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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EACAB2 it is the complementary color #15354D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EACAB2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EACAB2 shade: #EFCAAD, #FFDCC0, #FFEED3, #FFFFE6 and #FFFFF9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EACAB2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EACAB2 shade: #EACAB2, #D9B89F, #C8A68C, #B79479 and #A68266

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EACAB2 shade: #EACAB2, #EABBB2 and #EAB2B2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EACAB2 shade: #EACAB2, #EAD9B2, #EAE8B2, #DDEAB2 and #CEEAB2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EACAB2 shade matches the following richer shades: #EACAB2, #F2C9AB and #F9C8A3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EACAB2 shade: #EACAB2, #E2CBBA, #DACCC2, #D2CDCA and #CACFD2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EACAB2 shade: #EAB2B9, #EABBB2, #EAC9B2, #EAD8B2 and #EAE7B2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EACAB2 shade: #D89D72, #E1B492, #EACAB2, #F3E0D3 and #FBF7F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EACAB2 shade: #EACAB2, #C8EAB2 and #B3B2EA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EACAB2 shade: #EACAB2, #B2EAC9 and #C9B2EA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EACAB2 shade: #EACAB2, #C8EAB2, #B2D3EA and #D4B2EA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EACAB2 shade: #EACAB2, #B7EAB2, #B2D3EA and #E5B2EA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 24 / 8

HEX #EACAB2

RGB 234 202 178

HSL 25.71, 0.57%, 0.81%

LAB 83.41, 7.64, 16.14

 

Complementary color

CMYK 73 / 31 / 0 / 70

HEX #15354D

RGB 21 53 77

HSL 205.71, 0.57%, 0.19%

LAB 20.99, -2.79, -18.19

 

CMYK 0 / 15 / 28 / 6

HEX #EFCAAD

RGB 239 202 173

HSL 26.36, 0.67%, 0.81%

LAB 83.76, 8.83, 19.34

 

CMYK 0 / 14 / 25 / 0

HEX #FFDCC0

RGB 255 220 192

HSL 26.67, 1%, 0.88%

LAB 89.98, 7.99, 18.24

HEX #FFDCC0

CMYK 0 / 7 / 17 / 0

HEX #FFEED3

RGB 255 238 211

HSL 36.82, 1%, 0.91%

LAB 94.79, 1.49, 15.14

HEX #FFEED3

CMYK 0 / 0 / 10 / 0

HEX #FFFFE6

RGB 255 255 230

HSL 60, 1%, 0.95%

LAB 99.41, -4.17, 11.95

HEX #FFFFE6

CMYK 0 / 0 / 2 / 0

HEX #FFFFF9

RGB 255 255 249

HSL 60, 1%, 0.99%

LAB 99.85, -1.03, 2.85

HEX #FFFFF9

CMYK 0 / 14 / 24 / 8

HEX #EACAB2

RGB 234 202 178

HSL 25.71, 0.57%, 0.81%

LAB 83.41, 7.64, 16.14

 

CMYK 0 / 15 / 27 / 15

HEX #D9B89F

RGB 217 184 159

HSL 25.86, 0.43%, 0.74%

LAB 77, 8.1, 17.1

 

CMYK 0 / 17 / 30 / 22

HEX #C8A68C

RGB 200 166 140

HSL 26, 0.35%, 0.67%

LAB 70.49, 8.62, 18.13

 

CMYK 0 / 19 / 34 / 28

HEX #B79479

RGB 183 148 121

HSL 26.13, 0.3%, 0.6%

LAB 63.86, 9.22, 19.24

 

CMYK 0 / 22 / 39 / 35

HEX #A68266

RGB 166 130 102

HSL 26.25, 0.26%, 0.53%

LAB 57.11, 9.91, 20.45

 

CMYK 0 / 14 / 24 / 8

HEX #EACAB2

RGB 234 202 178

HSL 25.71, 0.57%, 0.81%

LAB 83.41, 7.64, 16.14

 

