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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EEA234 it is the complementary color #115DCB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EEA234. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EEA234 shade: #F3A22F, #FFB442, #FFC655, #FFD868 and #FFEA7B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EEA234. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EEA234 shade: #EEA234, #DD9021, #CC7E0E, #BB6C00 and #AA5A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EEA234 shade: #EEA234, #EE7034, #EE3D34 and #EE3434

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EEA234 shade: #EEA234, #EED434, #D6EE34, #A3EE34 and #71EE34

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EEA234 shade matches the following richer shades: #EEA234

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EEA234 shade: #EEA234, #DC9F45, #CB9B57, #B99869 and #A7957B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EEA234 shade: #EE3D34, #EE6F34, #EEA034, #EED234 and #D8EE34

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EEA234 shade: #C0780F, #E69012, #EEA234, #F1B35A and #F4C580

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EEA234 shade: #EEA234, #5CEE34 and #5634EE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EEA234 shade: #EEA234, #34EEA0 and #A034EE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EEA234 shade: #EEA234, #5CEE34, #3481EE and #C634EE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EEA234 shade: #EEA234, #34EE43, #3481EE and #EE34DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 78 / 7

HEX #EEA234

RGB 238 162 52

HSL 35.48, 0.85%, 0.57%

LAB 72.41, 19.31, 64.6

 

Complementary color

CMYK 92 / 54 / 0 / 20

HEX #115DCB

RGB 17 93 203

HSL 215.48, 0.85%, 0.43%

LAB 41.63, 21.36, -62.85

 

CMYK 0 / 33 / 81 / 5

HEX #F3A22F

RGB 243 162 47

HSL 35.2, 0.89%, 0.57%

LAB 72.96, 21.25, 67.11

 

CMYK 0 / 29 / 74 / 0

HEX #FFB442

RGB 255 180 66

HSL 36.19, 1%, 0.63%

LAB 78.63, 17.52, 65.83

 

CMYK 0 / 22 / 67 / 0

HEX #FFC655

RGB 255 198 85

HSL 39.88, 1%, 0.67%

LAB 83.07, 9.07, 62.5

 

CMYK 0 / 15 / 59 / 0

HEX #FFD868

RGB 255 216 104

HSL 44.5, 1%, 0.7%

LAB 87.67, 1, 59.15

 

CMYK 0 / 8 / 52 / 0

HEX #FFEA7B

RGB 255 234 123

HSL 50.45, 1%, 0.74%

LAB 92.37, -6.64, 55.89

 

CMYK 0 / 32 / 78 / 7

HEX #EEA234

RGB 238 162 52

HSL 35.48, 0.85%, 0.57%

LAB 72.41, 19.31, 64.6

 

CMYK 0 / 35 / 85 / 13

HEX #DD9021

RGB 221 144 33

HSL 35.43, 0.74%, 0.5%

LAB 66.08, 21.11, 64.72

 

CMYK 0 / 38 / 93 / 20

HEX #CC7E0E

RGB 204 126 14

HSL 35.37, 0.87%, 0.43%

LAB 59.7, 23.14, 63.65

 

CMYK 0 / 42 / 100 / 27

HEX #BB6C00

RGB 187 108 0

HSL 34.65, 1%, 0.37%

LAB 53.27, 25.42, 60.77

 

CMYK 0 / 47 / 100 / 33

HEX #AA5A00

RGB 170 90 0

HSL 31.76, 1%, 0.33%

LAB 46.79, 27.91, 55.53

 

CMYK 0 / 32 / 78 / 7

HEX #EEA234

RGB 238 162 52

HSL 35.48, 0.85%, 0.57%

LAB 72.41, 19.31, 64.6

 

CMYK 0 / 53 / 78 / 7

HEX #EE7034

RGB 238 112 52

HSL 19.35, 0.85%, 0.57%

LAB 61.67, 45.08, 54.38

 

CMYK 0 / 74 / 78 / 7

HEX #EE3D34

RGB 238 61 52

HSL 2.9, 0.85%, 0.57%

LAB 53.77, 66.13, 46.5

 

CMYK 0 / 78 / 78 / 7

HEX #EE3434

RGB 238 52 52

HSL 0, 0.85%, 0.57%

LAB 52.82, 68.8, 45.52

 

CMYK 0 / 32 / 78 / 7

HEX #EEA234

RGB 238 162 52

HSL 35.48, 0.85%, 0.57%

LAB 72.41, 19.31, 64.6

 

CMYK 0 / 11 / 78 / 7

HEX #EED434

RGB 238 212 52

HSL 51.61, 0.85%, 0.57%

LAB 84.75, -6.71, 75.82

 

CMYK 10 / 0 / 78 / 7

HEX #D6EE34

RGB 214 238 52

HSL 67.74, 0.85%, 0.57%

LAB 89.72, -29.33, 79.55

 

CMYK 32 / 0 / 78 / 7

HEX #A3EE34

RGB 163 238 52

HSL 84.19, 0.85%, 0.57%

LAB 86.59, -48.81, 75.55

 

CMYK 53 / 0 / 78 / 7

HEX #71EE34

RGB 113 238 52

HSL 100.32, 0.85%, 0.57%

LAB 84.44, -64.56, 72.77

 

CMYK 0 / 32 / 78 / 7

HEX #EEA234

RGB 238 162 52

HSL 35.48, 0.85%, 0.57%

LAB 72.41, 19.31, 64.6

 

CMYK 0 / 32 / 78 / 7

HEX #EEA234

RGB 238 162 52

HSL 35.48, 0.85%, 0.57%

LAB 72.41, 19.31, 64.6

 

