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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E929E3 it is the complementary color #16D61C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E929E3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E929E3 shade: #EE29DE, #FF3BF1, #FF4DFF, #FF5FFF and #FF71FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E929E3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E929E3 shade: #E929E3, #D817D0, #C705BD, #B600AA and #A50097

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E929E3 shade: #E82AE2, #E82AAF, #E82A7C, #E82A49 and #E82A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E929E3 shade: #E82AE2, #BB2AE8, #882AE8, #542AE8 and #2A2AE8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E929E3 shade matches the following richer shades: #E82AE2 and #FB17F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E929E3 shade: #E82AE2, #D53DD0, #C250BF, #AF63AD and #9C769B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E929E3 shade: #862AE8, #B92AE8, #E82AE5, #E82AB2 and #E82A80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E929E3 shade: #AE12A9, #D316CD, #E82AE2, #EC50E7 and #F075EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E929E3 shade: #E929E3, #E8532A and #2AE89F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E929E3 shade: #E929E3, #E5E82A and #2AE5E8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E929E3 shade: #E929E3, #E8532A, #2AE82D and #2ABFE8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E929E3 shade: #E929E3, #E88C2A, #2AE82D and #2A86E8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 3 / 9

HEX #E929E3

RGB 233 41 227

HSL 301.88, 0.81%, 0.54%

LAB 56.54, 86.22, -51.44

 

Complementary color

CMYK 90 / 0 / 87 / 16

HEX #16D61C

RGB 22 214 28

HSL 121.88, 0.81%, 0.46%

LAB 75.04, -73.84, 69.42

 

CMYK 0 / 83 / 7 / 7

HEX #EE29DE

RGB 238 41 222

HSL 304.87, 0.85%, 0.55%

LAB 57.11, 86.43, -47.66

 

CMYK 0 / 77 / 5 / 0

HEX #FF3BF1

RGB 255 59 241

HSL 304.29, 1%, 0.62%

LAB 62.29, 88.31, -49.94

 

CMYK 0 / 70 / 0 / 0

HEX #FF4DFF

RGB 255 77 255

HSL 300, 1%, 0.65%

LAB 64.79, 85.25, -53.71

 

CMYK 0 / 63 / 0 / 0

HEX #FF5FFF

RGB 255 95 255

HSL 300, 1%, 0.69%

LAB 67.02, 78.97, -50.18

 

CMYK 0 / 56 / 0 / 0

HEX #FF71FF

RGB 255 113 255

HSL 300, 1%, 0.72%

LAB 69.68, 71.66, -46.01

 

CMYK 0 / 82 / 3 / 9

HEX #E929E3

RGB 233 41 227

HSL 301.88, 0.81%, 0.54%

LAB 56.54, 86.22, -51.44

 

CMYK 0 / 89 / 4 / 15

HEX #D817D0

RGB 216 23 208

HSL 302.49, 0.81%, 0.47%

LAB 51.57, 83.47, -48.71

 

CMYK 0 / 97 / 5 / 22

HEX #C705BD

RGB 199 5 189

HSL 303.09, 0.95%, 0.4%

LAB 46.88, 79.67, -45.37

 

CMYK 0 / 100 / 7 / 29

HEX #B600AA

RGB 182 0 170

HSL 303.96, 1%, 0.36%

LAB 42.53, 74.54, -41.25

 

CMYK 0 / 100 / 8 / 35

HEX #A50097

RGB 165 0 151

HSL 305.09, 1%, 0.32%

LAB 38.26, 68.89, -36.8

 

CMYK 0 / 82 / 3 / 9

HEX #E82AE2

RGB 232 42 226

HSL 301.89, 0.81%, 0.54%

LAB 56.39, 85.69, -51.13

 

CMYK 0 / 82 / 25 / 9

HEX #E82AAF

RGB 232 42 175

HSL 318, 0.81%, 0.54%

LAB 53.93, 78.95, -25.69

 

