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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EC6F85 it is the complementary color #13907A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EC6F85. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EC6F85 shade: #F16F80, #FF8193, #FF93A6, #FFA5B9 and #FFB7CC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EC6F85. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EC6F85 shade: #EC6F85, #DB5D72, #CA4B5F, #B9394C and #A82739

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EC6F85 shade: #EC6E84 and #EC6E6E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EC6F85 shade: #EC6E84, #EC6EA6, #EC6EC8, #EC6EEA and #CC6EEC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EC6F85 shade matches the following richer shades: #EC6E84 and #F9617C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EC6F85 shade: #EC6E84, #DF7B8D, #D18895, #C4969E and #B7A3A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EC6F85 shade: #EC6EC8, #EC6EA7, #EC6E85, #EC796E and #EC9A6E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EC6F85 shade: #E22546, #E74A65, #EC6E84, #F093A3 and #F5B7C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EC6F85 shade: #EC6F85, #EAEC6E and #6EB7EC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EC6F85 shade: #EC6F85, #85EC6E and #6E85EC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EC6F85 shade: #EC6F85, #EAEC6E, #6EECD5 and #706EEC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EC6F85 shade: #EC6F85, #C4EC6E, #6EECD5 and #966EEC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 44 / 7

HEX #EC6F85

RGB 236 111 133

HSL 349.44, 0.77%, 0.68%

LAB 62.42, 50.27, 11.43

 

Complementary color

CMYK 87 / 0 / 15 / 44

HEX #13907A

RGB 19 144 122

HSL 169.44, 0.77%, 0.32%

LAB 53.48, -36.98, 2.73

 

CMYK 0 / 54 / 47 / 5

HEX #F16F80

RGB 241 111 128

HSL 352.15, 0.82%, 0.69%

LAB 63.03, 51.49, 15.27

 

CMYK 0 / 49 / 42 / 0

HEX #FF8193

RGB 255 129 147

HSL 351.43, 1%, 0.75%

LAB 68.8, 49.51, 12.85

 

CMYK 0 / 42 / 35 / 0

HEX #FF93A6

RGB 255 147 166

HSL 349.44, 1%, 0.79%

LAB 72.81, 42.64, 7.94

 

CMYK 0 / 35 / 27 / 0

HEX #FFA5B9

RGB 255 165 185

HSL 346.67, 1%, 0.82%

LAB 77.08, 35.76, 3.63

 

CMYK 0 / 28 / 20 / 0

HEX #FFB7CC

RGB 255 183 204

HSL 342.5, 1%, 0.86%

LAB 81.56, 29.02, -0.17

 

CMYK 0 / 53 / 44 / 7

HEX #EC6F85

RGB 236 111 133

HSL 349.44, 0.77%, 0.68%

LAB 62.42, 50.27, 11.43

 

CMYK 0 / 58 / 48 / 14

HEX #DB5D72

RGB 219 93 114

HSL 350, 0.64%, 0.61%

LAB 56.19, 51.15, 13.36

 

CMYK 0 / 63 / 53 / 21

HEX #CA4B5F

RGB 202 75 95

HSL 350.55, 0.55%, 0.54%

LAB 50, 51.91, 15.67

 

CMYK 0 / 69 / 59 / 27

HEX #B9394C

RGB 185 57 76

HSL 351.09, 0.53%, 0.47%

LAB 43.89, 52.41, 18.48

 

CMYK 0 / 77 / 66 / 34

HEX #A82739

RGB 168 39 57

HSL 351.63, 0.62%, 0.41%

LAB 37.97, 52.43, 21.98

 

CMYK 0 / 53 / 44 / 7

HEX #EC6E84

RGB 236 110 132

HSL 349.52, 0.77%, 0.68%

LAB 62.21, 50.64, 11.71

 

CMYK 0 / 53 / 53 / 7

HEX #EC6E6E

RGB 236 110 110

HSL 0, 0.77%, 0.68%

LAB 61.75, 48.66, 23.68

 

CMYK 0 / 53 / 44 / 7

HEX #EC6E84

RGB 236 110 132

HSL 349.52, 0.77%, 0.68%

LAB 62.21, 50.64, 11.71

 

CMYK 0 / 53 / 30 / 7

HEX #EC6EA6

RGB 236 110 166

HSL 333.33, 0.77%, 0.68%

LAB 63.13, 54.47, -6.48

 

CMYK 0 / 53 / 15 / 7

HEX #EC6EC8

RGB 236 110 200

HSL 317.14, 0.77%, 0.68%

LAB 64.29, 59.16, -24.05

 

CMYK 0 / 53 / 1 / 7

HEX #EC6EEA

RGB 236 110 234

HSL 300.95, 0.77%, 0.68%

LAB 65.69, 64.59, -40.88

 

CMYK 14 / 53 / 0 / 7

HEX #CC6EEC

RGB 204 110 236

HSL 284.76, 0.77%, 0.68%

LAB 61.69, 56.59, -48.56

 

CMYK 0 / 53 / 44 / 7

HEX #EC6E84

RGB 236 110 132

HSL 349.52, 0.77%, 0.68%

LAB 62.21, 50.64, 11.71

 

CMYK 0 / 61 / 50 / 2

HEX #F9617C

RGB 249 97 124

HSL 349.34, 0.93%, 0.68%

LAB 61.78, 60.08, 16.02

 

CMYK 0 / 53 / 44 / 7

HEX #EC6E84

RGB 236 110 132

HSL 349.52, 0.77%, 0.68%

LAB 62.21, 50.64, 11.71

 

