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Color name
HEX #E9AD36

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E9AD36 it is the complementary color #1652C9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E9AD36. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E9AD36 shade: #EEAD31, #FFBF44, #FFD157, #FFE36A and #FFF57D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E9AD36. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E9AD36 shade: #E9AD36, #D89B23, #C78910, #B67700 and #A56500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E9AD36 shade: #E8AC35, #E87B35, #E84B35 and #E83535

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E9AD36 shade: #E8AC35, #E8DC35, #C3E835, #93E835 and #63E835

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E9AD36 shade matches the following richer shades: #E8AC35 and #FAB222

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E9AD36 shade: #E8AC35, #D6A647, #C4A059, #B29A6B and #9F947D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E9AD36 shade: #E84935, #E87935, #E8A935, #E8D935 and #C7E835

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E9AD36 shade: #B68014, #DB9A18, #E8AC35, #ECBB5A and #F0CA7F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E9AD36 shade: #E9AD36, #4FE835 and #6135E8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E9AD36 shade: #E9AD36, #35E8A9 and #A935E8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E9AD36 shade: #E9AD36, #4FE835, #3573E8 and #CD35E8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E9AD36 shade: #E9AD36, #35E84F, #3573E8 and #E835CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 77 / 9

HEX #E9AD36

RGB 233 173 54

HSL 39.89, 0.8%, 0.56%

LAB 74.49, 11.44, 65.61

 

Complementary color

CMYK 89 / 59 / 0 / 21

HEX #1652C9

RGB 22 82 201

HSL 219.89, 0.8%, 0.44%

LAB 38.59, 28.07, -66.63

 

CMYK 0 / 27 / 79 / 7

HEX #EEAD31

RGB 238 173 49

HSL 39.37, 0.85%, 0.56%

LAB 75, 13.39, 68.04

 

CMYK 0 / 25 / 73 / 0

HEX #FFBF44

RGB 255 191 68

HSL 39.47, 1%, 0.63%

LAB 81.26, 11.87, 67.63

 

CMYK 0 / 18 / 66 / 0

HEX #FFD157

RGB 255 209 87

HSL 43.57, 1%, 0.67%

LAB 85.78, 3.52, 64.53

 

CMYK 0 / 11 / 58 / 0

HEX #FFE36A

RGB 255 227 106

HSL 48.72, 1%, 0.71%

LAB 90.43, -4.42, 61.39

 

CMYK 0 / 4 / 51 / 0

HEX #FFF57D

RGB 255 245 125

HSL 55.38, 1%, 0.75%

LAB 95.18, -11.92, 58.29

 

CMYK 0 / 26 / 77 / 9

HEX #E9AD36

RGB 233 173 54

HSL 39.89, 0.8%, 0.56%

LAB 74.49, 11.44, 65.61

 

CMYK 0 / 28 / 84 / 15

HEX #D89B23

RGB 216 155 35

HSL 39.78, 0.72%, 0.49%

LAB 68.14, 13.09, 65.6

 

CMYK 0 / 31 / 92 / 22

HEX #C78910

RGB 199 137 16

HSL 39.67, 0.85%, 0.42%

LAB 61.72, 14.99, 64.45

 

CMYK 0 / 35 / 100 / 29

HEX #B67700

RGB 182 119 0

HSL 39.23, 1%, 0.36%

LAB 55.21, 17.15, 61.7

 

CMYK 0 / 39 / 100 / 35

HEX #A56500

RGB 165 101 0

HSL 36.73, 1%, 0.32%

LAB 48.64, 19.6, 56.35

 

CMYK 0 / 26 / 77 / 9

HEX #E8AC35

RGB 232 172 53

HSL 39.89, 0.8%, 0.56%

LAB 74.14, 11.5, 65.6

 

CMYK 0 / 47 / 77 / 9

HEX #E87B35

RGB 232 123 53

HSL 23.46, 0.8%, 0.56%

LAB 62.99, 37.32, 54.94

 

