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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB74E7 it is the complementary color #148B18. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB74E7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB74E7 shade: #F074E2, #FF86F5, #FF98FF, #FFAAFF and #FFBCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB74E7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB74E7 shade: #EB74E7, #DA62D4, #C950C1, #B83EAE and #A72C9B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB74E7 shade: #EB74E7, #EB74C7, #EB74A7, #EB7487 and #EB7474

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB74E7 shade: #EB74E7, #CF74EB, #AF74EB, #8F74EB and #7474EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB74E7 shade matches the following richer shades: #EB74E7 and #F867F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB74E7 shade: #EB74E7, #DE81DB, #D18ECF, #C49BC3 and #B8A7B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB74E7 shade: #AF74EB, #CF74EB, #EB74E7, #EB74C7 and #EB74A8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB74E7 shade: #E02CDA, #E650E1, #EB74E7, #F098ED and #F5BCF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB74E7 shade: #EB74E7, #EB9074 and #74EBBF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB74E7 shade: #EB74E7, #E7EB74 and #74E7EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB74E7 shade: #EB74E7, #EB9074, #74EB78 and #74CFEB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB74E7 shade: #EB74E7, #EBB374, #74EB78 and #74ABEB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 2 / 8

HEX #EB74E7

RGB 235 116 231

HSL 302.02, 0.75%, 0.69%

LAB 66.46, 61.05, -38.03

 

Complementary color

CMYK 86 / 0 / 83 / 45

HEX #148B18

RGB 20 139 24

HSL 122.02, 0.75%, 0.31%

LAB 50.31, -52.28, 48.07

 

CMYK 0 / 52 / 6 / 6

HEX #F074E2

RGB 240 116 226

HSL 306.77, 0.81%, 0.7%

LAB 66.91, 61.59, -34.51

 

CMYK 0 / 47 / 4 / 0

HEX #FF86F5

RGB 255 134 245

HSL 304.96, 1%, 0.76%

LAB 72.83, 60.44, -35.63

 

CMYK 0 / 40 / 0 / 0

HEX #FF98FF

RGB 255 152 255

HSL 300, 1%, 0.8%

LAB 76.64, 53.33, -35.15

 

CMYK 0 / 33 / 0 / 0

HEX #FFAAFF

RGB 255 170 255

HSL 300, 1%, 0.83%

LAB 80.31, 44.16, -29.5

 

CMYK 0 / 26 / 0 / 0

HEX #FFBCFF

RGB 255 188 255

HSL 300, 1%, 0.87%

LAB 84.2, 34.77, -23.56

 

CMYK 0 / 51 / 2 / 8

HEX #EB74E7

RGB 235 116 231

HSL 302.02, 0.75%, 0.69%

LAB 66.46, 61.05, -38.03

 

CMYK 0 / 55 / 3 / 15

HEX #DA62D4

RGB 218 98 212

HSL 303, 0.62%, 0.62%

LAB 60.24, 61.54, -37.28

 

CMYK 0 / 60 / 4 / 21

HEX #C950C1

RGB 201 80 193

HSL 303.97, 0.53%, 0.55%

LAB 54.03, 61.84, -36.35

 

CMYK 0 / 66 / 5 / 28

HEX #B83EAE

RGB 184 62 174

HSL 304.92, 0.5%, 0.48%

LAB 47.87, 61.81, -35.16

 

CMYK 0 / 74 / 7 / 35

HEX #A72C9B

RGB 167 44 155

HSL 305.85, 0.58%, 0.41%

LAB 41.82, 61.24, -33.56

 

CMYK 0 / 51 / 2 / 8

HEX #EB74E7

RGB 235 116 231

HSL 302.02, 0.75%, 0.69%

LAB 66.46, 61.05, -38.03

 

CMYK 0 / 51 / 15 / 8

HEX #EB74C7

RGB 235 116 199

HSL 318.15, 0.75%, 0.69%

LAB 65.18, 55.89, -22.13

 

