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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EFE275 it is the complementary color #101D8A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EFE275. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EFE275 shade: #F4E270, #FFF483, #FFFF96, #FFFFA9 and #FFFFBC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EFE275. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EFE275 shade: #EFE275, #DED062, #CDBE4F, #BCAC3C and #AB9A29

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EFE275 shade: #EEE276, #EEC176, #EEA076, #EE8076 and #EE7676

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EFE275 shade: #EEE276, #DBEE76, #BAEE76, #9AEE76 and #79EE76

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EFE275 shade matches the following richer shades: #EEE276 and #FBEB69

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EFE275 shade: #EEE276, #E2D882, #D6CE8E, #C9C49B and #BDBBA7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EFE275 shade: #EEA076, #EEC076, #EEE076, #DCEE76 and #BCEE76

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EFE275 shade: #E6D22C, #EADA51, #EEE276, #F3E99A and #F7F1BF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EFE275 shade: #EFE275, #76EE80 and #B076EE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EFE275 shade: #EFE275, #76EEE0 and #E076EE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EFE275 shade: #EFE275, #76EE80, #7684EE and #EE76E4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EFE275 shade: #EFE275, #76EEA4, #7684EE and #EE76C0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 51 / 6

HEX #EFE275

RGB 239 226 117

HSL 53.61, 0.79%, 0.7%

LAB 88.94, -9.54, 54.29

 

Complementary color

CMYK 88 / 79 / 0 / 46

HEX #101D8A

RGB 16 29 138

HSL 233.61, 0.79%, 0.3%

LAB 19.32, 38.04, -60.43

 

CMYK 0 / 7 / 54 / 4

HEX #F4E270

RGB 244 226 112

HSL 51.82, 0.86%, 0.7%

LAB 89.3, -7.93, 57.13

 

CMYK 0 / 4 / 49 / 0

HEX #FFF483

RGB 255 244 131

HSL 54.68, 1%, 0.76%

LAB 94.99, -10.92, 55.3

 

CMYK 0 / 0 / 41 / 0

HEX #FFFF96

RGB 255 255 150

HSL 60, 1%, 0.79%

LAB 98.03, -14.53, 50.05

 

CMYK 0 / 0 / 34 / 0

HEX #FFFFA9

RGB 255 255 169

HSL 60, 1%, 0.83%

LAB 98.29, -12.5, 41.16

 

CMYK 0 / 0 / 26 / 0

HEX #FFFFBC

RGB 255 255 188

HSL 60, 1%, 0.87%

LAB 98.6, -10.2, 32.12

 

CMYK 0 / 5 / 51 / 6

HEX #EFE275

RGB 239 226 117

HSL 53.61, 0.79%, 0.7%

LAB 88.94, -9.54, 54.29

 

CMYK 0 / 6 / 56 / 13

HEX #DED062

RGB 222 208 98

HSL 53.23, 0.65%, 0.63%

LAB 82.66, -8.89, 55.4

 

CMYK 0 / 7 / 61 / 20

HEX #CDBE4F

RGB 205 190 79

HSL 52.86, 0.56%, 0.56%

LAB 76.3, -8.13, 56.42

 

CMYK 0 / 9 / 68 / 26

HEX #BCAC3C

RGB 188 172 60

HSL 52.5, 0.52%, 0.49%

LAB 69.84, -7.21, 57.22

 

CMYK 0 / 10 / 76 / 33

HEX #AB9A29

RGB 171 154 41

HSL 52.15, 0.61%, 0.42%

LAB 63.28, -6.1, 57.56

 

CMYK 0 / 5 / 50 / 7

HEX #EEE276

RGB 238 226 118

HSL 54, 0.78%, 0.7%

LAB 88.86, -9.85, 53.72

 

CMYK 0 / 19 / 50 / 7

HEX #EEC176

RGB 238 193 118

HSL 37.5, 0.78%, 0.7%

LAB 80.53, 7.04, 43.59

 