CMYK 0 / 68 / 77 / 9

HEX #E84B35

RGB 232 75 53

HSL 7.37, 0.8%, 0.56%

LAB 54.5, 59.36, 46.38

 

CMYK 0 / 77 / 77 / 9

HEX #E83535

RGB 232 53 53

HSL 0, 0.8%, 0.56%

LAB 51.79, 66.84, 43.56

 

CMYK 0 / 26 / 77 / 9

HEX #E8AC35

RGB 232 172 53

HSL 39.89, 0.8%, 0.56%

LAB 74.14, 11.5, 65.6

 

CMYK 0 / 5 / 77 / 9

HEX #E8DC35

RGB 232 220 53

HSL 55.98, 0.8%, 0.56%

LAB 86.31, -13.21, 76.73

 

CMYK 16 / 0 / 77 / 9

HEX #C3E835

RGB 195 232 53

HSL 72.4, 0.8%, 0.56%

LAB 86.79, -34.09, 76.14

 

CMYK 37 / 0 / 77 / 9

HEX #93E835

RGB 147 232 53

HSL 88.49, 0.8%, 0.56%

LAB 84.06, -51.86, 72.62

 

CMYK 57 / 0 / 77 / 9

HEX #63E835

RGB 99 232 53

HSL 104.58, 0.8%, 0.56%

LAB 82.18, -66, 70.17

 

CMYK 0 / 26 / 77 / 9

HEX #E8AC35

RGB 232 172 53

HSL 39.89, 0.8%, 0.56%

LAB 74.14, 11.5, 65.6

 

CMYK 0 / 29 / 86 / 2

HEX #FAB222

RGB 250 178 34

HSL 40, 0.96%, 0.56%

LAB 77.45, 15.46, 75.07

 

CMYK 0 / 26 / 77 / 9

HEX #E8AC35

RGB 232 172 53

HSL 39.89, 0.8%, 0.56%

LAB 74.14, 11.5, 65.6

 

CMYK 0 / 22 / 67 / 16

HEX #D6A647

RGB 214 166 71

HSL 39.86, 0.64%, 0.56%

LAB 70.89, 7.85, 54.36

 

CMYK 0 / 18 / 55 / 23

HEX #C4A059

RGB 196 160 89

HSL 39.81, 0.48%, 0.56%

LAB 67.72, 4.66, 41.63

 

CMYK 0 / 13 / 40 / 30

HEX #B29A6B

RGB 178 154 107

HSL 39.72, 0.32%, 0.56%

LAB 64.67, 2.15, 27.95

 

CMYK 0 / 7 / 21 / 38

HEX #9F947D

RGB 159 148 125

HSL 40.59, 0.15%, 0.56%

LAB 61.68, 0.18, 13.64

 

CMYK 0 / 69 / 77 / 9

HEX #E84935

RGB 232 73 53

HSL 6.7, 0.8%, 0.56%

LAB 54.22, 60.13, 46.09

 

CMYK 0 / 48 / 77 / 9

HEX #E87935

RGB 232 121 53

HSL 22.79, 0.8%, 0.56%

LAB 62.58, 38.34, 54.53

 

CMYK 0 / 27 / 77 / 9

HEX #E8A935

RGB 232 169 53

HSL 38.88, 0.8%, 0.56%

LAB 73.41, 13.09, 64.92

 

CMYK 0 / 6 / 77 / 9

HEX #E8D935

RGB 232 217 53

HSL 54.97, 0.8%, 0.56%

LAB 85.52, -11.72, 76.03

 

CMYK 14 / 0 / 77 / 9

HEX #C7E835

RGB 199 232 53

HSL 71.06, 0.8%, 0.56%

LAB 87.05, -32.51, 76.48

 

