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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EE9AD5 it is the complementary color #11652A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EE9AD5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EE9AD5 shade: #F39AD0, #FFACE3, #FFBEF6, #FFD0FF and #FFE2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EE9AD5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EE9AD5 shade: #EE9AD5, #DD88C2, #CC76AF, #BB649C and #AA5289

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EE9AD5 shade: #ED9AD5, #ED9ABE, #ED9AA8 and #ED9A9A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EE9AD5 shade: #ED9AD5, #ED9AEB, #D99AED, #C39AED and #AC9AED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EE9AD5 shade matches the following richer shades: #ED9AD5 and #F791D9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EE9AD5 shade: #ED9AD5, #E4A4D1, #DBADCD, #D1B7C9 and #C8C0C5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EE9AD5 shade: #D99AED, #ED9AEC, #ED9AD6, #ED9AC0 and #ED9AA9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EE9AD5 shade: #E254B7, #E877C6, #ED9AD5, #F3BDE3 and #F9E1F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EE9AD5 shade: #EE9AD5, #EDC29A and #9AEDE4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EE9AD5 shade: #EE9AD5, #D6ED9A and #9AD6ED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EE9AD5 shade: #EE9AD5, #EDC29A, #9AEDB2 and #9AC5ED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EE9AD5 shade: #EE9AD5, #EDDB9A, #9AEDB2 and #9AACED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 11 / 7

HEX #EE9AD5

RGB 238 154 213

HSL 317.86, 0.71%, 0.77%

LAB 73.61, 39.87, -17.09

 

Complementary color

CMYK 83 / 0 / 58 / 60

HEX #11652A

RGB 17 101 42

HSL 137.86, 0.71%, 0.23%

LAB 37.1, -37.84, 26.41

 

CMYK 0 / 37 / 14 / 5

HEX #F39AD0

RGB 243 154 208

HSL 323.6, 0.79%, 0.78%

LAB 74.01, 40.71, -13.67

 

CMYK 0 / 33 / 11 / 0

HEX #FFACE3

RGB 255 172 227

HSL 320.24, 1%, 0.84%

LAB 79.79, 38.34, -15.21

 

CMYK 0 / 25 / 4 / 0

HEX #FFBEF6

RGB 255 190 246

HSL 308.31, 1%, 0.87%

LAB 84.35, 32.12, -18.54

 

CMYK 0 / 18 / 0 / 0

HEX #FFD0FF

RGB 255 208 255

HSL 300, 1%, 0.91%

LAB 88.73, 24.27, -16.71

 

CMYK 0 / 11 / 0 / 0

HEX #FFE2FF

RGB 255 226 255

HSL 300, 1%, 0.94%

LAB 92.96, 14.86, -10.39

 

CMYK 0 / 35 / 11 / 7

HEX #EE9AD5

RGB 238 154 213

HSL 317.86, 0.71%, 0.77%

LAB 73.61, 39.87, -17.09

 

CMYK 0 / 38 / 12 / 13

HEX #DD88C2

RGB 221 136 194

HSL 319.06, 0.56%, 0.7%

LAB 67.18, 40.62, -16.45

 

CMYK 0 / 42 / 14 / 20

HEX #CC76AF

RGB 204 118 175

HSL 320.23, 0.46%, 0.63%

LAB 60.68, 41.39, -15.73

 

CMYK 0 / 47 / 17 / 27

HEX #BB649C

RGB 187 100 156

HSL 321.38, 0.39%, 0.56%

LAB 54.11, 42.16, -14.91

 

CMYK 0 / 52 / 19 / 33

HEX #AA5289

RGB 170 82 137

HSL 322.5, 0.35%, 0.49%

LAB 47.48, 42.9, -13.93

 

CMYK 0 / 35 / 10 / 7

HEX #ED9AD5

RGB 237 154 213

HSL 317.35, 0.7%, 0.77%

LAB 73.49, 39.54, -17.27

 