CMYK 0 / 20 / 24 / 8

HEX #EABBB2

RGB 234 187 178

HSL 9.64, 0.57%, 0.81%

LAB 79.75, 15.56, 10.97

 

CMYK 0 / 24 / 24 / 8

HEX #EAB2B2

RGB 234 178 178

HSL 0, 0.57%, 0.81%

LAB 77.61, 20.35, 7.91

 

CMYK 0 / 14 / 24 / 8

HEX #EACAB2

RGB 234 202 178

HSL 25.71, 0.57%, 0.81%

LAB 83.41, 7.64, 16.14

 

CMYK 0 / 7 / 24 / 8

HEX #EAD9B2

RGB 234 217 178

HSL 41.79, 0.57%, 0.81%

LAB 87.16, -0.15, 21.36

 

CMYK 0 / 1 / 24 / 8

HEX #EAE8B2

RGB 234 232 178

HSL 57.86, 0.57%, 0.81%

LAB 90.97, -7.78, 26.59

 

CMYK 6 / 0 / 24 / 8

HEX #DDEAB2

RGB 221 234 178

HSL 73.93, 0.57%, 0.81%

LAB 90.52, -13.54, 25.82

 

CMYK 12 / 0 / 24 / 8

HEX #CEEAB2

RGB 206 234 178

HSL 90, 0.57%, 0.81%

LAB 89.48, -18.9, 24.22

 

CMYK 0 / 14 / 24 / 8

HEX #EACAB2

RGB 234 202 178

HSL 25.71, 0.57%, 0.81%

LAB 83.41, 7.64, 16.14

 

CMYK 0 / 17 / 29 / 5

HEX #F2C9AB

RGB 242 201 171

HSL 25.35, 0.73%, 0.81%

LAB 83.75, 10.22, 20.43

 

CMYK 0 / 20 / 35 / 2

HEX #F9C8A3

RGB 249 200 163

HSL 25.81, 0.88%, 0.81%

LAB 84.01, 12.41, 25.11

 

CMYK 0 / 14 / 24 / 8

HEX #EACAB2

RGB 234 202 178

HSL 25.71, 0.57%, 0.81%

LAB 83.41, 7.64, 16.14

 

CMYK 0 / 10 / 18 / 11

HEX #E2CBBA

RGB 226 203 186

HSL 25.5, 0.41%, 0.81%

LAB 83.14, 5.33, 11.4

 

CMYK 0 / 6 / 11 / 15

HEX #DACCC2

RGB 218 204 194

HSL 25, 0.24%, 0.81%

LAB 82.91, 3.18, 6.72

 

CMYK 0 / 2 / 4 / 18

HEX #D2CDCA

RGB 210 205 202

HSL 22.5, 0.08%, 0.81%

LAB 82.72, 1.19, 2.09

 

CMYK 4 / 1 / 0 / 18

HEX #CACFD2

RGB 202 207 210

HSL 202.5, 0.08%, 0.81%

LAB 82.83, -1.14, -2.09

 

CMYK 0 / 24 / 21 / 8

HEX #EAB2B9

RGB 234 178 185

HSL 352.5, 0.57%, 0.81%

LAB 77.78, 21.36, 4.35

 

CMYK 0 / 20 / 24 / 8

HEX #EABBB2

RGB 234 187 178

HSL 9.64, 0.57%, 0.81%

LAB 79.75, 15.56, 10.97

 

CMYK 0 / 14 / 24 / 8

HEX #EAC9B2

RGB 234 201 178

HSL 24.64, 0.57%, 0.81%

LAB 83.17, 8.17, 15.79

 

CMYK 0 / 8 / 24 / 8

HEX #EAD8B2

RGB 234 216 178

HSL 40.71, 0.57%, 0.81%

LAB 86.91, 0.36, 21.01

 

CMYK 0 / 1 / 24 / 8

HEX #EAE7B2

RGB 234 231 178

HSL 56.79, 0.57%, 0.81%

LAB 90.72, -7.28, 26.24

 

