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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E90668 it is the complementary color #16F997. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E90668. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E90668 shade: #EE0663, #FF1876, #FF2A89, #FF3C9C and #FF4EAF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E90668. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E90668 shade: #E90668, #D80055, #C70042, #B6002F and #A5001C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E90668 shade: #E90568, #E9052A and #E90505

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E90668 shade: #E90568, #E905A5, #E905E3, #B205E9 and #7505E9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E90668 shade matches the following richer shades: #E90568

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E90668 shade: #E90568, #D6196A, #C22C6D, #AF4070 and #9C5372

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E90668 shade: #E905E2, #E905A5, #E90568, #E9052B and #E91C05

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E90668 shade: #990344, #C10456, #E90568, #F91F7D and #FA4794

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E90668 shade: #E90668, #E9B405 and #05C3E9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E90668 shade: #E90668, #68E905 and #0568E9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E90668 shade: #E90668, #E9B405, #05E987 and #053BE9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E90668 shade: #E90668, #DAE905, #05E987 and #1505E9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 97 / 55 / 9

HEX #E90668

RGB 233 6 104

HSL 334.1, 0.95%, 0.47%

LAB 50.04, 77.66, 11.14

 

Complementary color

CMYK 91 / 0 / 39 / 2

HEX #16F997

RGB 22 249 151

HSL 154.1, 0.95%, 0.53%

LAB 87.07, -70.24, 33.62

 

CMYK 0 / 97 / 58 / 7

HEX #EE0663

RGB 238 6 99

HSL 335.95, 0.95%, 0.48%

LAB 50.93, 78.48, 15.59

 

CMYK 0 / 91 / 54 / 0

HEX #FF1876

RGB 255 24 118

HSL 335.58, 1%, 0.55%

LAB 55.3, 81.9, 10.66

 

CMYK 0 / 84 / 46 / 0

HEX #FF2A89

RGB 255 42 137

HSL 333.24, 1%, 0.58%

LAB 56.8, 80.41, 1.47

 

CMYK 0 / 76 / 39 / 0

HEX #FF3C9C

RGB 255 60 156

HSL 330.46, 1%, 0.62%

LAB 58.87, 77.79, -6.68

 

CMYK 0 / 69 / 31 / 0

HEX #FF4EAF

RGB 255 78 175

HSL 327.12, 1%, 0.65%

LAB 61.48, 74.17, -13.8

 

CMYK 0 / 97 / 55 / 9

HEX #E90668

RGB 233 6 104

HSL 334.1, 0.95%, 0.47%

LAB 50.04, 77.66, 11.14

 

CMYK 0 / 100 / 61 / 15

HEX #D80055

RGB 216 0 85

HSL 336.39, 1%, 0.42%

LAB 45.98, 73.12, 16.75

 

CMYK 0 / 100 / 67 / 22

HEX #C70042

RGB 199 0 66

HSL 340.1, 1%, 0.39%

LAB 42.05, 68.13, 22.82

 

CMYK 0 / 100 / 74 / 29

HEX #B6002F

RGB 182 0 47

HSL 344.51, 1%, 0.36%

LAB 38.11, 63.19, 29.08

 

CMYK 0 / 100 / 83 / 35

HEX #A5001C

RGB 165 0 28

HSL 349.82, 1%, 0.32%

LAB 34.16, 58.31, 35.25

 

CMYK 0 / 98 / 55 / 9

HEX #E90568

RGB 233 5 104

HSL 333.95, 0.96%, 0.47%

LAB 50.02, 77.74, 11.11

 

CMYK 0 / 98 / 82 / 9

HEX #E9052A

RGB 233 5 42

HSL 350.26, 0.96%, 0.47%

LAB 49.01, 75, 46.77

 

CMYK 0 / 98 / 98 / 9

HEX #E90505

RGB 233 5 5

HSL 0, 0.96%, 0.47%

LAB 48.81, 74.47, 61.42

 

CMYK 0 / 98 / 55 / 9

HEX #E90568

RGB 233 5 104

HSL 333.95, 0.96%, 0.47%

LAB 50.02, 77.74, 11.11

 

CMYK 0 / 98 / 29 / 9

HEX #E905A5

RGB 233 5 165

HSL 317.89, 0.96%, 0.47%

LAB 52.01, 82.97, -22.76

 

CMYK 0 / 98 / 3 / 9

HEX #E905E3

RGB 233 5 227

HSL 301.58, 0.96%, 0.47%

LAB 55.05, 90.6, -53.82

 

CMYK 24 / 98 / 0 / 9

HEX #B205E9

RGB 178 5 233

HSL 285.53, 0.96%, 0.47%

LAB 46.25, 83.52, -71.87

 

CMYK 50 / 98 / 0 / 9

HEX #7505E9

RGB 117 5 233

HSL 269.47, 0.96%, 0.47%

LAB 37.43, 77.14, -86.68

 

CMYK 0 / 98 / 55 / 9

HEX #E90568

RGB 233 5 104

HSL 333.95, 0.96%, 0.47%

LAB 50.02, 77.74, 11.11

 

CMYK 0 / 98 / 55 / 9

HEX #E90568

RGB 233 5 104

HSL 333.95, 0.96%, 0.47%

LAB 50.02, 77.74, 11.11

 

CMYK 0 / 88 / 50 / 16

HEX #D6196A

RGB 214 25 106

HSL 334.29, 0.79%, 0.47%

LAB 47.02, 71.37, 5.1

 

