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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EDF394 it is the complementary color #120C6B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EDF394. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EDF394 shade: #F2F38F, #FFFFA2, #FFFFB5, #FFFFC8 and #FFFFDB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EDF394. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EDF394 shade: #EDF394, #DCE181, #CBCF6E, #BABD5B and #A9AB48

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EDF394 shade: #EDF395, #F3DF95, #F3C695, #F3AD95 and #F39595

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EDF394 shade: #EDF395, #D4F395, #BAF395, #A1F395 and #95F3A2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EDF394 shade matches the following richer shades: #EDF395 and #F5FC8B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EDF394 shade: #EDF395, #E5E99E, #DCE0A8, #D4D6B1 and #CCCDBB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EDF394 shade: #F3C595, #F3DE95, #EEF395, #D5F395 and #BCF395

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EDF394 shade: #E0EB4B, #E7EF70, #EDF395, #F3F7BA and #F9FBDF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EDF394 shade: #EDF394, #95F3AC and #D295F3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EDF394 shade: #EDF394, #95EEF3 and #F395EE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EDF394 shade: #EDF394, #95F3AC, #9A95F3 and #F395DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EDF394 shade: #EDF394, #95F3C9, #9A95F3 and #F395BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 39 / 5

HEX #EDF394

RGB 237 243 148

HSL 63.79, 0.8%, 0.77%

LAB 93.56, -15.76, 45.1

 

Complementary color

CMYK 83 / 89 / 0 / 58

HEX #120C6B

RGB 18 12 107

HSL 243.79, 0.8%, 0.23%

LAB 12.31, 36.61, -52.21

 

CMYK 0 / 0 / 41 / 5

HEX #F2F38F

RGB 242 243 143

HSL 60.6, 0.81%, 0.76%

LAB 93.87, -14.36, 47.99

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA2

RGB 255 255 162

HSL 60, 1%, 0.82%

LAB 98.19, -13.28, 44.46

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB5

RGB 255 255 181

HSL 60, 1%, 0.85%

LAB 98.48, -11.08, 35.46

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC8

RGB 255 255 200

HSL 60, 1%, 0.89%

LAB 98.81, -8.6, 26.37

 

CMYK 0 / 0 / 14 / 0

HEX #FFFFDB

RGB 255 255 219

HSL 60, 1%, 0.93%

LAB 99.18, -5.87, 17.23

 

CMYK 2 / 0 / 39 / 5

HEX #EDF394

RGB 237 243 148

HSL 63.79, 0.8%, 0.77%

LAB 93.56, -15.76, 45.1

 

CMYK 2 / 0 / 43 / 12

HEX #DCE181

RGB 220 225 129

HSL 63.13, 0.62%, 0.69%

LAB 87.32, -15.45, 46.24

 

CMYK 2 / 0 / 47 / 19

HEX #CBCF6E

RGB 203 207 110

HSL 62.47, 0.5%, 0.62%

LAB 80.99, -15.08, 47.4

 

CMYK 2 / 0 / 52 / 26

HEX #BABD5B

RGB 186 189 91

HSL 61.84, 0.43%, 0.55%

LAB 74.57, -14.63, 48.54

 

CMYK 1 / 0 / 58 / 33

HEX #A9AB48

RGB 169 171 72

HSL 61.21, 0.41%, 0.48%

LAB 68.04, -14.07, 49.6

 

CMYK 2 / 0 / 39 / 5

HEX #EDF395

RGB 237 243 149

HSL 63.83, 0.8%, 0.77%

LAB 93.57, -15.65, 44.63

 

CMYK 0 / 8 / 39 / 5

HEX #F3DF95

RGB 243 223 149

HSL 47.23, 0.8%, 0.77%

LAB 88.92, -3.37, 38.75

 

CMYK 0 / 19 / 39 / 5

HEX #F3C695

RGB 243 198 149

HSL 31.28, 0.8%, 0.77%

LAB 82.71, 9.52, 30.58

 

CMYK 0 / 29 / 39 / 5

HEX #F3AD95

RGB 243 173 149

HSL 15.32, 0.8%, 0.77%

LAB 76.75, 22.69, 22.54

 

CMYK 0 / 39 / 39 / 5

HEX #F39595

RGB 243 149 149

HSL 0, 0.8%, 0.77%

LAB 71.36, 35.32, 15.1

 

CMYK 2 / 0 / 39 / 5

HEX #EDF395

RGB 237 243 149

HSL 63.83, 0.8%, 0.77%

LAB 93.57, -15.65, 44.63

 

CMYK 13 / 0 / 39 / 5

HEX #D4F395

RGB 212 243 149

HSL 79.79, 0.8%, 0.77%

LAB 91.81, -25.01, 42.01

 

CMYK 23 / 0 / 39 / 5

HEX #BAF395

RGB 186 243 149

HSL 96.38, 0.8%, 0.77%

LAB 90.19, -34.28, 39.61

 

CMYK 34 / 0 / 39 / 5

HEX #A1F395

RGB 161 243 149

HSL 112.34, 0.8%, 0.77%

LAB 88.85, -42.55, 37.61

 

CMYK 39 / 0 / 33 / 5

HEX #95F3A2

RGB 149 243 162

HSL 128.3, 0.8%, 0.77%

LAB 88.5, -44.2, 30.52

 

CMYK 2 / 0 / 39 / 5

HEX #EDF395

RGB 237 243 149

HSL 63.83, 0.8%, 0.77%

LAB 93.57, -15.65, 44.63

 

CMYK 3 / 0 / 45 / 1

HEX #F5FC8B

RGB 245 252 139

HSL 63.72, 0.95%, 0.77%

LAB 96.37, -17.98, 53.04

 

