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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E9153C it is the complementary color #16EAC3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E9153C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E9153C shade: #EE1537, #FF274A, #FF395D, #FF4B70 and #FF5D83

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E9153C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E9153C shade: #E9153C, #D80329, #C70016, #B60003 and #A50000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E9153C shade: #E9153C and #E91515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E9153C shade: #E9153C, #E91575, #E915AE, #E915E7 and #B115E9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E9153C shade matches the following richer shades: #E9153C and #FD012F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E9153C shade: #E9153C, #D42A49, #C03E56, #AB5363 and #966870

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E9153C shade: #E915B0, #E91578, #E91540, #E92315 and #E95C15

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E9153C shade: #9D0E29, #C31232, #E9153C, #EC3B5C and #F0617B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E9153C shade: #E9153C, #E9E915 and #1594E9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E9153C shade: #E9153C, #40E915 and #1540E9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E9153C shade: #E9153C, #E9E915, #15E9BE and #1515E9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E9153C shade: #E9153C, #A9E915, #15E9BE and #5515E9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 74 / 9

HEX #E9153C

RGB 233 21 60

HSL 348.96, 0.83%, 0.5%

LAB 49.72, 74.03, 37.39

 

Complementary color

CMYK 91 / 0 / 17 / 8

HEX #16EAC3

RGB 22 234 195

HSL 168.96, 0.83%, 0.5%

LAB 83.42, -55.08, 5.92

 

CMYK 0 / 91 / 77 / 7

HEX #EE1537

RGB 238 21 55

HSL 350.6, 0.86%, 0.51%

LAB 50.67, 75.1, 41.61

 

CMYK 0 / 85 / 71 / 0

HEX #FF274A

RGB 255 39 74

HSL 350.28, 1%, 0.58%

LAB 55.28, 77.18, 36.82

 

CMYK 0 / 78 / 64 / 0

HEX #FF395D

RGB 255 57 93

HSL 349.09, 1%, 0.61%

LAB 57.05, 73.89, 27.92

 

CMYK 0 / 71 / 56 / 0

HEX #FF4B70

RGB 255 75 112

HSL 347.67, 1%, 0.65%

LAB 59.4, 69.49, 19.89

 

CMYK 0 / 64 / 49 / 0

HEX #FF5D83

RGB 255 93 131

HSL 345.93, 1%, 0.68%

LAB 62.28, 64.2, 12.81

 

CMYK 0 / 91 / 74 / 9

HEX #E9153C

RGB 233 21 60

HSL 348.96, 0.83%, 0.5%

LAB 49.72, 74.03, 37.39

 

CMYK 0 / 99 / 81 / 15

HEX #D80329

RGB 216 3 41

HSL 349.3, 0.97%, 0.43%

LAB 45.39, 71.02, 42.6

 

CMYK 0 / 100 / 89 / 22

HEX #C70016

RGB 199 0 22

HSL 353.37, 1%, 0.39%

LAB 41.53, 66.71, 47.64

 

CMYK 0 / 100 / 98 / 29

HEX #B60003

RGB 182 0 3

HSL 359.01, 1%, 0.36%

LAB 37.76, 62.22, 50.95

 

CMYK 0 / 100 / 100 / 35

HEX #A50000

RGB 165 0 0

HSL 0, 1%, 0.32%

LAB 33.98, 57.83, 48.2

 

CMYK 0 / 91 / 74 / 9

HEX #E9153C

RGB 233 21 60

HSL 348.96, 0.83%, 0.5%

LAB 49.72, 74.03, 37.39

 

CMYK 0 / 91 / 91 / 9

HEX #E91515

RGB 233 21 21

HSL 0, 0.83%, 0.5%

LAB 49.39, 73.1, 56.86

 

CMYK 0 / 91 / 74 / 9

HEX #E9153C

RGB 233 21 60

HSL 348.96, 0.83%, 0.5%

LAB 49.72, 74.03, 37.39

 

CMYK 0 / 91 / 50 / 9

HEX #E91575

RGB 233 21 117

HSL 332.83, 0.83%, 0.5%

LAB 50.86, 77.19, 4.36

 

CMYK 0 / 91 / 25 / 9

HEX #E915AE

RGB 233 21 174

HSL 316.7, 0.83%, 0.5%

LAB 52.86, 82.56, -26.75

 

CMYK 0 / 91 / 1 / 9

HEX #E915E7

RGB 233 21 231

HSL 300.57, 0.83%, 0.5%

LAB 55.71, 89.87, -55.01

 

CMYK 24 / 91 / 0 / 9

HEX #B115E9

RGB 177 21 233

HSL 284.15, 0.83%, 0.5%

LAB 46.67, 81.69, -71.2

 

CMYK 0 / 91 / 74 / 9

HEX #E9153C

RGB 233 21 60

HSL 348.96, 0.83%, 0.5%

LAB 49.72, 74.03, 37.39

 

CMYK 0 / 100 / 81 / 1

HEX #FD012F

RGB 253 1 47

HSL 349.05, 0.99%, 0.5%

LAB 53.07, 80.18, 49.42

 

CMYK 0 / 91 / 74 / 9

HEX #E9153C

RGB 233 21 60

HSL 348.96, 0.83%, 0.5%

LAB 49.72, 74.03, 37.39

 

CMYK 0 / 80 / 66 / 17

HEX #D42A49

RGB 212 42 73

HSL 349.06, 0.67%, 0.5%

LAB 47.15, 65.11, 25.53

 

