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Color name
HEX #F3DB39

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F3DB39 it is the complementary color #0C24C6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F3DB39. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F3DB39 shade: #F8DB34, #FFED47, #FFFF5A, #FFFF6D and #FFFF80

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F3DB39. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F3DB39 shade: #F3DB39, #E2C926, #D1B713, #C0A500 and #AF9300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F3DB39 shade: #F3DB39, #F3A939, #F37739, #F34439 and #F33939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F3DB39 shade: #F3DB39, #D9F339, #A7F339, #74F339 and #42F339

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F3DB39 shade matches the following richer shades: #F3DB39

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F3DB39 shade: #F3DB39, #E2CE4A, #D1C25B, #C0B56C and #AFA97D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F3DB39 shade: #F37739, #F3A939, #F3DA39, #DAF339 and #A9F339

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F3DB39 shade: #CEB50C, #F1D412, #F3DB39, #F5E260 and #F8E987

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F3DB39 shade: #F3DB39, #39F345 and #9039F3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F3DB39 shade: #F3DB39, #39F3DA and #DA39F3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F3DB39 shade: #F3DB39, #39F345, #3952F3 and #F339E7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F3DB39 shade: #F3DB39, #39F37D, #3952F3 and #F339AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 77 / 5

HEX #F3DB39

RGB 243 219 57

HSL 52.26, 0.89%, 0.59%

LAB 87, -7.95, 76.5

 

Complementary color

CMYK 94 / 82 / 0 / 22

HEX #0C24C6

RGB 12 36 198

HSL 232.26, 0.89%, 0.41%

LAB 27.89, 54.29, -82.53

 

CMYK 0 / 12 / 79 / 3

HEX #F8DB34

RGB 248 219 52

HSL 51.12, 0.93%, 0.59%

LAB 87.42, -6.03, 78.53

 

CMYK 0 / 7 / 72 / 0

HEX #FFED47

RGB 255 237 71

HSL 54.13, 1%, 0.64%

LAB 92.7, -11.35, 77.62

 

CMYK 0 / 0 / 65 / 0

HEX #FFFF5A

RGB 255 255 90

HSL 60, 1%, 0.68%

LAB 97.44, -19.15, 75.5

 

CMYK 0 / 0 / 57 / 0

HEX #FFFF6D

RGB 255 255 109

HSL 60, 1%, 0.71%

LAB 97.59, -17.98, 68.07

 

CMYK 0 / 0 / 50 / 0

HEX #FFFF80

RGB 255 255 128

HSL 60, 1%, 0.75%

LAB 97.77, -16.54, 59.98

 

CMYK 0 / 10 / 77 / 5

HEX #F3DB39

RGB 243 219 57

HSL 52.26, 0.89%, 0.59%

LAB 87, -7.95, 76.5

 

CMYK 0 / 11 / 83 / 11

HEX #E2C926

RGB 226 201 38

HSL 52.02, 0.76%, 0.52%

LAB 80.78, -6.67, 75.82

 

CMYK 0 / 12 / 91 / 18

HEX #D1B713

RGB 209 183 19

HSL 51.79, 0.83%, 0.45%

LAB 74.49, -5.18, 74.05

 

CMYK 0 / 14 / 100 / 25

HEX #C0A500

RGB 192 165 0

HSL 51.56, 1%, 0.38%

LAB 68.11, -3.49, 71.07

 

CMYK 0 / 16 / 100 / 31

HEX #AF9300

RGB 175 147 0

HSL 50.4, 1%, 0.34%

LAB 61.64, -1.51, 65.72

 

CMYK 0 / 10 / 77 / 5

HEX #F3DB39

RGB 243 219 57

HSL 52.26, 0.89%, 0.59%

LAB 87, -7.95, 76.5

 

CMYK 0 / 30 / 77 / 5

HEX #F3A939

RGB 243 169 57

HSL 36.13, 0.89%, 0.59%

LAB 74.65, 17.91, 65.03

 

CMYK 0 / 51 / 77 / 5

HEX #F37739

RGB 243 119 57

HSL 20, 0.89%, 0.59%

LAB 63.79, 43.74, 54.44

 

CMYK 0 / 72 / 77 / 5

HEX #F34439

RGB 243 68 57

HSL 3.55, 0.89%, 0.59%

LAB 55.57, 65.49, 46.01

 

CMYK 0 / 77 / 77 / 5

HEX #F33939

RGB 243 57 57

HSL 0, 0.89%, 0.59%

LAB 54.32, 68.97, 44.68

 

CMYK 0 / 10 / 77 / 5

HEX #F3DB39

RGB 243 219 57

HSL 52.26, 0.89%, 0.59%

LAB 87, -7.95, 76.5

 

CMYK 11 / 0 / 77 / 5

HEX #D9F339

RGB 217 243 57

HSL 68.39, 0.89%, 0.59%

LAB 91.3, -30.27, 79.66

 

CMYK 31 / 0 / 77 / 5

HEX #A7F339

RGB 167 243 57

HSL 84.52, 0.89%, 0.59%

LAB 88.26, -49.24, 75.74

 

CMYK 52 / 0 / 77 / 5

HEX #74F339

RGB 116 243 57

HSL 100.97, 0.89%, 0.59%

LAB 86.06, -65.25, 72.88

 

CMYK 73 / 0 / 77 / 5

HEX #42F339

RGB 66 243 57

HSL 117.1, 0.89%, 0.59%

LAB 84.77, -75.84, 71.19

 

CMYK 0 / 10 / 77 / 5

HEX #F3DB39

RGB 243 219 57

HSL 52.26, 0.89%, 0.59%

LAB 87, -7.95, 76.5

 

