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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EBE45A it is the complementary color #141BA5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EBE45A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EBE45A shade: #F0E455, #FFF668, #FFFF7B, #FFFF8E and #FFFFA1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EBE45A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EBE45A shade: #EBE45A, #DAD247, #C9C034, #B8AE21 and #A79C0E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EBE45A shade: #EAE35B, #EABD5B, #EA965B, #EA705B and #EA5B5B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EBE45A shade: #EAE35B, #CBEA5B, #A4EA5B, #7DEA5B and #5BEA5F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EBE45A shade matches the following richer shades: #EAE35B and #F9F14C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EBE45A shade: #EAE35B, #DBD66A, #CDC979, #BEBB88 and #AFAE97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EBE45A shade: #EA975B, #EABD5B, #EAE35B, #CBEA5B and #A5EA5B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EBE45A shade: #D9CF1A, #E6DD36, #EAE35B, #EFE980 and #F3F0A5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EBE45A shade: #EBE45A, #5BEA71 and #AA5BEA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EBE45A shade: #EBE45A, #5BEAE3 and #E35BEA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EBE45A shade: #EBE45A, #5BEA71, #5B62EA and #EA5BD5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EBE45A shade: #EBE45A, #5BEA9C, #5B62EA and #EA5BAA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 62 / 8

HEX #EBE45A

RGB 235 228 90

HSL 57.1, 0.78%, 0.64%

LAB 88.87, -14.12, 66.05

 

Complementary color

CMYK 88 / 84 / 0 / 35

HEX #141BA5

RGB 20 27 165

HSL 237.1, 0.78%, 0.36%

LAB 22.48, 48.35, -71.84

 

CMYK 0 / 5 / 65 / 6

HEX #F0E455

RGB 240 228 85

HSL 55.35, 0.84%, 0.64%

LAB 89.24, -12.37, 68.59

 

CMYK 0 / 4 / 59 / 0

HEX #FFF668

RGB 255 246 104

HSL 56.42, 1%, 0.7%

LAB 95.23, -13.96, 67.58

 

CMYK 0 / 0 / 52 / 0

HEX #FFFF7B

RGB 255 255 123

HSL 60, 1%, 0.74%

LAB 97.72, -16.94, 62.16

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF8E

RGB 255 255 142

HSL 60, 1%, 0.78%

LAB 97.93, -15.3, 53.71

 

CMYK 0 / 0 / 37 / 0

HEX #FFFFA1

RGB 255 255 161

HSL 60, 1%, 0.82%

LAB 98.17, -13.39, 44.93

 

CMYK 0 / 3 / 62 / 8

HEX #EBE45A

RGB 235 228 90

HSL 57.1, 0.78%, 0.64%

LAB 88.87, -14.12, 66.05

 

CMYK 0 / 4 / 67 / 15

HEX #DAD247

RGB 218 210 71

HSL 56.73, 0.67%, 0.57%

LAB 82.62, -13.3, 66.69

 

CMYK 0 / 4 / 74 / 21

HEX #C9C034

RGB 201 192 52

HSL 56.38, 0.59%, 0.5%

LAB 76.29, -12.33, 66.91

 

CMYK 0 / 5 / 82 / 28

HEX #B8AE21

RGB 184 174 33

HSL 56.03, 0.7%, 0.43%

LAB 69.88, -11.16, 66.38

 

CMYK 0 / 7 / 92 / 35

HEX #A79C0E

RGB 167 156 14

HSL 55.69, 0.85%, 0.35%

LAB 63.36, -9.77, 64.62

 

CMYK 0 / 3 / 61 / 8

HEX #EAE35B

RGB 234 227 91

HSL 57.06, 0.77%, 0.64%

LAB 88.54, -13.97, 65.26

 

CMYK 0 / 19 / 61 / 8

HEX #EABD5B

RGB 234 189 91

HSL 41.12, 0.77%, 0.64%

LAB 78.84, 5.39, 54.57

 

