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Color name
HEX #EAC951

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EAC951 it is the complementary color #1536AE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EAC951. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EAC951 shade: #EFC94C, #FFDB5F, #FFED72, #FFFF85 and #FFFF98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EAC951. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EAC951 shade: #EAC951, #D9B73E, #C8A52B, #B79318 and #A68105

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EAC951 shade: #E9C952, #E9A052, #E97752 and #E95252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EAC951 shade: #E9C952, #E1E952, #B8E952, #8FE952 and #67E952

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EAC951 shade matches the following richer shades: #E9C952 and #F9D142

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EAC951 shade: #E9C952, #DAC062, #CAB771, #BAAE81 and #AAA591

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EAC951 shade: #E97852, #E9A052, #E9C852, #E2E952 and #B9E952

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EAC951 shade: #CFA819, #E5BD2D, #E9C952, #EED477 and #F2E09B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EAC951 shade: #EAC951, #55E952 and #8C52E9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EAC951 shade: #EAC951, #52E9C8 and #C852E9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EAC951 shade: #EAC951, #55E952, #5273E9 and #E752E9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EAC951 shade: #EAC951, #52E97D, #5273E9 and #E952BE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 65 / 8

HEX #EAC951

RGB 234 201 81

HSL 47.06, 0.78%, 0.62%

LAB 81.76, -1.47, 62.21

 

Complementary color

CMYK 88 / 69 / 0 / 32

HEX #1536AE

RGB 21 54 174

HSL 227.06, 0.78%, 0.38%

LAB 29.04, 36, -66.4

 

CMYK 0 / 16 / 68 / 6

HEX #EFC94C

RGB 239 201 76

HSL 46.01, 0.84%, 0.62%

LAB 82.19, 0.36, 64.87

 

CMYK 0 / 14 / 63 / 0

HEX #FFDB5F

RGB 255 219 95

HSL 46.5, 1%, 0.69%

LAB 88.33, -1.11, 63.86

 

CMYK 0 / 7 / 55 / 0

HEX #FFED72

RGB 255 237 114

HSL 52.34, 1%, 0.72%

LAB 93.03, -8.84, 60.78

 

CMYK 0 / 0 / 48 / 0

HEX #FFFF85

RGB 255 255 133

HSL 60, 1%, 0.76%

LAB 97.82, -16.11, 57.77

 

CMYK 0 / 0 / 40 / 0

HEX #FFFF98

RGB 255 255 152

HSL 60, 1%, 0.8%

LAB 98.05, -14.33, 49.12

 

CMYK 0 / 14 / 65 / 8

HEX #EAC951

RGB 234 201 81

HSL 47.06, 0.78%, 0.62%

LAB 81.76, -1.47, 62.21

 

CMYK 0 / 16 / 71 / 15

HEX #D9B73E

RGB 217 183 62

HSL 46.84, 0.67%, 0.55%

LAB 75.43, -0.35, 62.93

 

CMYK 0 / 18 / 79 / 22

HEX #C8A52B

RGB 200 165 43

HSL 46.62, 0.65%, 0.48%

LAB 69.01, 0.96, 63.17

 

CMYK 0 / 20 / 87 / 28

HEX #B79318

RGB 183 147 24

HSL 46.42, 0.77%, 0.41%

LAB 62.51, 2.51, 62.52

 

CMYK 0 / 22 / 97 / 35

HEX #A68105

RGB 166 129 5

HSL 46.21, 0.94%, 0.34%

LAB 55.91, 4.34, 60.4

 

CMYK 0 / 14 / 65 / 9

HEX #E9C952

RGB 233 201 82

HSL 47.28, 0.77%, 0.62%

LAB 81.68, -1.83, 61.66

 

CMYK 0 / 31 / 65 / 9

HEX #E9A052

RGB 233 160 82

HSL 30.99, 0.77%, 0.62%

LAB 71.61, 19.73, 50.62

 

CMYK 0 / 49 / 65 / 9

HEX #E97752

RGB 233 119 82

HSL 14.7, 0.77%, 0.62%

LAB 62.61, 41.15, 40.21

 

CMYK 0 / 65 / 65 / 9

HEX #E95252

RGB 233 82 82

HSL 0, 0.77%, 0.62%

LAB 56.06, 58.23, 32.23

 

CMYK 0 / 14 / 65 / 9

HEX #E9C952

RGB 233 201 82

HSL 47.28, 0.77%, 0.62%

LAB 81.68, -1.83, 61.66

 

CMYK 3 / 0 / 65 / 9

HEX #E1E952

RGB 225 233 82

HSL 63.18, 0.77%, 0.62%

LAB 89.34, -21.1, 69.5

 

CMYK 21 / 0 / 65 / 9

HEX #B8E952

RGB 184 233 82

HSL 79.47, 0.77%, 0.62%

LAB 86.54, -37.21, 65.71

 

CMYK 39 / 0 / 65 / 9

HEX #8FE952

RGB 143 233 82

HSL 95.76, 0.77%, 0.62%

LAB 84.34, -51.71, 62.71

 

CMYK 56 / 0 / 65 / 9

HEX #67E952

RGB 103 233 82

HSL 111.66, 0.77%, 0.62%

LAB 82.79, -63.21, 60.57

 

CMYK 0 / 14 / 65 / 9

HEX #E9C952

RGB 233 201 82

HSL 47.28, 0.77%, 0.62%

LAB 81.68, -1.83, 61.66

 

CMYK 0 / 16 / 73 / 2

HEX #F9D142

RGB 249 209 66

HSL 46.89, 0.94%, 0.62%

LAB 85.06, -0.02, 71.87

 

CMYK 0 / 14 / 65 / 9

HEX #E9C952

RGB 233 201 82

HSL 47.28, 0.77%, 0.62%

LAB 81.68, -1.83, 61.66

 