CMYK 0 / 45 / 37 / 13

HEX #DF7B8D

RGB 223 123 141

HSL 349.2, 0.61%, 0.68%

LAB 63.16, 40.61, 7.65

 

CMYK 0 / 35 / 29 / 18

HEX #D18895

RGB 209 136 149

HSL 349.32, 0.44%, 0.68%

LAB 64.43, 29.64, 4.69

 

CMYK 0 / 23 / 19 / 23

HEX #C4969E

RGB 196 150 158

HSL 349.57, 0.28%, 0.68%

LAB 66.53, 18.46, 2.48

 

CMYK 0 / 11 / 9 / 28

HEX #B7A3A6

RGB 183 163 166

HSL 351, 0.12%, 0.68%

LAB 68.76, 7.8, 1.1

 

CMYK 0 / 53 / 15 / 7

HEX #EC6EC8

RGB 236 110 200

HSL 317.14, 0.77%, 0.68%

LAB 64.29, 59.16, -24.05

 

CMYK 0 / 53 / 29 / 7

HEX #EC6EA7

RGB 236 110 167

HSL 332.86, 0.77%, 0.68%

LAB 63.16, 54.6, -7.01

 

CMYK 0 / 53 / 44 / 7

HEX #EC6E85

RGB 236 110 133

HSL 349.05, 0.77%, 0.68%

LAB 62.24, 50.74, 11.17

 

CMYK 0 / 49 / 53 / 7

HEX #EC796E

RGB 236 121 110

HSL 5.24, 0.77%, 0.68%

LAB 63.86, 43.27, 26.49

 

CMYK 0 / 35 / 53 / 7

HEX #EC9A6E

RGB 236 154 110

HSL 20.95, 0.77%, 0.68%

LAB 70.92, 26.16, 35.62

 

CMYK 0 / 84 / 69 / 11

HEX #E22546

RGB 226 37 70

HSL 349.52, 0.77%, 0.52%

LAB 49.42, 69.92, 30.77

 

CMYK 0 / 68 / 56 / 9

HEX #E74A65

RGB 231 74 101

HSL 349.68, 0.77%, 0.6%

LAB 54.89, 61.97, 19.56

 

CMYK 0 / 53 / 44 / 7

HEX #EC6E84

RGB 236 110 132

HSL 349.52, 0.77%, 0.68%

LAB 62.21, 50.64, 11.71

 

CMYK 0 / 39 / 32 / 6

HEX #F093A3

RGB 240 147 163

HSL 349.68, 0.76%, 0.76%

LAB 70.9, 36.94, 6.62

 

CMYK 0 / 25 / 21 / 4

HEX #F5B7C2

RGB 245 183 194

HSL 349.35, 0.76%, 0.84%

LAB 80.28, 24, 3.23

 

CMYK 0 / 53 / 44 / 7

HEX #EC6F85

RGB 236 111 133

HSL 349.44, 0.77%, 0.68%

LAB 62.42, 50.27, 11.43

 

CMYK 1 / 0 / 53 / 7

HEX #EAEC6E

RGB 234 236 110

HSL 60.95, 0.77%, 0.68%

LAB 91.06, -17.04, 59.86

 

CMYK 53 / 22 / 0 / 7

HEX #6EB7EC

RGB 110 183 236

HSL 205.24, 0.77%, 0.68%

LAB 71.72, -8.12, -33.4

 

CMYK 0 / 53 / 44 / 7

HEX #EC6F85

RGB 236 111 133

HSL 349.44, 0.77%, 0.68%

LAB 62.42, 50.27, 11.43

 

CMYK 44 / 0 / 53 / 7

HEX #85EC6E

RGB 133 236 110

HSL 109.05, 0.77%, 0.68%

LAB 85.05, -53.26, 51.31

 

CMYK 53 / 44 / 0 / 7

HEX #6E85EC

RGB 110 133 236

HSL 229.05, 0.77%, 0.68%

LAB 58.18, 20.55, -54.68

 

CMYK 0 / 53 / 44 / 7

HEX #EC6F85

RGB 236 111 133

HSL 349.44, 0.77%, 0.68%

LAB 62.42, 50.27, 11.43

 

CMYK 1 / 0 / 53 / 7

HEX #EAEC6E

RGB 234 236 110

HSL 60.95, 0.77%, 0.68%

LAB 91.06, -17.04, 59.86

 

CMYK 53 / 0 / 10 / 7

HEX #6EECD5

RGB 110 236 213

HSL 169.05, 0.77%, 0.68%

LAB 86.06, -40.55, 0.49

 

CMYK 53 / 53 / 0 / 7

HEX #706EEC

RGB 112 110 236

HSL 240.95, 0.77%, 0.68%

LAB 52.57, 34.74, -63.67

 

CMYK 0 / 53 / 44 / 7

HEX #EC6F85

RGB 236 111 133

HSL 349.44, 0.77%, 0.68%

LAB 62.42, 50.27, 11.43

 

CMYK 17 / 0 / 53 / 7

HEX #C4EC6E

RGB 196 236 110

HSL 79.05, 0.77%, 0.68%

LAB 88.38, -31.8, 56.06

 

CMYK 53 / 0 / 10 / 7

HEX #6EECD5

RGB 110 236 213

HSL 169.05, 0.77%, 0.68%

LAB 86.06, -40.55, 0.49

 

CMYK 36 / 53 / 0 / 7

HEX #966EEC

RGB 150 110 236

HSL 259.05, 0.77%, 0.68%

LAB 55.78, 43.07, -58.34

 

Description

Color code: HEX #EC6F85 | qconv.com Color code: HEX #EC6F85 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 111 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 111 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 44 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 44% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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