CMYK 0 / 51 / 29 / 8

HEX #EB74A7

RGB 235 116 167

HSL 334.29, 0.75%, 0.69%

LAB 64.11, 51.41, -5.6

 

CMYK 0 / 51 / 43 / 8

HEX #EB7487

RGB 235 116 135

HSL 350.42, 0.75%, 0.69%

LAB 63.26, 47.7, 11.45

 

CMYK 0 / 51 / 51 / 8

HEX #EB7474

RGB 235 116 116

HSL 0, 0.75%, 0.69%

LAB 62.86, 45.89, 21.73

 

CMYK 0 / 51 / 2 / 8

HEX #EB74E7

RGB 235 116 231

HSL 302.02, 0.75%, 0.69%

LAB 66.46, 61.05, -38.03

 

CMYK 12 / 51 / 0 / 8

HEX #CF74EB

RGB 207 116 235

HSL 285.88, 0.75%, 0.69%

LAB 63.14, 54.19, -45.7

 

CMYK 26 / 51 / 0 / 8

HEX #AF74EB

RGB 175 116 235

HSL 269.75, 0.75%, 0.69%

LAB 59.53, 45.74, -51.65

 

CMYK 39 / 51 / 0 / 8

HEX #8F74EB

RGB 143 116 235

HSL 253.61, 0.75%, 0.69%

LAB 56.42, 37.75, -56.79

 

CMYK 51 / 51 / 0 / 8

HEX #7474EB

RGB 116 116 235

HSL 240, 0.75%, 0.69%

LAB 54.24, 31.68, -60.4

 

CMYK 0 / 51 / 2 / 8

HEX #EB74E7

RGB 235 116 231

HSL 302.02, 0.75%, 0.69%

LAB 66.46, 61.05, -38.03

 

CMYK 0 / 58 / 2 / 3

HEX #F867F3

RGB 248 103 243

HSL 302.07, 0.91%, 0.69%

LAB 66.62, 72.19, -44.29

 

CMYK 0 / 51 / 2 / 8

HEX #EB74E7

RGB 235 116 231

HSL 302.02, 0.75%, 0.69%

LAB 66.46, 61.05, -38.03

 

CMYK 0 / 42 / 1 / 13

HEX #DE81DB

RGB 222 129 219

HSL 301.94, 0.58%, 0.69%

LAB 66.78, 48.84, -30.99

 

CMYK 0 / 32 / 1 / 18

HEX #D18ECF

RGB 209 142 207

HSL 301.79, 0.42%, 0.69%

LAB 67.58, 35.77, -23.22

 

CMYK 0 / 21 / 1 / 23

HEX #C49BC3

RGB 196 155 195

HSL 301.46, 0.26%, 0.69%

LAB 68.84, 22.1, -14.77

 

CMYK 0 / 9 / 1 / 28

HEX #B8A7B7

RGB 184 167 183

HSL 303.53, 0.11%, 0.69%

LAB 70.35, 9.05, -5.98

 

CMYK 26 / 51 / 0 / 8

HEX #AF74EB

RGB 175 116 235

HSL 269.75, 0.75%, 0.69%

LAB 59.53, 45.74, -51.65

 

CMYK 12 / 51 / 0 / 8

HEX #CF74EB

RGB 207 116 235

HSL 285.88, 0.75%, 0.69%

LAB 63.14, 54.19, -45.7

 

CMYK 0 / 51 / 2 / 8

HEX #EB74E7

RGB 235 116 231

HSL 302.02, 0.75%, 0.69%

LAB 66.46, 61.05, -38.03

 

CMYK 0 / 51 / 15 / 8

HEX #EB74C7

RGB 235 116 199

HSL 318.15, 0.75%, 0.69%

LAB 65.18, 55.89, -22.13

 

CMYK 0 / 51 / 29 / 8

HEX #EB74A8

RGB 235 116 168

HSL 333.78, 0.75%, 0.69%

LAB 64.14, 51.54, -6.13

 