CMYK 0 / 36 / 61 / 8

HEX #EA965B

RGB 234 150 91

HSL 24.76, 0.77%, 0.64%

LAB 69.51, 26.03, 43.76

 

CMYK 0 / 52 / 61 / 8

HEX #EA705B

RGB 234 112 91

HSL 8.81, 0.77%, 0.64%

LAB 61.51, 45.56, 34

 

CMYK 0 / 61 / 61 / 8

HEX #EA5B5B

RGB 234 91 91

HSL 0, 0.77%, 0.64%

LAB 57.78, 55.3, 29.29

 

CMYK 0 / 3 / 61 / 8

HEX #EAE35B

RGB 234 227 91

HSL 57.06, 0.77%, 0.64%

LAB 88.54, -13.97, 65.26

 

CMYK 13 / 0 / 61 / 8

HEX #CBEA5B

RGB 203 234 91

HSL 73.01, 0.77%, 0.64%

LAB 88.11, -29.74, 64.13

 

CMYK 30 / 0 / 61 / 8

HEX #A4EA5B

RGB 164 234 91

HSL 89.37, 0.77%, 0.64%

LAB 85.75, -44.27, 60.87

 

CMYK 47 / 0 / 61 / 8

HEX #7DEA5B

RGB 125 234 91

HSL 105.73, 0.77%, 0.64%

LAB 83.95, -56.83, 58.35

 

CMYK 61 / 0 / 59 / 8

HEX #5BEA5F

RGB 91 234 95

HSL 121.68, 0.77%, 0.64%

LAB 82.86, -65.01, 55.1

 

CMYK 0 / 3 / 61 / 8

HEX #EAE35B

RGB 234 227 91

HSL 57.06, 0.77%, 0.64%

LAB 88.54, -13.97, 65.26

 

CMYK 0 / 3 / 69 / 2

HEX #F9F14C

RGB 249 241 76

HSL 57.23, 0.94%, 0.64%

LAB 93.26, -15.54, 76.27

 

CMYK 0 / 3 / 61 / 8

HEX #EAE35B

RGB 234 227 91

HSL 57.06, 0.77%, 0.64%

LAB 88.54, -13.97, 65.26

 

CMYK 0 / 2 / 52 / 14

HEX #DBD66A

RGB 219 214 106

HSL 57.35, 0.61%, 0.64%

LAB 84.07, -12.5, 53.28

 

CMYK 0 / 2 / 41 / 20

HEX #CDC979

RGB 205 201 121

HSL 57.14, 0.46%, 0.64%

LAB 79.69, -10.14, 40.4

 

CMYK 0 / 2 / 28 / 25

HEX #BEBB88

RGB 190 187 136

HSL 56.67, 0.29%, 0.64%

LAB 74.99, -7.04, 26.28

 

CMYK 0 / 1 / 14 / 31

HEX #AFAE97

RGB 175 174 151

HSL 57.5, 0.13%, 0.64%

LAB 70.61, -3.68, 11.95

 

CMYK 0 / 35 / 61 / 8

HEX #EA975B

RGB 234 151 91

HSL 25.17, 0.77%, 0.64%

LAB 69.74, 25.5, 44.03

 

CMYK 0 / 19 / 61 / 8

HEX #EABD5B

RGB 234 189 91

HSL 41.12, 0.77%, 0.64%

LAB 78.84, 5.39, 54.57

 

CMYK 0 / 3 / 61 / 8

HEX #EAE35B

RGB 234 227 91

HSL 57.06, 0.77%, 0.64%

LAB 88.54, -13.97, 65.26

 

CMYK 13 / 0 / 61 / 8

HEX #CBEA5B

RGB 203 234 91

HSL 73.01, 0.77%, 0.64%

LAB 88.11, -29.74, 64.13

 

CMYK 29 / 0 / 61 / 8

HEX #A5EA5B

RGB 165 234 91

HSL 88.95, 0.77%, 0.64%

LAB 85.81, -43.91, 60.94

 