CMYK 0 / 35 / 20 / 7

HEX #ED9ABE

RGB 237 154 190

HSL 333.98, 0.7%, 0.77%

LAB 72.78, 35.92, -5.66

 

CMYK 0 / 35 / 29 / 7

HEX #ED9AA8

RGB 237 154 168

HSL 349.88, 0.7%, 0.77%

LAB 72.19, 32.83, 5.65

 

CMYK 0 / 35 / 35 / 7

HEX #ED9A9A

RGB 237 154 154

HSL 0, 0.7%, 0.77%

LAB 71.86, 31.06, 12.93

 

CMYK 0 / 35 / 10 / 7

HEX #ED9AD5

RGB 237 154 213

HSL 317.35, 0.7%, 0.77%

LAB 73.49, 39.54, -17.27

 

CMYK 0 / 35 / 1 / 7

HEX #ED9AEB

RGB 237 154 235

HSL 301.45, 0.7%, 0.77%

LAB 74.26, 43.34, -28.13

 

CMYK 8 / 35 / 0 / 7

HEX #D99AED

RGB 217 154 237

HSL 285.54, 0.7%, 0.77%

LAB 72.21, 37.58, -32.56

 

CMYK 18 / 35 / 0 / 7

HEX #C39AED

RGB 195 154 237

HSL 269.64, 0.7%, 0.77%

LAB 70.06, 30.94, -36.07

 

CMYK 27 / 35 / 0 / 7

HEX #AC9AED

RGB 172 154 237

HSL 253.01, 0.7%, 0.77%

LAB 68.02, 24.22, -39.4

 

CMYK 0 / 35 / 10 / 7

HEX #ED9AD5

RGB 237 154 213

HSL 317.35, 0.7%, 0.77%

LAB 73.49, 39.54, -17.27

 

CMYK 0 / 41 / 12 / 3

HEX #F791D9

RGB 247 145 217

HSL 317.65, 0.86%, 0.77%

LAB 72.91, 48.05, -20.23

 

CMYK 0 / 35 / 10 / 7

HEX #ED9AD5

RGB 237 154 213

HSL 317.35, 0.7%, 0.77%

LAB 73.49, 39.54, -17.27

 

CMYK 0 / 28 / 8 / 11

HEX #E4A4D1

RGB 228 164 209

HSL 317.81, 0.54%, 0.77%

LAB 74.6, 30.57, -13.5

 

CMYK 0 / 21 / 6 / 14

HEX #DBADCD

RGB 219 173 205

HSL 318.26, 0.39%, 0.77%

LAB 75.67, 21.97, -9.81

 

CMYK 0 / 12 / 4 / 18

HEX #D1B7C9

RGB 209 183 201

HSL 318.46, 0.22%, 0.77%

LAB 77.06, 12.39, -5.66

 

CMYK 0 / 4 / 1 / 22

HEX #C8C0C5

RGB 200 192 197

HSL 322.5, 0.07%, 0.77%

LAB 78.47, 3.7, -1.52

 

CMYK 8 / 35 / 0 / 7

HEX #D99AED

RGB 217 154 237

HSL 285.54, 0.7%, 0.77%

LAB 72.21, 37.58, -32.56

 

CMYK 0 / 35 / 0 / 7

HEX #ED9AEC

RGB 237 154 236

HSL 300.72, 0.7%, 0.77%

LAB 74.3, 43.52, -28.62

 

CMYK 0 / 35 / 10 / 7

HEX #ED9AD6

RGB 237 154 214

HSL 316.63, 0.7%, 0.77%

LAB 73.53, 39.71, -17.76

 

CMYK 0 / 35 / 19 / 7

HEX #ED9AC0

RGB 237 154 192

HSL 332.53, 0.7%, 0.77%

LAB 72.84, 36.22, -6.67

 

CMYK 0 / 35 / 29 / 7

HEX #ED9AA9

RGB 237 154 169

HSL 349.16, 0.7%, 0.77%

LAB 72.22, 32.96, 5.14

 

