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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EEE36C it is the complementary color #111C93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EEE36C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EEE36C shade: #F3E367, #FFF57A, #FFFF8D, #FFFFA0 and #FFFFB3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EEE36C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EEE36C shade: #EEE36C, #DDD159, #CCBF46, #BBAD33 and #AA9B20

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EEE36C shade: #EDE26C, #EDC06C, #ED9D6C, #ED7A6C and #ED6C6C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EEE36C shade: #EDE26C, #D6ED6C, #B3ED6C, #90ED6C and #6DED6C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EEE36C shade matches the following richer shades: #EDE26C and #FBED5F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EEE36C shade: #EDE26C, #E0D77A, #D3CD87, #C6C294 and #B9B7A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EEE36C shade: #ED9C6C, #EDBE6C, #EDE06C, #D8ED6C and #B5ED6C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EEE36C shade: #E5D423, #E9DB48, #EDE26C, #F2EA91 and #F6F1B6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EEE36C shade: #EEE36C, #6CED79 and #AD6CED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EEE36C shade: #EEE36C, #6CEDE0 and #E06CED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EEE36C shade: #EEE36C, #6CED79, #6C79ED and #ED6CE0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EEE36C shade: #EEE36C, #6CEDA0, #6C79ED and #ED6CBA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 55 / 7

HEX #EEE36C

RGB 238 227 108

HSL 54.92, 0.79%, 0.68%

LAB 89.02, -11.16, 58.5

 

Complementary color

CMYK 88 / 81 / 0 / 42

HEX #111C93

RGB 17 28 147

HSL 234.92, 0.79%, 0.32%

LAB 20.27, 41.79, -64.47

 

CMYK 0 / 7 / 58 / 5

HEX #F3E367

RGB 243 227 103

HSL 53.14, 0.85%, 0.68%

LAB 89.38, -9.5, 61.25

 

CMYK 0 / 4 / 52 / 0

HEX #FFF57A

RGB 255 245 122

HSL 55.49, 1%, 0.74%

LAB 95.15, -12.16, 59.62

 

CMYK 0 / 0 / 45 / 0

HEX #FFFF8D

RGB 255 255 141

HSL 60, 1%, 0.78%

LAB 97.91, -15.4, 54.17

 

CMYK 0 / 0 / 37 / 0

HEX #FFFFA0

RGB 255 255 160

HSL 60, 1%, 0.81%

LAB 98.16, -13.5, 45.4

 

CMYK 0 / 0 / 30 / 0

HEX #FFFFB3

RGB 255 255 179

HSL 60, 1%, 0.85%

LAB 98.45, -11.32, 36.42

 

CMYK 0 / 5 / 55 / 7

HEX #EEE36C

RGB 238 227 108

HSL 54.92, 0.79%, 0.68%

LAB 89.02, -11.16, 58.5

 

CMYK 0 / 5 / 60 / 13

HEX #DDD159

RGB 221 209 89

HSL 54.55, 0.66%, 0.61%

LAB 82.75, -10.46, 59.5

 

CMYK 0 / 6 / 66 / 20

HEX #CCBF46

RGB 204 191 70

HSL 54.18, 0.57%, 0.54%

LAB 76.4, -9.63, 60.33

 

CMYK 0 / 7 / 73 / 27

HEX #BBAD33

RGB 187 173 51

HSL 53.82, 0.57%, 0.47%

LAB 69.96, -8.63, 60.8

 

CMYK 0 / 9 / 81 / 33

HEX #AA9B20

RGB 170 155 32

HSL 53.48, 0.68%, 0.4%

LAB 63.42, -7.43, 60.59

 

CMYK 0 / 5 / 54 / 7

HEX #EDE26C

RGB 237 226 108

HSL 54.88, 0.78%, 0.68%

LAB 88.68, -11.06, 58.08

 

CMYK 0 / 19 / 54 / 7

HEX #EDC06C

RGB 237 192 108

HSL 39.07, 0.78%, 0.68%

LAB 80.06, 6.32, 47.96

 

