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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EE5B58 it is the complementary color #11A4A7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EE5B58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EE5B58 shade: #F35B53, #FF6D66, #FF7F79, #FF918C and #FFA39F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EE5B58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EE5B58 shade: #EE5B58, #DD4945, #CC3732, #BB251F and #AA130C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EE5B58 shade: #EE5A57 and #EE5757

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EE5B58 shade: #EE5A57, #EE8357, #EEAC57, #EED457 and #DFEE57

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EE5B58 shade matches the following richer shades: #EE5A57 and #FD4C49

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EE5B58 shade: #EE5A57, #DF6966, #D07775, #C18584 and #B39393

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EE5B58 shade: #EE57A5, #EE577D, #EE5A57, #EE8257 and #EEAA57

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EE5B58 shade: #DD1915, #EA3632, #EE5A57, #F27F7D and #F5A4A3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EE5B58 shade: #EE5B58, #CDEE57 and #5791EE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EE5B58 shade: #EE5B58, #57EE5A and #5A57EE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EE5B58 shade: #EE5B58, #CDEE57, #57EBEE and #7857EE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EE5B58 shade: #EE5B58, #A0EE57, #57EBEE and #A557EE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 63 / 7

HEX #EE5B58

RGB 238 91 88

HSL 1.2, 0.82%, 0.64%

LAB 58.38, 56.45, 31.9

 

Complementary color

CMYK 90 / 2 / 0 / 35

HEX #11A4A7

RGB 17 164 167

HSL 181.2, 0.82%, 0.36%

LAB 61.19, -32.93, -11.54

 

CMYK 0 / 63 / 66 / 5

HEX #F35B53

RGB 243 91 83

HSL 3, 0.87%, 0.64%

LAB 59.12, 57.83, 35.82

 

CMYK 0 / 57 / 60 / 0

HEX #FF6D66

RGB 255 109 102

HSL 2.75, 1%, 0.7%

LAB 64.29, 55.14, 32.05

 

CMYK 0 / 50 / 53 / 0

HEX #FF7F79

RGB 255 127 121

HSL 2.69, 1%, 0.74%

LAB 67.89, 48.09, 26.16

 

CMYK 0 / 43 / 45 / 0

HEX #FF918C

RGB 255 145 140

HSL 2.61, 1%, 0.77%

LAB 71.83, 40.84, 20.95

 

CMYK 0 / 36 / 38 / 0

HEX #FFA39F

RGB 255 163 159

HSL 2.5, 1%, 0.81%

LAB 76.04, 33.59, 16.36

 

CMYK 0 / 62 / 63 / 7

HEX #EE5B58

RGB 238 91 88

HSL 1.2, 0.82%, 0.64%

LAB 58.38, 56.45, 31.9

 

CMYK 0 / 67 / 69 / 13

HEX #DD4945

RGB 221 73 69

HSL 1.58, 0.69%, 0.57%

LAB 52.47, 57.26, 34.83

 

CMYK 0 / 73 / 75 / 20

HEX #CC3732

RGB 204 55 50

HSL 1.95, 0.61%, 0.5%

LAB 46.71, 57.74, 38.2

 

CMYK 0 / 80 / 83 / 27

HEX #BB251F

RGB 187 37 31

HSL 2.31, 0.72%, 0.43%

LAB 41.2, 57.66, 41.9

 

CMYK 0 / 89 / 93 / 33

HEX #AA130C

RGB 170 19 12

HSL 2.66, 0.87%, 0.36%

LAB 36.06, 56.64, 45.21

 

CMYK 0 / 62 / 63 / 7

HEX #EE5A57

RGB 238 90 87

HSL 1.19, 0.82%, 0.64%

LAB 58.21, 56.82, 32.24

 

CMYK 0 / 63 / 63 / 7

HEX #EE5757

RGB 238 87 87

HSL 0, 0.82%, 0.64%

LAB 57.73, 58.09, 31.65

 

CMYK 0 / 62 / 63 / 7

HEX #EE5A57

RGB 238 90 87

HSL 1.19, 0.82%, 0.64%

LAB 58.21, 56.82, 32.24

 

CMYK 0 / 45 / 63 / 7

HEX #EE8357

RGB 238 131 87

HSL 17.48, 0.82%, 0.64%

LAB 65.82, 37.28, 41.56

 

CMYK 0 / 28 / 63 / 7

HEX #EEAC57

RGB 238 172 87

HSL 33.77, 0.82%, 0.64%

LAB 75.06, 15.75, 52.28

 

CMYK 0 / 11 / 63 / 7

HEX #EED457

RGB 238 212 87

HSL 49.67, 0.82%, 0.64%

LAB 84.97, -5.06, 63.2

 

CMYK 6 / 0 / 63 / 7

HEX #DFEE57

RGB 223 238 87

HSL 65.96, 0.82%, 0.64%

LAB 90.56, -24, 68.78

 

CMYK 0 / 62 / 63 / 7

HEX #EE5A57

RGB 238 90 87

HSL 1.19, 0.82%, 0.64%

LAB 58.21, 56.82, 32.24

 

CMYK 0 / 70 / 71 / 1

HEX #FD4C49

RGB 253 76 73

HSL 1, 0.98%, 0.64%

LAB 58.54, 66.36, 41.11

 

CMYK 0 / 62 / 63 / 7

HEX #EE5A57

RGB 238 90 87

HSL 1.19, 0.82%, 0.64%

LAB 58.21, 56.82, 32.24

 

CMYK 0 / 53 / 54 / 13

HEX #DF6966

RGB 223 105 102

HSL 1.49, 0.65%, 0.64%

LAB 58.74, 45.79, 23.91

 

