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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EBE584 it is the complementary color #141A7B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EBE584. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EBE584 shade: #F0E57F, #FFF792, #FFFFA5, #FFFFB8 and #FFFFCB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EBE584. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EBE584 shade: #EBE584, #DAD371, #C9C15E, #B8AF4B and #A79D38

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EBE584 shade: #EBE584, #EBC984, #EBAD84, #EB9184 and #EB8484

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EBE584 shade: #EBE584, #D5EB84, #B9EB84, #9DEB84 and #84EB86

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EBE584 shade matches the following richer shades: #EBE584 and #F6EF78

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EBE584 shade: #EBE584, #DFDA8F, #D3D09B, #C8C6A6 and #BCBCB2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EBE584 shade: #EBAD84, #EBC884, #EBE484, #D6EB84 and #BBEB84

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EBE584 shade: #DFD53D, #E5DD60, #EBE584, #F0ECA7 and #F6F4CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EBE584 shade: #EBE584, #84EB91 and #BB84EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EBE584 shade: #EBE584, #84EBE4 and #E484EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EBE584 shade: #EBE584, #84EB91, #848BEB and #EB84DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EBE584 shade: #EBE584, #84EBB0, #848BEB and #EB84BE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 44 / 8

HEX #EBE584

RGB 235 229 132

HSL 56.5, 0.72%, 0.72%

LAB 89.56, -11.26, 47.83

 

Complementary color

CMYK 84 / 79 / 0 / 52

HEX #141A7B

RGB 20 26 123

HSL 236.5, 0.72%, 0.28%

LAB 17.07, 34.68, -54.67

 

CMYK 0 / 5 / 47 / 6

HEX #F0E57F

RGB 240 229 127

HSL 54.16, 0.79%, 0.72%

LAB 89.9, -9.76, 50.75

 

CMYK 0 / 3 / 43 / 0

HEX #FFF792

RGB 255 247 146

HSL 55.6, 1%, 0.79%

LAB 95.94, -11.02, 49.35

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA5

RGB 255 255 165

HSL 60, 1%, 0.82%

LAB 98.23, -12.95, 43.05

 

CMYK 0 / 0 / 28 / 0

HEX #FFFFB8

RGB 255 255 184

HSL 60, 1%, 0.86%

LAB 98.53, -10.7, 34.03

 

CMYK 0 / 0 / 20 / 0

HEX #FFFFCB

RGB 255 255 203

HSL 60, 1%, 0.9%

LAB 98.86, -8.19, 24.92

 

CMYK 0 / 3 / 44 / 8

HEX #EBE584

RGB 235 229 132

HSL 56.5, 0.72%, 0.72%

LAB 89.56, -11.26, 47.83

 

CMYK 0 / 3 / 48 / 15

HEX #DAD371

RGB 218 211 113

HSL 56, 0.59%, 0.65%

LAB 83.28, -10.79, 49

 

CMYK 0 / 4 / 53 / 21

HEX #C9C15E

RGB 201 193 94

HSL 55.51, 0.5%, 0.58%

LAB 76.9, -10.22, 50.16

 

CMYK 0 / 5 / 59 / 28

HEX #B8AF4B

RGB 184 175 75

HSL 55.05, 0.43%, 0.51%

LAB 70.43, -9.54, 51.23

 

CMYK 0 / 6 / 66 / 35

HEX #A79D38

RGB 167 157 56

HSL 54.59, 0.5%, 0.44%

LAB 63.85, -8.7, 52.11

 

CMYK 0 / 3 / 44 / 8

HEX #EBE584

RGB 235 229 132

HSL 56.5, 0.72%, 0.72%

LAB 89.56, -11.26, 47.83

 

CMYK 0 / 14 / 44 / 8

HEX #EBC984

RGB 235 201 132

HSL 40.19, 0.72%, 0.72%

LAB 82.43, 2.99, 38.86

 