CMYK 0 / 5 / 88 / 15

HEX #D9CF1A

RGB 217 207 26

HSL 56.86, 0.79%, 0.48%

LAB 81.54, -13.82, 78.67

 

CMYK 0 / 4 / 77 / 10

HEX #E6DD36

RGB 230 221 54

HSL 56.93, 0.78%, 0.56%

LAB 86.41, -14.51, 76.46

 

CMYK 0 / 3 / 61 / 8

HEX #EAE35B

RGB 234 227 91

HSL 57.06, 0.77%, 0.64%

LAB 88.54, -13.97, 65.26

 

CMYK 0 / 3 / 46 / 6

HEX #EFE980

RGB 239 233 128

HSL 56.76, 0.78%, 0.72%

LAB 90.87, -12.05, 51.42

 

CMYK 0 / 1 / 32 / 5

HEX #F3F0A5

RGB 243 240 165

HSL 57.69, 0.76%, 0.8%

LAB 93.49, -10.08, 36.69

 

CMYK 0 / 3 / 62 / 8

HEX #EBE45A

RGB 235 228 90

HSL 57.1, 0.78%, 0.64%

LAB 88.87, -14.12, 66.05

 

CMYK 61 / 0 / 52 / 8

HEX #5BEA71

RGB 91 234 113

HSL 129.23, 0.77%, 0.64%

LAB 83.05, -62.8, 47.17

 

CMYK 27 / 61 / 0 / 8

HEX #AA5BEA

RGB 170 91 234

HSL 273.15, 0.77%, 0.64%

LAB 53.99, 57.26, -59.96

 

CMYK 0 / 3 / 62 / 8

HEX #EBE45A

RGB 235 228 90

HSL 57.1, 0.78%, 0.64%

LAB 88.87, -14.12, 66.05

 

CMYK 61 / 0 / 3 / 8

HEX #5BEAE3

RGB 91 234 227

HSL 177.06, 0.77%, 0.64%

LAB 85.31, -39.61, -8.04

 

CMYK 3 / 61 / 0 / 8

HEX #E35BEA

RGB 227 91 234

HSL 297.06, 0.77%, 0.64%

LAB 61.44, 70.56, -47.65

 

CMYK 0 / 3 / 62 / 8

HEX #EBE45A

RGB 235 228 90

HSL 57.1, 0.78%, 0.64%

LAB 88.87, -14.12, 66.05

 

CMYK 61 / 0 / 52 / 8

HEX #5BEA71

RGB 91 234 113

HSL 129.23, 0.77%, 0.64%

LAB 83.05, -62.8, 47.17

 

CMYK 61 / 58 / 0 / 8

HEX #5B62EA

RGB 91 98 234

HSL 237.06, 0.77%, 0.64%

LAB 48.13, 37.53, -69.79

 

CMYK 0 / 61 / 9 / 8

HEX #EA5BD5

RGB 234 91 213

HSL 308.81, 0.77%, 0.64%

LAB 61.46, 68.88, -35.77

 

CMYK 0 / 3 / 62 / 8

HEX #EBE45A

RGB 235 228 90

HSL 57.1, 0.78%, 0.64%

LAB 88.87, -14.12, 66.05

 

CMYK 61 / 0 / 33 / 8

HEX #5BEA9C

RGB 91 234 156

HSL 147.27, 0.77%, 0.64%

LAB 83.69, -55.82, 26.74

 

CMYK 61 / 58 / 0 / 8

HEX #5B62EA

RGB 91 98 234

HSL 237.06, 0.77%, 0.64%

LAB 48.13, 37.53, -69.79

 

CMYK 0 / 61 / 27 / 8

HEX #EA5BAA

RGB 234 91 170

HSL 326.85, 0.77%, 0.64%

LAB 59.78, 62.86, -13.82

 

Description

Color code: HEX #EBE45A | qconv.com Color code: HEX #EBE45A | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 228 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 228 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 62 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 62% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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