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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EBBD5C it is the complementary color #1442A3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EBBD5C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EBBD5C shade: #F0BD57, #FFCF6A, #FFE17D, #FFF390 and #FFFFA3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EBBD5C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EBBD5C shade: #EBBD5C, #DAAB49, #C99936, #B88723 and #A77510

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EBBD5C shade: #EABC5B, #EA965B, #EA6F5B and #EA5B5B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EBBD5C shade: #EABC5B, #EAE35B, #CBEA5B, #A5EA5B and #7EEA5B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EBBD5C shade matches the following richer shades: #EABC5B and #F9C24C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EBBD5C shade: #EABC5B, #DBB76A, #CDB279, #BEAC88 and #AFA797

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EBBD5C shade: #EA6E5B, #EA945B, #EABB5B, #EAE15B and #CEEA5B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EBBD5C shade: #D99B1A, #E6AD36, #EABC5B, #EFCB80 and #F3DAA5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EBBD5C shade: #EBBD5C, #6EEA5B and #815BEA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EBBD5C shade: #EBBD5C, #5BEABB and #BB5BEA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EBBD5C shade: #EBBD5C, #6EEA5B, #5B8BEA and #D75BEA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EBBD5C shade: #EBBD5C, #5BEA73, #5B8BEA and #EA5BD2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 61 / 8

HEX #EBBD5C

RGB 235 189 92

HSL 40.7, 0.78%, 0.64%

LAB 78.94, 5.87, 54.25

 

Complementary color

CMYK 88 / 60 / 0 / 36

HEX #1442A3

RGB 20 66 163

HSL 220.7, 0.78%, 0.36%

LAB 31.09, 23.63, -56.43

 

CMYK 0 / 21 / 64 / 6

HEX #F0BD57

RGB 240 189 87

HSL 40, 0.84%, 0.64%

LAB 79.39, 7.63, 57.18

 

CMYK 0 / 19 / 58 / 0

HEX #FFCF6A

RGB 255 207 106

HSL 40.67, 1%, 0.71%

LAB 85.47, 5.75, 55.72

 

CMYK 0 / 12 / 51 / 0

HEX #FFE17D

RGB 255 225 125

HSL 46.15, 1%, 0.75%

LAB 90.13, -1.96, 52.27

 

CMYK 0 / 5 / 44 / 0

HEX #FFF390

RGB 255 243 144

HSL 53.51, 1%, 0.78%

LAB 94.9, -9.24, 49.02

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA3

RGB 255 255 163

HSL 60, 1%, 0.82%

LAB 98.2, -13.17, 43.99

 

CMYK 0 / 20 / 61 / 8

HEX #EBBD5C

RGB 235 189 92

HSL 40.7, 0.78%, 0.64%

LAB 78.94, 5.87, 54.25

 

CMYK 0 / 22 / 67 / 15

HEX #DAAB49

RGB 218 171 73

HSL 40.55, 0.66%, 0.57%

LAB 72.57, 7, 55.4

 

CMYK 0 / 24 / 73 / 21

HEX #C99936

RGB 201 153 54

HSL 40.41, 0.58%, 0.5%

LAB 66.11, 8.32, 56.33

 

CMYK 0 / 27 / 81 / 28

HEX #B88723

RGB 184 135 35

HSL 40.27, 0.68%, 0.43%

LAB 59.56, 9.88, 56.75

 

CMYK 0 / 30 / 90 / 35

HEX #A77510

RGB 167 117 16

HSL 40.13, 0.83%, 0.36%

LAB 52.92, 11.72, 56.11

 

CMYK 0 / 20 / 61 / 8

HEX #EABC5B

RGB 234 188 91

HSL 40.7, 0.77%, 0.64%

LAB 78.59, 5.91, 54.29

 

CMYK 0 / 36 / 61 / 8

HEX #EA965B

RGB 234 150 91

HSL 24.76, 0.77%, 0.64%

LAB 69.51, 26.03, 43.76

 

