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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EAF8BE it is the complementary color #150741. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EAF8BE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EAF8BE shade: #EFF8B9, #FFFFCC, #FFFFDF and #FFFFF2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EAF8BE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EAF8BE shade: #EAF8BE, #D9E6AB, #C8D498, #B7C285 and #A6B072

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EAF8BE shade: #EAF8BE, #F8F6BE, #F8E6BE, #F8D7BE and #F8C7BE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EAF8BE shade: #EAF8BE, #DAF8BE, #CBF8BE, #BEF8C1 and #BEF8D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EAF8BE shade matches the following richer shades: #EAF8BE and #EDFDB8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EAF8BE shade: #EAF8BE, #E7F2C4, #E4ECC9, #E1E6CF and #DEE1D5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EAF8BE shade: #F8E6BE, #F8F6BE, #EAF8BE, #DBF8BE and #CBF8BE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EAF8BE shade: #D2F073, #DEF499, #EAF8BE and #F6FCE3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EAF8BE shade: #EAF8BE, #BEF8D7 and #EEBEF8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EAF8BE shade: #EAF8BE, #BEEAF8 and #F8BEEA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EAF8BE shade: #EAF8BE, #BEF8D7, #CBBEF8 and #F8BEDF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EAF8BE shade: #EAF8BE, #BEF8E8, #CBBEF8 and #F8BECD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 23 / 3

HEX #EAF8BE

RGB 234 248 190

HSL 74.48, 0.81%, 0.86%

LAB 95.31, -14.08, 26.39

 

Complementary color

CMYK 68 / 89 / 0 / 75

HEX #150741

RGB 21 7 65

HSL 254.48, 0.81%, 0.14%

LAB 6.26, 24.82, -33.55

 

CMYK 4 / 0 / 25 / 3

HEX #EFF8B9

RGB 239 248 185

HSL 68.57, 0.82%, 0.85%

LAB 95.58, -12.97, 29.35

 

CMYK 0 / 0 / 20 / 0

HEX #FFFFCC

RGB 255 255 204

HSL 60, 1%, 0.9%

LAB 98.88, -8.05, 24.44

 

CMYK 0 / 0 / 13 / 0

HEX #FFFFDF

RGB 255 255 223

HSL 60, 1%, 0.94%

LAB 99.26, -5.26, 15.31

 

CMYK 0 / 0 / 5 / 0

HEX #FFFFF2

RGB 255 255 242

HSL 60, 1%, 0.97%

LAB 99.69, -2.22, 6.2

 

CMYK 6 / 0 / 23 / 3

HEX #EAF8BE

RGB 234 248 190

HSL 74.48, 0.81%, 0.86%

LAB 95.31, -14.08, 26.39

 

CMYK 6 / 0 / 26 / 10

HEX #D9E6AB

RGB 217 230 171

HSL 73.22, 0.54%, 0.79%

LAB 89.06, -13.99, 27.37

 

CMYK 6 / 0 / 28 / 17

HEX #C8D498

RGB 200 212 152

HSL 72, 0.41%, 0.71%

LAB 82.72, -13.89, 28.4

 

CMYK 6 / 0 / 31 / 24

HEX #B7C285

RGB 183 194 133

HSL 70.82, 0.33%, 0.64%

LAB 76.28, -13.76, 29.49

 

CMYK 6 / 0 / 35 / 31

HEX #A6B072

RGB 166 176 114

HSL 69.68, 0.28%, 0.57%

LAB 69.73, -13.61, 30.63

 

CMYK 6 / 0 / 23 / 3

HEX #EAF8BE

RGB 234 248 190

HSL 74.48, 0.81%, 0.86%

LAB 95.31, -14.08, 26.39

 

CMYK 0 / 1 / 23 / 3

HEX #F8F6BE

RGB 248 246 190

HSL 57.93, 0.81%, 0.86%

LAB 95.82, -8.03, 27.26

 