CMYK 0 / 33 / 50 / 7

HEX #EEA076

RGB 238 160 118

HSL 21, 0.78%, 0.7%

LAB 72.65, 24.48, 33.62

 

CMYK 0 / 46 / 50 / 7

HEX #EE8076

RGB 238 128 118

HSL 5, 0.78%, 0.7%

LAB 65.69, 41.16, 24.48

 

CMYK 0 / 50 / 50 / 7

HEX #EE7676

RGB 238 118 118

HSL 0, 0.78%, 0.7%

LAB 63.71, 46.16, 21.82

 

CMYK 0 / 5 / 50 / 7

HEX #EEE276

RGB 238 226 118

HSL 54, 0.78%, 0.7%

LAB 88.86, -9.85, 53.72

 

CMYK 8 / 0 / 50 / 7

HEX #DBEE76

RGB 219 238 118

HSL 69.5, 0.78%, 0.7%

LAB 90.56, -23.22, 55.37

 

CMYK 22 / 0 / 50 / 7

HEX #BAEE76

RGB 186 238 118

HSL 86, 0.78%, 0.7%

LAB 88.4, -35.64, 52.27

 

CMYK 35 / 0 / 50 / 7

HEX #9AEE76

RGB 154 238 118

HSL 102, 0.78%, 0.7%

LAB 86.67, -46.66, 49.77

 

CMYK 49 / 0 / 50 / 7

HEX #79EE76

RGB 121 238 118

HSL 118.5, 0.78%, 0.7%

LAB 85.26, -56.45, 47.74

 

CMYK 0 / 5 / 50 / 7

HEX #EEE276

RGB 238 226 118

HSL 54, 0.78%, 0.7%

LAB 88.86, -9.85, 53.72

 

CMYK 0 / 6 / 58 / 2

HEX #FBEB69

RGB 251 235 105

HSL 53.42, 0.95%, 0.7%

LAB 92.11, -10.1, 63.61

 

CMYK 0 / 5 / 50 / 7

HEX #EEE276

RGB 238 226 118

HSL 54, 0.78%, 0.7%

LAB 88.86, -9.85, 53.72

 

CMYK 0 / 4 / 42 / 11

HEX #E2D882

RGB 226 216 130

HSL 53.75, 0.62%, 0.7%

LAB 85.45, -8.49, 43.52

 

CMYK 0 / 4 / 34 / 16

HEX #D6CE8E

RGB 214 206 142

HSL 53.33, 0.47%, 0.7%

LAB 82.05, -6.77, 32.88

 

CMYK 0 / 2 / 23 / 21

HEX #C9C49B

RGB 201 196 155

HSL 53.48, 0.3%, 0.7%

LAB 78.62, -4.89, 21.26

 

CMYK 0 / 1 / 12 / 26

HEX #BDBBA7

RGB 189 187 167

HSL 54.55, 0.14%, 0.7%

LAB 75.54, -2.79, 10.38

 

CMYK 0 / 33 / 50 / 7

HEX #EEA076

RGB 238 160 118

HSL 21, 0.78%, 0.7%

LAB 72.65, 24.48, 33.62

 

CMYK 0 / 19 / 50 / 7

HEX #EEC076

RGB 238 192 118

HSL 37, 0.78%, 0.7%

LAB 80.28, 7.57, 43.29

 

CMYK 0 / 6 / 50 / 7

HEX #EEE076

RGB 238 224 118

HSL 53, 0.78%, 0.7%

LAB 88.35, -8.85, 53.1

 

CMYK 8 / 0 / 50 / 7

HEX #DCEE76

RGB 220 238 118

HSL 69, 0.78%, 0.7%

LAB 90.63, -22.83, 55.47

 

CMYK 21 / 0 / 50 / 7

HEX #BCEE76

RGB 188 238 118

HSL 85, 0.78%, 0.7%

LAB 88.52, -34.91, 52.45

 