CMYK 0 / 27 / 47 / 15

HEX #D89D72

RGB 216 157 114

HSL 25.29, 0.57%, 0.65%

LAB 69.42, 16.88, 31.1

 

CMYK 0 / 20 / 35 / 12

HEX #E1B492

RGB 225 180 146

HSL 25.82, 0.57%, 0.73%

LAB 76.51, 11.64, 23.53

 

CMYK 0 / 14 / 24 / 8

HEX #EACAB2

RGB 234 202 178

HSL 25.71, 0.57%, 0.81%

LAB 83.41, 7.64, 16.14

 

CMYK 0 / 8 / 13 / 5

HEX #F3E0D3

RGB 243 224 211

HSL 24.38, 0.57%, 0.89%

LAB 90.35, 4.39, 8.7

 

CMYK 0 / 2 / 3 / 2

HEX #FBF7F3

RGB 251 247 243

HSL 30, 0.5%, 0.97%

LAB 97.43, 0.64, 2.38

 

CMYK 0 / 14 / 24 / 8

HEX #EACAB2

RGB 234 202 178

HSL 25.71, 0.57%, 0.81%

LAB 83.41, 7.64, 16.14

 

CMYK 15 / 0 / 24 / 8

HEX #C8EAB2

RGB 200 234 178

HSL 96.43, 0.57%, 0.81%

LAB 89.08, -21, 23.61

 

CMYK 24 / 24 / 0 / 8

HEX #B3B2EA

RGB 179 178 234

HSL 241.07, 0.57%, 0.81%

LAB 74.42, 12.15, -27.81

 

CMYK 0 / 14 / 24 / 8

HEX #EACAB2

RGB 234 202 178

HSL 25.71, 0.57%, 0.81%

LAB 83.41, 7.64, 16.14

 

CMYK 24 / 0 / 14 / 8

HEX #B2EAC9

RGB 178 234 201

HSL 144.64, 0.57%, 0.81%

LAB 88.22, -24.34, 10.27

 

CMYK 14 / 24 / 0 / 8

HEX #C9B2EA

RGB 201 178 234

HSL 264.64, 0.57%, 0.81%

LAB 76.19, 18.92, -24.94

 

CMYK 0 / 14 / 24 / 8

HEX #EACAB2

RGB 234 202 178

HSL 25.71, 0.57%, 0.81%

LAB 83.41, 7.64, 16.14

 

CMYK 15 / 0 / 24 / 8

HEX #C8EAB2

RGB 200 234 178

HSL 96.43, 0.57%, 0.81%

LAB 89.08, -21, 23.61

 

CMYK 24 / 10 / 0 / 8

HEX #B2D3EA

RGB 178 211 234

HSL 204.64, 0.57%, 0.81%

LAB 82.91, -5.91, -14.93

 

CMYK 9 / 24 / 0 / 8

HEX #D4B2EA

RGB 212 178 234

HSL 276.43, 0.57%, 0.81%

LAB 77.15, 22.41, -23.4

 

CMYK 0 / 14 / 24 / 8

HEX #EACAB2

RGB 234 202 178

HSL 25.71, 0.57%, 0.81%

LAB 83.41, 7.64, 16.14

 

CMYK 22 / 0 / 24 / 8

HEX #B7EAB2

RGB 183 234 178

HSL 114.64, 0.57%, 0.81%

LAB 88.03, -26.79, 22

 

CMYK 24 / 10 / 0 / 8

HEX #B2D3EA

RGB 178 211 234

HSL 204.64, 0.57%, 0.81%

LAB 82.91, -5.91, -14.93

 

CMYK 2 / 24 / 0 / 8

HEX #E5B2EA

RGB 229 178 234

HSL 294.64, 0.57%, 0.81%

LAB 78.72, 27.88, -20.87

 

Description

Color code: HEX #EACAB2 | qconv.com Color code: HEX #EACAB2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 202 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 202 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 24 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 24% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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