CMYK 0 / 68 / 55 / 25

HEX #C03E56

RGB 192 62 86

HSL 348.92, 0.51%, 0.5%

LAB 46.07, 53.4, 15.49

 

CMYK 0 / 51 / 42 / 33

HEX #AB5363

RGB 171 83 99

HSL 349.09, 0.35%, 0.5%

LAB 46.64, 37.65, 7.84

 

CMYK 0 / 31 / 25 / 41

HEX #966870

RGB 150 104 112

HSL 349.57, 0.18%, 0.5%

LAB 48.95, 19.66, 2.96

 

CMYK 0 / 91 / 24 / 9

HEX #E915B0

RGB 233 21 176

HSL 316.13, 0.83%, 0.5%

LAB 52.94, 82.79, -27.78

 

CMYK 0 / 91 / 48 / 9

HEX #E91578

RGB 233 21 120

HSL 331.98, 0.83%, 0.5%

LAB 50.94, 77.41, 2.65

 

CMYK 0 / 91 / 73 / 9

HEX #E91540

RGB 233 21 64

HSL 347.83, 0.83%, 0.5%

LAB 49.77, 74.18, 35.1

 

CMYK 0 / 85 / 91 / 9

HEX #E92315

RGB 233 35 21

HSL 3.96, 0.83%, 0.5%

LAB 50.19, 70.81, 57.39

 

CMYK 0 / 61 / 91 / 9

HEX #E95C15

RGB 233 92 21

HSL 20.09, 0.83%, 0.5%

LAB 57.11, 51.82, 62.09

 

CMYK 0 / 91 / 74 / 38

HEX #9D0E29

RGB 157 14 41

HSL 348.67, 0.84%, 0.34%

LAB 33.23, 54.75, 25.76

 

CMYK 0 / 91 / 74 / 24

HEX #C31232

RGB 195 18 50

HSL 349.15, 0.83%, 0.42%

LAB 41.63, 64.49, 32.02

 

CMYK 0 / 91 / 74 / 9

HEX #E9153C

RGB 233 21 60

HSL 348.96, 0.83%, 0.5%

LAB 49.72, 74.03, 37.39

 

CMYK 0 / 75 / 61 / 7

HEX #EC3B5C

RGB 236 59 92

HSL 348.81, 0.82%, 0.58%

LAB 53.74, 68.01, 23.53

 

CMYK 0 / 60 / 49 / 6

HEX #F0617B

RGB 240 97 123

HSL 349.09, 0.83%, 0.66%

LAB 60.34, 57.1, 14.38

 

CMYK 0 / 91 / 74 / 9

HEX #E9153C

RGB 233 21 60

HSL 348.96, 0.83%, 0.5%

LAB 49.72, 74.03, 37.39

 

CMYK 0 / 0 / 91 / 9

HEX #E9E915

RGB 233 233 21

HSL 60, 0.83%, 0.5%

LAB 89.7, -19.93, 86.35

 

CMYK 91 / 36 / 0 / 9

HEX #1594E9

RGB 21 148 233

HSL 204.06, 0.83%, 0.5%

LAB 59.18, -1.12, -51.6

 

CMYK 0 / 91 / 74 / 9

HEX #E9153C

RGB 233 21 60

HSL 348.96, 0.83%, 0.5%

LAB 49.72, 74.03, 37.39

 

CMYK 73 / 0 / 91 / 9

HEX #40E915

RGB 64 233 21

HSL 107.83, 0.83%, 0.5%

LAB 81.52, -74.75, 76.36

 

CMYK 91 / 73 / 0 / 9

HEX #1540E9

RGB 21 64 233

HSL 227.83, 0.83%, 0.5%

LAB 37.32, 51.08, -87.09

 

CMYK 0 / 91 / 74 / 9

HEX #E9153C

RGB 233 21 60

HSL 348.96, 0.83%, 0.5%

LAB 49.72, 74.03, 37.39

 

CMYK 0 / 0 / 91 / 9

HEX #E9E915

RGB 233 233 21

HSL 60, 0.83%, 0.5%

LAB 89.7, -19.93, 86.35

 

CMYK 91 / 0 / 18 / 9

HEX #15E9BE

RGB 21 233 190

HSL 167.83, 0.83%, 0.5%

LAB 83, -55.98, 7.93

 

CMYK 91 / 91 / 0 / 9

HEX #1515E9

RGB 21 21 233

HSL 240, 0.83%, 0.5%

LAB 30.83, 70.06, -97.87

 

CMYK 0 / 91 / 74 / 9

HEX #E9153C

RGB 233 21 60

HSL 348.96, 0.83%, 0.5%

LAB 49.72, 74.03, 37.39

 

CMYK 27 / 0 / 91 / 9

HEX #A9E915

RGB 169 233 21

HSL 78.11, 0.83%, 0.5%

LAB 85.39, -45.48, 81.12

 

CMYK 91 / 0 / 18 / 9

HEX #15E9BE

RGB 21 233 190

HSL 167.83, 0.83%, 0.5%

LAB 83, -55.98, 7.93

 

CMYK 64 / 91 / 0 / 9

HEX #5515E9

RGB 85 21 233

HSL 258.11, 0.83%, 0.5%

LAB 34.7, 72.38, -91.32

 

Description

Color code: HEX #E9153C | qconv.com Color code: HEX #E9153C | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 233 red, 21 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
233 21 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 74 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 74% 9% C M Y K

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Provide designers and agencies with accurate color values.

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