

LAB 42.3, 77.65, -77.95

 

Description

Color code: HEX #E82F17 | qconv.com Color code: HEX #E82F17 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 47 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 47 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 90 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 90% 9% C M Y K

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Provide designers and agencies with accurate color values.

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