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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB48E8 it is the complementary color #14B717. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB48E8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB48E8 shade: #F048E3, #FF5AF6, #FF6CFF, #FF7EFF and #FF90FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB48E8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB48E8 shade: #EB48E8, #DA36D5, #C924C2, #B812AF and #A7009C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB48E8 shade: #EA47E7, #EA47BB, #EA478F, #EA4763 and #EA4747

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB48E8 shade: #EA47E7, #C147EA, #9547EA, #6947EA and #4747EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB48E8 shade matches the following richer shades: #EA47E7 and #FB36F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB48E8 shade: #EA47E7, #DA57D7, #C968C7, #B978B7 and #A889A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB48E8 shade: #9647EA, #C147EA, #EA47E7, #EA47BC and #EA4790

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB48E8 shade: #C916C5, #E622E2, #EA47E7, #EE6CEC and #F291F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB48E8 shade: #EB48E8, #EA6A47 and #47EAAC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB48E8 shade: #EB48E8, #E7EA47 and #47E7EA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB48E8 shade: #EB48E8, #EA6A47, #47EA4A and #47C7EA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB48E8 shade: #EB48E8, #EA9B47, #47EA4A and #4796EA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 1 / 8

HEX #EB48E8

RGB 235 72 232

HSL 301.1, 0.8%, 0.6%

LAB 60, 79.1, -48.74

 

Complementary color

CMYK 89 / 0 / 87 / 28

HEX #14B717

RGB 20 183 23

HSL 121.1, 0.8%, 0.4%

LAB 65.02, -65.46, 61.64

 

CMYK 0 / 70 / 5 / 6

HEX #F048E3

RGB 240 72 227

HSL 304.64, 0.85%, 0.61%

LAB 60.52, 79.41, -45.06

 

CMYK 0 / 65 / 4 / 0

HEX #FF5AF6

RGB 255 90 246

HSL 303.27, 1%, 0.68%

LAB 65.92, 79.41, -46.96

 

CMYK 0 / 58 / 0 / 0

HEX #FF6CFF

RGB 255 108 255

HSL 300, 1%, 0.71%

LAB 68.9, 73.78, -47.23

 

CMYK 0 / 51 / 0 / 0

HEX #FF7EFF

RGB 255 126 255

HSL 300, 1%, 0.75%

LAB 71.83, 65.87, -42.63

 

CMYK 0 / 44 / 0 / 0

HEX #FF90FF

RGB 255 144 255

HSL 300, 1%, 0.78%

LAB 75.09, 57.3, -37.55

 

CMYK 0 / 69 / 1 / 8

HEX #EB48E8

RGB 235 72 232

HSL 301.1, 0.8%, 0.6%

LAB 60, 79.1, -48.74

 

CMYK 0 / 75 / 2 / 15

HEX #DA36D5

RGB 218 54 213

HSL 301.83, 0.69%, 0.53%

LAB 54.39, 78.15, -47.07

 

CMYK 0 / 82 / 3 / 21

HEX #C924C2

RGB 201 36 194

HSL 302.55, 0.7%, 0.46%

LAB 48.98, 76.45, -44.92

 

CMYK 0 / 90 / 5 / 28

HEX #B812AF

RGB 184 18 175

HSL 303.25, 0.82%, 0.4%

LAB 43.83, 73.71, -42.14

 

CMYK 0 / 100 / 7 / 35

HEX #A7009C

RGB 167 0 156

HSL 303.95, 1%, 0.33%

LAB 38.93, 69.95, -38.75

 

CMYK 0 / 70 / 1 / 8

HEX #EA47E7

RGB 234 71 231

HSL 301.1, 0.8%, 0.6%

LAB 59.68, 79.06, -48.7

 

CMYK 0 / 70 / 20 / 8

HEX #EA47BB

RGB 234 71 187

HSL 317.3, 0.8%, 0.6%

LAB 57.64, 72.72, -26.89

 