CMYK 0 / 77 / 44 / 24

HEX #C22C6D

RGB 194 44 109

HSL 334, 0.63%, 0.47%

LAB 44.77, 62.28, -0.5

 

CMYK 0 / 63 / 36 / 31

HEX #AF4070

RGB 175 64 112

HSL 334.05, 0.46%, 0.47%

LAB 44.16, 49.7, -3.63

 

CMYK 0 / 47 / 27 / 39

HEX #9C5372

RGB 156 83 114

HSL 334.52, 0.31%, 0.47%

LAB 44.9, 34.11, -4.09

 

CMYK 0 / 98 / 3 / 9

HEX #E905E2

RGB 233 5 226

HSL 301.84, 0.96%, 0.47%

LAB 54.99, 90.46, -53.34

 

CMYK 0 / 98 / 29 / 9

HEX #E905A5

RGB 233 5 165

HSL 317.89, 0.96%, 0.47%

LAB 52.01, 82.97, -22.76

 

CMYK 0 / 98 / 55 / 9

HEX #E90568

RGB 233 5 104

HSL 333.95, 0.96%, 0.47%

LAB 50.02, 77.74, 11.11

 

CMYK 0 / 98 / 82 / 9

HEX #E9052B

RGB 233 5 43

HSL 350, 0.96%, 0.47%

LAB 49.02, 75.03, 46.24

 

CMYK 0 / 88 / 98 / 9

HEX #E91C05

RGB 233 28 5

HSL 6.05, 0.96%, 0.47%

LAB 49.7, 71.93, 61.8

 

CMYK 0 / 98 / 56 / 40

HEX #990344

RGB 153 3 68

HSL 334, 0.96%, 0.31%

LAB 32.38, 56.86, 6.8

 

CMYK 0 / 98 / 55 / 24

HEX #C10456

RGB 193 4 86

HSL 333.97, 0.96%, 0.39%

LAB 41.37, 67.5, 9.01

 

CMYK 0 / 98 / 55 / 9

HEX #E90568

RGB 233 5 104

HSL 333.95, 0.96%, 0.47%

LAB 50.02, 77.74, 11.11

 

CMYK 0 / 88 / 50 / 2

HEX #F91F7D

RGB 249 31 125

HSL 334.13, 0.95%, 0.55%

LAB 54.66, 80.04, 5.39

 

CMYK 0 / 72 / 41 / 2

HEX #FA4794

RGB 250 71 148

HSL 334.19, 0.95%, 0.63%

LAB 58.95, 72.41, -1.99

 

CMYK 0 / 97 / 55 / 9

HEX #E90668

RGB 233 6 104

HSL 334.1, 0.95%, 0.47%

LAB 50.04, 77.66, 11.14

 

CMYK 0 / 23 / 98 / 9

HEX #E9B405

RGB 233 180 5

HSL 46.05, 0.96%, 0.47%

LAB 76.06, 6.71, 78

 

CMYK 98 / 16 / 0 / 9

HEX #05C3E9

RGB 5 195 233

HSL 190, 0.96%, 0.47%

LAB 72.86, -27.07, -30.2

 

CMYK 0 / 97 / 55 / 9

HEX #E90668

RGB 233 6 104

HSL 334.1, 0.95%, 0.47%

LAB 50.04, 77.66, 11.14

 

CMYK 55 / 0 / 98 / 9

HEX #68E905

RGB 104 233 5

HSL 93.95, 0.96%, 0.47%

LAB 82.5, -66.63, 79.23

 

CMYK 98 / 55 / 0 / 9

HEX #0568E9

RGB 5 104 233

HSL 213.95, 0.96%, 0.47%

LAB 46.73, 25.61, -71.64

 

CMYK 0 / 97 / 55 / 9

HEX #E90668

RGB 233 6 104

HSL 334.1, 0.95%, 0.47%

LAB 50.04, 77.66, 11.14

 

CMYK 0 / 23 / 98 / 9

HEX #E9B405

RGB 233 180 5

HSL 46.05, 0.96%, 0.47%

LAB 76.06, 6.71, 78

 

CMYK 98 / 0 / 42 / 9

HEX #05E987

RGB 5 233 135

HSL 154.21, 0.96%, 0.47%

LAB 81.87, -68.41, 34.75

 

CMYK 98 / 75 / 0 / 9

HEX #053BE9

RGB 5 59 233

HSL 225.79, 0.96%, 0.47%

LAB 36.07, 53.56, -89.16

 

CMYK 0 / 97 / 55 / 9

HEX #E90668

RGB 233 6 104

HSL 334.1, 0.95%, 0.47%

LAB 50.04, 77.66, 11.14

 

CMYK 6 / 0 / 98 / 9

HEX #DAE905

RGB 218 233 5

HSL 63.95, 0.96%, 0.47%

LAB 88.54, -26.31, 86.5

 

CMYK 98 / 0 / 42 / 9

HEX #05E987

RGB 5 233 135

HSL 154.21, 0.96%, 0.47%

LAB 81.87, -68.41, 34.75

 

CMYK 91 / 98 / 0 / 9

HEX #1505E9

RGB 21 5 233

HSL 244.21, 0.96%, 0.47%

LAB 29.79, 73.26, -99.61

 

Description

Color code: HEX #E90668 | qconv.com Color code: HEX #E90668 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 233 red, 6 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
233 6 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 97 magenta, 55 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 97% 55% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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