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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F060CD it is the complementary color #0F9F32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F060CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F060CD shade: #F560C8, #FF72DB, #FF84EE, #FF96FF and #FFA8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F060CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F060CD shade: #F060CD, #DF4EBA, #CE3CA7, #BD2A94 and #AC1881

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F060CD shade: #F060CD, #F060A6, #F0607F and #F06060

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F060CD shade: #F060CD, #EC60F0, #C560F0, #9E60F0 and #7760F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F060CD shade matches the following richer shades: #F060CD and #FE52D4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F060CD shade: #F060CD, #E26EC6, #D47CBE, #C68AB7 and #B898B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F060CD shade: #C560F0, #EB60F0, #F060CE, #F060A8 and #F06081

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F060CD shade: #E815B5, #EC3AC1, #F060CD, #F386D9 and #F7ABE4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F060CD shade: #F060CD, #F09E60 and #60F0D8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F060CD shade: #F060CD, #CEF060 and #60CEF0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F060CD shade: #F060CD, #F09E60, #60F081 and #60B1F0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F060CD shade: #F060CD, #F0C960, #60F081 and #6086F0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 15 / 6

HEX #F060CD

RGB 240 96 205

HSL 314.58, 0.83%, 0.66%

LAB 62.76, 67.19, -29.18

 

Complementary color

CMYK 91 / 0 / 69 / 38

HEX #0F9F32

RGB 15 159 50

HSL 134.58, 0.83%, 0.34%

LAB 57.2, -56.78, 45.43

 

CMYK 0 / 61 / 18 / 4

HEX #F560C8

RGB 245 96 200

HSL 318.12, 0.88%, 0.67%

LAB 63.3, 67.82, -25.45

 

CMYK 0 / 55 / 14 / 0

HEX #FF72DB

RGB 255 114 219

HSL 315.32, 1%, 0.72%

LAB 68.32, 65.57, -28.27

 

CMYK 0 / 48 / 7 / 0

HEX #FF84EE

RGB 255 132 238

HSL 308.29, 1%, 0.76%

LAB 72.19, 60.23, -32.79

 

CMYK 0 / 41 / 0 / 0

HEX #FF96FF

RGB 255 150 255

HSL 300, 1%, 0.79%

LAB 76.25, 54.33, -35.75

 

CMYK 0 / 34 / 0 / 0

HEX #FFA8FF

RGB 255 168 255

HSL 300, 1%, 0.83%

LAB 79.89, 45.19, -30.14

 

CMYK 0 / 60 / 15 / 6

HEX #F060CD

RGB 240 96 205

HSL 314.58, 0.83%, 0.66%

LAB 62.76, 67.19, -29.18

 

CMYK 0 / 65 / 17 / 13

HEX #DF4EBA

RGB 223 78 186

HSL 315.31, 0.69%, 0.59%

LAB 56.76, 67.26, -27.81

 

CMYK 0 / 71 / 19 / 19

HEX #CE3CA7

RGB 206 60 167

HSL 316.03, 0.6%, 0.52%

LAB 50.85, 66.92, -26.11

 

CMYK 0 / 78 / 22 / 26

HEX #BD2A94

RGB 189 42 148

HSL 316.73, 0.64%, 0.45%

LAB 45.1, 65.97, -23.93

 

CMYK 0 / 86 / 25 / 33

HEX #AC1881

RGB 172 24 129

HSL 317.43, 0.76%, 0.38%

LAB 39.6, 64.08, -21.1

 

CMYK 0 / 60 / 15 / 6

HEX #F060CD

RGB 240 96 205

HSL 314.58, 0.83%, 0.66%

LAB 62.76, 67.19, -29.18

 

CMYK 0 / 60 / 31 / 6

HEX #F060A6

RGB 240 96 166

HSL 330.83, 0.83%, 0.66%

LAB 61.35, 62, -9.07

 

CMYK 0 / 60 / 47 / 6

HEX #F0607F

RGB 240 96 127

HSL 347.08, 0.83%, 0.66%

LAB 60.27, 57.89, 11.96

 

CMYK 0 / 60 / 60 / 6

HEX #F06060

RGB 240 96 96

HSL 0, 0.83%, 0.66%

LAB 59.65, 55.46, 29.02

 

CMYK 0 / 60 / 15 / 6

HEX #F060CD

RGB 240 96 205

HSL 314.58, 0.83%, 0.66%

LAB 62.76, 67.19, -29.18

 

CMYK 2 / 60 / 0 / 6

HEX #EC60F0

RGB 236 96 240

HSL 298.33, 0.83%, 0.66%

LAB 63.75, 71.67, -47.26

 

CMYK 18 / 60 / 0 / 6

HEX #C560F0

RGB 197 96 240

HSL 282.08, 0.83%, 0.66%

LAB 58.53, 62.38, -55.86

 

CMYK 34 / 60 / 0 / 6

HEX #9E60F0

RGB 158 96 240

HSL 265.83, 0.83%, 0.66%

LAB 53.95, 53.47, -63.47

 

CMYK 50 / 60 / 0 / 6

HEX #7760F0

RGB 119 96 240

HSL 249.58, 0.83%, 0.66%

LAB 50.19, 45.47, -69.72

 

CMYK 0 / 60 / 15 / 6

HEX #F060CD

RGB 240 96 205

HSL 314.58, 0.83%, 0.66%

LAB 62.76, 67.19, -29.18

 

CMYK 0 / 68 / 17 / 0

HEX #FE52D4

RGB 254 82 212

HSL 314.65, 0.99%, 0.66%

LAB 63.23, 77.11, -32.23

 