CMYK 0 / 80 / 3 / 12

HEX #E02CDA

RGB 224 44 218

HSL 302, 0.74%, 0.53%

LAB 54.77, 82.6, -49.25

 

CMYK 0 / 65 / 2 / 10

HEX #E650E1

RGB 230 80 225

HSL 302, 0.75%, 0.61%

LAB 59.89, 74.08, -45.04

 

CMYK 0 / 51 / 2 / 8

HEX #EB74E7

RGB 235 116 231

HSL 302.02, 0.75%, 0.69%

LAB 66.46, 61.05, -38.03

 

CMYK 0 / 37 / 1 / 6

HEX #F098ED

RGB 240 152 237

HSL 302.05, 0.75%, 0.77%

LAB 74.25, 45.66, -29.21

 

CMYK 0 / 23 / 1 / 4

HEX #F5BCF3

RGB 245 188 243

HSL 302.11, 0.74%, 0.85%

LAB 82.83, 29.4, -19.32

 

CMYK 0 / 51 / 2 / 8

HEX #EB74E7

RGB 235 116 231

HSL 302.02, 0.75%, 0.69%

LAB 66.46, 61.05, -38.03

 

CMYK 0 / 39 / 51 / 8

HEX #EB9074

RGB 235 144 116

HSL 14.12, 0.75%, 0.69%

LAB 68.66, 31.57, 29.45

 

CMYK 51 / 0 / 19 / 8

HEX #74EBBF

RGB 116 235 191

HSL 157.82, 0.75%, 0.69%

LAB 85.45, -43.82, 11.16

 

CMYK 0 / 51 / 2 / 8

HEX #EB74E7

RGB 235 116 231

HSL 302.02, 0.75%, 0.69%

LAB 66.46, 61.05, -38.03

 

CMYK 2 / 0 / 51 / 8

HEX #E7EB74

RGB 231 235 116

HSL 62.02, 0.75%, 0.69%

LAB 90.63, -17.25, 56.59

 

CMYK 51 / 2 / 0 / 8

HEX #74E7EB

RGB 116 231 235

HSL 182.02, 0.75%, 0.69%

LAB 85.43, -31.52, -11.99

 

CMYK 0 / 51 / 2 / 8

HEX #EB74E7

RGB 235 116 231

HSL 302.02, 0.75%, 0.69%

LAB 66.46, 61.05, -38.03

 

CMYK 0 / 39 / 51 / 8

HEX #EB9074

RGB 235 144 116

HSL 14.12, 0.75%, 0.69%

LAB 68.66, 31.57, 29.45

 

CMYK 51 / 0 / 49 / 8

HEX #74EB78

RGB 116 235 120

HSL 122.02, 0.75%, 0.69%

LAB 84.22, -56.34, 45.47

 

CMYK 51 / 12 / 0 / 8

HEX #74CFEB

RGB 116 207 235

HSL 194.12, 0.75%, 0.69%

LAB 78.66, -19.73, -22.2

 

CMYK 0 / 51 / 2 / 8

HEX #EB74E7

RGB 235 116 231

HSL 302.02, 0.75%, 0.69%

LAB 66.46, 61.05, -38.03

 

CMYK 0 / 24 / 51 / 8

HEX #EBB374

RGB 235 179 116

HSL 31.76, 0.75%, 0.69%

LAB 76.78, 13.02, 39.86

 

CMYK 51 / 0 / 49 / 8

HEX #74EB78

RGB 116 235 120

HSL 122.02, 0.75%, 0.69%

LAB 84.22, -56.34, 45.47

 

CMYK 51 / 27 / 0 / 8

HEX #74ABEB

RGB 116 171 235

HSL 212.27, 0.75%, 0.69%

LAB 68.63, -0.5, -37.62

 

Description

Color code: HEX #EB74E7 | qconv.com Color code: HEX #EB74E7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 116 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 116 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 2 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 2% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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