CMYK 2 / 0 / 39 / 5

HEX #EDF395

RGB 237 243 149

HSL 63.83, 0.8%, 0.77%

LAB 93.57, -15.65, 44.63

 

CMYK 2 / 0 / 32 / 9

HEX #E5E99E

RGB 229 233 158

HSL 63.2, 0.63%, 0.77%

LAB 90.51, -12.72, 36.08

 

CMYK 2 / 0 / 25 / 12

HEX #DCE0A8

RGB 220 224 168

HSL 64.29, 0.47%, 0.77%

LAB 87.66, -10.3, 27.05

 

CMYK 1 / 0 / 17 / 16

HEX #D4D6B1

RGB 212 214 177

HSL 63.24, 0.31%, 0.77%

LAB 84.62, -6.86, 18.08

 

CMYK 0 / 0 / 9 / 20

HEX #CCCDBB

RGB 204 205 187

HSL 63.33, 0.15%, 0.77%

LAB 81.89, -3.5, 8.84

 

CMYK 0 / 19 / 39 / 5

HEX #F3C595

RGB 243 197 149

HSL 30.64, 0.8%, 0.77%

LAB 82.46, 10.04, 30.26

 

CMYK 0 / 9 / 39 / 5

HEX #F3DE95

RGB 243 222 149

HSL 46.6, 0.8%, 0.77%

LAB 88.67, -2.86, 38.43

 

CMYK 2 / 0 / 39 / 5

HEX #EEF395

RGB 238 243 149

HSL 63.19, 0.8%, 0.77%

LAB 93.64, -15.27, 44.74

 

CMYK 12 / 0 / 39 / 5

HEX #D5F395

RGB 213 243 149

HSL 79.15, 0.8%, 0.77%

LAB 91.87, -24.64, 42.11

 

CMYK 23 / 0 / 39 / 5

HEX #BCF395

RGB 188 243 149

HSL 95.11, 0.8%, 0.77%

LAB 90.3, -33.59, 39.78

 

CMYK 5 / 0 / 68 / 8

HEX #E0EB4B

RGB 224 235 75

HSL 64.13, 0.8%, 0.61%

LAB 89.75, -22.86, 72.51

 

CMYK 3 / 0 / 53 / 6

HEX #E7EF70

RGB 231 239 112

HSL 63.78, 0.8%, 0.69%

LAB 91.64, -19.52, 59.57

 

CMYK 2 / 0 / 39 / 5

HEX #EDF395

RGB 237 243 149

HSL 63.83, 0.8%, 0.77%

LAB 93.57, -15.65, 44.63

 

CMYK 2 / 0 / 25 / 3

HEX #F3F7BA

RGB 243 247 186

HSL 63.93, 0.79%, 0.85%

LAB 95.63, -10.89, 28.97

 

CMYK 1 / 0 / 11 / 2

HEX #F9FBDF

RGB 249 251 223

HSL 64.29, 0.78%, 0.93%

LAB 97.82, -5.34, 13.2

 

CMYK 2 / 0 / 39 / 5

HEX #EDF394

RGB 237 243 148

HSL 63.79, 0.8%, 0.77%

LAB 93.56, -15.76, 45.1

 

CMYK 39 / 0 / 29 / 5

HEX #95F3AC

RGB 149 243 172

HSL 134.68, 0.8%, 0.77%

LAB 88.67, -42.51, 25.68

 

CMYK 14 / 39 / 0 / 5

HEX #D295F3

RGB 210 149 243

HSL 278.94, 0.8%, 0.77%

LAB 70.64, 39.39, -38.33

 

CMYK 2 / 0 / 39 / 5

HEX #EDF394

RGB 237 243 148

HSL 63.79, 0.8%, 0.77%

LAB 93.56, -15.76, 45.1

 

CMYK 39 / 2 / 0 / 5

HEX #95EEF3

RGB 149 238 243

HSL 183.19, 0.8%, 0.77%

LAB 88.93, -25.4, -10.84

 

CMYK 0 / 39 / 2 / 5

HEX #F395EE

RGB 243 149 238

HSL 303.19, 0.8%, 0.77%

LAB 74.01, 48.3, -30.1

 

CMYK 2 / 0 / 39 / 5

HEX #EDF394

RGB 237 243 148

HSL 63.79, 0.8%, 0.77%

LAB 93.56, -15.76, 45.1

 

CMYK 39 / 0 / 29 / 5

HEX #95F3AC

RGB 149 243 172

HSL 134.68, 0.8%, 0.77%

LAB 88.67, -42.51, 25.68

 

CMYK 37 / 39 / 0 / 5

HEX #9A95F3

RGB 154 149 243

HSL 243.19, 0.8%, 0.77%

LAB 65.62, 23.66, -46.55

 

CMYK 0 / 39 / 10 / 5

HEX #F395DB

RGB 243 149 219

HSL 315.32, 0.8%, 0.77%

LAB 73.33, 45.07, -20.75

 

CMYK 2 / 0 / 39 / 5

HEX #EDF394

RGB 237 243 148

HSL 63.79, 0.8%, 0.77%

LAB 93.56, -15.76, 45.1

 

CMYK 39 / 0 / 17 / 5

HEX #95F3C9

RGB 149 243 201

HSL 153.19, 0.8%, 0.77%

LAB 89.26, -37.06, 11.55

 

CMYK 37 / 39 / 0 / 5

HEX #9A95F3

RGB 154 149 243

HSL 243.19, 0.8%, 0.77%

LAB 65.62, 23.66, -46.55

 

CMYK 0 / 39 / 21 / 5

HEX #F395BF

RGB 243 149 191

HSL 333.19, 0.8%, 0.77%

LAB 72.44, 40.74, -6.64

 

Description

Color code: HEX #EDF394 | qconv.com Color code: HEX #EDF394 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 243 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 243 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 39 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 39% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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