CMYK 0 / 28 / 69 / 14

HEX #DC9F45

RGB 220 159 69

HSL 35.76, 0.68%, 0.57%

LAB 69.78, 14.05, 54.27

 

CMYK 0 / 24 / 57 / 20

HEX #CB9B57

RGB 203 155 87

HSL 35.17, 0.53%, 0.57%

LAB 67.15, 10.18, 42.13

 

CMYK 0 / 18 / 43 / 27

HEX #B99869

RGB 185 152 105

HSL 35.25, 0.36%, 0.57%

LAB 64.8, 5.93, 29.32

 

CMYK 0 / 11 / 26 / 35

HEX #A7957B

RGB 167 149 123

HSL 35.45, 0.2%, 0.57%

LAB 62.63, 2.5, 16.18

 

CMYK 0 / 74 / 78 / 7

HEX #EE3D34

RGB 238 61 52

HSL 2.9, 0.85%, 0.57%

LAB 53.77, 66.13, 46.5

 

CMYK 0 / 53 / 78 / 7

HEX #EE6F34

RGB 238 111 52

HSL 19.03, 0.85%, 0.57%

LAB 61.48, 45.57, 54.19

 

CMYK 0 / 33 / 78 / 7

HEX #EEA034

RGB 238 160 52

HSL 34.84, 0.85%, 0.57%

LAB 71.94, 20.37, 64.16

 

CMYK 0 / 12 / 78 / 7

HEX #EED234

RGB 238 210 52

HSL 50.97, 0.85%, 0.57%

LAB 84.23, -5.7, 75.37

 

CMYK 9 / 0 / 78 / 7

HEX #D8EE34

RGB 216 238 52

HSL 67.1, 0.85%, 0.57%

LAB 89.86, -28.53, 79.72

 

CMYK 0 / 38 / 92 / 25

HEX #C0780F

RGB 192 120 15

HSL 35.59, 0.86%, 0.41%

LAB 56.76, 21.22, 60.6

 

CMYK 0 / 37 / 92 / 10

HEX #E69012

RGB 230 144 18

HSL 35.66, 0.85%, 0.49%

LAB 67.14, 24.64, 69.74

 

CMYK 0 / 32 / 78 / 7

HEX #EEA234

RGB 238 162 52

HSL 35.48, 0.85%, 0.57%

LAB 72.41, 19.31, 64.6

 

CMYK 0 / 26 / 63 / 5

HEX #F1B35A

RGB 241 179 90

HSL 35.36, 0.84%, 0.65%

LAB 77.09, 13.49, 53.25

 

CMYK 0 / 19 / 48 / 4

HEX #F4C580

RGB 244 197 128

HSL 35.69, 0.84%, 0.73%

LAB 82.23, 8.28, 40.8

 

CMYK 0 / 32 / 78 / 7

HEX #EEA234

RGB 238 162 52

HSL 35.48, 0.85%, 0.57%

LAB 72.41, 19.31, 64.6

 

CMYK 61 / 0 / 78 / 7

HEX #5CEE34

RGB 92 238 52

HSL 107.1, 0.85%, 0.57%

LAB 83.79, -69.7, 71.93

 

CMYK 64 / 78 / 0 / 7

HEX #5634EE

RGB 86 52 238

HSL 250.97, 0.85%, 0.57%

LAB 38.91, 63.16, -87.18

 

CMYK 0 / 32 / 78 / 7

HEX #EEA234

RGB 238 162 52

HSL 35.48, 0.85%, 0.57%

LAB 72.41, 19.31, 64.6

 

CMYK 78 / 0 / 33 / 7

HEX #34EEA0

RGB 52 238 160

HSL 154.84, 0.85%, 0.57%

LAB 84.18, -62.4, 25.23

 

CMYK 33 / 78 / 0 / 7

HEX #A034EE

RGB 160 52 238

HSL 274.84, 0.85%, 0.57%

LAB 47.11, 72.74, -73.42

 

CMYK 0 / 32 / 78 / 7

HEX #EEA234

RGB 238 162 52

HSL 35.48, 0.85%, 0.57%

LAB 72.41, 19.31, 64.6

 

CMYK 61 / 0 / 78 / 7

HEX #5CEE34

RGB 92 238 52

HSL 107.1, 0.85%, 0.57%

LAB 83.79, -69.7, 71.93

 

CMYK 78 / 46 / 0 / 7

HEX #3481EE

RGB 52 129 238

HSL 215.16, 0.85%, 0.57%

LAB 54.66, 14.49, -61.56

 

CMYK 17 / 78 / 0 / 7

HEX #C634EE

RGB 198 52 238

HSL 287.1, 0.85%, 0.57%

LAB 52.55, 79.07, -64.34

 

CMYK 0 / 32 / 78 / 7

HEX #EEA234

RGB 238 162 52

HSL 35.48, 0.85%, 0.57%

LAB 72.41, 19.31, 64.6

 

CMYK 78 / 0 / 72 / 7

HEX #34EE43

RGB 52 238 67

HSL 124.84, 0.85%, 0.57%

LAB 83.06, -75.57, 66.16

 

CMYK 78 / 46 / 0 / 7

HEX #3481EE

RGB 52 129 238

HSL 215.16, 0.85%, 0.57%

LAB 54.66, 14.49, -61.56

 

CMYK 0 / 78 / 6 / 7

HEX #EE34DF

RGB 238 52 223

HSL 304.84, 0.85%, 0.57%

LAB 58, 84.14, -46.82

 

Description

Color code: HEX #EEA234 | qconv.com Color code: HEX #EEA234 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 162 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 162 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 78 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 78% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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