CMYK 0 / 26 / 44 / 8

HEX #EBAD84

RGB 235 173 132

HSL 23.88, 0.72%, 0.72%

LAB 75.59, 17.73, 29.95

 

CMYK 0 / 38 / 44 / 8

HEX #EB9184

RGB 235 145 132

HSL 7.57, 0.72%, 0.72%

LAB 69.17, 32.58, 21.33

 

CMYK 0 / 44 / 44 / 8

HEX #EB8484

RGB 235 132 132

HSL 0, 0.72%, 0.72%

LAB 66.39, 39.35, 17.52

 

CMYK 0 / 3 / 44 / 8

HEX #EBE584

RGB 235 229 132

HSL 56.5, 0.72%, 0.72%

LAB 89.56, -11.26, 47.83

 

CMYK 9 / 0 / 44 / 8

HEX #D5EB84

RGB 213 235 132

HSL 72.82, 0.72%, 0.72%

LAB 89.5, -22.72, 47.39

 

CMYK 21 / 0 / 44 / 8

HEX #B9EB84

RGB 185 235 132

HSL 89.13, 0.72%, 0.72%

LAB 87.68, -33.07, 44.72

 

CMYK 33 / 0 / 44 / 8

HEX #9DEB84

RGB 157 235 132

HSL 105.44, 0.72%, 0.72%

LAB 86.13, -42.67, 42.45

 

CMYK 44 / 0 / 43 / 8

HEX #84EB86

RGB 132 235 134

HSL 121.17, 0.72%, 0.72%

LAB 85.02, -50.03, 39.82

 

CMYK 0 / 3 / 44 / 8

HEX #EBE584

RGB 235 229 132

HSL 56.5, 0.72%, 0.72%

LAB 89.56, -11.26, 47.83

 

CMYK 0 / 3 / 51 / 4

HEX #F6EF78

RGB 246 239 120

HSL 56.67, 0.88%, 0.72%

LAB 92.87, -12.94, 57.69

 

CMYK 0 / 3 / 44 / 8

HEX #EBE584

RGB 235 229 132

HSL 56.5, 0.72%, 0.72%

LAB 89.56, -11.26, 47.83

 

CMYK 0 / 2 / 36 / 13

HEX #DFDA8F

RGB 223 218 143

HSL 56.25, 0.56%, 0.72%

LAB 85.91, -9.27, 37.56

 

CMYK 0 / 1 / 27 / 17

HEX #D3D09B

RGB 211 208 155

HSL 56.79, 0.39%, 0.72%

LAB 82.55, -7.3, 26.76

 

CMYK 0 / 1 / 17 / 22

HEX #C8C6A6

RGB 200 198 166

HSL 56.47, 0.24%, 0.72%

LAB 79.28, -4.68, 16.32

 

CMYK 0 / 0 / 5 / 26

HEX #BCBCB2

RGB 188 188 178

HSL 60, 0.07%, 0.72%

LAB 75.99, -1.8, 5.05

 

CMYK 0 / 26 / 44 / 8

HEX #EBAD84

RGB 235 173 132

HSL 23.88, 0.72%, 0.72%

LAB 75.59, 17.73, 29.95

 

CMYK 0 / 15 / 44 / 8

HEX #EBC884

RGB 235 200 132

HSL 39.61, 0.72%, 0.72%

LAB 82.18, 3.51, 38.53

 

CMYK 0 / 3 / 44 / 8

HEX #EBE484

RGB 235 228 132

HSL 55.92, 0.72%, 0.72%

LAB 89.31, -10.76, 47.51

 

CMYK 9 / 0 / 44 / 8

HEX #D6EB84

RGB 214 235 132

HSL 72.23, 0.72%, 0.72%

LAB 89.57, -22.34, 47.5

 

CMYK 20 / 0 / 44 / 8

HEX #BBEB84

RGB 187 235 132

HSL 87.96, 0.72%, 0.72%

LAB 87.8, -32.36, 44.9

 

