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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EF9BE6 it is the complementary color #106419. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EF9BE6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EF9BE6 shade: #F49BE1, #FFADF4, #FFBFFF, #FFD1FF and #FFE3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EF9BE6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EF9BE6 shade: #EF9BE6, #DE89D3, #CD77C0, #BC65AD and #AB539A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EF9BE6 shade: #EE9AE5, #EE9ACE, #EE9AB7, #EE9AA1 and #EE9A9A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EF9BE6 shade: #EE9AE5, #E09AEE, #CA9AEE, #B39AEE and #9C9AEE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EF9BE6 shade matches the following richer shades: #EE9AE5 and #F890EC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EF9BE6 shade: #EE9AE5, #E5A3DE, #DBADD6, #D2B6CF and #C8C0C7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EF9BE6 shade: #C99AEE, #E09AEE, #EE9AE6, #EE9ACF and #EE9AB9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EF9BE6 shade: #E353D3, #E876DC, #EE9AE5, #F4BDEE and #FAE1F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EF9BE6 shade: #EF9BE6, #EEB39A and #9AEED5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EF9BE6 shade: #EF9BE6, #E6EE9A and #9AE6EE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EF9BE6 shade: #EF9BE6, #EEB39A, #9AEEA2 and #9AD5EE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EF9BE6 shade: #EF9BE6, #EECC9A, #9AEEA2 and #9ABBEE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 4 / 6

HEX #EF9BE6

RGB 239 155 230

HSL 306.43, 0.72%, 0.77%

LAB 74.51, 42.56, -25

 

Complementary color

CMYK 84 / 0 / 75 / 61

HEX #106419

RGB 16 100 25

HSL 126.43, 0.72%, 0.23%

LAB 36.55, -39.82, 34.11

 

CMYK 0 / 36 / 8 / 4

HEX #F49BE1

RGB 244 155 225

HSL 312.81, 0.8%, 0.78%

LAB 74.9, 43.28, -21.64

 

CMYK 0 / 32 / 4 / 0

HEX #FFADF4

RGB 255 173 244

HSL 308.05, 1%, 0.84%

LAB 80.56, 40.67, -23.21

 

CMYK 0 / 25 / 0 / 0

HEX #FFBFFF

RGB 255 191 255

HSL 300, 1%, 0.87%

LAB 84.86, 33.2, -22.55

 

CMYK 0 / 18 / 0 / 0

HEX #FFD1FF

RGB 255 209 255

HSL 300, 1%, 0.91%

LAB 88.96, 23.75, -16.36

 

CMYK 0 / 11 / 0 / 0

HEX #FFE3FF

RGB 255 227 255

HSL 300, 1%, 0.95%

LAB 93.2, 14.35, -10.03

 

CMYK 0 / 35 / 4 / 6

HEX #EF9BE6

RGB 239 155 230

HSL 306.43, 0.72%, 0.77%

LAB 74.51, 42.56, -25

 

CMYK 0 / 38 / 5 / 13

HEX #DE89D3

RGB 222 137 211

HSL 307.76, 0.56%, 0.7%

LAB 68.11, 43.29, -24.5

 

CMYK 0 / 42 / 6 / 20

HEX #CD77C0

RGB 205 119 192

HSL 309.07, 0.46%, 0.64%

LAB 61.64, 44.04, -23.94

 

CMYK 0 / 46 / 8 / 26

HEX #BC65AD

RGB 188 101 173

HSL 310.34, 0.39%, 0.57%

LAB 55.09, 44.78, -23.3

 

CMYK 0 / 51 / 10 / 33

HEX #AB539A

RGB 171 83 154

HSL 311.59, 0.35%, 0.5%

LAB 48.48, 45.46, -22.53

 

CMYK 0 / 35 / 4 / 7

HEX #EE9AE5

RGB 238 154 229

HSL 306.43, 0.71%, 0.77%

LAB 74.15, 42.59, -25.01

 

