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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EEE994 it is the complementary color #11166B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EEE994. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EEE994 shade: #F3E98F, #FFFBA2, #FFFFB5, #FFFFC8 and #FFFFDB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EEE994. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EEE994 shade: #EEE994, #DDD781, #CCC56E, #BBB35B and #AAA148

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EEE994 shade: #EEE995, #EED195, #EEB995, #EEA195 and #EE9595

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EEE994 shade: #EEE995, #DBEE95, #C3EE95, #ABEE95 and #95EE97

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EEE994 shade matches the following richer shades: #EEE995 and #F8F28B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EEE994 shade: #EEE995, #E4E09F, #DAD7A8, #D0CFB2 and #C6C6BC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EEE994 shade: #EEB895, #EED095, #EEE895, #DCEE95 and #C4EE95

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EEE994 shade: #E3DB4D, #E8E271, #EEE995, #F4F0B8 and #F9F8DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EEE994 shade: #EEE994, #95EEA1 and #C495EE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EEE994 shade: #EEE994, #95EEE8 and #E895EE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EEE994 shade: #EEE994, #95EEA1, #959BEE and #EE95E2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EEE994 shade: #EEE994, #95EEBB, #959BEE and #EE95C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 38 / 7

HEX #EEE994

RGB 238 233 148

HSL 56.67, 0.73%, 0.76%

LAB 91.05, -10.44, 41.92

 

Complementary color

CMYK 84 / 79 / 0 / 58

HEX #11166B

RGB 17 22 107

HSL 236.67, 0.73%, 0.24%

LAB 14.14, 31.05, -49.17

 

CMYK 0 / 4 / 41 / 5

HEX #F3E98F

RGB 243 233 143

HSL 54, 0.81%, 0.76%

LAB 91.38, -9.03, 44.88

 

CMYK 0 / 2 / 36 / 0

HEX #FFFBA2

RGB 255 251 162

HSL 57.42, 1%, 0.82%

LAB 97.17, -11.32, 43.15

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB5

RGB 255 255 181

HSL 60, 1%, 0.85%

LAB 98.48, -11.08, 35.46

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC8

RGB 255 255 200

HSL 60, 1%, 0.89%

LAB 98.81, -8.6, 26.37

 

CMYK 0 / 0 / 14 / 0

HEX #FFFFDB

RGB 255 255 219

HSL 60, 1%, 0.93%

LAB 99.18, -5.87, 17.23

 

CMYK 0 / 2 / 38 / 7

HEX #EEE994

RGB 238 233 148

HSL 56.67, 0.73%, 0.76%

LAB 91.05, -10.44, 41.92

 

CMYK 0 / 3 / 42 / 13

HEX #DDD781

RGB 221 215 129

HSL 56.09, 0.58%, 0.69%

LAB 84.77, -10.06, 43.08

 

CMYK 0 / 3 / 46 / 20

HEX #CCC56E

RGB 204 197 110

HSL 55.53, 0.48%, 0.62%

LAB 78.4, -9.61, 44.27

 

CMYK 0 / 4 / 51 / 27

HEX #BBB35B

RGB 187 179 91

HSL 55, 0.41%, 0.55%

LAB 71.93, -9.07, 45.47

 

CMYK 0 / 5 / 58 / 33

HEX #AAA148

RGB 170 161 72

HSL 54.49, 0.4%, 0.47%

LAB 65.36, -8.41, 46.61

 

CMYK 0 / 2 / 37 / 7

HEX #EEE995

RGB 238 233 149

HSL 56.63, 0.72%, 0.76%

LAB 91.06, -10.33, 41.44

 

CMYK 0 / 12 / 37 / 7

HEX #EED195

RGB 238 209 149

HSL 40.45, 0.72%, 0.76%

LAB 84.97, 1.85, 33.5

 

