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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EBA150 it is the complementary color #145EAF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EBA150. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EBA150 shade: #F0A14B, #FFB35E, #FFC571, #FFD784 and #FFE997

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EBA150. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EBA150 shade: #EBA150, #DA8F3D, #C97D2A, #B86B17 and #A75904

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EBA150 shade: #EAA151, #EA7851 and #EA5151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EBA150 shade: #EAA151, #EACA51, #E1EA51, #B7EA51 and #8EEA51

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EBA150 shade matches the following richer shades: #EAA151 and #FAA241

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EBA150 shade: #EAA151, #DAA061, #CBA070, #BB9F80 and #AB9E90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EBA150 shade: #EA5154, #EA7751, #EAA051, #EAC951 and #E2EA51

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EBA150 shade: #D17818, #E68D2C, #EAA151, #EEB576 and #F3C99B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EBA150 shade: #EBA150, #7CEA51 and #6351EA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EBA150 shade: #EBA150, #51EAA0 and #A051EA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EBA150 shade: #EBA150, #7CEA51, #519BEA and #BF51EA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EBA150 shade: #EBA150, #51EA54, #519BEA and #EA51E8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 66 / 8

HEX #EBA150

RGB 235 161 80

HSL 31.35, 0.79%, 0.62%

LAB 72.05, 19.9, 52.14

 

Complementary color

CMYK 89 / 46 / 0 / 31

HEX #145EAF

RGB 20 94 175

HSL 211.35, 0.79%, 0.38%

LAB 40, 9.67, -49.15

 

CMYK 0 / 33 / 69 / 6

HEX #F0A14B

RGB 240 161 75

HSL 31.27, 0.85%, 0.62%

LAB 72.58, 21.7, 55.21

 

CMYK 0 / 30 / 63 / 0

HEX #FFB35E

RGB 255 179 94

HSL 31.68, 1%, 0.68%

LAB 78.64, 19.5, 53.53

 

CMYK 0 / 23 / 56 / 0

HEX #FFC571

RGB 255 197 113

HSL 35.49, 1%, 0.72%

LAB 83.12, 11.44, 49.61

 

CMYK 0 / 16 / 48 / 0

HEX #FFD784

RGB 255 215 132

HSL 40.49, 1%, 0.76%

LAB 87.74, 3.74, 45.94

 

CMYK 0 / 9 / 41 / 0

HEX #FFE997

RGB 255 233 151

HSL 47.31, 1%, 0.8%

LAB 92.47, -3.55, 42.53

 

CMYK 0 / 31 / 66 / 8

HEX #EBA150

RGB 235 161 80

HSL 31.35, 0.79%, 0.62%

LAB 72.05, 19.9, 52.14

 

CMYK 0 / 34 / 72 / 15

HEX #DA8F3D

RGB 218 143 61

HSL 31.34, 0.68%, 0.55%

LAB 65.66, 21.39, 53.47

 

CMYK 0 / 38 / 79 / 21

HEX #C97D2A

RGB 201 125 42

HSL 31.32, 0.65%, 0.48%

LAB 59.21, 23.08, 54.53

 

CMYK 0 / 42 / 88 / 28

HEX #B86B17

RGB 184 107 23

HSL 31.3, 0.78%, 0.41%

LAB 52.69, 25.03, 54.89

 

CMYK 0 / 47 / 98 / 35

HEX #A75904

RGB 167 89 4

HSL 31.29, 0.95%, 0.34%

LAB 46.14, 27.22, 53.91

 

CMYK 0 / 31 / 65 / 8

HEX #EAA151

RGB 234 161 81

HSL 31.37, 0.78%, 0.62%

LAB 71.94, 19.55, 51.51

 

CMYK 0 / 49 / 65 / 8

HEX #EA7851

RGB 234 120 81

HSL 15.29, 0.78%, 0.62%

LAB 62.94, 40.97, 41.17

 

CMYK 0 / 65 / 65 / 8

HEX #EA5151

RGB 234 81 81

HSL 0, 0.78%, 0.62%

LAB 56.06, 58.9, 32.85

 

CMYK 0 / 31 / 65 / 8

HEX #EAA151

RGB 234 161 81

HSL 31.37, 0.78%, 0.62%

LAB 71.94, 19.55, 51.51

 

CMYK 0 / 14 / 65 / 8

HEX #EACA51

RGB 234 202 81

HSL 47.45, 0.78%, 0.62%

LAB 82.02, -1.98, 62.47

 

CMYK 4 / 0 / 65 / 8

HEX #E1EA51

RGB 225 234 81

HSL 63.53, 0.78%, 0.62%

LAB 89.6, -21.64, 70.15

 

CMYK 22 / 0 / 65 / 8

HEX #B7EA51

RGB 183 234 81

HSL 80, 0.78%, 0.62%

LAB 86.75, -38.11, 66.31

 

CMYK 39 / 0 / 65 / 8

HEX #8EEA51

RGB 142 234 81

HSL 96.08, 0.78%, 0.62%

LAB 84.58, -52.51, 63.35

 

CMYK 0 / 31 / 65 / 8

HEX #EAA151

RGB 234 161 81

HSL 31.37, 0.78%, 0.62%

LAB 71.94, 19.55, 51.51

 

CMYK 0 / 35 / 74 / 2

HEX #FAA241

RGB 250 162 65

HSL 31.46, 0.95%, 0.62%

LAB 73.9, 24.82, 61.35

 

CMYK 0 / 31 / 65 / 8

HEX #EAA151

RGB 234 161 81

HSL 31.37, 0.78%, 0.62%

LAB 71.94, 19.55, 51.51

 

