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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ECABBE it is the complementary color #135441. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ECABBE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ECABBE shade: #F1ABB9, #FFBDCC, #FFCFDF, #FFE1F2 and #FFF3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ECABBE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ECABBE shade: #ECABBE, #DB99AB, #CA8798, #B97585 and #A86372

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ECABBE shade: #ECABBE, #ECABAD and #ECABAB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ECABBE shade: #ECABBE, #ECABCF, #ECABE1, #E5ABEC and #D4ABEC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ECABBE shade matches the following richer shades: #ECABBE, #F4A3BB and #FC9BB7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ECABBE shade: #ECABBE, #E3B4C2, #DBBCC5, #D3C4C8 and #CBCCCC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ECABBE shade: #ECABE1, #ECABD0, #ECABBF, #ECABAE and #ECBAAB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ECABBE shade: #DC688A, #E48AA4, #ECABBE, #F3CDD8 and #FBEFF2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ECABBE shade: #ECABBE, #ECE5AB and #ABD8EC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ECABBE shade: #ECABBE, #BFECAB and #ABBFEC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ECABBE shade: #ECABBE, #ECE5AB, #ABECD8 and #ABB2EC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ECABBE shade: #ECABBE, #DFECAB, #ABECD8 and #B8ABEC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 19 / 7

HEX #ECABBE

RGB 236 171 190

HSL 342.46, 0.63%, 0.8%

LAB 76.48, 26.56, -0.23

 

Complementary color

CMYK 77 / 0 / 23 / 67

HEX #135441

RGB 19 84 65

HSL 162.46, 0.63%, 0.2%

LAB 31.49, -25.25, 5.37

 

CMYK 0 / 29 / 23 / 5

HEX #F1ABB9

RGB 241 171 185

HSL 348, 0.71%, 0.81%

LAB 76.88, 27.62, 3.14

 

CMYK 0 / 26 / 20 / 0

HEX #FFBDCC

RGB 255 189 204

HSL 346.36, 1%, 0.87%

LAB 82.92, 25.87, 1.82

 

CMYK 0 / 19 / 13 / 0

HEX #FFCFDF

RGB 255 207 223

HSL 340, 1%, 0.91%

LAB 87.59, 19.35, -1.5

 

CMYK 0 / 12 / 5 / 0

HEX #FFE1F2

RGB 255 225 242

HSL 326, 1%, 0.94%

LAB 92.36, 13.11, -4.48

 

CMYK 0 / 5 / 0 / 0

HEX #FFF3FF

RGB 255 243 255

HSL 300, 1%, 0.98%

LAB 97.06, 6.1, -4.32

 

CMYK 0 / 28 / 19 / 7

HEX #ECABBE

RGB 236 171 190

HSL 342.46, 0.63%, 0.8%

LAB 76.48, 26.56, -0.23

 

CMYK 0 / 30 / 22 / 14

HEX #DB99AB

RGB 219 153 171

HSL 343.64, 0.48%, 0.73%

LAB 70.02, 27.26, 0.6

 

CMYK 0 / 33 / 25 / 21

HEX #CA8798

RGB 202 135 152

HSL 344.78, 0.39%, 0.66%

LAB 63.47, 28.02, 1.5

 

CMYK 0 / 37 / 28 / 27

HEX #B97585

RGB 185 117 133

HSL 345.88, 0.33%, 0.59%

LAB 56.81, 28.85, 2.5

 

CMYK 0 / 41 / 32 / 34

HEX #A86372

RGB 168 99 114

HSL 346.96, 0.28%, 0.52%

LAB 50.05, 29.76, 3.64

 

CMYK 0 / 28 / 19 / 7

HEX #ECABBE

RGB 236 171 190

HSL 342.46, 0.63%, 0.8%

LAB 76.48, 26.56, -0.23

 

CMYK 0 / 28 / 27 / 7

HEX #ECABAD

RGB 236 171 173

HSL 358.15, 0.63%, 0.8%

LAB 76.05, 24.11, 8.43

 