CMYK 0 / 34 / 54 / 7

HEX #ED9D6C

RGB 237 157 108

HSL 22.79, 0.78%, 0.68%

LAB 71.69, 24.81, 37.68

 

CMYK 0 / 49 / 54 / 7

HEX #ED7A6C

RGB 237 122 108

HSL 6.51, 0.78%, 0.68%

LAB 64.17, 42.97, 28.03

 

CMYK 0 / 54 / 54 / 7

HEX #ED6C6C

RGB 237 108 108

HSL 0, 0.78%, 0.68%

LAB 61.49, 49.8, 24.5

 

CMYK 0 / 5 / 54 / 7

HEX #EDE26C

RGB 237 226 108

HSL 54.88, 0.78%, 0.68%

LAB 88.68, -11.06, 58.08

 

CMYK 10 / 0 / 54 / 7

HEX #D6ED6C

RGB 214 237 108

HSL 70.7, 0.78%, 0.68%

LAB 89.83, -25.55, 58.96

 

CMYK 24 / 0 / 54 / 7

HEX #B3ED6C

RGB 179 237 108

HSL 86.98, 0.78%, 0.68%

LAB 87.6, -38.71, 55.8

 

CMYK 39 / 0 / 54 / 7

HEX #90ED6C

RGB 144 237 108

HSL 103.26, 0.78%, 0.68%

LAB 85.8, -50.55, 53.23

 

CMYK 54 / 0 / 54 / 7

HEX #6DED6C

RGB 109 237 108

HSL 119.53, 0.78%, 0.68%

LAB 84.43, -60.41, 51.28

 

CMYK 0 / 5 / 54 / 7

HEX #EDE26C

RGB 237 226 108

HSL 54.88, 0.78%, 0.68%

LAB 88.68, -11.06, 58.08

 

CMYK 0 / 6 / 62 / 2

HEX #FBED5F

RGB 251 237 95

HSL 54.62, 0.95%, 0.68%

LAB 92.53, -11.74, 68.3

 

CMYK 0 / 5 / 54 / 7

HEX #EDE26C

RGB 237 226 108

HSL 54.88, 0.78%, 0.68%

LAB 88.68, -11.06, 58.08

 

CMYK 0 / 4 / 46 / 12

HEX #E0D77A

RGB 224 215 122

HSL 54.71, 0.62%, 0.68%

LAB 84.92, -9.56, 46.76

 

CMYK 0 / 3 / 36 / 17

HEX #D3CD87

RGB 211 205 135

HSL 55.26, 0.46%, 0.68%

LAB 81.43, -8.26, 35.63

 

CMYK 0 / 2 / 25 / 22

HEX #C6C294

RGB 198 194 148

HSL 55.2, 0.3%, 0.68%

LAB 77.71, -5.97, 23.71

 

CMYK 0 / 1 / 13 / 27

HEX #B9B7A1

RGB 185 183 161

HSL 55, 0.15%, 0.68%

LAB 74.03, -3.12, 11.45

 

CMYK 0 / 34 / 54 / 7

HEX #ED9C6C

RGB 237 156 108

HSL 22.33, 0.78%, 0.68%

LAB 71.46, 25.34, 37.39

 

CMYK 0 / 20 / 54 / 7

HEX #EDBE6C

RGB 237 190 108

HSL 38.14, 0.78%, 0.68%

LAB 79.56, 7.36, 47.36

 

CMYK 0 / 5 / 54 / 7

HEX #EDE06C

RGB 237 224 108

HSL 53.95, 0.78%, 0.68%

LAB 88.16, -10.07, 57.49

 

CMYK 9 / 0 / 54 / 7

HEX #D8ED6C

RGB 216 237 108

HSL 69.77, 0.78%, 0.68%

LAB 89.98, -24.77, 59.16

 

CMYK 24 / 0 / 54 / 7

HEX #B5ED6C

RGB 181 237 108

HSL 86.05, 0.78%, 0.68%

LAB 87.72, -37.99, 55.96

 