CMYK 0 / 35 / 13 / 7

HEX #EE9ACE

RGB 238 154 206

HSL 322.86, 0.71%, 0.77%

LAB 73.38, 38.73, -13.58

 

CMYK 0 / 35 / 23 / 7

HEX #EE9AB7

RGB 238 154 183

HSL 339.29, 0.71%, 0.77%

LAB 72.7, 35.25, -1.9

 

CMYK 0 / 35 / 32 / 7

HEX #EE9AA1

RGB 238 154 161

HSL 355, 0.71%, 0.77%

LAB 72.14, 32.29, 9.47

 

CMYK 0 / 35 / 35 / 7

HEX #EE9A9A

RGB 238 154 154

HSL 0, 0.71%, 0.77%

LAB 71.97, 31.43, 13.11

 

CMYK 0 / 35 / 4 / 7

HEX #EE9AE5

RGB 238 154 229

HSL 306.43, 0.71%, 0.77%

LAB 74.15, 42.59, -25.01

 

CMYK 6 / 35 / 0 / 7

HEX #E09AEE

RGB 224 154 238

HSL 290, 0.71%, 0.77%

LAB 72.98, 39.91, -31.86

 

CMYK 15 / 35 / 0 / 7

HEX #CA9AEE

RGB 202 154 238

HSL 274.29, 0.71%, 0.77%

LAB 70.76, 33.25, -35.47

 

CMYK 25 / 35 / 0 / 7

HEX #B39AEE

RGB 179 154 238

HSL 257.86, 0.71%, 0.77%

LAB 68.66, 26.47, -38.91

 

CMYK 34 / 35 / 0 / 7

HEX #9C9AEE

RGB 156 154 238

HSL 241.43, 0.71%, 0.77%

LAB 66.79, 20.02, -41.96

 

CMYK 0 / 35 / 4 / 7

HEX #EE9AE5

RGB 238 154 229

HSL 306.43, 0.71%, 0.77%

LAB 74.15, 42.59, -25.01

 

CMYK 0 / 42 / 5 / 3

HEX #F890EC

RGB 248 144 236

HSL 306.92, 0.88%, 0.77%

LAB 73.52, 51.99, -29.71

 

CMYK 0 / 35 / 4 / 7

HEX #EE9AE5

RGB 238 154 229

HSL 306.43, 0.71%, 0.77%

LAB 74.15, 42.59, -25.01

 

CMYK 0 / 29 / 3 / 10

HEX #E5A3DE

RGB 229 163 222

HSL 306.36, 0.56%, 0.77%

LAB 74.9, 33.71, -20.14

 

CMYK 0 / 21 / 2 / 14

HEX #DBADD6

RGB 219 173 214

HSL 306.52, 0.39%, 0.77%

LAB 75.95, 23.57, -14.3

 

CMYK 0 / 13 / 1 / 18

HEX #D2B6CF

RGB 210 182 207

HSL 306.43, 0.24%, 0.77%

LAB 77.08, 14.36, -8.89

 

CMYK 0 / 4 / 0 / 22

HEX #C8C0C7

RGB 200 192 199

HSL 307.5, 0.07%, 0.77%

LAB 78.52, 4.07, -2.52

 

CMYK 16 / 35 / 0 / 7

HEX #C99AEE

RGB 201 154 238

HSL 273.57, 0.71%, 0.77%

LAB 70.66, 32.95, -35.63

 

CMYK 6 / 35 / 0 / 7

HEX #E09AEE

RGB 224 154 238

HSL 290, 0.71%, 0.77%

LAB 72.98, 39.91, -31.86

 

CMYK 0 / 35 / 3 / 7

HEX #EE9AE6

RGB 238 154 230

HSL 305.71, 0.71%, 0.77%

LAB 74.19, 42.77, -25.51

 

CMYK 0 / 35 / 13 / 7

HEX #EE9ACF

RGB 238 154 207

HSL 322.14, 0.71%, 0.77%

LAB 73.41, 38.9, -14.08

 

CMYK 0 / 35 / 22 / 7

HEX #EE9AB9

RGB 238 154 185

HSL 337.86, 0.71%, 0.77%

LAB 72.75, 35.54, -2.92

 