CMYK 0 / 53 / 61 / 8

HEX #EA6F5B

RGB 234 111 91

HSL 8.39, 0.77%, 0.64%

LAB 61.32, 46.05, 33.77

 

CMYK 0 / 61 / 61 / 8

HEX #EA5B5B

RGB 234 91 91

HSL 0, 0.77%, 0.64%

LAB 57.78, 55.3, 29.29

 

CMYK 0 / 20 / 61 / 8

HEX #EABC5B

RGB 234 188 91

HSL 40.7, 0.77%, 0.64%

LAB 78.59, 5.91, 54.29

 

CMYK 0 / 3 / 61 / 8

HEX #EAE35B

RGB 234 227 91

HSL 57.06, 0.77%, 0.64%

LAB 88.54, -13.97, 65.26

 

CMYK 13 / 0 / 61 / 8

HEX #CBEA5B

RGB 203 234 91

HSL 73.01, 0.77%, 0.64%

LAB 88.11, -29.74, 64.13

 

CMYK 29 / 0 / 61 / 8

HEX #A5EA5B

RGB 165 234 91

HSL 88.95, 0.77%, 0.64%

LAB 85.81, -43.91, 60.94

 

CMYK 46 / 0 / 61 / 8

HEX #7EEA5B

RGB 126 234 91

HSL 105.31, 0.77%, 0.64%

LAB 83.98, -56.54, 58.41

 

CMYK 0 / 20 / 61 / 8

HEX #EABC5B

RGB 234 188 91

HSL 40.7, 0.77%, 0.64%

LAB 78.59, 5.91, 54.29

 

CMYK 0 / 22 / 69 / 2

HEX #F9C24C

RGB 249 194 76

HSL 40.92, 0.94%, 0.64%

LAB 81.43, 8.17, 64.39

 

CMYK 0 / 20 / 61 / 8

HEX #EABC5B

RGB 234 188 91

HSL 40.7, 0.77%, 0.64%

LAB 78.59, 5.91, 54.29

 

CMYK 0 / 16 / 52 / 14

HEX #DBB76A

RGB 219 183 106

HSL 40.88, 0.61%, 0.64%

LAB 76.05, 3.47, 43.68

 

CMYK 0 / 13 / 41 / 20

HEX #CDB279

RGB 205 178 121

HSL 40.71, 0.46%, 0.64%

LAB 73.68, 1.86, 32.7

 

CMYK 0 / 9 / 28 / 25

HEX #BEAC88

RGB 190 172 136

HSL 40, 0.29%, 0.64%

LAB 71.03, 0.91, 20.91

 

CMYK 0 / 5 / 14 / 31

HEX #AFA797

RGB 175 167 151

HSL 40, 0.13%, 0.64%

LAB 68.74, 0.1, 9.3

 

CMYK 0 / 53 / 61 / 8

HEX #EA6E5B

RGB 234 110 91

HSL 7.97, 0.77%, 0.64%

LAB 61.13, 46.53, 33.53

 

CMYK 0 / 37 / 61 / 8

HEX #EA945B

RGB 234 148 91

HSL 23.92, 0.77%, 0.64%

LAB 69.06, 27.09, 43.22

 

CMYK 0 / 20 / 61 / 8

HEX #EABB5B

RGB 234 187 91

HSL 40.28, 0.77%, 0.64%

LAB 78.34, 6.44, 54

 

CMYK 0 / 4 / 61 / 8

HEX #EAE15B

RGB 234 225 91

HSL 56.22, 0.77%, 0.64%

LAB 88.02, -12.98, 64.7

 

CMYK 12 / 0 / 61 / 8

HEX #CEEA5B

RGB 206 234 91

HSL 71.75, 0.77%, 0.64%

LAB 88.32, -28.57, 64.41

 