CMYK 0 / 7 / 85 / 10

HEX #E5D423

RGB 229 212 35

HSL 54.74, 0.79%, 0.52%

LAB 83.9, -11.02, 79.21

 

CMYK 0 / 6 / 69 / 9

HEX #E9DB48

RGB 233 219 72

HSL 54.78, 0.79%, 0.6%

LAB 86.23, -11.49, 70.34

 

CMYK 0 / 5 / 54 / 7

HEX #EDE26C

RGB 237 226 108

HSL 54.88, 0.78%, 0.68%

LAB 88.68, -11.06, 58.08

 

CMYK 0 / 3 / 40 / 5

HEX #F2EA91

RGB 242 234 145

HSL 55.05, 0.79%, 0.76%

LAB 91.58, -9.71, 44.14

 

CMYK 0 / 2 / 26 / 4

HEX #F6F1B6

RGB 246 241 182

HSL 55.31, 0.78%, 0.84%

LAB 94.26, -7.34, 29.18

 

CMYK 0 / 5 / 55 / 7

HEX #EEE36C

RGB 238 227 108

HSL 54.92, 0.79%, 0.68%

LAB 89.02, -11.16, 58.5

 

CMYK 54 / 0 / 49 / 7

HEX #6CED79

RGB 108 237 121

HSL 126.05, 0.78%, 0.68%

LAB 84.55, -58.98, 45.35

 

CMYK 27 / 54 / 0 / 7

HEX #AD6CED

RGB 173 108 237

HSL 270.23, 0.78%, 0.68%

LAB 57.77, 49.97, -55.57

 

CMYK 0 / 5 / 55 / 7

HEX #EEE36C

RGB 238 227 108

HSL 54.92, 0.79%, 0.68%

LAB 89.02, -11.16, 58.5

 

CMYK 54 / 0 / 5 / 7

HEX #6CEDE0

RGB 108 237 224

HSL 173.95, 0.78%, 0.68%

LAB 86.57, -38.7, -4.55

 

CMYK 5 / 54 / 0 / 7

HEX #E06CED

RGB 224 108 237

HSL 293.95, 0.78%, 0.68%

LAB 63.91, 62.91, -45.46

 

CMYK 0 / 5 / 55 / 7

HEX #EEE36C

RGB 238 227 108

HSL 54.92, 0.79%, 0.68%

LAB 89.02, -11.16, 58.5

 

CMYK 54 / 0 / 49 / 7

HEX #6CED79

RGB 108 237 121

HSL 126.05, 0.78%, 0.68%

LAB 84.55, -58.98, 45.35

 

CMYK 54 / 49 / 0 / 7

HEX #6C79ED

RGB 108 121 237

HSL 233.95, 0.78%, 0.68%

LAB 55.05, 27.66, -60.25

 

CMYK 0 / 54 / 5 / 7

HEX #ED6CE0

RGB 237 108 224

HSL 306.05, 0.78%, 0.68%

LAB 65.05, 64.1, -36.31

 

CMYK 0 / 5 / 55 / 7

HEX #EEE36C

RGB 238 227 108

HSL 54.92, 0.79%, 0.68%

LAB 89.02, -11.16, 58.5

 

CMYK 54 / 0 / 32 / 7

HEX #6CEDA0

RGB 108 237 160

HSL 144.19, 0.78%, 0.68%

LAB 85.15, -52.69, 26.75

 

CMYK 54 / 49 / 0 / 7

HEX #6C79ED

RGB 108 121 237

HSL 233.95, 0.78%, 0.68%

LAB 55.05, 27.66, -60.25

 

CMYK 0 / 54 / 22 / 7

HEX #ED6CBA

RGB 237 108 186

HSL 323.72, 0.78%, 0.68%

LAB 63.57, 58.36, -17.21

 

Description

Color code: HEX #EEE36C | qconv.com Color code: HEX #EEE36C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 227 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 227 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 55 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 55% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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