CMYK 0 / 7 / 23 / 3

HEX #F8E6BE

RGB 248 230 190

HSL 41.38, 0.81%, 0.86%

LAB 91.8, 0.02, 21.73

 

CMYK 0 / 13 / 23 / 3

HEX #F8D7BE

RGB 248 215 190

HSL 25.86, 0.81%, 0.86%

LAB 88.1, 7.73, 16.57

 

CMYK 0 / 20 / 23 / 3

HEX #F8C7BE

RGB 248 199 190

HSL 9.31, 0.81%, 0.86%

LAB 84.24, 16.08, 11.1

 

CMYK 6 / 0 / 23 / 3

HEX #EAF8BE

RGB 234 248 190

HSL 74.48, 0.81%, 0.86%

LAB 95.31, -14.08, 26.39

 

CMYK 12 / 0 / 23 / 3

HEX #DAF8BE

RGB 218 248 190

HSL 91.03, 0.81%, 0.86%

LAB 94.21, -19.72, 24.7

 

CMYK 18 / 0 / 23 / 3

HEX #CBF8BE

RGB 203 248 190

HSL 106.55, 0.81%, 0.86%

LAB 93.25, -24.85, 23.24

 

CMYK 23 / 0 / 22 / 3

HEX #BEF8C1

RGB 190 248 193

HSL 123.1, 0.81%, 0.86%

LAB 92.54, -28.65, 20.6

 

CMYK 23 / 0 / 16 / 3

HEX #BEF8D0

RGB 190 248 208

HSL 138.62, 0.81%, 0.86%

LAB 92.85, -26.02, 13.33

 

CMYK 6 / 0 / 23 / 3

HEX #EAF8BE

RGB 234 248 190

HSL 74.48, 0.81%, 0.86%

LAB 95.31, -14.08, 26.39

 

CMYK 6 / 0 / 27 / 1

HEX #EDFDB8

RGB 237 253 184

HSL 73.91, 0.95%, 0.86%

LAB 96.7, -16.27, 31.35

 

CMYK 6 / 0 / 23 / 3

HEX #EAF8BE

RGB 234 248 190

HSL 74.48, 0.81%, 0.86%

LAB 95.31, -14.08, 26.39

 

CMYK 5 / 0 / 19 / 5

HEX #E7F2C4

RGB 231 242 196

HSL 74.35, 0.64%, 0.86%

LAB 93.66, -11.3, 21.01

 

CMYK 3 / 0 / 15 / 7

HEX #E4ECC9

RGB 228 236 201

HSL 73.71, 0.48%, 0.86%

LAB 92, -8.6, 16.08

 

CMYK 2 / 0 / 10 / 10

HEX #E1E6CF

RGB 225 230 207

HSL 73.04, 0.32%, 0.86%

LAB 90.37, -5.65, 10.62

 

CMYK 1 / 0 / 5 / 12

HEX #DEE1D5

RGB 222 225 213

HSL 75, 0.17%, 0.86%

LAB 89.01, -3.12, 5.5

 

CMYK 0 / 7 / 23 / 3

HEX #F8E6BE

RGB 248 230 190

HSL 41.38, 0.81%, 0.86%

LAB 91.8, 0.02, 21.73

 

CMYK 0 / 1 / 23 / 3

HEX #F8F6BE

RGB 248 246 190

HSL 57.93, 0.81%, 0.86%

LAB 95.82, -8.03, 27.26

 

CMYK 6 / 0 / 23 / 3

HEX #EAF8BE

RGB 234 248 190

HSL 74.48, 0.81%, 0.86%

LAB 95.31, -14.08, 26.39

 

CMYK 12 / 0 / 23 / 3

HEX #DBF8BE

RGB 219 248 190

HSL 90, 0.81%, 0.86%

LAB 94.27, -19.37, 24.81

 

