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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EC46AD it is the complementary color #13B952. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EC46AD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EC46AD shade: #F146A8, #FF58BB, #FF6ACE, #FF7CE1 and #FF8EF4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EC46AD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EC46AD shade: #EC46AD, #DB349A, #CA2287, #B91074 and #A80061

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EC46AD shade: #EB46AC, #EB4680, #EB4653 and #EB4646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EC46AD shade: #EB46AC, #EB46D9, #D146EB, #A446EB and #7846EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EC46AD shade matches the following richer shades: #EB46AC and #FC35B0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EC46AD shade: #EB46AC, #DB56A8, #CA67A4, #BA77A0 and #A9889D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EC46AD shade: #D046EB, #EB46DB, #EB46AF, #EB4682 and #EB4656

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EC46AD shade: #CA1585, #E7219C, #EB46AC, #EF6BBD and #F391CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EC46AD shade: #EC46AD, #EBA446 and #46EBE6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EC46AD shade: #EC46AD, #AFEB46 and #46AFEB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EC46AD shade: #EC46AD, #EBA446, #46EB82 and #468DEB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EC46AD shade: #EC46AD, #EBD546, #46EB82 and #465CEB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 27 / 7

HEX #EC46AD

RGB 236 70 173

HSL 322.77, 0.81%, 0.6%

LAB 57.3, 71.8, -19.29

 

Complementary color

CMYK 90 / 0 / 56 / 27

HEX #13B952

RGB 19 185 82

HSL 142.77, 0.81%, 0.4%

LAB 66.09, -60.78, 41.04

 

CMYK 0 / 71 / 30 / 5

HEX #F146A8

RGB 241 70 168

HSL 325.61, 0.86%, 0.61%

LAB 57.95, 72.48, -15.32

 

CMYK 0 / 65 / 27 / 0

HEX #FF58BB

RGB 255 88 187

HSL 324.43, 1%, 0.67%

LAB 63.2, 71.97, -18.08

 

CMYK 0 / 58 / 19 / 0

HEX #FF6ACE

RGB 255 106 206

HSL 319.73, 1%, 0.71%

LAB 66.54, 67.19, -23.74

 

CMYK 0 / 51 / 12 / 0

HEX #FF7CE1

RGB 255 124 225

HSL 313.74, 1%, 0.74%

LAB 70.25, 61.94, -28.62

 

CMYK 0 / 44 / 4 / 0

HEX #FF8EF4

RGB 255 142 244

HSL 305.84, 1%, 0.78%

LAB 74.28, 56.4, -32.84

 

CMYK 0 / 70 / 27 / 7

HEX #EC46AD

RGB 236 70 173

HSL 322.77, 0.81%, 0.6%

LAB 57.3, 71.8, -19.29

 

CMYK 0 / 76 / 30 / 14

HEX #DB349A

RGB 219 52 154

HSL 323.35, 0.7%, 0.53%

LAB 51.67, 71.01, -16.98

 

CMYK 0 / 83 / 33 / 21

HEX #CA2287

RGB 202 34 135

HSL 323.93, 0.71%, 0.46%

LAB 46.24, 69.48, -14.1

 

CMYK 0 / 91 / 37 / 27

HEX #B91074

RGB 185 16 116

HSL 324.5, 0.84%, 0.39%

LAB 41.13, 66.88, -10.44

 

CMYK 0 / 100 / 42 / 34

HEX #A80061

RGB 168 0 97

HSL 325.36, 1%, 0.33%

LAB 36.34, 63.13, -5.95

 

CMYK 0 / 70 / 27 / 8

HEX #EB46AC

RGB 235 70 172

HSL 322.91, 0.8%, 0.6%

LAB 57.1, 71.42, -19.03

 

CMYK 0 / 70 / 46 / 8

HEX #EB4680

RGB 235 70 128

HSL 338.91, 0.8%, 0.6%

LAB 55.69, 66.78, 4.74

 

CMYK 0 / 70 / 65 / 8

HEX #EB4653

RGB 235 70 83

HSL 355.27, 0.8%, 0.6%

LAB 54.73, 63.52, 30.07

 

CMYK 0 / 70 / 70 / 8

HEX #EB4646

RGB 235 70 70

HSL 0, 0.8%, 0.6%

LAB 54.54, 62.86, 37.31

 

CMYK 0 / 70 / 27 / 8

HEX #EB46AC

RGB 235 70 172

HSL 322.91, 0.8%, 0.6%

LAB 57.1, 71.42, -19.03

 

CMYK 0 / 70 / 8 / 8

HEX #EB46D9

RGB 235 70 217

HSL 306.55, 0.8%, 0.6%

LAB 59.02, 77.48, -41.84

 

CMYK 11 / 70 / 0 / 8

HEX #D146EB

RGB 209 70 235

HSL 290.55, 0.8%, 0.6%

LAB 56.02, 74.82, -56.99

 

CMYK 30 / 70 / 0 / 8

HEX #A446EB

RGB 164 70 235

HSL 274.18, 0.8%, 0.6%

LAB 49.82, 65.9, -67.29

 

CMYK 49 / 70 / 0 / 8

HEX #7846EB

RGB 120 70 235

HSL 258.18, 0.8%, 0.6%

LAB 44.76, 58.16, -75.75

 

CMYK 0 / 70 / 27 / 8

HEX #EB46AC

RGB 235 70 172

HSL 322.91, 0.8%, 0.6%

LAB 57.1, 71.42, -19.03

 

CMYK 0 / 79 / 30 / 1

HEX #FC35B0

RGB 252 53 176

HSL 322.91, 0.97%, 0.6%

LAB 58.39, 80.95, -19.12

 