CMYK 0 / 63 / 7 / 11

HEX #E353D3

RGB 227 83 211

HSL 306.67, 0.72%, 0.61%

LAB 59.18, 70.02, -38.29

 

CMYK 0 / 49 / 5 / 9

HEX #E876DC

RGB 232 118 220

HSL 306.32, 0.71%, 0.69%

LAB 65.97, 57.4, -32.71

 

CMYK 0 / 35 / 4 / 7

HEX #EE9AE5

RGB 238 154 229

HSL 306.43, 0.71%, 0.77%

LAB 74.15, 42.59, -25.01

 

CMYK 0 / 23 / 2 / 4

HEX #F4BDEE

RGB 244 189 238

HSL 306.55, 0.71%, 0.85%

LAB 82.81, 27.65, -16.7

 

CMYK 0 / 10 / 1 / 2

HEX #FAE1F7

RGB 250 225 247

HSL 307.2, 0.71%, 0.93%

LAB 92.08, 12.31, -7.55

 

CMYK 0 / 35 / 4 / 6

HEX #EF9BE6

RGB 239 155 230

HSL 306.43, 0.72%, 0.77%

LAB 74.51, 42.56, -25

 

CMYK 0 / 25 / 35 / 7

HEX #EEB39A

RGB 238 179 154

HSL 17.86, 0.71%, 0.77%

LAB 77.73, 18.17, 21.11

 

CMYK 35 / 0 / 11 / 7

HEX #9AEED5

RGB 154 238 213

HSL 162.14, 0.71%, 0.77%

LAB 88.36, -30.9, 4.05

 

CMYK 0 / 35 / 4 / 6

HEX #EF9BE6

RGB 239 155 230

HSL 306.43, 0.72%, 0.77%

LAB 74.51, 42.56, -25

 

CMYK 3 / 0 / 35 / 7

HEX #E6EE9A

RGB 230 238 154

HSL 65.71, 0.71%, 0.77%

LAB 91.82, -15.29, 39.81

 

CMYK 35 / 3 / 0 / 7

HEX #9AE6EE

RGB 154 230 238

HSL 185.71, 0.71%, 0.77%

LAB 86.82, -21.4, -11.34

 

CMYK 0 / 35 / 4 / 6

HEX #EF9BE6

RGB 239 155 230

HSL 306.43, 0.72%, 0.77%

LAB 74.51, 42.56, -25

 

CMYK 0 / 25 / 35 / 7

HEX #EEB39A

RGB 238 179 154

HSL 17.86, 0.71%, 0.77%

LAB 77.73, 18.17, 21.11

 

CMYK 35 / 0 / 32 / 7

HEX #9AEEA2

RGB 154 238 162

HSL 125.71, 0.71%, 0.77%

LAB 87.3, -40.51, 28.96

 

CMYK 35 / 11 / 0 / 7

HEX #9AD5EE

RGB 154 213 238

HSL 197.86, 0.71%, 0.77%

LAB 82.18, -12.81, -18.3

 

CMYK 0 / 35 / 4 / 6

HEX #EF9BE6

RGB 239 155 230

HSL 306.43, 0.72%, 0.77%

LAB 74.51, 42.56, -25

 

CMYK 0 / 14 / 35 / 7

HEX #EECC9A

RGB 238 204 154

HSL 35.71, 0.71%, 0.77%

LAB 83.81, 5.02, 29.37

 

CMYK 35 / 0 / 32 / 7

HEX #9AEEA2

RGB 154 238 162

HSL 125.71, 0.71%, 0.77%

LAB 87.3, -40.51, 28.96

 

CMYK 35 / 21 / 0 / 7

HEX #9ABBEE

RGB 154 187 238

HSL 216.43, 0.71%, 0.77%

LAB 75.19, 1, -28.94

 

Description

Color code: HEX #EF9BE6 | qconv.com Color code: HEX #EF9BE6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 155 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 155 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 4 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 4% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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