CMYK 0 / 82 / 47 / 9

HEX #E82A7C

RGB 232 42 124

HSL 334.11, 0.81%, 0.54%

LAB 52.14, 73.82, 1.94

 

CMYK 0 / 82 / 69 / 9

HEX #E82A49

RGB 232 42 73

HSL 350.21, 0.81%, 0.54%

LAB 51.03, 70.52, 31.22

 

CMYK 0 / 82 / 82 / 9

HEX #E82A2A

RGB 232 42 42

HSL 0, 0.81%, 0.54%

LAB 50.66, 69.41, 48.26

 

CMYK 0 / 82 / 3 / 9

HEX #E82AE2

RGB 232 42 226

HSL 301.89, 0.81%, 0.54%

LAB 56.39, 85.69, -51.13

 

CMYK 19 / 82 / 0 / 9

HEX #BB2AE8

RGB 187 42 232

HSL 285.79, 0.81%, 0.54%

LAB 49.55, 78.83, -65.88

 

CMYK 41 / 82 / 0 / 9

HEX #882AE8

RGB 136 42 232

HSL 269.68, 0.81%, 0.54%

LAB 42.33, 71.24, -77.96

 

CMYK 64 / 82 / 0 / 9

HEX #542AE8

RGB 84 42 232

HSL 253.26, 0.81%, 0.54%

LAB 36.68, 65.53, -87.47

 

CMYK 82 / 82 / 0 / 9

HEX #2A2AE8

RGB 42 42 232

HSL 240, 0.81%, 0.54%

LAB 33.93, 62.85, -92.12

 

CMYK 0 / 82 / 3 / 9

HEX #E82AE2

RGB 232 42 226

HSL 301.89, 0.81%, 0.54%

LAB 56.39, 85.69, -51.13

 

CMYK 0 / 91 / 3 / 2

HEX #FB17F4

RGB 251 23 244

HSL 301.84, 0.97%, 0.54%

LAB 59.57, 94.46, -55.96

 

CMYK 0 / 82 / 3 / 9

HEX #E82AE2

RGB 232 42 226

HSL 301.89, 0.81%, 0.54%

LAB 56.39, 85.69, -51.13

 

CMYK 0 / 71 / 2 / 16

HEX #D53DD0

RGB 213 61 208

HSL 301.97, 0.64%, 0.54%

LAB 54.07, 74.22, -44.78

 

CMYK 0 / 59 / 2 / 24

HEX #C250BF

RGB 194 80 191

HSL 301.58, 0.48%, 0.54%

LAB 52.91, 59.69, -37.03

 

CMYK 0 / 43 / 1 / 31

HEX #AF63AD

RGB 175 99 173

HSL 301.58, 0.32%, 0.54%

LAB 53.01, 41.78, -26.65

 

CMYK 0 / 24 / 1 / 39

HEX #9C769B

RGB 156 118 155

HSL 301.58, 0.16%, 0.54%

LAB 54.44, 21.39, -14.18

 

CMYK 42 / 82 / 0 / 9

HEX #862AE8

RGB 134 42 232

HSL 269.05, 0.81%, 0.54%

LAB 42.08, 70.98, -78.39

 

CMYK 20 / 82 / 0 / 9

HEX #B92AE8

RGB 185 42 232

HSL 285.16, 0.81%, 0.54%

LAB 49.25, 78.5, -66.39

 

CMYK 0 / 82 / 1 / 9

HEX #E82AE5

RGB 232 42 229

HSL 300.95, 0.81%, 0.54%

LAB 56.55, 86.13, -52.56

 

CMYK 0 / 82 / 23 / 9

HEX #E82AB2

RGB 232 42 178

HSL 317.05, 0.81%, 0.54%

LAB 54.05, 79.31, -27.25

 

CMYK 0 / 82 / 45 / 9

HEX #E82A80

RGB 232 42 128

HSL 332.84, 0.81%, 0.54%

LAB 52.25, 74.16, -0.3

 