CMYK 0 / 28 / 28 / 7

HEX #ECABAB

RGB 236 171 171

HSL 0, 0.63%, 0.8%

LAB 76.01, 23.84, 9.46

 

CMYK 0 / 28 / 19 / 7

HEX #ECABBE

RGB 236 171 190

HSL 342.46, 0.63%, 0.8%

LAB 76.48, 26.56, -0.23

 

CMYK 0 / 28 / 12 / 7

HEX #ECABCF

RGB 236 171 207

HSL 326.77, 0.63%, 0.8%

LAB 76.96, 29.22, -8.8

 

CMYK 0 / 28 / 5 / 7

HEX #ECABE1

RGB 236 171 225

HSL 310.15, 0.63%, 0.8%

LAB 77.52, 32.28, -17.75

 

CMYK 3 / 28 / 0 / 7

HEX #E5ABEC

RGB 229 171 236

HSL 293.54, 0.63%, 0.8%

LAB 77.19, 32.01, -24.28

 

CMYK 10 / 28 / 0 / 7

HEX #D4ABEC

RGB 212 171 236

HSL 277.85, 0.63%, 0.8%

LAB 75.56, 26.62, -26.9

 

CMYK 0 / 28 / 19 / 7

HEX #ECABBE

RGB 236 171 190

HSL 342.46, 0.63%, 0.8%

LAB 76.48, 26.56, -0.23

 

CMYK 0 / 33 / 23 / 4

HEX #F4A3BB

RGB 244 163 187

HSL 342.22, 0.79%, 0.8%

LAB 75.46, 33.2, 0.02

 

CMYK 0 / 38 / 27 / 1

HEX #FC9BB7

RGB 252 155 183

HSL 342.68, 0.94%, 0.8%

LAB 74.54, 39.62, 1

 

CMYK 0 / 28 / 19 / 7

HEX #ECABBE

RGB 236 171 190

HSL 342.46, 0.63%, 0.8%

LAB 76.48, 26.56, -0.23

 

CMYK 0 / 21 / 15 / 11

HEX #E3B4C2

RGB 227 180 194

HSL 342.13, 0.46%, 0.8%

LAB 77.8, 19.16, -0.59

 

CMYK 0 / 14 / 10 / 14

HEX #DBBCC5

RGB 219 188 197

HSL 342.58, 0.3%, 0.8%

LAB 79.07, 12.52, -0.44

 

CMYK 0 / 7 / 5 / 17

HEX #D3C4C8

RGB 211 196 200

HSL 344, 0.15%, 0.8%

LAB 80.46, 5.95, -0.11

 

CMYK 0 / 0 / 0 / 20

HEX #CBCCCC

RGB 203 204 204

HSL 180, 0.01%, 0.8%

LAB 81.97, -0.34, -0.13

 

CMYK 0 / 28 / 5 / 7

HEX #ECABE1

RGB 236 171 225

HSL 310.15, 0.63%, 0.8%

LAB 77.52, 32.28, -17.75

 

CMYK 0 / 28 / 12 / 7

HEX #ECABD0

RGB 236 171 208

HSL 325.85, 0.63%, 0.8%

LAB 76.99, 29.39, -9.3

 

CMYK 0 / 28 / 19 / 7

HEX #ECABBF

RGB 236 171 191

HSL 341.54, 0.63%, 0.8%

LAB 76.51, 26.71, -0.74

 

CMYK 0 / 28 / 26 / 7

HEX #ECABAE

RGB 236 171 174

HSL 357.23, 0.63%, 0.8%

LAB 76.08, 24.25, 7.92

 

CMYK 0 / 21 / 28 / 7

HEX #ECBAAB

RGB 236 186 171

HSL 13.85, 0.63%, 0.8%

LAB 79.55, 15.87, 14.48

 

