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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E8703F it is the complementary color #178FC0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E8703F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E8703F shade: #ED703A, #FE824D, #FF9460, #FFA673 and #FFB886

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E8703F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E8703F shade: #E8703F, #D75E2C, #C64C19, #B53A06 and #A42800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E8703F shade: #E8703F, #E8423F and #E83F3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E8703F shade: #E8703F, #E89D3F, #E8CB3F, #D7E83F and #AAE83F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E8703F shade matches the following richer shades: #E8703F and #F9692D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E8703F shade: #E8703F, #D77750, #C57E61, #B48673 and #A38D84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E8703F shade: #E83F69, #E8423F, #E86F3F, #E89C3F and #E8C93F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E8703F shade: #BE4716, #E3551A, #E8703F, #EC8B64 and #F1A789

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E8703F shade: #E8703F, #96E83F and #3F53E8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E8703F shade: #E8703F, #3FE86F and #6F3FE8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E8703F shade: #E8703F, #96E83F, #3FB8E8 and #913FE8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E8703F shade: #E8703F, #63E83F, #3FB8E8 and #C33FE8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 73 / 9

HEX #E8703F

RGB 232 112 63

HSL 17.4, 0.79%, 0.58%

LAB 60.87, 43.25, 48.03

 

Complementary color

CMYK 88 / 26 / 0 / 25

HEX #178FC0

RGB 23 143 192

HSL 197.4, 0.79%, 0.42%

LAB 55.72, -13.28, -34.06

 

CMYK 0 / 53 / 76 / 7

HEX #ED703A

RGB 237 112 58

HSL 18.1, 0.83%, 0.58%

LAB 61.57, 44.93, 51.43

 

CMYK 0 / 49 / 70 / 0

HEX #FE824D

RGB 254 130 77

HSL 17.97, 0.99%, 0.65%

LAB 67.7, 43.36, 49.43

 

CMYK 0 / 42 / 62 / 0

HEX #FF9460

RGB 255 148 96

HSL 19.62, 1%, 0.69%

LAB 71.75, 35.74, 44.49

 

CMYK 0 / 35 / 55 / 0

HEX #FFA673

RGB 255 166 115

HSL 21.86, 1%, 0.73%

LAB 75.93, 27.79, 39.78

 

CMYK 0 / 28 / 47 / 0

HEX #FFB886

RGB 255 184 134

HSL 24.79, 1%, 0.76%

LAB 80.33, 20.02, 35.5

 

CMYK 0 / 52 / 73 / 9

HEX #E8703F

RGB 232 112 63

HSL 17.4, 0.79%, 0.58%

LAB 60.87, 43.25, 48.03

 

CMYK 0 / 56 / 80 / 16

HEX #D75E2C

RGB 215 94 44

HSL 17.54, 0.68%, 0.51%

LAB 54.69, 44.86, 50.08

 

CMYK 0 / 62 / 87 / 22

HEX #C64C19

RGB 198 76 25

HSL 17.69, 0.78%, 0.44%

LAB 48.57, 46.47, 51.76

 

CMYK 0 / 68 / 97 / 29

HEX #B53A06

RGB 181 58 6

HSL 17.83, 0.94%, 0.37%

LAB 42.56, 47.95, 52.29

 

CMYK 0 / 76 / 100 / 36

HEX #A42800

RGB 164 40 0

HSL 14.63, 1%, 0.32%

LAB 36.76, 49.05, 49.52

 

CMYK 0 / 52 / 73 / 9

HEX #E8703F

RGB 232 112 63

HSL 17.4, 0.79%, 0.58%

LAB 60.87, 43.25, 48.03

 

CMYK 0 / 72 / 73 / 9

HEX #E8423F

RGB 232 66 63

HSL 1.07, 0.79%, 0.58%

LAB 53.4, 63.06, 39.79

 

CMYK 0 / 73 / 73 / 9

HEX #E83F3F

RGB 232 63 63

HSL 0, 0.79%, 0.58%

LAB 53.03, 64.08, 39.37

 

CMYK 0 / 52 / 73 / 9

HEX #E8703F

RGB 232 112 63

HSL 17.4, 0.79%, 0.58%

LAB 60.87, 43.25, 48.03

 

CMYK 0 / 32 / 73 / 9

HEX #E89D3F

RGB 232 157 63

HSL 33.37, 0.79%, 0.58%

LAB 70.61, 19.89, 58.2

 

CMYK 0 / 13 / 73 / 9

HEX #E8CB3F

RGB 232 203 63

HSL 49.7, 0.79%, 0.58%

LAB 81.96, -4.25, 69.41

 

CMYK 7 / 0 / 73 / 9

HEX #D7E83F

RGB 215 232 63

HSL 66.04, 0.79%, 0.58%

LAB 88.22, -25.66, 74.91

 

CMYK 27 / 0 / 73 / 9

HEX #AAE83F

RGB 170 232 63

HSL 82.01, 0.79%, 0.58%

LAB 85.31, -43.18, 71.11

 

CMYK 0 / 52 / 73 / 9

HEX #E8703F

RGB 232 112 63

HSL 17.4, 0.79%, 0.58%

LAB 60.87, 43.25, 48.03

 

CMYK 0 / 58 / 82 / 2

HEX #F9692D

RGB 249 105 45

HSL 17.65, 0.94%, 0.58%

LAB 62.03, 52.2, 58.39

 

CMYK 0 / 52 / 73 / 9

HEX #E8703F

RGB 232 112 63

HSL 17.4, 0.79%, 0.58%

LAB 60.87, 43.25, 48.03

 