CMYK 18 / 0 / 23 / 3

HEX #CBF8BE

RGB 203 248 190

HSL 106.55, 0.81%, 0.86%

LAB 93.25, -24.85, 23.24

 

CMYK 13 / 0 / 52 / 6

HEX #D2F073

RGB 210 240 115

HSL 74.4, 0.81%, 0.7%

LAB 90.44, -27.9, 56.45

 

CMYK 9 / 0 / 37 / 4

HEX #DEF499

RGB 222 244 153

HSL 74.51, 0.81%, 0.78%

LAB 92.81, -21.32, 41.47

 

CMYK 6 / 0 / 23 / 3

HEX #EAF8BE

RGB 234 248 190

HSL 74.48, 0.81%, 0.86%

LAB 95.31, -14.08, 26.39

 

CMYK 2 / 0 / 10 / 1

HEX #F6FCE3

RGB 246 252 227

HSL 74.4, 0.81%, 0.94%

LAB 97.94, -6.23, 11.29

 

CMYK 6 / 0 / 23 / 3

HEX #EAF8BE

RGB 234 248 190

HSL 74.48, 0.81%, 0.86%

LAB 95.31, -14.08, 26.39

 

CMYK 23 / 0 / 13 / 3

HEX #BEF8D7

RGB 190 248 215

HSL 145.86, 0.81%, 0.86%

LAB 93.01, -24.73, 9.94

 

CMYK 4 / 23 / 0 / 3

HEX #EEBEF8

RGB 238 190 248

HSL 289.66, 0.81%, 0.86%

LAB 82.8, 27.01, -22.11

 

CMYK 6 / 0 / 23 / 3

HEX #EAF8BE

RGB 234 248 190

HSL 74.48, 0.81%, 0.86%

LAB 95.31, -14.08, 26.39

 

CMYK 23 / 6 / 0 / 3

HEX #BEEAF8

RGB 190 234 248

HSL 194.48, 0.81%, 0.86%

LAB 90.12, -11.11, -11.45

 

CMYK 0 / 23 / 6 / 3

HEX #F8BEEA

RGB 248 190 234

HSL 314.48, 0.81%, 0.86%

LAB 83.3, 27.74, -13.78

 

CMYK 6 / 0 / 23 / 3

HEX #EAF8BE

RGB 234 248 190

HSL 74.48, 0.81%, 0.86%

LAB 95.31, -14.08, 26.39

 

CMYK 23 / 0 / 13 / 3

HEX #BEF8D7

RGB 190 248 215

HSL 145.86, 0.81%, 0.86%

LAB 93.01, -24.73, 9.94

 

CMYK 18 / 23 / 0 / 3

HEX #CBBEF8

RGB 203 190 248

HSL 253.45, 0.81%, 0.86%

LAB 79.78, 16.02, -26.97

 

CMYK 0 / 23 / 10 / 3

HEX #F8BEDF

RGB 248 190 223

HSL 325.86, 0.81%, 0.86%

LAB 82.97, 25.88, -8.38

 

CMYK 6 / 0 / 23 / 3

HEX #EAF8BE

RGB 234 248 190

HSL 74.48, 0.81%, 0.86%

LAB 95.31, -14.08, 26.39

 

CMYK 23 / 0 / 6 / 3

HEX #BEF8E8

RGB 190 248 232

HSL 163.45, 0.81%, 0.86%

LAB 93.41, -21.43, 1.72

 

CMYK 18 / 23 / 0 / 3

HEX #CBBEF8

RGB 203 190 248

HSL 253.45, 0.81%, 0.86%

LAB 79.78, 16.02, -26.97

 

CMYK 0 / 23 / 17 / 3

HEX #F8BECD

RGB 248 190 205

HSL 344.48, 0.81%, 0.86%

LAB 82.48, 23.02, 0.55

 

Description

Color code: HEX #EAF8BE | qconv.com Color code: HEX #EAF8BE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 248 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 248 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 23 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 23% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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