CMYK 0 / 53 / 37 / 14

HEX #DC688A

RGB 220 104 138

HSL 342.41, 0.62%, 0.64%

LAB 58.93, 48.74, 3.25

 

CMYK 0 / 39 / 28 / 11

HEX #E48AA4

RGB 228 138 164

HSL 342.67, 0.63%, 0.72%

LAB 67.54, 37.49, 1.02

 

CMYK 0 / 28 / 19 / 7

HEX #ECABBE

RGB 236 171 190

HSL 342.46, 0.63%, 0.8%

LAB 76.48, 26.56, -0.23

 

CMYK 0 / 16 / 11 / 5

HEX #F3CDD8

RGB 243 205 216

HSL 342.63, 0.61%, 0.88%

LAB 85.84, 15.09, -0.47

 

CMYK 0 / 5 / 4 / 2

HEX #FBEFF2

RGB 251 239 242

HSL 345, 0.6%, 0.96%

LAB 95.44, 4.55, -0.01

 

CMYK 0 / 28 / 19 / 7

HEX #ECABBE

RGB 236 171 190

HSL 342.46, 0.63%, 0.8%

LAB 76.48, 26.56, -0.23

 

CMYK 0 / 3 / 28 / 7

HEX #ECE5AB

RGB 236 229 171

HSL 53.54, 0.63%, 0.8%

LAB 90.23, -6.46, 29.21

 

CMYK 28 / 8 / 0 / 7

HEX #ABD8EC

RGB 171 216 236

HSL 198.46, 0.63%, 0.8%

LAB 83.87, -10.11, -14.59

 

CMYK 0 / 28 / 19 / 7

HEX #ECABBE

RGB 236 171 190

HSL 342.46, 0.63%, 0.8%

LAB 76.48, 26.56, -0.23

 

CMYK 19 / 0 / 28 / 7

HEX #BFECAB

RGB 191 236 171

HSL 101.54, 0.63%, 0.8%

LAB 88.93, -26.15, 26.9

 

CMYK 28 / 19 / 0 / 7

HEX #ABBFEC

RGB 171 191 236

HSL 221.54, 0.63%, 0.8%

LAB 77.27, 3.13, -24.59

 

CMYK 0 / 28 / 19 / 7

HEX #ECABBE

RGB 236 171 190

HSL 342.46, 0.63%, 0.8%

LAB 76.48, 26.56, -0.23

 

CMYK 0 / 3 / 28 / 7

HEX #ECE5AB

RGB 236 229 171

HSL 53.54, 0.63%, 0.8%

LAB 90.23, -6.46, 29.21

 

CMYK 28 / 0 / 8 / 7

HEX #ABECD8

RGB 171 236 216

HSL 161.54, 0.63%, 0.8%

LAB 88.74, -24.48, 3.13

 

CMYK 28 / 25 / 0 / 7

HEX #ABB2EC

RGB 171 178 236

HSL 233.54, 0.63%, 0.8%

LAB 73.9, 10.25, -29.74

 

CMYK 0 / 28 / 19 / 7

HEX #ECABBE

RGB 236 171 190

HSL 342.46, 0.63%, 0.8%

LAB 76.48, 26.56, -0.23

 

CMYK 6 / 0 / 28 / 7

HEX #DFECAB

RGB 223 236 171

HSL 72, 0.63%, 0.8%

LAB 91.06, -14.77, 30.15

 

CMYK 28 / 0 / 8 / 7

HEX #ABECD8

RGB 171 236 216

HSL 161.54, 0.63%, 0.8%

LAB 88.74, -24.48, 3.13

 

CMYK 22 / 28 / 0 / 7

HEX #B8ABEC

RGB 184 171 236

HSL 252, 0.63%, 0.8%

LAB 73.14, 17.99, -30.84

 

Description

Color code: HEX #ECABBE | qconv.com Color code: HEX #ECABBE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 171 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 171 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 19 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 19% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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