CMYK 0 / 90 / 3 / 32

HEX #AE12A9

RGB 174 18 169

HSL 301.92, 0.81%, 0.38%

LAB 41.68, 71.01, -42.1

 

CMYK 0 / 90 / 3 / 17

HEX #D316CD

RGB 211 22 205

HSL 301.9, 0.81%, 0.46%

LAB 50.49, 82.3, -48.77

 

CMYK 0 / 82 / 3 / 9

HEX #E82AE2

RGB 232 42 226

HSL 301.89, 0.81%, 0.54%

LAB 56.39, 85.69, -51.13

 

CMYK 0 / 66 / 2 / 7

HEX #EC50E7

RGB 236 80 231

HSL 301.92, 0.8%, 0.62%

LAB 61.08, 76.39, -46.46

 

CMYK 0 / 51 / 2 / 6

HEX #F075EC

RGB 240 117 236

HSL 301.95, 0.8%, 0.7%

LAB 67.5, 62.79, -39.11

 

CMYK 0 / 82 / 3 / 9

HEX #E929E3

RGB 233 41 227

HSL 301.88, 0.81%, 0.54%

LAB 56.54, 86.22, -51.44

 

CMYK 0 / 64 / 82 / 9

HEX #E8532A

RGB 232 83 42

HSL 12.95, 0.81%, 0.54%

LAB 55.59, 55.8, 52.84

 

CMYK 82 / 0 / 31 / 9

HEX #2AE89F

RGB 42 232 159

HSL 156.95, 0.81%, 0.54%

LAB 82.22, -61.37, 23.05

 

CMYK 0 / 82 / 3 / 9

HEX #E929E3

RGB 233 41 227

HSL 301.88, 0.81%, 0.54%

LAB 56.54, 86.22, -51.44

 

CMYK 1 / 0 / 82 / 9

HEX #E5E82A

RGB 229 232 42

HSL 60.95, 0.81%, 0.54%

LAB 89.18, -20.68, 82.03

 

CMYK 82 / 1 / 0 / 9

HEX #2AE5E8

RGB 42 229 232

HSL 180.95, 0.81%, 0.54%

LAB 83.1, -41.73, -14.07

 

CMYK 0 / 82 / 3 / 9

HEX #E929E3

RGB 233 41 227

HSL 301.88, 0.81%, 0.54%

LAB 56.54, 86.22, -51.44

 

CMYK 0 / 64 / 82 / 9

HEX #E8532A

RGB 232 83 42

HSL 12.95, 0.81%, 0.54%

LAB 55.59, 55.8, 52.84

 

CMYK 82 / 0 / 81 / 9

HEX #2AE82D

RGB 42 232 45

HSL 120.95, 0.81%, 0.54%

LAB 80.96, -76.41, 70.86

 

CMYK 82 / 18 / 0 / 9

HEX #2ABFE8

RGB 42 191 232

HSL 192.95, 0.81%, 0.54%

LAB 71.95, -23.62, -31.03

 

CMYK 0 / 82 / 3 / 9

HEX #E929E3

RGB 233 41 227

HSL 301.88, 0.81%, 0.54%

LAB 56.54, 86.22, -51.44

 

CMYK 0 / 40 / 82 / 9

HEX #E88C2A

RGB 232 140 42

HSL 30.95, 0.81%, 0.54%

LAB 66.58, 28.11, 62.7

 

CMYK 82 / 0 / 81 / 9

HEX #2AE82D

RGB 42 232 45

HSL 120.95, 0.81%, 0.54%

LAB 80.96, -76.41, 70.86

 

CMYK 82 / 42 / 0 / 9

HEX #2A86E8

RGB 42 134 232

HSL 210.95, 0.81%, 0.54%

LAB 55.45, 8.25, -56.97

 

Description

Color code: HEX #E929E3 | qconv.com Color code: HEX #E929E3 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 233 red, 41 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
233 41 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 3 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 3% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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