CMYK 0 / 63 / 19 / 11

HEX #E254B7

RGB 226 84 183

HSL 318.17, 0.71%, 0.61%

LAB 57.97, 65.25, -24.19

 

CMYK 0 / 49 / 15 / 9

HEX #E877C6

RGB 232 119 198

HSL 318.05, 0.71%, 0.69%

LAB 65.3, 53.38, -21.42

 

CMYK 0 / 35 / 10 / 7

HEX #ED9AD5

RGB 237 154 213

HSL 317.35, 0.7%, 0.77%

LAB 73.49, 39.54, -17.27

 

CMYK 0 / 22 / 7 / 5

HEX #F3BDE3

RGB 243 189 227

HSL 317.78, 0.69%, 0.85%

LAB 82.38, 25.39, -11.46

 

CMYK 0 / 10 / 3 / 2

HEX #F9E1F2

RGB 249 225 242

HSL 317.5, 0.67%, 0.93%

LAB 91.86, 11.09, -5.27

 

CMYK 0 / 35 / 11 / 7

HEX #EE9AD5

RGB 238 154 213

HSL 317.86, 0.71%, 0.77%

LAB 73.61, 39.87, -17.09

 

CMYK 0 / 18 / 35 / 7

HEX #EDC29A

RGB 237 194 154

HSL 28.92, 0.7%, 0.77%

LAB 81.25, 9.86, 25.9

 

CMYK 35 / 0 / 4 / 7

HEX #9AEDE4

RGB 154 237 228

HSL 173.49, 0.7%, 0.77%

LAB 88.47, -27.13, -3.65

 

CMYK 0 / 35 / 11 / 7

HEX #EE9AD5

RGB 238 154 213

HSL 317.86, 0.71%, 0.77%

LAB 73.61, 39.87, -17.09

 

CMYK 10 / 0 / 35 / 7

HEX #D6ED9A

RGB 214 237 154

HSL 76.63, 0.7%, 0.77%

LAB 90.41, -20.78, 37.76

 

CMYK 35 / 10 / 0 / 7

HEX #9AD6ED

RGB 154 214 237

HSL 196.63, 0.7%, 0.77%

LAB 82.42, -13.57, -17.4

 

CMYK 0 / 35 / 11 / 7

HEX #EE9AD5

RGB 238 154 213

HSL 317.86, 0.71%, 0.77%

LAB 73.61, 39.87, -17.09

 

CMYK 0 / 18 / 35 / 7

HEX #EDC29A

RGB 237 194 154

HSL 28.92, 0.7%, 0.77%

LAB 81.25, 9.86, 25.9

 

CMYK 35 / 0 / 25 / 7

HEX #9AEDB2

RGB 154 237 178

HSL 137.35, 0.7%, 0.77%

LAB 87.32, -37.32, 20.77

 

CMYK 35 / 17 / 0 / 7

HEX #9AC5ED

RGB 154 197 237

HSL 208.92, 0.7%, 0.77%

LAB 77.83, -4.66, -24.37

 

CMYK 0 / 35 / 11 / 7

HEX #EE9AD5

RGB 238 154 213

HSL 317.86, 0.71%, 0.77%

LAB 73.61, 39.87, -17.09

 

CMYK 0 / 8 / 35 / 7

HEX #EDDB9A

RGB 237 219 154

HSL 46.99, 0.7%, 0.77%

LAB 87.49, -3.09, 34.24

 

CMYK 35 / 0 / 25 / 7

HEX #9AEDB2

RGB 154 237 178

HSL 137.35, 0.7%, 0.77%

LAB 87.32, -37.32, 20.77

 

CMYK 35 / 27 / 0 / 7

HEX #9AACED

RGB 154 172 237

HSL 226.99, 0.7%, 0.77%

LAB 71.21, 9.03, -34.54

 

Description

Color code: HEX #EE9AD5 | qconv.com Color code: HEX #EE9AD5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 154 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 154 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 11 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 11% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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