CMYK 0 / 30 / 89 / 29

HEX #B68014

RGB 182 128 20

HSL 40, 0.8%, 0.4%

LAB 57.5, 12.45, 59.46

 

CMYK 0 / 30 / 89 / 14

HEX #DB9A18

RGB 219 154 24

HSL 40, 0.8%, 0.48%

LAB 68.2, 14.68, 68.69

 

CMYK 0 / 26 / 77 / 9

HEX #E8AC35

RGB 232 172 53

HSL 39.89, 0.8%, 0.56%

LAB 74.14, 11.5, 65.6

 

CMYK 0 / 21 / 62 / 7

HEX #ECBB5A

RGB 236 187 90

HSL 39.86, 0.79%, 0.64%

LAB 78.53, 7.2, 54.74

 

CMYK 0 / 16 / 47 / 6

HEX #F0CA7F

RGB 240 202 127

HSL 39.82, 0.79%, 0.72%

LAB 83.07, 3.99, 42.29

 

CMYK 0 / 26 / 77 / 9

HEX #E9AD36

RGB 233 173 54

HSL 39.89, 0.8%, 0.56%

LAB 74.49, 11.44, 65.61

 

CMYK 66 / 0 / 77 / 9

HEX #4FE835

RGB 79 232 53

HSL 111.28, 0.8%, 0.56%

LAB 81.64, -70.42, 69.47

 

CMYK 58 / 77 / 0 / 9

HEX #6135E8

RGB 97 53 232

HSL 254.75, 0.8%, 0.56%

LAB 39.43, 62.21, -82.88

 

CMYK 0 / 26 / 77 / 9

HEX #E9AD36

RGB 233 173 54

HSL 39.89, 0.8%, 0.56%

LAB 74.49, 11.44, 65.61

 

CMYK 77 / 0 / 27 / 9

HEX #35E8A9

RGB 53 232 169

HSL 158.88, 0.8%, 0.56%

LAB 82.56, -58.15, 18.35

 

CMYK 27 / 77 / 0 / 9

HEX #A935E8

RGB 169 53 232

HSL 278.88, 0.8%, 0.56%

LAB 48.02, 72.63, -68.5

 

CMYK 0 / 26 / 77 / 9

HEX #E9AD36

RGB 233 173 54

HSL 39.89, 0.8%, 0.56%

LAB 74.49, 11.44, 65.61

 

CMYK 66 / 0 / 77 / 9

HEX #4FE835

RGB 79 232 53

HSL 111.28, 0.8%, 0.56%

LAB 81.64, -70.42, 69.47

 

CMYK 77 / 50 / 0 / 9

HEX #3573E8

RGB 53 115 232

HSL 219.22, 0.8%, 0.56%

LAB 50.5, 21.1, -64.91

 

CMYK 12 / 77 / 0 / 9

HEX #CD35E8

RGB 205 53 232

HSL 290.95, 0.8%, 0.56%

LAB 53.33, 78.99, -59.65

 

CMYK 0 / 26 / 77 / 9

HEX #E9AD36

RGB 233 173 54

HSL 39.89, 0.8%, 0.56%

LAB 74.49, 11.44, 65.61

 

CMYK 77 / 0 / 66 / 9

HEX #35E84F

RGB 53 232 79

HSL 128.72, 0.8%, 0.56%

LAB 81.31, -72.57, 59.83

 

CMYK 77 / 50 / 0 / 9

HEX #3573E8

RGB 53 115 232

HSL 219.22, 0.8%, 0.56%

LAB 50.5, 21.1, -64.91

 

CMYK 0 / 77 / 12 / 9

HEX #E835CD

RGB 232 53 205

HSL 309.05, 0.8%, 0.56%

LAB 56.2, 80.14, -39.5

 

Description

Color code: HEX #E9AD36 | qconv.com Color code: HEX #E9AD36 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 233 red, 173 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
233 173 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 77 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 77% 9% C M Y K

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Provide designers and agencies with accurate color values.

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