CMYK 0 / 29 / 88 / 15

HEX #D99B1A

RGB 217 155 26

HSL 40.52, 0.79%, 0.48%

LAB 68.22, 13.31, 68.14

 

CMYK 0 / 25 / 77 / 10

HEX #E6AD36

RGB 230 173 54

HSL 40.57, 0.78%, 0.56%

LAB 74.17, 10.16, 65.19

 

CMYK 0 / 20 / 61 / 8

HEX #EABC5B

RGB 234 188 91

HSL 40.7, 0.77%, 0.64%

LAB 78.59, 5.91, 54.29

 

CMYK 0 / 15 / 46 / 6

HEX #EFCB80

RGB 239 203 128

HSL 40.54, 0.78%, 0.72%

LAB 83.24, 3.16, 41.98

 

CMYK 0 / 10 / 32 / 5

HEX #F3DAA5

RGB 243 218 165

HSL 40.77, 0.76%, 0.8%

LAB 87.93, 1.03, 29.28

 

CMYK 0 / 20 / 61 / 8

HEX #EBBD5C

RGB 235 189 92

HSL 40.7, 0.78%, 0.64%

LAB 78.94, 5.87, 54.25

 

CMYK 53 / 0 / 61 / 8

HEX #6EEA5B

RGB 110 234 91

HSL 112.03, 0.77%, 0.64%

LAB 83.4, -60.93, 57.59

 

CMYK 45 / 61 / 0 / 8

HEX #815BEA

RGB 129 91 234

HSL 255.94, 0.77%, 0.64%

LAB 49.6, 48.5, -67.27

 

CMYK 0 / 20 / 61 / 8

HEX #EBBD5C

RGB 235 189 92

HSL 40.7, 0.78%, 0.64%

LAB 78.94, 5.87, 54.25

 

CMYK 61 / 0 / 20 / 8

HEX #5BEABB

RGB 91 234 187

HSL 160.28, 0.77%, 0.64%

LAB 84.31, -49.4, 11.53

 

CMYK 20 / 61 / 0 / 8

HEX #BB5BEA

RGB 187 91 234

HSL 280.28, 0.77%, 0.64%

LAB 56.08, 61.15, -56.51

 

CMYK 0 / 20 / 61 / 8

HEX #EBBD5C

RGB 235 189 92

HSL 40.7, 0.78%, 0.64%

LAB 78.94, 5.87, 54.25

 

CMYK 53 / 0 / 61 / 8

HEX #6EEA5B

RGB 110 234 91

HSL 112.03, 0.77%, 0.64%

LAB 83.4, -60.93, 57.59

 

CMYK 61 / 41 / 0 / 8

HEX #5B8BEA

RGB 91 139 234

HSL 219.86, 0.77%, 0.64%

LAB 58.63, 12.58, -52.91

 

CMYK 8 / 61 / 0 / 8

HEX #D75BEA

RGB 215 91 234

HSL 292.03, 0.77%, 0.64%

LAB 59.77, 67.71, -50.4

 

CMYK 0 / 20 / 61 / 8

HEX #EBBD5C

RGB 235 189 92

HSL 40.7, 0.78%, 0.64%

LAB 78.94, 5.87, 54.25

 

CMYK 61 / 0 / 51 / 8

HEX #5BEA73

RGB 91 234 115

HSL 130.07, 0.77%, 0.64%

LAB 83.08, -62.53, 46.26

 

CMYK 61 / 41 / 0 / 8

HEX #5B8BEA

RGB 91 139 234

HSL 219.86, 0.77%, 0.64%

LAB 58.63, 12.58, -52.91

 

CMYK 0 / 61 / 10 / 8

HEX #EA5BD2

RGB 234 91 210

HSL 310.07, 0.77%, 0.64%

LAB 61.33, 68.42, -34.28

 

Description

Color code: HEX #EBBD5C | qconv.com Color code: HEX #EBBD5C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 189 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 189 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 61 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 61% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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