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Color name
HEX #EACA52

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EACA52 it is the complementary color #1535AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EACA52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EACA52 shade: #EFCA4D, #FFDC60, #FFEE73, #FFFF86 and #FFFF99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EACA52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EACA52 shade: #EACA52, #D9B83F, #C8A62C, #B79419 and #A68206

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EACA52 shade: #E9C952, #E9A152, #E97852 and #E95252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EACA52 shade: #E9C952, #E0E952, #B7E952, #8FE952 and #66E952

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EACA52 shade matches the following richer shades: #E9C952 and #F9D242

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EACA52 shade: #E9C952, #DAC062, #CAB771, #BAAE81 and #AAA591

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EACA52 shade: #E97852, #E9A052, #E9C852, #E2E952 and #B9E952

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EACA52 shade: #CFA919, #E5BE2D, #E9C952, #EED577 and #F2E09B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EACA52 shade: #EACA52, #55E952 and #8C52E9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EACA52 shade: #EACA52, #52E9C8 and #C852E9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EACA52 shade: #EACA52, #55E952, #5273E9 and #E752E9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EACA52 shade: #EACA52, #52E97D, #5273E9 and #E952BE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 65 / 8

HEX #EACA52

RGB 234 202 82

HSL 47.37, 0.78%, 0.62%

LAB 82.02, -1.92, 62.06

 

Complementary color

CMYK 88 / 69 / 0 / 32

HEX #1535AD

RGB 21 53 173

HSL 227.37, 0.78%, 0.38%

LAB 28.7, 36.27, -66.36

 

CMYK 0 / 15 / 68 / 6

HEX #EFCA4D

RGB 239 202 77

HSL 46.3, 0.84%, 0.62%

LAB 82.45, -0.11, 64.73

 

CMYK 0 / 14 / 62 / 0

HEX #FFDC60

RGB 255 220 96

HSL 46.79, 1%, 0.69%

LAB 88.59, -1.55, 63.72

 

CMYK 0 / 7 / 55 / 0

HEX #FFEE73

RGB 255 238 115

HSL 52.71, 1%, 0.73%

LAB 93.3, -9.26, 60.63

 

CMYK 0 / 0 / 47 / 0

HEX #FFFF86

RGB 255 255 134

HSL 60, 1%, 0.76%

LAB 97.83, -16.03, 57.32

 

CMYK 0 / 0 / 40 / 0

HEX #FFFF99

RGB 255 255 153

HSL 60, 1%, 0.8%

LAB 98.07, -14.23, 48.66

 

CMYK 0 / 14 / 65 / 8

HEX #EACA52

RGB 234 202 82

HSL 47.37, 0.78%, 0.62%

LAB 82.02, -1.92, 62.06

 

CMYK 0 / 15 / 71 / 15

HEX #D9B83F

RGB 217 184 63

HSL 47.14, 0.67%, 0.55%

LAB 75.69, -0.82, 62.8

 

CMYK 0 / 17 / 78 / 22

HEX #C8A62C

RGB 200 166 44

HSL 46.92, 0.64%, 0.48%

LAB 69.28, 0.47, 63.08

 

CMYK 0 / 19 / 86 / 28

HEX #B79419

RGB 183 148 25

HSL 46.71, 0.76%, 0.41%

LAB 62.77, 1.99, 62.48

 

CMYK 0 / 22 / 96 / 35

HEX #A68206

RGB 166 130 6

HSL 46.5, 0.93%, 0.34%

LAB 56.17, 3.8, 60.42

 

CMYK 0 / 14 / 65 / 9

HEX #E9C952

RGB 233 201 82

HSL 47.28, 0.77%, 0.62%

LAB 81.68, -1.83, 61.66

 

CMYK 0 / 31 / 65 / 9

HEX #E9A152

RGB 233 161 82

HSL 31.39, 0.77%, 0.62%

LAB 71.84, 19.19, 50.89

 

CMYK 0 / 48 / 65 / 9

HEX #E97852

RGB 233 120 82

HSL 15.1, 0.77%, 0.62%

LAB 62.82, 40.64, 40.45

 

CMYK 0 / 65 / 65 / 9

HEX #E95252

RGB 233 82 82

HSL 0, 0.77%, 0.62%

LAB 56.06, 58.23, 32.23

 

CMYK 0 / 14 / 65 / 9

HEX #E9C952

RGB 233 201 82

HSL 47.28, 0.77%, 0.62%

LAB 81.68, -1.83, 61.66

 

CMYK 4 / 0 / 65 / 9

HEX #E0E952

RGB 224 233 82

HSL 63.58, 0.77%, 0.62%

LAB 89.27, -21.51, 69.4

 

CMYK 21 / 0 / 65 / 9

HEX #B7E952

RGB 183 233 82

HSL 79.87, 0.77%, 0.62%

LAB 86.48, -37.59, 65.63

 

CMYK 39 / 0 / 65 / 9

HEX #8FE952

RGB 143 233 82

HSL 95.76, 0.77%, 0.62%

LAB 84.34, -51.71, 62.71

 

CMYK 56 / 0 / 65 / 9

HEX #66E952

RGB 102 233 82

HSL 112.05, 0.77%, 0.62%

LAB 82.76, -63.45, 60.53

 

CMYK 0 / 14 / 65 / 9

HEX #E9C952

RGB 233 201 82

HSL 47.28, 0.77%, 0.62%

LAB 81.68, -1.83, 61.66

 

CMYK 0 / 16 / 73 / 2

HEX #F9D242

RGB 249 210 66

HSL 47.21, 0.94%, 0.62%

LAB 85.31, -0.53, 72.11

 

CMYK 0 / 14 / 65 / 9

HEX #E9C952

RGB 233 201 82

HSL 47.28, 0.77%, 0.62%

LAB 81.68, -1.83, 61.66

 