CMYK 0 / 22 / 37 / 7

HEX #EEB995

RGB 238 185 149

HSL 24.27, 0.72%, 0.76%

LAB 79.07, 14.41, 25.61

 

CMYK 0 / 32 / 37 / 7

HEX #EEA195

RGB 238 161 149

HSL 8.09, 0.72%, 0.76%

LAB 73.44, 27.14, 17.9

 

CMYK 0 / 37 / 37 / 7

HEX #EE9595

RGB 238 149 149

HSL 0, 0.72%, 0.76%

LAB 70.76, 33.47, 14.17

 

CMYK 0 / 2 / 37 / 7

HEX #EEE995

RGB 238 233 149

HSL 56.63, 0.72%, 0.76%

LAB 91.06, -10.33, 41.44

 

CMYK 8 / 0 / 37 / 7

HEX #DBEE95

RGB 219 238 149

HSL 72.81, 0.72%, 0.76%

LAB 90.95, -20.01, 41.01

 

CMYK 18 / 0 / 37 / 7

HEX #C3EE95

RGB 195 238 149

HSL 88.99, 0.72%, 0.76%

LAB 89.36, -28.8, 38.63

 

CMYK 28 / 0 / 37 / 7

HEX #ABEE95

RGB 171 238 149

HSL 105.17, 0.72%, 0.76%

LAB 87.96, -37.08, 36.54

 

CMYK 37 / 0 / 37 / 7

HEX #95EE97

RGB 149 238 151

HSL 121.35, 0.72%, 0.76%

LAB 86.89, -43.77, 33.93

 

CMYK 0 / 2 / 37 / 7

HEX #EEE995

RGB 238 233 149

HSL 56.63, 0.72%, 0.76%

LAB 91.06, -10.33, 41.44

 

CMYK 0 / 2 / 44 / 3

HEX #F8F28B

RGB 248 242 139

HSL 56.7, 0.89%, 0.76%

LAB 94.02, -11.94, 50.21

 

CMYK 0 / 2 / 37 / 7

HEX #EEE995

RGB 238 233 149

HSL 56.63, 0.72%, 0.76%

LAB 91.06, -10.33, 41.44

 

CMYK 0 / 2 / 30 / 11

HEX #E4E09F

RGB 228 224 159

HSL 56.52, 0.56%, 0.76%

LAB 88.12, -8.47, 32.4

 

CMYK 0 / 1 / 23 / 15

HEX #DAD7A8

RGB 218 215 168

HSL 56.4, 0.4%, 0.76%

LAB 85.17, -6.47, 23.63

 

CMYK 0 / 0 / 14 / 18

HEX #D0CFB2

RGB 208 207 178

HSL 58, 0.24%, 0.76%

LAB 82.51, -4.56, 14.56

 

CMYK 0 / 0 / 5 / 22

HEX #C6C6BC

RGB 198 198 188

HSL 60, 0.08%, 0.76%

LAB 79.63, -1.79, 5

 

CMYK 0 / 23 / 37 / 7

HEX #EEB895

RGB 238 184 149

HSL 23.6, 0.72%, 0.76%

LAB 78.83, 14.94, 25.29

 

CMYK 0 / 13 / 37 / 7

HEX #EED095

RGB 238 208 149

HSL 39.78, 0.72%, 0.76%

LAB 84.72, 2.37, 33.17

 

CMYK 0 / 3 / 37 / 7

HEX #EEE895

RGB 238 232 149

HSL 55.96, 0.72%, 0.76%

LAB 90.81, -9.83, 41.11

 

CMYK 8 / 0 / 37 / 7

HEX #DCEE95

RGB 220 238 149

HSL 72.13, 0.72%, 0.76%

LAB 91.02, -19.63, 41.12

 

CMYK 18 / 0 / 37 / 7

HEX #C4EE95

RGB 196 238 149

HSL 88.31, 0.72%, 0.76%

LAB 89.42, -28.44, 38.73

 