CMYK 0 / 4 / 73 / 13

HEX #DFD53D

RGB 223 213 61

HSL 56.3, 0.72%, 0.56%

LAB 83.76, -13.19, 71.57

 

CMYK 0 / 3 / 58 / 10

HEX #E5DD60

RGB 229 221 96

HSL 56.39, 0.72%, 0.64%

LAB 86.61, -12.7, 60.91

 

CMYK 0 / 3 / 44 / 8

HEX #EBE584

RGB 235 229 132

HSL 56.5, 0.72%, 0.72%

LAB 89.56, -11.26, 47.83

 

CMYK 0 / 2 / 30 / 6

HEX #F0ECA7

RGB 240 236 167

HSL 56.71, 0.71%, 0.8%

LAB 92.27, -8.97, 34.02

 

CMYK 0 / 1 / 17 / 4

HEX #F6F4CB

RGB 246 244 203

HSL 57.21, 0.7%, 0.88%

LAB 95.42, -5.93, 20.04

 

CMYK 0 / 3 / 44 / 8

HEX #EBE584

RGB 235 229 132

HSL 56.5, 0.72%, 0.72%

LAB 89.56, -11.26, 47.83

 

CMYK 44 / 0 / 38 / 8

HEX #84EB91

RGB 132 235 145

HSL 127.57, 0.72%, 0.72%

LAB 85.18, -48.37, 34.56

 

CMYK 20 / 44 / 0 / 8

HEX #BB84EB

RGB 187 132 235

HSL 272.04, 0.72%, 0.72%

LAB 64.21, 40.28, -44.16

 

CMYK 0 / 3 / 44 / 8

HEX #EBE584

RGB 235 229 132

HSL 56.5, 0.72%, 0.72%

LAB 89.56, -11.26, 47.83

 

CMYK 44 / 0 / 3 / 8

HEX #84EBE4

RGB 132 235 228

HSL 175.92, 0.72%, 0.72%

LAB 86.96, -31.66, -5.98

 

CMYK 3 / 44 / 0 / 8

HEX #E484EB

RGB 228 132 235

HSL 295.92, 0.72%, 0.72%

LAB 68.75, 51.98, -36.74

 

CMYK 0 / 3 / 44 / 8

HEX #EBE584

RGB 235 229 132

HSL 56.5, 0.72%, 0.72%

LAB 89.56, -11.26, 47.83

 

CMYK 44 / 0 / 38 / 8

HEX #84EB91

RGB 132 235 145

HSL 127.57, 0.72%, 0.72%

LAB 85.18, -48.37, 34.56

 

CMYK 44 / 41 / 0 / 8

HEX #848BEB

RGB 132 139 235

HSL 235.92, 0.72%, 0.72%

LAB 61.11, 21.69, -49.38

 

CMYK 0 / 44 / 6 / 8

HEX #EB84DD

RGB 235 132 221

HSL 308.16, 0.72%, 0.72%

LAB 69.03, 51.57, -28.51

 

CMYK 0 / 3 / 44 / 8

HEX #EBE584

RGB 235 229 132

HSL 56.5, 0.72%, 0.72%

LAB 89.56, -11.26, 47.83

 

CMYK 44 / 0 / 25 / 8

HEX #84EBB0

RGB 132 235 176

HSL 145.63, 0.72%, 0.72%

LAB 85.73, -42.95, 19.46

 

CMYK 44 / 41 / 0 / 8

HEX #848BEB

RGB 132 139 235

HSL 235.92, 0.72%, 0.72%

LAB 61.11, 21.69, -49.38

 

CMYK 0 / 44 / 19 / 8

HEX #EB84BE

RGB 235 132 190

HSL 326.21, 0.72%, 0.72%

LAB 67.93, 46.65, -12.91

 

Description

Color code: HEX #EBE584 | qconv.com Color code: HEX #EBE584 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 229 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 229 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 44 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 44% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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