CMYK 0 / 12 / 55 / 15

HEX #DAC062

RGB 218 192 98

HSL 47, 0.62%, 0.62%

LAB 78.16, -2.33, 50.11

 

CMYK 0 / 9 / 44 / 21

HEX #CAB771

RGB 202 183 113

HSL 47.19, 0.46%, 0.62%

LAB 74.58, -2.86, 37.97

 

CMYK 0 / 6 / 31 / 27

HEX #BAAE81

RGB 186 174 129

HSL 47.37, 0.29%, 0.62%

LAB 71.07, -2.67, 24.7

 

CMYK 0 / 3 / 15 / 33

HEX #AAA591

RGB 170 165 145

HSL 48, 0.13%, 0.62%

LAB 67.65, -1.69, 11.01

 

CMYK 0 / 48 / 65 / 9

HEX #E97852

RGB 233 120 82

HSL 15.1, 0.77%, 0.62%

LAB 62.82, 40.64, 40.45

 

CMYK 0 / 31 / 65 / 9

HEX #E9A052

RGB 233 160 82

HSL 30.99, 0.77%, 0.62%

LAB 71.61, 19.73, 50.62

 

CMYK 0 / 14 / 65 / 9

HEX #E9C852

RGB 233 200 82

HSL 46.89, 0.77%, 0.62%

LAB 81.42, -1.31, 61.39

 

CMYK 3 / 0 / 65 / 9

HEX #E2E952

RGB 226 233 82

HSL 62.78, 0.77%, 0.62%

LAB 89.42, -20.7, 69.6

 

CMYK 21 / 0 / 65 / 9

HEX #B9E952

RGB 185 233 82

HSL 79.07, 0.77%, 0.62%

LAB 86.6, -36.84, 65.79

 

CMYK 0 / 18 / 88 / 19

HEX #CFA919

RGB 207 169 25

HSL 47.47, 0.78%, 0.45%

LAB 70.67, 1.41, 69.86

 

CMYK 0 / 17 / 80 / 10

HEX #E5BE2D

RGB 229 190 45

HSL 47.28, 0.78%, 0.54%

LAB 78.27, 0.49, 71.87

 

CMYK 0 / 14 / 65 / 9

HEX #E9C952

RGB 233 201 82

HSL 47.28, 0.77%, 0.62%

LAB 81.68, -1.83, 61.66

 

CMYK 0 / 11 / 50 / 7

HEX #EED577

RGB 238 213 119

HSL 47.39, 0.78%, 0.7%

LAB 85.55, -3.2, 49.26

 

CMYK 0 / 7 / 36 / 5

HEX #F2E09B

RGB 242 224 155

HSL 47.59, 0.77%, 0.78%

LAB 89.18, -3.6, 36.05

 

CMYK 0 / 14 / 65 / 8

HEX #EACA52

RGB 234 202 82

HSL 47.37, 0.78%, 0.62%

LAB 82.02, -1.92, 62.06

 

CMYK 64 / 0 / 65 / 9

HEX #55E952

RGB 85 233 82

HSL 118.81, 0.77%, 0.62%

LAB 82.28, -67.27, 59.87

 

CMYK 40 / 65 / 0 / 9

HEX #8C52E9

RGB 140 82 233

HSL 263.05, 0.77%, 0.62%

LAB 48.88, 55.18, -67.83

 

CMYK 0 / 14 / 65 / 8

HEX #EACA52

RGB 234 202 82

HSL 47.37, 0.78%, 0.62%

LAB 82.02, -1.92, 62.06

 

CMYK 65 / 0 / 14 / 9

HEX #52E9C8

RGB 82 233 200

HSL 166.89, 0.77%, 0.62%

LAB 84.09, -47.46, 4.36

 

CMYK 14 / 65 / 0 / 9

HEX #C852E9

RGB 200 82 233

HSL 286.89, 0.77%, 0.62%

LAB 56.28, 67.89, -55.52

 

CMYK 0 / 14 / 65 / 8

HEX #EACA52

RGB 234 202 82

HSL 47.37, 0.78%, 0.62%

LAB 82.02, -1.92, 62.06

 

CMYK 64 / 0 / 65 / 9

HEX #55E952

RGB 85 233 82

HSL 118.81, 0.77%, 0.62%

LAB 82.28, -67.27, 59.87

 

CMYK 65 / 51 / 0 / 9

HEX #5273E9

RGB 82 115 233

HSL 226.89, 0.77%, 0.62%

LAB 51.77, 25.32, -63.37

 

CMYK 1 / 65 / 0 / 9

HEX #E752E9

RGB 231 82 233

HSL 299.21, 0.77%, 0.62%

LAB 60.7, 74.85, -48.23

 

CMYK 0 / 14 / 65 / 8

HEX #EACA52

RGB 234 202 82

HSL 47.37, 0.78%, 0.62%

LAB 82.02, -1.92, 62.06

 

CMYK 65 / 0 / 46 / 9

HEX #52E97D

RGB 82 233 125

HSL 137.09, 0.77%, 0.62%

LAB 82.67, -62.49, 40.91

 

CMYK 65 / 51 / 0 / 9

HEX #5273E9

RGB 82 115 233

HSL 226.89, 0.77%, 0.62%

LAB 51.77, 25.32, -63.37

 

CMYK 0 / 65 / 18 / 9

HEX #E952BE

RGB 233 82 190

HSL 317.09, 0.77%, 0.62%

LAB 59.04, 68.86, -26.46

 

Description

Color code: HEX #EACA52 | qconv.com Color code: HEX #EACA52 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 202 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 202 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 65 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 65% 8% C M Y K

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Provide designers and agencies with accurate color values.

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