CMYK 0 / 43 / 44 / 18

HEX #D07775

RGB 208 119 117

HSL 1.32, 0.49%, 0.64%

LAB 59.79, 34.49, 16.37

 

CMYK 0 / 31 / 32 / 24

HEX #C18584

RGB 193 133 132

HSL 0.98, 0.33%, 0.64%

LAB 61.46, 22.93, 9.86

 

CMYK 0 / 18 / 18 / 30

HEX #B39393

RGB 179 147 147

HSL 0, 0.17%, 0.64%

LAB 63.8, 11.97, 4.5

 

CMYK 0 / 63 / 31 / 7

HEX #EE57A5

RGB 238 87 165

HSL 329.01, 0.82%, 0.64%

LAB 59.63, 65.05, -11.1

 

CMYK 0 / 63 / 47 / 7

HEX #EE577D

RGB 238 87 125

HSL 344.9, 0.82%, 0.64%

LAB 58.48, 60.9, 10.57

 

CMYK 0 / 62 / 63 / 7

HEX #EE5A57

RGB 238 90 87

HSL 1.19, 0.82%, 0.64%

LAB 58.21, 56.82, 32.24

 

CMYK 0 / 45 / 63 / 7

HEX #EE8257

RGB 238 130 87

HSL 17.09, 0.82%, 0.64%

LAB 65.62, 37.8, 41.31

 

CMYK 0 / 29 / 63 / 7

HEX #EEAA57

RGB 238 170 87

HSL 32.98, 0.82%, 0.64%

LAB 74.58, 16.8, 51.74

 

CMYK 0 / 89 / 90 / 13

HEX #DD1915

RGB 221 25 21

HSL 1.2, 0.83%, 0.47%

LAB 47.13, 69.44, 54.18

 

CMYK 0 / 77 / 79 / 8

HEX #EA3632

RGB 234 54 50

HSL 1.3, 0.81%, 0.56%

LAB 52.24, 67.03, 45.76

 

CMYK 0 / 62 / 63 / 7

HEX #EE5A57

RGB 238 90 87

HSL 1.19, 0.82%, 0.64%

LAB 58.21, 56.82, 32.24

 

CMYK 0 / 48 / 48 / 5

HEX #F27F7D

RGB 242 127 125

HSL 1.03, 0.82%, 0.72%

LAB 66.16, 43.76, 21.29

 

CMYK 0 / 33 / 33 / 4

HEX #F5A4A3

RGB 245 164 163

HSL 0.73, 0.8%, 0.8%

LAB 75.21, 29.85, 12.83

 

CMYK 0 / 62 / 63 / 7

HEX #EE5B58

RGB 238 91 88

HSL 1.2, 0.82%, 0.64%

LAB 58.38, 56.45, 31.9

 

CMYK 14 / 0 / 63 / 7

HEX #CDEE57

RGB 205 238 87

HSL 73.11, 0.82%, 0.64%

LAB 89.31, -31.1, 67.07

 

CMYK 63 / 39 / 0 / 7

HEX #5791EE

RGB 87 145 238

HSL 216.95, 0.82%, 0.64%

LAB 60.29, 9.64, -52.49

 

CMYK 0 / 62 / 63 / 7

HEX #EE5B58

RGB 238 91 88

HSL 1.2, 0.82%, 0.64%

LAB 58.38, 56.45, 31.9

 

CMYK 63 / 0 / 62 / 7

HEX #57EE5A

RGB 87 238 90

HSL 121.19, 0.82%, 0.64%

LAB 83.92, -67.76, 58.41

 

CMYK 62 / 63 / 0 / 7

HEX #5A57EE

RGB 90 87 238

HSL 241.19, 0.82%, 0.64%

LAB 45.86, 45.21, -75.76

 

CMYK 0 / 62 / 63 / 7

HEX #EE5B58

RGB 238 91 88

HSL 1.2, 0.82%, 0.64%

LAB 58.38, 56.45, 31.9

 

CMYK 14 / 0 / 63 / 7

HEX #CDEE57

RGB 205 238 87

HSL 73.11, 0.82%, 0.64%

LAB 89.31, -31.1, 67.07

 

CMYK 63 / 1 / 0 / 7

HEX #57EBEE

RGB 87 235 238

HSL 181.19, 0.82%, 0.64%

LAB 85.81, -37.74, -13.09

 

CMYK 50 / 63 / 0 / 7

HEX #7857EE

RGB 120 87 238

HSL 253.11, 0.82%, 0.64%

LAB 48.24, 50.11, -71.77

 

CMYK 0 / 62 / 63 / 7

HEX #EE5B58

RGB 238 91 88

HSL 1.2, 0.82%, 0.64%

LAB 58.38, 56.45, 31.9

 

CMYK 33 / 0 / 63 / 7

HEX #A0EE57

RGB 160 238 87

HSL 90.99, 0.82%, 0.64%

LAB 86.66, -47.69, 63.44

 

CMYK 63 / 1 / 0 / 7

HEX #57EBEE

RGB 87 235 238

HSL 181.19, 0.82%, 0.64%

LAB 85.81, -37.74, -13.09

 

CMYK 31 / 63 / 0 / 7

HEX #A557EE

RGB 165 87 238

HSL 270.99, 0.82%, 0.64%

LAB 52.94, 59.03, -63.94

 

Description

Color code: HEX #EE5B58 | qconv.com Color code: HEX #EE5B58 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 91 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 91 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 63 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 63% 7% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

47% - Cama de viaje - esta...
Link: http://www.betomascota.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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