CMYK 0 / 70 / 39 / 8

HEX #EA478F

RGB 234 71 143

HSL 333.5, 0.8%, 0.6%

LAB 56.07, 67.58, -3.6

 

CMYK 0 / 70 / 58 / 8

HEX #EA4763

RGB 234 71 99

HSL 349.69, 0.8%, 0.6%

LAB 54.97, 63.85, 20.94

 

CMYK 0 / 70 / 70 / 8

HEX #EA4747

RGB 234 71 71

HSL 0, 0.8%, 0.6%

LAB 54.51, 62.24, 36.66

 

CMYK 0 / 70 / 1 / 8

HEX #EA47E7

RGB 234 71 231

HSL 301.1, 0.8%, 0.6%

LAB 59.68, 79.06, -48.7

 

CMYK 18 / 70 / 0 / 8

HEX #C147EA

RGB 193 71 234

HSL 284.91, 0.8%, 0.6%

LAB 53.8, 71, -60.12

 

CMYK 36 / 70 / 0 / 8

HEX #9547EA

RGB 149 71 234

HSL 268.71, 0.8%, 0.6%

LAB 48.05, 62.43, -69.68

 

CMYK 55 / 70 / 0 / 8

HEX #6947EA

RGB 105 71 234

HSL 252.52, 0.8%, 0.6%

LAB 43.43, 55.08, -77.42

 

CMYK 70 / 70 / 0 / 8

HEX #4747EA

RGB 71 71 234

HSL 240, 0.8%, 0.6%

LAB 40.87, 50.77, -81.71

 

CMYK 0 / 70 / 1 / 8

HEX #EA47E7

RGB 234 71 231

HSL 301.1, 0.8%, 0.6%

LAB 59.68, 79.06, -48.7

 

CMYK 0 / 78 / 2 / 2

HEX #FB36F7

RGB 251 54 247

HSL 301.22, 0.96%, 0.6%

LAB 61.54, 89.63, -54.51

 

CMYK 0 / 70 / 1 / 8

HEX #EA47E7

RGB 234 71 231

HSL 301.1, 0.8%, 0.6%

LAB 59.68, 79.06, -48.7

 

CMYK 0 / 60 / 1 / 15

HEX #DA57D7

RGB 218 87 215

HSL 301.37, 0.64%, 0.6%

LAB 58.63, 66.83, -41.51

 

CMYK 0 / 48 / 1 / 21

HEX #C968C7

RGB 201 104 199

HSL 301.24, 0.47%, 0.6%

LAB 58.45, 51.72, -32.88

 

CMYK 0 / 35 / 1 / 27

HEX #B978B7

RGB 185 120 183

HSL 301.85, 0.32%, 0.6%

LAB 59.13, 35.48, -22.88

 

CMYK 0 / 18 / 0 / 34

HEX #A889A8

RGB 168 137 168

HSL 300, 0.15%, 0.6%

LAB 60.82, 17.3, -11.92

 

CMYK 36 / 70 / 0 / 8

HEX #9647EA

RGB 150 71 234

HSL 269.08, 0.8%, 0.6%

LAB 48.17, 62.62, -69.49

 

CMYK 18 / 70 / 0 / 8

HEX #C147EA

RGB 193 71 234

HSL 284.91, 0.8%, 0.6%

LAB 53.8, 71, -60.12

 

CMYK 0 / 70 / 1 / 8

HEX #EA47E7

RGB 234 71 231

HSL 301.1, 0.8%, 0.6%

LAB 59.68, 79.06, -48.7

 

CMYK 0 / 70 / 20 / 8

HEX #EA47BC

RGB 234 71 188

HSL 316.93, 0.8%, 0.6%

LAB 57.68, 72.85, -27.4

 

CMYK 0 / 70 / 38 / 8

HEX #EA4790

RGB 234 71 144

HSL 333.13, 0.8%, 0.6%

LAB 56.1, 67.69, -4.14

 