CMYK 0 / 12 / 55 / 15

HEX #DAC062

RGB 218 192 98

HSL 47, 0.62%, 0.62%

LAB 78.16, -2.33, 50.11

 

CMYK 0 / 9 / 44 / 21

HEX #CAB771

RGB 202 183 113

HSL 47.19, 0.46%, 0.62%

LAB 74.58, -2.86, 37.97

 

CMYK 0 / 6 / 31 / 27

HEX #BAAE81

RGB 186 174 129

HSL 47.37, 0.29%, 0.62%

LAB 71.07, -2.67, 24.7

 

CMYK 0 / 3 / 15 / 33

HEX #AAA591

RGB 170 165 145

HSL 48, 0.13%, 0.62%

LAB 67.65, -1.69, 11.01

 

CMYK 0 / 48 / 65 / 9

HEX #E97852

RGB 233 120 82

HSL 15.1, 0.77%, 0.62%

LAB 62.82, 40.64, 40.45

 

CMYK 0 / 31 / 65 / 9

HEX #E9A052

RGB 233 160 82

HSL 30.99, 0.77%, 0.62%

LAB 71.61, 19.73, 50.62

 

CMYK 0 / 14 / 65 / 9

HEX #E9C852

RGB 233 200 82

HSL 46.89, 0.77%, 0.62%

LAB 81.42, -1.31, 61.39

 

CMYK 3 / 0 / 65 / 9

HEX #E2E952

RGB 226 233 82

HSL 62.78, 0.77%, 0.62%

LAB 89.42, -20.7, 69.6

 

CMYK 21 / 0 / 65 / 9

HEX #B9E952

RGB 185 233 82

HSL 79.07, 0.77%, 0.62%

LAB 86.6, -36.84, 65.79

 

CMYK 0 / 19 / 88 / 19

HEX #CFA819

RGB 207 168 25

HSL 47.14, 0.78%, 0.45%

LAB 70.41, 1.94, 69.66

 

CMYK 0 / 17 / 80 / 10

HEX #E5BD2D

RGB 229 189 45

HSL 46.96, 0.78%, 0.54%

LAB 78.02, 1.01, 71.65

 

CMYK 0 / 14 / 65 / 9

HEX #E9C952

RGB 233 201 82

HSL 47.28, 0.77%, 0.62%

LAB 81.68, -1.83, 61.66

 

CMYK 0 / 11 / 50 / 7

HEX #EED477

RGB 238 212 119

HSL 46.89, 0.78%, 0.7%

LAB 85.3, -2.69, 48.95

 

CMYK 0 / 7 / 36 / 5

HEX #F2E09B

RGB 242 224 155

HSL 47.59, 0.77%, 0.78%

LAB 89.18, -3.6, 36.05

 

CMYK 0 / 14 / 65 / 8

HEX #EAC951

RGB 234 201 81

HSL 47.06, 0.78%, 0.62%

LAB 81.76, -1.47, 62.21

 

CMYK 64 / 0 / 65 / 9

HEX #55E952

RGB 85 233 82

HSL 118.81, 0.77%, 0.62%

LAB 82.28, -67.27, 59.87

 

CMYK 40 / 65 / 0 / 9

HEX #8C52E9

RGB 140 82 233

HSL 263.05, 0.77%, 0.62%

LAB 48.88, 55.18, -67.83

 

CMYK 0 / 14 / 65 / 8

HEX #EAC951

RGB 234 201 81

HSL 47.06, 0.78%, 0.62%

LAB 81.76, -1.47, 62.21

 

CMYK 65 / 0 / 14 / 9

HEX #52E9C8

RGB 82 233 200

HSL 166.89, 0.77%, 0.62%

LAB 84.09, -47.46, 4.36

 

CMYK 14 / 65 / 0 / 9

HEX #C852E9

RGB 200 82 233

HSL 286.89, 0.77%, 0.62%

LAB 56.28, 67.89, -55.52

 

CMYK 0 / 14 / 65 / 8

HEX #EAC951

RGB 234 201 81

HSL 47.06, 0.78%, 0.62%

LAB 81.76, -1.47, 62.21

 

CMYK 64 / 0 / 65 / 9

HEX #55E952

RGB 85 233 82

HSL 118.81, 0.77%, 0.62%

LAB 82.28, -67.27, 59.87

 

CMYK 65 / 51 / 0 / 9

HEX #5273E9

RGB 82 115 233

HSL 226.89, 0.77%, 0.62%

LAB 51.77, 25.32, -63.37

 

CMYK 1 / 65 / 0 / 9

HEX #E752E9

RGB 231 82 233

HSL 299.21, 0.77%, 0.62%

LAB 60.7, 74.85, -48.23

 

CMYK 0 / 14 / 65 / 8

HEX #EAC951

RGB 234 201 81

HSL 47.06, 0.78%, 0.62%

LAB 81.76, -1.47, 62.21

 

CMYK 65 / 0 / 46 / 9

HEX #52E97D

RGB 82 233 125

HSL 137.09, 0.77%, 0.62%

LAB 82.67, -62.49, 40.91

 

CMYK 65 / 51 / 0 / 9

HEX #5273E9

RGB 82 115 233

HSL 226.89, 0.77%, 0.62%

LAB 51.77, 25.32, -63.37

 

CMYK 0 / 65 / 18 / 9

HEX #E952BE

RGB 233 82 190

HSL 317.09, 0.77%, 0.62%

LAB 59.04, 68.86, -26.46

 

Description

Color code: HEX #EAC951 | qconv.com Color code: HEX #EAC951 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 201 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 201 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 65 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 65% 8% C M Y K

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Provide designers and agencies with accurate color values.

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