CMYK 0 / 27 / 56 / 15

HEX #DAA061

RGB 218 160 97

HSL 31.24, 0.62%, 0.62%

LAB 70.11, 14.56, 40.98

 

CMYK 0 / 21 / 45 / 20

HEX #CBA070

RGB 203 160 112

HSL 31.65, 0.47%, 0.62%

LAB 68.76, 9.75, 31.05

 

CMYK 0 / 15 / 32 / 27

HEX #BB9F80

RGB 187 159 128

HSL 31.53, 0.3%, 0.62%

LAB 67.22, 5.69, 20.02

 

CMYK 0 / 8 / 16 / 33

HEX #AB9E90

RGB 171 158 144

HSL 31.11, 0.14%, 0.62%

LAB 65.85, 2.34, 9.02

 

CMYK 0 / 65 / 64 / 8

HEX #EA5154

RGB 234 81 84

HSL 358.82, 0.78%, 0.62%

LAB 56.11, 59.07, 31.18

 

CMYK 0 / 49 / 65 / 8

HEX #EA7751

RGB 234 119 81

HSL 14.9, 0.78%, 0.62%

LAB 62.74, 41.47, 40.93

 

CMYK 0 / 32 / 65 / 8

HEX #EAA051

RGB 234 160 81

HSL 30.98, 0.78%, 0.62%

LAB 71.71, 20.08, 51.25

 

CMYK 0 / 14 / 65 / 8

HEX #EAC951

RGB 234 201 81

HSL 47.06, 0.78%, 0.62%

LAB 81.76, -1.47, 62.21

 

CMYK 3 / 0 / 65 / 8

HEX #E2EA51

RGB 226 234 81

HSL 63.14, 0.78%, 0.62%

LAB 89.68, -21.24, 70.25

 

CMYK 0 / 43 / 89 / 18

HEX #D17818

RGB 209 120 24

HSL 31.14, 0.79%, 0.46%

LAB 59.02, 28.66, 61.05

 

CMYK 0 / 39 / 81 / 10

HEX #E68D2C

RGB 230 141 44

HSL 31.29, 0.79%, 0.54%

LAB 66.56, 26.81, 61.86

 

CMYK 0 / 31 / 65 / 8

HEX #EAA151

RGB 234 161 81

HSL 31.37, 0.78%, 0.62%

LAB 71.94, 19.55, 51.51

 

CMYK 0 / 24 / 50 / 7

HEX #EEB576

RGB 238 181 118

HSL 31.5, 0.78%, 0.7%

LAB 77.6, 13.35, 39.93

 

CMYK 0 / 17 / 36 / 5

HEX #F3C99B

RGB 243 201 155

HSL 31.36, 0.79%, 0.78%

LAB 83.54, 8.64, 28.57

 

CMYK 0 / 31 / 66 / 8

HEX #EBA150

RGB 235 161 80

HSL 31.35, 0.79%, 0.62%

LAB 72.05, 19.9, 52.14

 

CMYK 47 / 0 / 65 / 8

HEX #7CEA51

RGB 124 234 81

HSL 103.14, 0.78%, 0.62%

LAB 83.82, -58.02, 62.31

 

CMYK 58 / 65 / 0 / 8

HEX #6351EA

RGB 99 81 234

HSL 247.06, 0.78%, 0.62%

LAB 44.91, 48.76, -75.02

 

CMYK 0 / 31 / 66 / 8

HEX #EBA150

RGB 235 161 80

HSL 31.35, 0.79%, 0.62%

LAB 72.05, 19.9, 52.14

 

CMYK 65 / 0 / 32 / 8

HEX #51EAA0

RGB 81 234 160

HSL 150.98, 0.78%, 0.62%

LAB 83.51, -56.88, 24.41

 

CMYK 32 / 65 / 0 / 8

HEX #A051EA

RGB 160 81 234

HSL 270.98, 0.78%, 0.62%

LAB 51.04, 59.94, -64.79

 

CMYK 0 / 31 / 66 / 8

HEX #EBA150

RGB 235 161 80

HSL 31.35, 0.79%, 0.62%

LAB 72.05, 19.9, 52.14

 

CMYK 47 / 0 / 65 / 8

HEX #7CEA51

RGB 124 234 81

HSL 103.14, 0.78%, 0.62%

LAB 83.82, -58.02, 62.31

 

CMYK 65 / 34 / 0 / 8

HEX #519BEA

RGB 81 155 234

HSL 210.98, 0.78%, 0.62%

LAB 62.62, 1.43, -46.61

 

CMYK 18 / 65 / 0 / 8

HEX #BF51EA

RGB 191 81 234

HSL 283.14, 0.78%, 0.62%

LAB 54.97, 66.52, -58.25

 

CMYK 0 / 31 / 66 / 8

HEX #EBA150

RGB 235 161 80

HSL 31.35, 0.79%, 0.62%

LAB 72.05, 19.9, 52.14

 

CMYK 65 / 0 / 64 / 8

HEX #51EA54

RGB 81 234 84

HSL 121.18, 0.78%, 0.62%

LAB 82.5, -68.21, 59.28

 

CMYK 65 / 34 / 0 / 8

HEX #519BEA

RGB 81 155 234

HSL 210.98, 0.78%, 0.62%

LAB 62.62, 1.43, -46.61

 

CMYK 0 / 65 / 1 / 8

HEX #EA51E8

RGB 234 81 232

HSL 300.78, 0.78%, 0.62%

LAB 60.96, 75.74, -47.23

 

Description

Color code: HEX #EBA150 | qconv.com Color code: HEX #EBA150 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 161 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 161 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 66 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 66% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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