CMYK 0 / 10 / 77 / 5

HEX #F3DB39

RGB 243 219 57

HSL 52.26, 0.89%, 0.59%

LAB 87, -7.95, 76.5

 

CMYK 0 / 9 / 67 / 11

HEX #E2CE4A

RGB 226 206 74

HSL 52.11, 0.72%, 0.59%

LAB 82.27, -7.77, 65.38

 

CMYK 0 / 7 / 56 / 18

HEX #D1C25B

RGB 209 194 91

HSL 52.37, 0.56%, 0.59%

LAB 77.81, -7.65, 52.79

 

CMYK 0 / 6 / 44 / 25

HEX #C0B56C

RGB 192 181 108

HSL 52.14, 0.4%, 0.59%

LAB 73.11, -6.41, 38.5

 

CMYK 0 / 3 / 29 / 31

HEX #AFA97D

RGB 175 169 125

HSL 52.8, 0.24%, 0.59%

LAB 68.73, -4.9, 23.54

 

CMYK 0 / 51 / 77 / 5

HEX #F37739

RGB 243 119 57

HSL 20, 0.89%, 0.59%

LAB 63.79, 43.74, 54.44

 

CMYK 0 / 30 / 77 / 5

HEX #F3A939

RGB 243 169 57

HSL 36.13, 0.89%, 0.59%

LAB 74.65, 17.91, 65.03

 

CMYK 0 / 10 / 77 / 5

HEX #F3DA39

RGB 243 218 57

HSL 51.94, 0.89%, 0.59%

LAB 86.75, -7.45, 76.26

 

CMYK 10 / 0 / 77 / 5

HEX #DAF339

RGB 218 243 57

HSL 68.06, 0.89%, 0.59%

LAB 91.37, -29.87, 79.75

 

CMYK 30 / 0 / 77 / 5

HEX #A9F339

RGB 169 243 57

HSL 83.87, 0.89%, 0.59%

LAB 88.37, -48.53, 75.88

 

CMYK 0 / 12 / 94 / 19

HEX #CEB50C

RGB 206 181 12

HSL 52.27, 0.89%, 0.43%

LAB 73.67, -5.55, 74.3

 

CMYK 0 / 12 / 93 / 5

HEX #F1D412

RGB 241 212 18

HSL 52.2, 0.89%, 0.51%

LAB 84.91, -6.21, 83.39

 

CMYK 0 / 10 / 77 / 5

HEX #F3DB39

RGB 243 219 57

HSL 52.26, 0.89%, 0.59%

LAB 87, -7.95, 76.5

 

CMYK 0 / 8 / 61 / 4

HEX #F5E260

RGB 245 226 96

HSL 52.35, 0.88%, 0.67%

LAB 89.23, -8.66, 64.17

 

CMYK 0 / 6 / 46 / 3

HEX #F8E987

RGB 248 233 135

HSL 52.04, 0.89%, 0.75%

LAB 91.68, -7.86, 49.23

 

CMYK 0 / 10 / 77 / 5

HEX #F3DB39

RGB 243 219 57

HSL 52.26, 0.89%, 0.59%

LAB 87, -7.95, 76.5

 

CMYK 77 / 0 / 72 / 5

HEX #39F345

RGB 57 243 69

HSL 123.87, 0.89%, 0.59%

LAB 84.69, -76.27, 67.15

 

CMYK 41 / 77 / 0 / 5

HEX #9039F3

RGB 144 57 243

HSL 268.06, 0.89%, 0.59%

LAB 46.08, 69.58, -78

 

CMYK 0 / 10 / 77 / 5

HEX #F3DB39

RGB 243 219 57

HSL 52.26, 0.89%, 0.59%

LAB 87, -7.95, 76.5

 

CMYK 77 / 0 / 10 / 5

HEX #39F3DA

RGB 57 243 218

HSL 171.94, 0.89%, 0.59%

LAB 87.01, -50.34, -0.89

 

CMYK 10 / 77 / 0 / 5

HEX #DA39F3

RGB 218 57 243

HSL 291.94, 0.89%, 0.59%

LAB 56.39, 82.11, -60.8

 

CMYK 0 / 10 / 77 / 5

HEX #F3DB39

RGB 243 219 57

HSL 52.26, 0.89%, 0.59%

LAB 87, -7.95, 76.5

 

CMYK 77 / 0 / 72 / 5

HEX #39F345

RGB 57 243 69

HSL 123.87, 0.89%, 0.59%

LAB 84.69, -76.27, 67.15

 

CMYK 77 / 66 / 0 / 5

HEX #3952F3

RGB 57 82 243

HSL 231.94, 0.89%, 0.59%

LAB 43.32, 46, -82.79

 

CMYK 0 / 77 / 5 / 5

HEX #F339E7

RGB 243 57 231

HSL 303.87, 0.89%, 0.59%

LAB 59.66, 85.02, -48.63

 

CMYK 0 / 10 / 77 / 5

HEX #F3DB39

RGB 243 219 57

HSL 52.26, 0.89%, 0.59%

LAB 87, -7.95, 76.5

 

CMYK 77 / 0 / 49 / 5

HEX #39F37D

RGB 57 243 125

HSL 141.94, 0.89%, 0.59%

LAB 85.23, -69.8, 44.02

 

CMYK 77 / 66 / 0 / 5

HEX #3952F3

RGB 57 82 243

HSL 231.94, 0.89%, 0.59%

LAB 43.32, 46, -82.79

 

CMYK 0 / 77 / 28 / 5

HEX #F339AF

RGB 243 57 175

HSL 321.94, 0.89%, 0.59%

LAB 57.15, 77.73, -20.57

 

Description

Color code: HEX #F3DB39 | qconv.com Color code: HEX #F3DB39 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 219 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 219 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 77 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 77% 5% C M Y K

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