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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EF3A1F it is the complementary color #10C5E0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EF3A1F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EF3A1F shade: #F43A1A, #FF4C2D, #FF5E40, #FF7053 and #FF8266

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EF3A1F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EF3A1F shade: #EF3A1F, #DE280C, #CD1600, #BC0400 and #AB0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EF3A1F shade: #EF391E and #EF1E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EF3A1F shade: #EF391E, #EF721E, #EFAA1E, #EFE21E and #C3EF1E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EF3A1F shade matches the following richer shades: #EF391E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EF3A1F shade: #EF391E, #DC4832, #C85645, #B56559 and #A1736C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EF3A1F shade: #EF1E75, #EF1E3E, #EF371E, #EF6E1E and #EFA61E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EF3A1F shade: #AF210C, #D6280E, #EF391E, #F25B45 and #F47D6C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EF3A1F shade: #EF3A1F, #ADEF1E and #1E59EF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EF3A1F shade: #EF3A1F, #1EEF37 and #371EEF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EF3A1F shade: #EF3A1F, #ADEF1E, #1ED7EF and #601EEF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EF3A1F shade: #EF3A1F, #6EEF1E, #1ED7EF and #9F1EEF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 87 / 6

HEX #EF3A1F

RGB 239 58 31

HSL 7.79, 0.87%, 0.53%

LAB 53.47, 66.83, 56.34

 

Complementary color

CMYK 93 / 12 / 0 / 12

HEX #10C5E0

RGB 16 197 224

HSL 187.79, 0.87%, 0.47%

LAB 73.17, -30.7, -24.84

 

CMYK 0 / 76 / 89 / 4

HEX #F43A1A

RGB 244 58 26

HSL 8.81, 0.91%, 0.53%

LAB 54.38, 68.21, 59.42

 

CMYK 0 / 70 / 82 / 0

HEX #FF4C2D

RGB 255 76 45

HSL 8.86, 1%, 0.59%

LAB 58.62, 66.03, 55.7

 

CMYK 0 / 63 / 75 / 0

HEX #FF5E40

RGB 255 94 64

HSL 9.42, 1%, 0.63%

LAB 61.34, 59.69, 49.1

 

CMYK 0 / 56 / 67 / 0

HEX #FF7053

RGB 255 112 83

HSL 10.12, 1%, 0.66%

LAB 64.54, 52.65, 42.75

 

CMYK 0 / 49 / 60 / 0

HEX #FF8266

RGB 255 130 102

HSL 10.98, 1%, 0.7%

LAB 68.16, 45.2, 36.94

 

CMYK 0 / 76 / 87 / 6

HEX #EF3A1F

RGB 239 58 31

HSL 7.79, 0.87%, 0.53%

LAB 53.47, 66.83, 56.34

 

CMYK 0 / 82 / 95 / 13

HEX #DE280C

RGB 222 40 12

HSL 8, 0.9%, 0.46%

LAB 48.35, 66.6, 58.08

 

CMYK 0 / 89 / 100 / 20

HEX #CD1600

RGB 205 22 0

HSL 6.44, 1%, 0.4%

LAB 43.58, 65.5, 57.33

 

CMYK 0 / 98 / 100 / 26

HEX #BC0400

RGB 188 4 0

HSL 1.28, 1%, 0.37%

LAB 39.2, 63.27, 53.51

 

CMYK 0 / 100 / 100 / 33

HEX #AB0000

RGB 171 0 0

HSL 0, 1%, 0.34%

LAB 35.32, 59.38, 49.65

 

CMYK 0 / 76 / 87 / 6

HEX #EF391E

RGB 239 57 30

HSL 7.75, 0.87%, 0.53%

LAB 53.35, 67.11, 56.67

 

CMYK 0 / 87 / 87 / 6

HEX #EF1E1E

RGB 239 30 30

HSL 0, 0.87%, 0.53%

LAB 51.12, 73.44, 54.95

 

CMYK 0 / 76 / 87 / 6

HEX #EF391E

RGB 239 57 30

HSL 7.75, 0.87%, 0.53%

LAB 53.35, 67.11, 56.67

 

CMYK 0 / 52 / 87 / 6

HEX #EF721E

RGB 239 114 30

HSL 24.11, 0.87%, 0.53%

LAB 62.07, 43.89, 63.43

 

CMYK 0 / 29 / 87 / 6

HEX #EFAA1E

RGB 239 170 30

HSL 40.19, 0.87%, 0.53%

LAB 74.31, 14.9, 73.04

 

CMYK 0 / 5 / 87 / 6

HEX #EFE21E

RGB 239 226 30

HSL 56.27, 0.87%, 0.53%

LAB 88.37, -13.86, 84.15

 

CMYK 18 / 0 / 87 / 6

HEX #C3EF1E

RGB 195 239 30

HSL 72.63, 0.87%, 0.53%

LAB 88.65, -37.98, 83.03

 

CMYK 0 / 76 / 87 / 6

HEX #EF391E

RGB 239 57 30

HSL 7.75, 0.87%, 0.53%

LAB 53.35, 67.11, 56.67

 

CMYK 0 / 76 / 87 / 6

HEX #EF391E

RGB 239 57 30

HSL 7.75, 0.87%, 0.53%

LAB 53.35, 67.11, 56.67

 

CMYK 0 / 67 / 77 / 14

HEX #DC4832

RGB 220 72 50

HSL 7.76, 0.71%, 0.53%

LAB 51.93, 56.51, 44.62

 