CMYK 0 / 4 / 66 / 11

HEX #E3DB4D

RGB 227 219 77

HSL 56.8, 0.73%, 0.6%

LAB 85.77, -13.72, 67.81

 

CMYK 0 / 3 / 51 / 9

HEX #E8E271

RGB 232 226 113

HSL 56.97, 0.72%, 0.68%

LAB 88.32, -12.67, 55.28

 

CMYK 0 / 2 / 37 / 7

HEX #EEE995

RGB 238 233 149

HSL 56.63, 0.72%, 0.76%

LAB 91.06, -10.33, 41.44

 

CMYK 0 / 2 / 25 / 4

HEX #F4F0B8

RGB 244 240 184

HSL 56, 0.73%, 0.84%

LAB 93.89, -7.31, 27.63

 

CMYK 0 / 0 / 12 / 2

HEX #F9F8DC

RGB 249 248 220

HSL 57.93, 0.71%, 0.92%

LAB 97, -4.31, 13.58

 

CMYK 0 / 2 / 38 / 7

HEX #EEE994

RGB 238 233 148

HSL 56.67, 0.73%, 0.76%

LAB 91.05, -10.44, 41.92

 

CMYK 37 / 0 / 32 / 7

HEX #95EEA1

RGB 149 238 161

HSL 128.09, 0.72%, 0.76%

LAB 87.05, -42.18, 29.09

 

CMYK 18 / 37 / 0 / 7

HEX #C495EE

RGB 196 149 238

HSL 271.69, 0.72%, 0.76%

LAB 69.04, 34.2, -38.19

 

CMYK 0 / 2 / 38 / 7

HEX #EEE994

RGB 238 233 148

HSL 56.67, 0.73%, 0.76%

LAB 91.05, -10.44, 41.92

 

CMYK 37 / 0 / 3 / 7

HEX #95EEE8

RGB 149 238 232

HSL 175.96, 0.72%, 0.76%

LAB 88.62, -27.99, -5.54

 

CMYK 3 / 37 / 0 / 7

HEX #E895EE

RGB 232 149 238

HSL 295.96, 0.72%, 0.76%

LAB 72.78, 44.97, -32.1

 

CMYK 0 / 2 / 38 / 7

HEX #EEE994

RGB 238 233 148

HSL 56.67, 0.73%, 0.76%

LAB 91.05, -10.44, 41.92

 

CMYK 37 / 0 / 32 / 7

HEX #95EEA1

RGB 149 238 161

HSL 128.09, 0.72%, 0.76%

LAB 87.05, -42.18, 29.09

 

CMYK 37 / 35 / 0 / 7

HEX #959BEE

RGB 149 155 238

HSL 235.96, 0.72%, 0.76%

LAB 66.52, 17.57, -42.42

 

CMYK 0 / 37 / 5 / 7

HEX #EE95E2

RGB 238 149 226

HSL 308.09, 0.72%, 0.76%

LAB 73, 44.67, -25.14

 

CMYK 0 / 2 / 38 / 7

HEX #EEE994

RGB 238 233 148

HSL 56.67, 0.73%, 0.76%

LAB 91.05, -10.44, 41.92

 

CMYK 37 / 0 / 21 / 7

HEX #95EEBB

RGB 149 238 187

HSL 145.62, 0.72%, 0.76%

LAB 87.55, -37.54, 16.4

 

CMYK 37 / 35 / 0 / 7

HEX #959BEE

RGB 149 155 238

HSL 235.96, 0.72%, 0.76%

LAB 66.52, 17.57, -42.42

 

CMYK 0 / 37 / 16 / 7

HEX #EE95C7

RGB 238 149 199

HSL 326.29, 0.72%, 0.76%

LAB 72.09, 40.25, -11.65

 

Description

Color code: HEX #EEE994 | qconv.com Color code: HEX #EEE994 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 233 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 233 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 38 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 38% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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