CMYK 0 / 45 / 63 / 16

HEX #D77750

RGB 215 119 80

HSL 17.33, 0.63%, 0.58%

LAB 60.09, 34.03, 37.66

 

CMYK 0 / 36 / 51 / 23

HEX #C57E61

RGB 197 126 97

HSL 17.4, 0.46%, 0.58%

LAB 59.58, 24.4, 27.18

 

CMYK 0 / 26 / 36 / 29

HEX #B48673

RGB 180 134 115

HSL 17.54, 0.3%, 0.58%

LAB 59.88, 15.02, 17.11

 

CMYK 0 / 13 / 19 / 36

HEX #A38D84

RGB 163 141 132

HSL 17.42, 0.14%, 0.58%

LAB 60.34, 6.76, 7.84

 

CMYK 0 / 73 / 55 / 9

HEX #E83F69

RGB 232 63 105

HSL 345.09, 0.79%, 0.58%

LAB 53.74, 66.46, 15.64

 

CMYK 0 / 72 / 73 / 9

HEX #E8423F

RGB 232 66 63

HSL 1.07, 0.79%, 0.58%

LAB 53.4, 63.06, 39.79

 

CMYK 0 / 52 / 73 / 9

HEX #E86F3F

RGB 232 111 63

HSL 17.04, 0.79%, 0.58%

LAB 60.68, 43.75, 47.82

 

CMYK 0 / 33 / 73 / 9

HEX #E89C3F

RGB 232 156 63

HSL 33.02, 0.79%, 0.58%

LAB 70.38, 20.42, 57.96

 

CMYK 0 / 13 / 73 / 9

HEX #E8C93F

RGB 232 201 63

HSL 48.99, 0.79%, 0.58%

LAB 81.45, -3.23, 68.92

 

CMYK 0 / 63 / 88 / 25

HEX #BE4716

RGB 190 71 22

HSL 17.5, 0.79%, 0.42%

LAB 46.33, 45.76, 50.56

 

CMYK 0 / 63 / 89 / 11

HEX #E3551A

RGB 227 85 26

HSL 17.61, 0.79%, 0.5%

LAB 54.97, 52.86, 58.49

 

CMYK 0 / 52 / 73 / 9

HEX #E8703F

RGB 232 112 63

HSL 17.4, 0.79%, 0.58%

LAB 60.87, 43.25, 48.03

 

CMYK 0 / 41 / 58 / 7

HEX #EC8B64

RGB 236 139 100

HSL 17.21, 0.78%, 0.66%

LAB 67.44, 33.26, 36.57

 

CMYK 0 / 31 / 43 / 5

HEX #F1A789

RGB 241 167 137

HSL 17.31, 0.79%, 0.74%

LAB 74.92, 23.79, 26.49

 

CMYK 0 / 52 / 73 / 9

HEX #E8703F

RGB 232 112 63

HSL 17.4, 0.79%, 0.58%

LAB 60.87, 43.25, 48.03

 

CMYK 35 / 0 / 73 / 9

HEX #96E83F

RGB 150 232 63

HSL 89.11, 0.79%, 0.58%

LAB 84.25, -50.29, 69.71

 

CMYK 73 / 64 / 0 / 9

HEX #3F53E8

RGB 63 83 232

HSL 232.9, 0.79%, 0.58%

LAB 42.87, 42.2, -77.33

 

CMYK 0 / 52 / 73 / 9

HEX #E8703F

RGB 232 112 63

HSL 17.4, 0.79%, 0.58%

LAB 60.87, 43.25, 48.03

 

CMYK 73 / 0 / 52 / 9

HEX #3FE86F

RGB 63 232 111

HSL 137.04, 0.79%, 0.58%

LAB 81.79, -67.37, 46.43

 

CMYK 52 / 73 / 0 / 9

HEX #6F3FE8

RGB 111 63 232

HSL 257.04, 0.79%, 0.58%

LAB 42.4, 59.39, -77.96

 

CMYK 0 / 52 / 73 / 9

HEX #E8703F

RGB 232 112 63

HSL 17.4, 0.79%, 0.58%

LAB 60.87, 43.25, 48.03

 

CMYK 35 / 0 / 73 / 9

HEX #96E83F

RGB 150 232 63

HSL 89.11, 0.79%, 0.58%

LAB 84.25, -50.29, 69.71

 

CMYK 73 / 21 / 0 / 9

HEX #3FB8E8

RGB 63 184 232

HSL 197.04, 0.79%, 0.58%

LAB 70.29, -17.86, -33.56

 

CMYK 38 / 73 / 0 / 9

HEX #913FE8

RGB 145 63 232

HSL 269.11, 0.79%, 0.58%

LAB 46.18, 64.76, -71.63

 

CMYK 0 / 52 / 73 / 9

HEX #E8703F

RGB 232 112 63

HSL 17.4, 0.79%, 0.58%

LAB 60.87, 43.25, 48.03

 

CMYK 57 / 0 / 73 / 9

HEX #63E83F

RGB 99 232 63

HSL 107.22, 0.79%, 0.58%

LAB 82.23, -65.37, 67.03

 

CMYK 73 / 21 / 0 / 9

HEX #3FB8E8

RGB 63 184 232

HSL 197.04, 0.79%, 0.58%

LAB 70.29, -17.86, -33.56

 

CMYK 16 / 73 / 0 / 9

HEX #C33FE8

RGB 195 63 232

HSL 286.86, 0.79%, 0.58%

LAB 52.93, 73.95, -60.37

 

Description

Color code: HEX #E8703F | qconv.com Color code: HEX #E8703F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 112 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 112 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 73 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 73% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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