CMYK 0 / 57 / 66 / 22

HEX #C85645

RGB 200 86 69

HSL 7.79, 0.54%, 0.53%

LAB 51.11, 44.3, 32.36

 

CMYK 0 / 44 / 51 / 29

HEX #B56559

RGB 181 101 89

HSL 7.83, 0.38%, 0.53%

LAB 51.67, 30.85, 20.95

 

CMYK 0 / 29 / 33 / 37

HEX #A1736C

RGB 161 115 108

HSL 7.92, 0.22%, 0.53%

LAB 52.86, 17.15, 11.07

 

CMYK 0 / 87 / 51 / 6

HEX #EF1E75

RGB 239 30 117

HSL 335.02, 0.87%, 0.53%

LAB 52.47, 77.28, 6.82

 

CMYK 0 / 87 / 74 / 6

HEX #EF1E3E

RGB 239 30 62

HSL 350.81, 0.87%, 0.53%

LAB 51.41, 74.28, 38.47

 

CMYK 0 / 77 / 87 / 6

HEX #EF371E

RGB 239 55 30

HSL 7.18, 0.87%, 0.53%

LAB 53.14, 67.7, 56.51

 

CMYK 0 / 54 / 87 / 6

HEX #EF6E1E

RGB 239 110 30

HSL 22.97, 0.87%, 0.53%

LAB 61.3, 45.83, 62.84

 

CMYK 0 / 31 / 87 / 6

HEX #EFA61E

RGB 239 166 30

HSL 39.04, 0.87%, 0.53%

LAB 73.36, 17.01, 72.29

 

CMYK 0 / 81 / 93 / 31

HEX #AF210C

RGB 175 33 12

HSL 7.73, 0.87%, 0.37%

LAB 38.25, 54.83, 47.15

 

CMYK 0 / 81 / 93 / 16

HEX #D6280E

RGB 214 40 14

HSL 7.8, 0.88%, 0.45%

LAB 46.77, 64.37, 55.74

 

CMYK 0 / 76 / 87 / 6

HEX #EF391E

RGB 239 57 30

HSL 7.75, 0.87%, 0.53%

LAB 53.35, 67.11, 56.67

 

CMYK 0 / 62 / 71 / 5

HEX #F25B45

RGB 242 91 69

HSL 7.63, 0.87%, 0.61%

LAB 58.78, 56.8, 43.06

 

CMYK 0 / 49 / 56 / 4

HEX #F47D6C

RGB 244 125 108

HSL 7.5, 0.86%, 0.69%

LAB 65.74, 44.05, 30.26

 

CMYK 0 / 76 / 87 / 6

HEX #EF3A1F

RGB 239 58 31

HSL 7.79, 0.87%, 0.53%

LAB 53.47, 66.83, 56.34

 

CMYK 28 / 0 / 87 / 6

HEX #ADEF1E

RGB 173 239 30

HSL 78.95, 0.87%, 0.53%

LAB 87.34, -46.36, 81.42

 

CMYK 87 / 63 / 0 / 6

HEX #1E59EF

RGB 30 89 239

HSL 223.06, 0.87%, 0.53%

LAB 43.73, 38.38, -79.9

 

CMYK 0 / 76 / 87 / 6

HEX #EF3A1F

RGB 239 58 31

HSL 7.79, 0.87%, 0.53%

LAB 53.47, 66.83, 56.34

 

CMYK 87 / 0 / 77 / 6

HEX #1EEF37

RGB 30 239 55

HSL 127.18, 0.87%, 0.53%

LAB 83.06, -78.84, 69.99

 

CMYK 77 / 87 / 0 / 6

HEX #371EEF

RGB 55 30 239

HSL 247.18, 0.87%, 0.53%

LAB 33.93, 69.9, -96.08

 

CMYK 0 / 76 / 87 / 6

HEX #EF3A1F

RGB 239 58 31

HSL 7.79, 0.87%, 0.53%

LAB 53.47, 66.83, 56.34

 

CMYK 28 / 0 / 87 / 6

HEX #ADEF1E

RGB 173 239 30

HSL 78.95, 0.87%, 0.53%

LAB 87.34, -46.36, 81.42

 

CMYK 87 / 10 / 0 / 6

HEX #1ED7EF

RGB 30 215 239

HSL 186.89, 0.87%, 0.53%

LAB 79.1, -33.94, -23.84

 

CMYK 60 / 87 / 0 / 6

HEX #601EEF

RGB 96 30 239

HSL 258.95, 0.87%, 0.53%

LAB 37.2, 72.32, -90.55

 

CMYK 0 / 76 / 87 / 6

HEX #EF3A1F

RGB 239 58 31

HSL 7.79, 0.87%, 0.53%

LAB 53.47, 66.83, 56.34

 

CMYK 54 / 0 / 87 / 6

HEX #6EEF1E

RGB 110 239 30

HSL 97.03, 0.87%, 0.53%

LAB 84.56, -66.61, 77.96

 

CMYK 87 / 10 / 0 / 6

HEX #1ED7EF

RGB 30 215 239

HSL 186.89, 0.87%, 0.53%

LAB 79.1, -33.94, -23.84

 

CMYK 33 / 87 / 0 / 6

HEX #9F1EEF

RGB 159 30 239

HSL 277.03, 0.87%, 0.53%

LAB 44.99, 78.85, -77.45

 

Description

Color code: HEX #EF3A1F | qconv.com Color code: HEX #EF3A1F | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 58 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 58 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 87 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 87% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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