CMYK 0 / 89 / 2 / 21

HEX #C916C5

RGB 201 22 197

HSL 301.34, 0.8%, 0.44%

LAB 48.29, 79.4, -47.75

 

CMYK 0 / 85 / 2 / 10

HEX #E622E2

RGB 230 34 226

HSL 301.22, 0.8%, 0.52%

LAB 55.54, 86.83, -52.5

 

CMYK 0 / 70 / 1 / 8

HEX #EA47E7

RGB 234 71 231

HSL 301.1, 0.8%, 0.6%

LAB 59.68, 79.06, -48.7

 

CMYK 0 / 55 / 1 / 7

HEX #EE6CEC

RGB 238 108 236

HSL 300.92, 0.79%, 0.68%

LAB 65.72, 66.35, -41.93

 

CMYK 0 / 40 / 0 / 5

HEX #F291F1

RGB 242 145 241

HSL 300.62, 0.79%, 0.76%

LAB 73.21, 50.56, -32.98

 

CMYK 0 / 69 / 1 / 8

HEX #EB48E8

RGB 235 72 232

HSL 301.1, 0.8%, 0.6%

LAB 60, 79.1, -48.74

 

CMYK 0 / 55 / 70 / 8

HEX #EA6A47

RGB 234 106 71

HSL 12.88, 0.8%, 0.6%

LAB 60.12, 47.29, 43.18

 

CMYK 70 / 0 / 26 / 8

HEX #47EAAC

RGB 71 234 172

HSL 157.18, 0.8%, 0.6%

LAB 83.53, -55.98, 18.19

 

CMYK 0 / 69 / 1 / 8

HEX #EB48E8

RGB 235 72 232

HSL 301.1, 0.8%, 0.6%

LAB 60, 79.1, -48.74

 

CMYK 1 / 0 / 70 / 8

HEX #E7EA47

RGB 231 234 71

HSL 61.1, 0.8%, 0.6%

LAB 89.99, -19.73, 74.34

 

CMYK 70 / 1 / 0 / 8

HEX #47E7EA

RGB 71 231 234

HSL 181.1, 0.8%, 0.6%

LAB 84.19, -39.22, -13.45

 

CMYK 0 / 69 / 1 / 8

HEX #EB48E8

RGB 235 72 232

HSL 301.1, 0.8%, 0.6%

LAB 60, 79.1, -48.74

 

CMYK 0 / 55 / 70 / 8

HEX #EA6A47

RGB 234 106 71

HSL 12.88, 0.8%, 0.6%

LAB 60.12, 47.29, 43.18

 

CMYK 70 / 0 / 68 / 8

HEX #47EA4A

RGB 71 234 74

HSL 121.1, 0.8%, 0.6%

LAB 82.21, -70.97, 62.83

 

CMYK 70 / 15 / 0 / 8

HEX #47C7EA

RGB 71 199 234

HSL 192.88, 0.8%, 0.6%

LAB 74.9, -23.9, -27.52

 

CMYK 0 / 69 / 1 / 8

HEX #EB48E8

RGB 235 72 232

HSL 301.1, 0.8%, 0.6%

LAB 60, 79.1, -48.74

 

CMYK 0 / 34 / 70 / 8

HEX #EA9B47

RGB 234 155 71

HSL 30.92, 0.8%, 0.6%

LAB 70.45, 22.18, 54.55

 

CMYK 70 / 0 / 68 / 8

HEX #47EA4A

RGB 71 234 74

HSL 121.1, 0.8%, 0.6%

LAB 82.21, -70.97, 62.83

 

CMYK 70 / 36 / 0 / 8

HEX #4796EA

RGB 71 150 234

HSL 210.92, 0.8%, 0.6%

LAB 60.86, 2.79, -49.41

 

Description

Color code: HEX #EB48E8 | qconv.com Color code: HEX #EB48E8 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 72 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 72 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 1 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 1% 8% C M Y K

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Provide designers and agencies with accurate color values.

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