CMYK 0 / 70 / 27 / 8

HEX #EB46AC

RGB 235 70 172

HSL 322.91, 0.8%, 0.6%

LAB 57.1, 71.42, -19.03

 

CMYK 0 / 61 / 23 / 14

HEX #DB56A8

RGB 219 86 168

HSL 323.01, 0.65%, 0.6%

LAB 56.63, 60.42, -17.66

 

CMYK 0 / 49 / 19 / 21

HEX #CA67A4

RGB 202 103 164

HSL 323.03, 0.48%, 0.6%

LAB 57.01, 46.74, -14.98

 

CMYK 0 / 36 / 14 / 27

HEX #BA77A0

RGB 186 119 160

HSL 323.28, 0.33%, 0.6%

LAB 58.2, 32.28, -11.08

 

CMYK 0 / 20 / 7 / 34

HEX #A9889D

RGB 169 136 157

HSL 321.82, 0.16%, 0.6%

LAB 60.32, 16.15, -6.39

 

CMYK 11 / 70 / 0 / 8

HEX #D046EB

RGB 208 70 235

HSL 290.18, 0.8%, 0.6%

LAB 55.88, 74.62, -57.23

 

CMYK 0 / 70 / 7 / 8

HEX #EB46DB

RGB 235 70 219

HSL 305.82, 0.8%, 0.6%

LAB 59.12, 77.77, -42.82

 

CMYK 0 / 70 / 26 / 8

HEX #EB46AF

RGB 235 70 175

HSL 321.82, 0.8%, 0.6%

LAB 57.21, 71.79, -20.6

 

CMYK 0 / 70 / 45 / 8

HEX #EB4682

RGB 235 70 130

HSL 338.18, 0.8%, 0.6%

LAB 55.74, 66.96, 3.63

 

CMYK 0 / 70 / 63 / 8

HEX #EB4656

RGB 235 70 86

HSL 354.18, 0.8%, 0.6%

LAB 54.78, 63.69, 28.38

 

CMYK 0 / 90 / 34 / 21

HEX #CA1585

RGB 202 21 133

HSL 322.87, 0.81%, 0.44%

LAB 45.34, 71.66, -14.25

 

CMYK 0 / 86 / 32 / 9

HEX #E7219C

RGB 231 33 156

HSL 322.73, 0.8%, 0.52%

LAB 52.37, 78.42, -16.9

 

CMYK 0 / 70 / 27 / 8

HEX #EB46AC

RGB 235 70 172

HSL 322.91, 0.8%, 0.6%

LAB 57.1, 71.42, -19.03

 

CMYK 0 / 55 / 21 / 6

HEX #EF6BBD

RGB 239 107 189

HSL 322.73, 0.8%, 0.68%

LAB 63.79, 59.82, -18.55

 

CMYK 0 / 40 / 15 / 5

HEX #F391CE

RGB 243 145 206

HSL 322.65, 0.8%, 0.76%

LAB 72.07, 45.05, -15.49

 

CMYK 0 / 70 / 27 / 7

HEX #EC46AD

RGB 236 70 173

HSL 322.77, 0.81%, 0.6%

LAB 57.3, 71.8, -19.29

 

CMYK 0 / 30 / 70 / 8

HEX #EBA446

RGB 235 164 70

HSL 34.18, 0.8%, 0.6%

LAB 72.66, 17.77, 57.38

 

CMYK 70 / 0 / 2 / 8

HEX #46EBE6

RGB 70 235 230

HSL 178.18, 0.8%, 0.6%

LAB 85.22, -42.25, -9.81

 

CMYK 0 / 70 / 27 / 7

HEX #EC46AD

RGB 236 70 173

HSL 322.77, 0.81%, 0.6%

LAB 57.3, 71.8, -19.29

 

CMYK 26 / 0 / 70 / 8

HEX #AFEB46

RGB 175 235 70

HSL 81.82, 0.8%, 0.6%

LAB 86.49, -42.24, 69.97

 

CMYK 70 / 26 / 0 / 8

HEX #46AFEB

RGB 70 175 235

HSL 201.82, 0.8%, 0.6%

LAB 67.99, -11.14, -38.76

 

CMYK 0 / 70 / 27 / 7

HEX #EC46AD

RGB 236 70 173

HSL 322.77, 0.81%, 0.6%

LAB 57.3, 71.8, -19.29

 

CMYK 0 / 30 / 70 / 8

HEX #EBA446

RGB 235 164 70

HSL 34.18, 0.8%, 0.6%

LAB 72.66, 17.77, 57.38

 

CMYK 70 / 0 / 45 / 8

HEX #46EB82

RGB 70 235 130

HSL 141.82, 0.8%, 0.6%

LAB 83.09, -64.46, 38.93

 

CMYK 70 / 40 / 0 / 8

HEX #468DEB

RGB 70 141 235

HSL 214.18, 0.8%, 0.6%

LAB 58.37, 8.32, -53.93

 

CMYK 0 / 70 / 27 / 7

HEX #EC46AD

RGB 236 70 173

HSL 322.77, 0.81%, 0.6%

LAB 57.3, 71.8, -19.29

 

CMYK 0 / 9 / 70 / 8

HEX #EBD546

RGB 235 213 70

HSL 52, 0.8%, 0.6%

LAB 84.84, -7.74, 69.76

 

CMYK 70 / 0 / 45 / 8

HEX #46EB82

RGB 70 235 130

HSL 141.82, 0.8%, 0.6%

LAB 83.09, -64.46, 38.93

 

CMYK 70 / 61 / 0 / 8

HEX #465CEB

RGB 70 92 235

HSL 232, 0.8%, 0.6%

LAB 45.57, 38.54, -74.58

 

Description

Color code: HEX #EC46AD | qconv.com Color code: HEX #EC46AD | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 70 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 70 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 27 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 27% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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