CMYK 0 / 60 / 15 / 6

HEX #F060CD

RGB 240 96 205

HSL 314.58, 0.83%, 0.66%

LAB 62.76, 67.19, -29.18

 

CMYK 0 / 51 / 12 / 11

HEX #E26EC6

RGB 226 110 198

HSL 314.48, 0.67%, 0.66%

LAB 62.84, 55.92, -25.26

 

CMYK 0 / 42 / 10 / 17

HEX #D47CBE

RGB 212 124 190

HSL 315, 0.51%, 0.66%

LAB 63.45, 43.31, -19.96

 

CMYK 0 / 30 / 8 / 22

HEX #C68AB7

RGB 198 138 183

HSL 315, 0.34%, 0.66%

LAB 64.65, 29.95, -14.36

 

CMYK 0 / 17 / 4 / 28

HEX #B898B0

RGB 184 152 176

HSL 315, 0.18%, 0.66%

LAB 66.35, 16.04, -8.01

 

CMYK 18 / 60 / 0 / 6

HEX #C560F0

RGB 197 96 240

HSL 282.08, 0.83%, 0.66%

LAB 58.53, 62.38, -55.86

 

CMYK 2 / 60 / 0 / 6

HEX #EB60F0

RGB 235 96 240

HSL 297.92, 0.83%, 0.66%

LAB 63.61, 71.43, -47.49

 

CMYK 0 / 60 / 14 / 6

HEX #F060CE

RGB 240 96 206

HSL 314.17, 0.83%, 0.66%

LAB 62.8, 67.33, -29.68

 

CMYK 0 / 60 / 30 / 6

HEX #F060A8

RGB 240 96 168

HSL 330, 0.83%, 0.66%

LAB 61.41, 62.24, -10.12

 

CMYK 0 / 60 / 46 / 6

HEX #F06081

RGB 240 96 129

HSL 346.25, 0.83%, 0.66%

LAB 60.32, 58.08, 10.86

 

CMYK 0 / 91 / 22 / 9

HEX #E815B5

RGB 232 21 181

HSL 314.5, 0.83%, 0.5%

LAB 52.98, 83.17, -30.67

 

CMYK 0 / 75 / 18 / 7

HEX #EC3AC1

RGB 236 58 193

HSL 314.49, 0.82%, 0.58%

LAB 56.79, 78.04, -31.64

 

CMYK 0 / 60 / 15 / 6

HEX #F060CD

RGB 240 96 205

HSL 314.58, 0.83%, 0.66%

LAB 62.76, 67.19, -29.18

 

CMYK 0 / 45 / 11 / 5

HEX #F386D9

RGB 243 134 217

HSL 314.31, 0.82%, 0.74%

LAB 70.26, 52.33, -24.33

 

CMYK 0 / 31 / 8 / 3

HEX #F7ABE4

RGB 247 171 228

HSL 315, 0.83%, 0.82%

LAB 78.75, 36.4, -17.4

 

CMYK 0 / 60 / 15 / 6

HEX #F060CD

RGB 240 96 205

HSL 314.58, 0.83%, 0.66%

LAB 62.76, 67.19, -29.18

 

CMYK 0 / 34 / 60 / 6

HEX #F09E60

RGB 240 158 96

HSL 25.83, 0.83%, 0.66%

LAB 72.11, 24.58, 44.48

 

CMYK 60 / 0 / 10 / 6

HEX #60F0D8

RGB 96 240 216

HSL 170, 0.83%, 0.66%

LAB 86.88, -44.24, 0.06

 

CMYK 0 / 60 / 15 / 6

HEX #F060CD

RGB 240 96 205

HSL 314.58, 0.83%, 0.66%

LAB 62.76, 67.19, -29.18

 

CMYK 14 / 0 / 60 / 6

HEX #CEF060

RGB 206 240 96

HSL 74.17, 0.83%, 0.66%

LAB 89.99, -31, 64.16

 

CMYK 60 / 14 / 0 / 6

HEX #60CEF0

RGB 96 206 240

HSL 194.17, 0.83%, 0.66%

LAB 77.83, -21.72, -26.21

 

CMYK 0 / 60 / 15 / 6

HEX #F060CD

RGB 240 96 205

HSL 314.58, 0.83%, 0.66%

LAB 62.76, 67.19, -29.18

 

CMYK 0 / 34 / 60 / 6

HEX #F09E60

RGB 240 158 96

HSL 25.83, 0.83%, 0.66%

LAB 72.11, 24.58, 44.48

 

CMYK 60 / 0 / 46 / 6

HEX #60F081

RGB 96 240 129

HSL 133.75, 0.83%, 0.66%

LAB 85.2, -61.66, 42.23

 

CMYK 60 / 26 / 0 / 6

HEX #60B1F0

RGB 96 177 240

HSL 206.25, 0.83%, 0.66%

LAB 69.63, -6.4, -38.87

 

CMYK 0 / 60 / 15 / 6

HEX #F060CD

RGB 240 96 205

HSL 314.58, 0.83%, 0.66%

LAB 62.76, 67.19, -29.18

 

CMYK 0 / 16 / 60 / 6

HEX #F0C960

RGB 240 201 96

HSL 43.75, 0.83%, 0.66%

LAB 82.46, 1.98, 56.51

 

CMYK 60 / 0 / 46 / 6

HEX #60F081

RGB 96 240 129

HSL 133.75, 0.83%, 0.66%

LAB 85.2, -61.66, 42.23

 

CMYK 60 / 44 / 0 / 6

HEX #6086F0

RGB 96 134 240

HSL 224.17, 0.83%, 0.66%

LAB 57.87, 18.48, -57.43

 

Description

Color code: HEX #F060CD | qconv.com Color code: HEX #F060CD | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 96 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 96 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 15 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 15% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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