CMYK 0 / 9 / 81 / 10

HEX #E6D22C

RGB 230 210 44

HSL 53.55, 0.79%, 0.54%

LAB 83.49, -9.35, 76.72

 

CMYK 0 / 7 / 65 / 8

HEX #EADA51

RGB 234 218 81

HSL 53.73, 0.78%, 0.62%

LAB 86.12, -10.1, 66.78

 

CMYK 0 / 5 / 50 / 7

HEX #EEE276

RGB 238 226 118

HSL 54, 0.78%, 0.7%

LAB 88.86, -9.85, 53.72

 

CMYK 0 / 4 / 37 / 5

HEX #F3E99A

RGB 243 233 154

HSL 53.26, 0.79%, 0.78%

LAB 91.53, -7.86, 39.63

 

CMYK 0 / 2 / 23 / 3

HEX #F7F1BF

RGB 247 241 191

HSL 53.57, 0.78%, 0.86%

LAB 94.5, -5.77, 24.93

 

CMYK 0 / 5 / 51 / 6

HEX #EFE275

RGB 239 226 117

HSL 53.61, 0.79%, 0.7%

LAB 88.94, -9.54, 54.29

 

CMYK 50 / 0 / 46 / 7

HEX #76EE80

RGB 118 238 128

HSL 125, 0.78%, 0.7%

LAB 85.28, -55.89, 42.97

 

CMYK 26 / 50 / 0 / 7

HEX #B076EE

RGB 176 118 238

HSL 269, 0.78%, 0.7%

LAB 60.21, 45.61, -52.22

 

CMYK 0 / 5 / 51 / 6

HEX #EFE275

RGB 239 226 117

HSL 53.61, 0.79%, 0.7%

LAB 88.94, -9.54, 54.29

 

CMYK 50 / 0 / 6 / 7

HEX #76EEE0

RGB 118 238 224

HSL 173, 0.78%, 0.7%

LAB 87.18, -37.13, -3.61

 

CMYK 6 / 50 / 0 / 7

HEX #E076EE

RGB 224 118 238

HSL 293, 0.78%, 0.7%

LAB 65.73, 58.35, -43.14

 

CMYK 0 / 5 / 51 / 6

HEX #EFE275

RGB 239 226 117

HSL 53.61, 0.79%, 0.7%

LAB 88.94, -9.54, 54.29

 

CMYK 50 / 0 / 46 / 7

HEX #76EE80

RGB 118 238 128

HSL 125, 0.78%, 0.7%

LAB 85.28, -55.89, 42.97

 

CMYK 50 / 45 / 0 / 7

HEX #7684EE

RGB 118 132 238

HSL 233, 0.78%, 0.7%

LAB 58.53, 23.48, -55.19

 

CMYK 0 / 50 / 4 / 7

HEX #EE76E4

RGB 238 118 228

HSL 305, 0.78%, 0.7%

LAB 67.08, 60.43, -35.37

 

CMYK 0 / 5 / 51 / 6

HEX #EFE275

RGB 239 226 117

HSL 53.61, 0.79%, 0.7%

LAB 88.94, -9.54, 54.29

 

CMYK 50 / 0 / 31 / 7

HEX #76EEA4

RGB 118 238 164

HSL 143, 0.78%, 0.7%

LAB 85.85, -50.03, 25.72

 

CMYK 50 / 45 / 0 / 7

HEX #7684EE

RGB 118 132 238

HSL 233, 0.78%, 0.7%

LAB 58.53, 23.48, -55.19

 

CMYK 0 / 50 / 19 / 7

HEX #EE76C0

RGB 238 118 192

HSL 323, 0.78%, 0.7%

LAB 65.7, 54.81, -17.36

 

Description

Color code: HEX #EFE275 | qconv.com Color code: HEX #EFE275 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 239 red, 226 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
239 226 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 51 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 51% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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